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I need to feel close. Close to what? Close to you.

Big Eden (2000), dir. Thomas Bezucha

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Alice Walker, "No Better Life." Absolute Trust in the Goodness of the Earth

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romantic by margaret atwood

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down by margaret atwood

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part 1

the poetry of kitchens by shawna lemay//source//the lathe of heavens by ursula k le gin// source//the love cook by ron padgetti//according to bread by leslea newman//bitter in the mouth by monique truong//cornelia street by taylor swift//source

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Graveyard quilt

Elizabeth Roseberry [Mitchell] and her family were natives of Pennsylvania. She married Shadrach Mitchell on November 20, 1817 in Green County, Pa. In 1834, the family moved to Antioch, Ohio. They had the first seven of their 11 children with them during the move. In 1836, Elizabeth's young son, John Vanetta, died. At that time Elizabeth started a mourning quilt (different from this one, currently in the collection of the Kentucky Highlands Museum) and put a coffin with John's name on it in the graveyard at the center. The family moved again about 1840 to Lewis County, Ky. Brothers Roseberry and Mathias (called Bub) soon returned to Ohio. In January 1843, Matthias died at age 19; how or why is no longer known. Elizabeth added his name to the quilt that was still only in the quilt-top phase. Batting and backing had not been added and the quilting had not been started. Apparently Elizabeth was dissatisfied with that quilt and started a new one around Matthias' 1843 death. It is this second, finished quilt that is in the Kentucky Historical Society collections. Some fabrics are used in both quilts.

Each paper casket on the periphery bears a relative's name. All of Elizabeth and Shadrach Mitchell's children have a marked casket. The empty coffin space in the lower left corner once held the coffin labeled "Mother," which is now in the graveyard area. Some other family members were added. As each relative died, the year would be added to the tag and moved to the cemetery at the center. First Elizabeth Roseberry Mitchell then her daughters Sarah (Sis) and Elizabeth (Lib) cared for the mourning quilt. After Elizabeth's death in 1867, Sarah continued to alter the quilt until about 1870. Clearly she stopped making alterations before her father's death in 1875 although she lived until 1911. This quilt is an excellent example of nineteenth century mourning customs as well as an illustration of the emotions and experiences that were often expressed by women through their quilts.

source

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so much talk about love in the kitchen... what about the kitchen breakdowns

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https://www.poetryfoundation.org/poems/92122/the-last-skin

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