que diagnosticou meu tormento ao gargalhar / gosto de maionese e beber tampico
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babygirl you are so off-putting and weird. i need you carnally
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[id: a white userbox with a pastel pink border and pastel pink text that reads “this user enjoys listening to army of lovers.” on the left is an image of the band army of lovers. /end id]
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Some personal design notes I made for comics speech bubbles and on dialogue!
Conclusions were drawn from their dialogue sounds and manner of speech in general in addition to my personal flair and interpretation.
And here's an incomplete list of mental notes on actually writing dialogue for characters:
Curly
expresses genuinely what he feels and what he means, though he's reserved and leaves a lot unsaid
casually playful and whimsical when talking to others or commenting on things
smooth talker
speaks delicately and de-escalatory when faced with a stressful situation
using british slang on occasion, yeah?
Anya
often encouraging or reassuring those she talks to
teasing, witty and playful with anyone not named jimmy
stutters when speaking to those named jimmy but outside of that, speaks smoothly with enthusiasm
speaks with implications, basically says iconic deep meaningful shit in a non-direct way
Swansea
mean, harsh, sarcastic and taunting
like anya, he says some deep shit but in a poetic and direct way
reminds me of Disco Elysium dialogue in terms of vibes
speaks grandiosely
" ain't, goin', el capitano, downstairs longnose, hear hear, ol' codger, rumb-a-tumblin' " very fun to write
Daisuke
unfocused, emphasizes words, informal
speaks at the same time as he thinks, most of his dialogue feels like a stream of thoughts
filler words like, totally like everywhere man
Jimmy
dry, spiteful and bitter remarks, always sounds like he's annoyed at everything
no whimsical or heartfelt comments about anything
uses metaphors and veils his words, spinning them in ways to fit his goals. twists his own words as well as others'
steals phrases from others
persuasive
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Shelley’s 1971 Vogue photoshoot but it’s Anya
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an accomplice turned victim his apology, long overdue
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I think it's super interesting how Jimmy's fear of Anya and the baby manifests in his mind as the Pony Express mascot.
Unlike every other character, Anya ISN'T in Jimmy's guilt/regret hallucinations near the end. He sees Daisuke walk towards the dark, he sees Swansea chase him through a cemetery, he sees Curly on fire in front of him but ANYA? Anya isn't given that kind of treatment. No, instead, we see a hallucination of the baby, a tiny horse in a womb that has no face attached to it (Anya's face specifically, all he sees is the womb), turning into a deformed monster that hunts him down the moment it's born.
Polle (the baby) is seen as a danger in Jimmy's head in the beginning of the game too, after he walks out of the cockpit. The more he walks, the louder the baby noises get and the more deformed Polle looks when he runs into it!
Jimmy doesn't give a damn about Anya, nor does he regret anything he did to her, but he is scared of that baby and what it means. The living proof of what he did to Anya, manifesting as a monster that hunts him down throughout the game.

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celebrate the wifi you wont have for over a year with...surprisingly not a mouthwash joke?
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more drag art!!! some more color this time 🕺💃🕺💃





featuring in order: margaret y ya from drag race mexico and la mas draga season 1, hugáceo crujiente from drag race españa 1, "tippy" and miss x from vegas in space (rest in peace "tippy" </3), sigourney beaver from dragula 4, and arantxa castilla la mancha from drag race españa 1 !!!!
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