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hillnerd · 7 days ago

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idk how to word this properly but wrt the fanfic thing you reblogged earlier. Why do fanfic writers have such different expectations than any other content hosting platform?

Like lets take youtube as a point of comparison, Engagement like comments and likes largely exists to boost the works place in algorithm, thats why youtubers put in calls to action and other engament bait. Few with decent reach even read the comments and the audience shouldnt try to develop any weird parasocial relationship with the youtuber. Fanfic authors ask for likes (kudos, because the websites gotta use nonstandard language for some reason) and comments despite them not having any impact on an algorithm, and seem to want the audience to try and develop a relationship with the author based on tumblr posts like that one.

Why the radical difference in behaviour away from the norm? And honestly with all the (usually) metaphorical blood spilled online about parasociality why are authors really surprised that the audience tries to keep their distance as is best practice with any other content producer?

okay I am going to answer this as kindly and as calmly as I can and try to assume that you are asking this in good faith. because my friend, the fact that you feel the need to ask is, to me, The Problem.

[this is, for the record, in response to this post]

fanfiction writers are not *posting content.* (I also have reservations about engaging with the term "content producer" or "content creator" but let's put that aside for now, I'll circle back to it.) you say "they seem to want the audience to try and develop a relationship with the author" as though it is strange, off-putting, and incomprehensible to you, when in fact that is the point of writing fanfiction. it is a way of participating in fandom. it is a way of building community and exchanging ideas and becoming closer with people.

if authors wanted to solely ~generate content~ that would get them attention (?? to what end, the dynamic you have described seems to equate algorithmic supremacy as winning for winning's sake, as though all anyone wants to do is BUILD an audience without ENGAGING with them, which I cannot fathom but let's pretend for a moment that is, in fact, true) then like. if that were the case why on earth would they choose a medium in which they categorically cannot succeed and profit, because it isn't their IP?

you are equating two things that are not at all the same thing. to the degree that parasocial relationships are to be avoided, and "that person is not trying to be your friend they are trying to entertain you, please respect their boundaries" is a real dynamic -- which it is!! -- like. you have to understand that the reason that is true for the people of whom it is true is because it is their JOB. they are storytellers by profession, and they are either through direct payment, or sponsorship, or advertising, or through some other means, profiting off of your attention. i don't say this to be dismissive, many wonderful artists and actors and comedians and any number of a thousand things that i enjoy very much go this route but they do so as a *career choice.* and so when you violate the public/private boundary with them, you are presuming to know a Person rather than their Worksona. the people who work at Dropout or who stream their actual play tabletop games or who broadcast on TikTok or YouTube are inviting me to feel like i know them to the degree to which that helps them succeed in their medium and at their craft, but there MUST be a mutual understanding that that's a feeling, not a fact.

however.

a fanfiction writer is not an influencer, not a professional, and is not looking to garner "success." there is no share of audience we are trying to gain for gain's sake, because we are not competition with one another, because there is nothing to win other than the pleasure of each other's company. we are doing this for no other reason than the love of the game; because we have things we want desperately to say about these worlds, these characters, these dynamics, and because we *want more than anything to know we are not alone in our thoughts and feelings.* fanfiction is a bid for interaction, engagement, attention, and consideration. it is not meant to be consumed and then moved on from because we are NOT paid for our work, nor do we want to be. the reward we seek is "attention," but attention as in CONVERSATION, not attention as in clicks. we are not IN this for profit, or for number-go-up. there is no such thing: legally there cannot be. we are in this because we want to be seen and known.

like. please understand. i am now married to someone i met because of mutual comments on fanfiction. our close friend and roommate, with whom i have cohabitated for over a decade now, is someone I met because of mutual comments on fanfiction and livejournal posts. that is my household. beyond my household, the vast majority of my closest personal friends are people with whom I built relationships in this way.

you ask why fanfiction writers want THIS and not "the norm," but the idea of everything being built to cater to an algorithm to continue to build clout, as though the only method of reaching people is Distant Overlord Creator and Passive Receptive Audience being "the norm" is EXTREMELY NEW. this is not how it has always been!! please think of the writers of zines in a pre-internet fandom, using paper and glue and xerox to try and meet like-minded people in a world that was designed for you to only ever meet people in person, by happenstance, in your own hometown. imagine the writers of the early internet, building webrings from scratch to CREATE a community to find each other, despite distance. imagine livejournal groups, forums, and -- yes, indeed, of course -- comment threads IN STORIES -- as places where people go to *converse.* in the past, we had an entire Type Of Guy that everyone knew about, the BNF ("Big Name Fan") whose existence had to be described via meme because it was SO DIFFERENT THAN THE NORM. treating fellow fans like celebrities or people too cool for the regular kids to know was an OUTLIER, and one commonly understood to lead to toxicity.

in the past, I have likened writing fanfiction to echolocation. i am not screaming because I like hearing the sound of my own voice, though i can and do find my voice beautiful. i am screaming so that the vibrations can bounce back to me and show me the world. the purpose is in the feedback. otherwise it is just noise.

does this make any sense? can you see, when i describe it that way, why an ask like yours makes me feel despair, because it makes us all sound so horribly separate from one another?

perhaps I will try another metaphor:

a professional chef who runs a restaurant will not have her feelings hurt if you never fight your way into the kitchen to personally tell her how much you enjoyed the meal. that would, indeed, violate a boundary. professional kitchens are a place of work, and you have already showed her you enjoyed the meal by paying for it, or by perhaps spreading your enjoyment by word of mouth to your friends so they, too, can have good meals. you show your appreciation by continuing to come back. if a bunch of people sitting around randomly happen to have a conversation about how much they love the food, it wouldn't hurt that chef's feelings to not be included in the conversation. however: EVEN IN THIS INSTANCE, it is ADVISABLE AND APPROPRIATE to leave a good review! you might post about how much you like this restaurant on Yelp, and it would probably make the chef feel great to see those positive comments. but the chef doesn't NEED them, because the chef is, again, *also being paid to cook.* that's why she started the restaurant, to be paid to cook!

i am not being paid to cook.

i am at home in my own kitchen, making things for a community potluck where i hope everyone will bring something we can all enjoy together. some people at the potluck are better bakers, some better cooks; some can't cook at all but are great at logistics and make sure there's enough napkins for everyone; some people come just to enjoy the food, because that's what the party is for. and if I, as this enthusiast chef who made something from my heart for this reason alone, learned after the fact that a bunch of people got together in the parking lot to rave about my dish but no one of them had ever bothered to tell me while I sat alone at my table all night, occasionally seeing people come by to pick up a plate but never saying anything to me -- of course that would bother me, because I am not otherwise profiting off the labor I put in. this is not a bid to be paid, because if someone WERE to say "hey, great cake!! here's five bucks for a slice" i would say no, friend, that is not the point and give them the money back. i'm not trying to Get Mine. I am in it to see the look on your face. I'm in it so you can tell me what about it moved you, so that I can say back what moved me to make it in the first place. so we can TALK about it.

because what happened in the first place is this: one time I had a cake whose sweetness, richness, flavor, intensity, and composition moved me so much that I *taught myself to bake.* so I could see how much vanilla and sugar was too much, so I could learn how to make things rise instead of fall flat, so I could even better appreciate the original cake by seeing for myself the effort and talent and inspiration that goes into making one even half as good.

learning to do so is a satisfying accomplishment in and of itself, yes.

but I also did it because at the end of the day we should EAT the cake. and it's a lonely thing, to eat alone when a meal was always designed and intended to be shared.

so, to answer your last question: i'm not surprised, i'm just sad. because somehow two things that were never meant to be seen as the same have been labeled "content," and thus identical. and it diminishes both the things that ARE intended to be paid for AND the things that are not, because it removes any sense of intimacy or meaning from the work.

i hope you know i'm not mad at you for asking. but i'm frustrated we've come to live in a world where the question needs to be asked, because the answers are no longer intuitively obvious because we're so siloed.

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hillnerd · 10 days ago

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McMurdo Internet

Internet service is supplied to Antarctica via a geostationary satellite. This far south, the satellite is only a few degrees above the horizon, and unfortunately for McMurdo, it’s behind Mt Erebus. So the signal is beamed to a receiver on Black Island, about 20 miles away to the southwest, and bounced over to the sheltered alcove at the end of the Hut Point Peninsula where McMurdo sits.

The Chalet, administrative hub, with Black Island in the distance

The Black Island telecommunications infrastructure was installed in the 1980s, long before the internet we know and love today. It was upgraded in 2010 to allow more data transfer, mainly realtime weather data to feed into global forecast models. For this reason, it’s probably the only place I’ve ever been where upload speed is remarkably faster than download speed – 60Mbps for outbound traffic, but only 20Mbps for inbound. Most regular internet use is receiving, not sending, so that’s an entire base running on a connection that’s only marginally faster than the average American smartphone. As you can imagine, this is somewhat limiting.

The limits to one’s internet access actually begin before one even reaches the Ice. At the orientation in Christchurch, one is directed to a URL from which one must download and install a security programme from the U.S. government. It may feel like a hippie commune full of nerds, but McMurdo is an installation of the American state, and as such its computer network is a target of whatever disgruntled conspiracy theorist decides to hack The Man on any given day. Computers that are allowed onto this network (such as the one on which I am typing right now) have to have an approved firewall and antivirus service installed, then this extra programme on top of them. I am not sure what it does. For all I know the CIA is spying on me even now. (Hi, guys!) But you need to install it to get on the McMurdo Internet, such as it is, so I did.

To be honest, I was rather looking forward to a month cut off entirely from the hyperconnected world, so I was a tiny bit disappointed that quite a lot of day-to-day communication is done by email, and I would need to be on my computer a fair bit to get it. Had I known just how important email would be, I’d have installed an email client that actually downloads one’s messages instead of just fetching them; as it was, the cycle of loading an email and sending the reply, even in Gmail’s “HTML for slow connections” mode, took about five minutes, not counting the time it took to write. Tending one’s email was a serious time commitment; sometimes I felt like I was spending more time on the computer in Antarctica than I did at home.

Crary scientists waiting, and waiting, and waiting

In a way, though, I was lucky, because I was technically a scientist and therefore had access to the one building on base with WiFi, the Crary Lab. And don’t think you can just waltz into Crary with your laptop and poach the WiFi – in order to access it at all, you have to get set up by Crary IT with your own personal WiFi login. If you do not have Crary access, your portal to the Internet is one of a handful of ethernet cables in each of the dorm common rooms, or some public terminals in the main building. You can hop on, download your emails, maybe check the news or Google something you needed to look up, and then leave it for someone else. When most online time sinks are either blocked or too heavy to load, it’s amazing how little internet time you actually turn out to need.

Things that we have come to take for granted in The World are not a part of McMurdo life. Social media is pretty much out – the main platforms are bandwidth hogs even before you try to load a video or an animated GIF. There is no sharing of YouTube links, and no Netflix and chill. Someone was once sent home mid-season for trying to download a movie. Video calls with family and friends? Forget it. People do occasionally do video calls from Antarctica, often to media outlets or schools, but these have to be booked in advance so as to have the requisite bandwidth reserved. Jumping on FaceTime does not happen – not least because handheld devices have to be in airplane mode at all times for security reasons. Your phone might be secure enough for your internet banking, but not for US government internet!

It is, unavoidably, still a digital environment, it just gets by largely without internet access. Nearly everyone has an external hard drive, mostly for media that they’ve brought down to fill their off hours. If you want to share files you just swap hard drives, or hand over a memory stick. When the Antarctic Heritage Trust wanted some book material from me, I dropped it onto an SD card and ran it over to Scott Base on foot – a droll juxtaposition of high- and low-tech, not to mention a good excuse for a hike over The Gap on a beautiful day. It took half an hour, but was still faster than emailing it.

There is also a McMurdo Intranet, which includes a server for file sharing. Emailing someone your photos will take ages, but popping them into a folder on the I: drive and sending them a note to say you’ve done so (or, better yet, phoning them, or poking your head into their office) is much more efficient. To conserve space, this informal server partition is wiped every week, so you have to be quick about it, but it’s an effective workaround, and also a good way to get relatively heavy resources to a large number of people in one go.

The telecommunications centre on Black Island is mostly automated, but like anything – perhaps more than some things, given the conditions – it needs to be maintained. There is a small hut out there for an equally small team of electricians and IT engineers; Black Island duty attracts the sort of person who might have been a lighthouse keeper back in the day.

Towards the end of my time on the Ice there was a spell where they needed to shut off the connection overnight, to do some necessary work. Given that most people’s workdays extended at least to the shutoff time at 5:30 p.m., this meant essentially no internet for a large portion of the population, and some amusing flyers were posted up to notify everyone of the impending hardship.

Someday, faster, more accessible internet will come to Antarctica. It’s more or less unavoidable, as communications technology improves, and everyone’s work – especially the scientists’ – depends more and more on having a broadband connection at all times. It will make a lot of things more convenient, and will make the long separation from friends and family much easier. But I’m pretty sure that many more people will mourn the upgrade than celebrate it. One can, theoretically, curtail one’s internet use whenever one likes, but even before the pandemic it was almost impossible to live this way with the demands of modern life: I know from personal experience that opting out of Facebook alone can have a real detrimental effect on relationships, even with people one sees in the flesh fairly regularly, simply because everyone assumes that is how everyone else communicates. Being in a community where no one has access to assumed channels, and is more or less cut off from the rest of the world in a pocket universe of its own, levels the playing field and brings a certain unity. The planned (and, unarguably, necessary) updating of the physical infrastructure of McMurdo will wipe out a lot of the improvised, make-do-and-mend character of the place; how much would free and easy access to the online world change it in a less tangible way?

I’m sure the genuine Antarctic old-timers would shake their heads at the phone and email connections we have now, and say that no, this has already ruined Antarctica. It’s not Antarctica unless your only link to the outside world is a dodgy radio. It’s not Antarctica unless you only get mail once a year when the relief ship arrives. Doubtless the shiny new McMurdo will be seen as ‘the good old days’ by someone, someday, too. Change may happen slower there than elsewhere, but just like the rust on the tins at Cape Evans, it comes eventually, regardless.

For my own part, I’m glad I got to see ‘old’ McMurdo, such as it was, all plywood and cheap ‘90s prefab. The update will be much more efficient, and tidy, but yet another generation removed from the raw experience of the old explorers. My generation is probably the last to remember clearly what life was like before ubiquitous broadband; to some extent, Antarctica is a sort of time capsule of that world, just as the huts are a time capsule of Edwardian frontier life. I hope they’ll find a way to hang on to the positive aspects of that.

Now, if you’ll excuse me, I’m off to waste an hour mindlessly refreshing Twitter …

If you’d like to learn more about the Black Island facility, there’s a lot of good information (and some photos!) here: https://www.southpolestation.com/trivia/90s/blackisland.html

And this Antarctic Sunarticle goes into greater depth on the 2010 upgrade: https://antarcticsun.usap.gov/features/2114/

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