himemoonpie
himemoonpie
don't leave me
21K posts
María - 28 - 04/10 - Libra -PR- Star Wars Trash - Jonsa Trash- Reylo/Anidala - Mikasa is my queen- snk trash- Writter wanna be
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himemoonpie · 3 months ago
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himemoonpie · 1 year ago
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whenever i say “screaming crying throwing up” this is what i mean
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himemoonpie · 1 year ago
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Favorite Padmé Outfits (2/2)
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himemoonpie · 1 year ago
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himemoonpie · 1 year ago
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himemoonpie · 2 years ago
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it's so funny males r so delusional
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himemoonpie · 2 years ago
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The new John Wick movie looks great
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himemoonpie · 2 years ago
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Luke skywalker moodboard <3
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himemoonpie · 2 years ago
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himemoonpie · 2 years ago
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Why are you spacing out while looking at me? When I first saw your face clearly, you were as pretty as you are today. Do you still remember the first time you saw me? Of course. It was the lantern festival. You were looking at lanterns. I was looking at you. You were looking at me for so long. Why didn’t you approach me? Because I had something I had yet to achieve and I was not ready to propose to you yet. You only saw me once. Isn’t it too early for a propsal? Once…. Once was enough.
Love like the Galaxy 1.38
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himemoonpie · 2 years ago
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himemoonpie · 2 years ago
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How to Make Your Descriptions Less Boring
We’ve all been warned about the dangers of using too much description. Readers don’t want to read three paragraphs about a sunset, we’re told. Description slows down a story; it’s boring and self-indulgent. You should keep your description as short and simple as possible. For those who take a more scientific approach to writing fiction, arbitrary rules abound: One sentence per paragraph. One paragraph per page. And, for god’s sake, “Never open a book with weather” (Elmore Leonard).
But what this conventional wedding wisdom fails to take into account is the difference between static and dynamic description. Static description is usually boring. It exists almost like a painted backdrop to a play. As the name suggests, it doesn’t move, doesn’t interact or get interacted with.
There were clouds in the sky. Her hair was red with hints of orange. The house had brown carpeting and yellow countertops.
In moderation, there’s nothing wrong with static description. Sometimes, facts are facts, and you need to communicate them to the reader in a straightforward manner.
But too much static description, and readers will start to skim forward. They don’t want to read about what the house looks like or the stormy weather or the hair color of each of your protagonist’s seventeen cousins.
Why? Because they can tell it’s not important. They can afford to skip all of your description because their understanding of the story will not be impacted.
That’s where dynamic description comes in. Dynamic description is a living entity. It’s interactive, it’s relevant. It takes on the voices of your narrators and characters. In short, it gives us important information about the story, and it can’t be skimmed over.
So how do you make your description more dynamic so that it engages your readers and adds color and excitement to your story? Here are a few tips.
(I have a TON more tips about setting and description. These are just a few. But I’m trying to keep this short, so if you have any questions or want more advice about this, please feel free to ask me.)
Seguir leyendo
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himemoonpie · 2 years ago
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How to Use Description to Show Character Development
This is a follow-up to my post How to Make Your Descriptions Less Boring. In that post, I talked about the difference between static descriptions and dynamic descriptions and argued that as long as you’re using dynamic descriptions, readers will be much more engaged and you can throw out the old “don’t use description because it’s boring” advice.
To recap:
Static descriptions don’t move or get interacted with. They exist almost like a painted backdrop to a play or the background on an old cartoon.
Example: The grass was green.
Dynamic descriptions, on the other hand, take on the voice and perceptions of your point-of-view character, and are interactive. They combine description, action, perception, and character development.
Example: The grass outside the house was so green James couldn’t believe it – it almost looked fake. After looking around to make sure no one was watching, he squatted down and ran his hands through it.
If you’re new to description, trying to use more dynamic description is a great starting point…
…but there’s so much more you can do with description once you understand how to work with it!
Seguir leyendo
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himemoonpie · 2 years ago
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We can get through this together.
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himemoonpie · 2 years ago
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enemies to lovers midpoint prompts
as the request stated, that ‘i am trying really hard to keep hating you‘ phase, or what i like to call the reluctant friend stage. feel free to use :)
“i think we’re friends now.” “God, don’t say that.”
“everything is just a competition for you… isn’t it?” “isn’t it for you, too?”
“h—” “don’t talk to me.”
“i’d pay good money for you to admit you tolerate me.” “tolerate being the operative word.”
“why can’t you open up to me?” “why do you want me to?”
they’re so used to hating each other sometimes the snide remarks just slip out LMAO
like “should i get you something too?” “you can get out of my fa— woah, hehe. sorry.”
“you’re still on that?” “still on that..??? STILL ON THAT?????? I CANT STAND YOU???!!!(!;!”
a whispered moment between them ; “i’m trying so hard to hate you.” “why?”
they’re trying hard to hate each other then something happens (plot) and they’re stuck together which makes it ten times harder
“be honest with me.” “but why? why would i do that?”
“stop.” “stop what?” “being so kind to me.”
remember… they hated each other a couple chapters back. what changed? why did it change? who did it start to change in first?
the moment where your character asks themselves; “when did this nuisance become so important to me?”
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himemoonpie · 2 years ago
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The Darkest Hour for your Protagonist
Also known as the “crisis” or the moment when all hope is lost for your protagonist. The Darkest Hour is when your character hits rock bottom and that “happy ending” just seems unreachable. In this scene, success for your protagonist appears impossible.
What could be a Darkest Hour?
In my opinion, you want your darkest hour to be as dark as possible. Push things to the extreme, create stakes, and hurt your protagonist.  
• Not just any death, but the death of someone your protagonist loves (did your protagonist fail to save them? They now blame themselves.)
• Not just a mild injury, but a serious and life-threatening one (does this injury follow your protagonist into the end of the story? Permanently?)
• Use their fears against them (if they’re afraid of snakes, don’t just have one appear… have them fall into a pit of them.)
• Make your protagonist lose all hope and put their insecurities on full display (they’re embarrassed and ashamed in front of everyone.)
• Attack their mentality just as much as their physicality. (Betrayals, lies, deceptions, self-doubts.)
When does it happen?
Typically, the Darkest Hour occurs right before the climax. Your protagonist is at their all-time low until they have an “a-ha!” moment and gain the hope, strength, or resources to overcome their conundrum and push into the climax of the story.
How does my Protagonist overcome their crisis?
There are numerous ways that your protagonist can trudge out of the mud and gain the strength to continue fighting. They could do it independently and prove themselves a true hero, pull hope from memories and past encounters, receive aid from allies, divine intervention, etc. 
Why is the Darkest Hour Important?
The Darkest Hour is vital to a character’s arc and story because, during their all-time low, their true nature is revealed. Their insecurities, flaws, and fears are all out on the table and the readers get to see them at their most vulnerable. Watching them overcome the crisis shows the reader their growth as a character.
⭐ Show the readers how much your protagonist has grown. If this crisis happened at the beginning of your story, your protagonist would NOT have been able to overcome it. Only through their growth, learning, and plot experiences… are they able to overcome it now.
⭐THIS IS WHERE YOUR PROTAGONIST CAN FINALLY SEE THEIR MISBELIEF/FLAW.
During or after your protagonist’s Darkest Hour is an amazing place for your protagonist to realize the flaw in their thinking (their misbelief). 
Referring back to older posts, your protagonist needs to have a “flaw” or “misbelief”. A false way of thinking that eventually, they will realize is wrong.
• “I’ll never be good enough.” • “Magic is wrong and I will never use it.” • “All aliens are evil and need to be eliminated.” 
This misbelief should have been impeding on your character through the entire plot, causing them conflict and turmoil. After fighting for survival in their darkest moment, they realize they were thinking wrong all along.
• A character reminds your protagonist that they are good enough. • Your protagonist sees magic being used to heal their allies and realizes finally that it can be used for good. • An alien saves your protagonist from a bullet and suddenly your character sees that not all aliens are bad.
Instagram: coffeebeanwriting   
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himemoonpie · 2 years ago
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97 character motivations
Need a masterlist of character motivation ideas?
Here’s 97 different character motivations you can use for anything from your hero, side-characters, villain, or even to craft smaller subplots. Save this post for later!
Saving a family member from capture
Saving a sibling from disease
Saving a pet from danger
Saving the world from ruin
Saving a friend from heartbreak
Saving the town from financial ruin
Saving friends from dangerous deadly situations
Saving a love interest from dying
Saving themselves in a dangerous world
Saving a community from falling apart
Saving a child from a potentially dangerous circumstance
Saving a place or location from evil forces
Saving a ghost from limbo
Overcoming a phobia
Overcoming an addiction
Overcoming marital struggles
Moving on from loss
Finding a significant other
Finding a new family (not blood-related)
Finding true biological family
Finding out an old secret
Finding a way home
Reconnecting with long-lost friends
Getting out of a dark state of mind
Finding peace in life
Beating a disease
Beating an arch nemesis
Forming a peaceful community
Transforming a location
Bringing someone back to life
Winning a competition
Going on an adventure
Getting a dream job
Keeping a secret
Escaping a location of capture
Proving a moral point
Proving a political point
Winning a political campaign
Betray someone
Ruin someone’s life
Find a suspect or killer
Find the answer to a mystery
Discover ancient sites & secret histories
Perform a successful ritual
Summon the dead
Save a country from dictatorship
Become the most powerful in a community
Outshine a family member in business success
Prove someone wrong
Win prize money to help someone in need
Get revenge on someone who wronged them
Find the person who wronged them
Develop significant scientific progress
Gain respect from family
Get over an ex-lover
Move on from a painful death
Keep their community alive
Lead their community
Heal people in need
Preserve a species (animal, alien, plant…)
Discover new world
Get recognition for hard work
Become famous
Get rich to prove themselves to people who doubted them
Break a long tradition
Challenge the status quo of a community
Defeat a magical nemesis
Take over a location to rule
Find out truth behind old legends
Help someone get over their struggles
Prove their moral values
Prove their worth to an external party
Become a supernatural creature
Keep something from falling into the wrong hands
Protect the only person they care about
Start a revolution
Invent new technology
Invent a new weapon
Win a war
Fit in with a community
Atone for past sins
Give top-secret information to an enemy as revenge
Kill an ex-lovers current partner
Reinvent themselves
Raise a strong child
Make it to a location in a strict time period
Find faith
Find enlightenment
Find out more about the afterlife
Confess love to a friend
Solve a moral dilemma
Have a child of their own
Avoid being alone
Run away from past struggles
Reinvent themselves as a new person
Impress a colleague or boss
Avoid a fight or war breaking out
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