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JG Thirlwell

FOETUS

photo by Peter Anderson.

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source: unknown

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Skull of a white-tailed deer with deformed antlers By: Leonard Lee Rue III From: The World of the White-tailed Deer 1962

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Untitled, Photo by Jerry N. Uelsmann, 2016

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From Midwest Diary, Photo by Robbert Flick, 1974

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Procession, Chalma, Mexico, Photo by Graciela Iturbide, 1984

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Urubamba, Peru, Photo by Edward Grazda, 1972

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Cave, Lower Falls, Rochester, New York, Photo by Rick McKee Hock, 1983

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Untitled (View of Brooklyn Bridge), Photo by Tosh Matsumoto, 1947-51

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Isabella Griffith

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“The Ancient Incan Formula”

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´the hands of antonin artaud ’ by man ray 1925

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/ Supernatural, Church

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Event for cone laser, light structure Image ‘90 - Melburne, 1990

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Lygia Clark, Dialogue: Goggles, (1968)

 In keeping with her experimentation with therelationship between the artist, the artwork and the audience/participant, Clark fabricated a pair of goggles that restrict the visual field of the participants and force an eye-to-eye exchange through a series of mirrors that distort their vision. In this piece, Clark merges concrete examples of performance, interactivity and dialogism. For Clark, the object becomes “a mere vehicle for bodily experience and exists only in relation to the body that holds (or interacts) with it.”