hunny-k
it's hard being this funny
Taylor/Rae / 23 / they/them / ao3 under hunny_k / icon by me :) / My etsy shop where I sell buttons is pinned! /plenty of super helpful writing tips saved in #writing ref
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thank you scherz et al. for bringing us the frogs Mini ature, Mini mum and of course, the Mini scule
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"Pluto isn't a planet" Fine.
"Dinosaurs had feathers" Fine!
"Neptune isn't a beautiful oceanic blue, it's actually the same washed-out disappointing color as Uranus" I will kill you with my bare hands
Look how they massacred my boy
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god people have always been people. victorian noblewomen stubbed their toes and swore about it. medieval peasants ripped hangnails a little too hard and sucked on it to make it better. cavemen put kids on their shoulders so the kids could get their handprints up on the wall. someone in the 1760s played with their dog and someone in the 1340s dragged themself out of bed at some unholy hour of the morning to soothe a crying baby and someone in the 1550s stuck a flower behind their lovers ear. I'm gonna be sick people have always been people
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i PERSONALLY would like to FALL IN LOVE please!!!!!! and have the SAME PERSON fall in love with me BACK!!!!!!! could i get some MUTUAL AFFECTION out here!!!!!!!!!
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Photo
Paint-on-glass animation is a technique for making animated films by manipulating slow-drying oil-paints on sheets of glass as the animator gradually alters the shapes they create, and during this process, a camera records each finished ‘frame’.
When adapting ONE’s Mob Psycho 100, director Yuzuru Tachikawa wanted to adapt the source material in fantastic ways. And so, by combining the talents of a skilled staff, an anime with an incredible mix of animation techniques was born.
Mob Psycho’s ending, and a good portion of the paranormal scenes are a complex product of paint-on-glass animation, done by Miyo Sato, a Tokyo University of Arts graduate and animator who has had her work nominated for multiple international animation awards.
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