Holly • 25• they/them but honestly all pronouns work• veryyyy Bi. massive dnd nerd- CR and D20, and a splattering of other stuff.
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scientists in the 1990s, putting a Get More Purple gene attached to a harmless plant virus into an already purple petunia: please get more purple
the petunia, sensing an apparent honest to god Get More Purple Disease, using the previously undiscovered RNAi antiviral ability to shut down all other purple genes along with it just in case: you put VIRUS in petunia? you infect her with the More Purple?? oh! oh! her children shall bloom white! jail for mother, jail for mother for One Thousand Years!!!!
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I feel like tumblr should be bigger fans of The Blues Brothers. It's a movie that has everything we value as a community. Attention and respect to pioneering black musicians, open hostility to nazis, open defiance to police, Carrie Fisher with a rocket launcher and flamethrower, a soundtrack that goes hard as hell, John Belushi so blasted on cocaine that he continues to do somersaults despite having a broken ankle. It's got it all!
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I think I may never be sad ever again. There is a statue entitled "Farewell to Orpheus" on my college campus. It's been there since 1968, created by a Prof. Frederic Littman that use to work at the university. It sits in the middle of a fountain, and the fountain is often full of litter. I have taken it upon myself to clean the litter out when I see it (the skimmers only come by once a week at max). But because of my style of dress, this means that bystanders see a twenty-something on their hands and knees at the edge of the fountain, sleeves rolled up, trying not to splash dirty water on their slacks while their briefcase and suit coat sit nearby. This is fine, usually. But today was Saturday Market, which means the twenty or so people in the area suddenly became hundreds. So, obviously, somebody stopped to ask what I was doing. "This," I gestured at the statue, "is Eurydice. She was the wife of Orpheus, the greatest storyteller in Greece. And this litter is disrespectful." Then, on a whim, I squinted up at them. "Do you know the story of Orpheus and Eurydice?" "No," they replied, shifting slightly to sit.
"Would you like to?"
"Sure!"
So I told them. I told them the story as I know it- and I've had a bit of practice. Orpheus, child of a wishing star, favorite of the messenger god, who had a hard-working, wonderful wife, Eurydice; his harp that could lull beasts to passivity, coax song from nymphs, and move mountains before him; and the men who, while he dreamed and composed, came to steal Eurydice away. I told of how she ran, and the water splashed up on my clothes. But I didn't care. I told of how the adder in the field bit her heel, and she died. I told of the Underworld- how Orpheus charmed the riverman, pacified Cerberus with a lullaby, and melted the hearts of the wise judges. I laughed as I remarked how lucky he was that it was winter- for Persephone was moved by his song where Hades was not. She convinced Hades to let Orpheus prove he was worthy of taking Eurydice. I tugged my coat back on, and said how Orpheus had to play and sing all the way out of the Underworld, without ever looking back to see if his beloved wife followed. And I told how, when he stopped for breath, he thought he heard her stumble and fall, and turned to help her up- but it was too late. I told the story four times after that, to four different groups, each larger than the last. And I must have cast a glance at the statue, something that said "I'm sorry, I miss you--" because when I finished my second to last retelling, a young boy piped up, perhaps seven or eight, and asked me a question that has made my day, and potentially my life: "Are you Orpheus?" I told the tale of the grieving bard so well, so convincingly, that in the eyes of a child I was telling not a story, but a memory. And while I laughed in the moment, with everyone else, I wept with gratitude and joy when I came home. This is more than I deserve, and I think I may never be sad again.
Here is the aforementioned statue, by the way.
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AU where the clones and the droids unionize and collectively go on strike and stand threateningly around important government buildings until they get their rights
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Conversation carried out throughout the shift
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“I don’t like this song because I can’t relate to it” skill issue. I’m mad at my husband I love my girlfriend I’m a lone cowboy I’m growing old I’m growing up I’m depressed I love my friends I’m perpetually horny I’m drunk at the club I love my husband again
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I think derry girls should have one thousand emmys
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Legit one of my favorite episodes. The office references were on point. Also the best part is the fourth picture. When you see it you can't unsee it.
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Reddit makes dumb decision -> I finally decide to check out Tumblr -> meet cool people on the 196 tag and become mutuals -> I discover one of them lives in Aus too -> I fly like 1000km and we fuck and cuddle
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People will literally be doing anything on ao3
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sometimes i think about how eliot spencer in any other font would be such an annoying character. like he's the gruff, ex-military, man pain guy who gets all the girls. and then they said no! he's a thoughtful and kind man who children love and who has an absolutely mind-obliterating insane amount of ptsd. and he's got long hair, jewelry, and probably some sort of pronouns situation. and he's almost certainly in a sort of queerplatonic throuple with an adhd genius and the most autistic woman(?) alive. what a character
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the original meme had the cadence of a futurama joke that's my only defense for this
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‘you put that cig out, you can hold her’
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