idontdocapes

[idontdocapes]

𝐏𝐑𝐎𝐌𝐏𝐓𝐒 𝐓𝐇𝐀𝐓 𝐌𝐀𝐊𝐄 𝐌𝐄 𝐆𝐎 👀.

okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )

[ HAIR ]:          sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)

[ CLOSE ]:          while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.

[ CHIN ]:          as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.

[ THUMB ]:          while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.

[ WOUND ]:          upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.

[ INHALE ]:          while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.

[ DANCE ]:          when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.

[ BARE ]:          as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.

[ SCAR ]:          noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.

[ FOREHEAD ]:          placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.

[ PALM ]:          taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.

[ LINGER ]:          taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.

[ BEHIND ]:         upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.

[ WAIT ]:          realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.

[ ARM ]:          after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.

[ HOLD ]:          while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.

[ PLAY ]:          while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.

[ GUIDE ]:          in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back

[ TOUCH ]:          while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.

[ CUP ]:           bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.

[ TUG ]:          the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.

[ HUSH ]:          while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.

[ WRAP ]: when sitting astride a horse/motorcycle/etc. together, the sender reaches back, takes the receiver’s wrists, and gently pulls their arms around the sender’s waist in an embrace designed to keep the receiver safe, despite feeling remarkably intimate.

[idontdocapes]

REASONS TO TACKLE. [ a prompt list! ]

listen. tackling is a language that can convey many many things. and once again, this is a list that may be edited down the line to capture those languages, but in the meantime! we have this! bc i saw One Scene in a film and made it the dashes problem! bon appetit, enjoy! DO NOT ADD TO OR EDIT THIS LIST, NOR CLAIM AS YOUR OWN.

[ ANGER ]: sender tackles the receiver in a fit of rage.

[ DODGE ]: sender tackles the receiver out of the way of an attack.

[ LOVE ]: sender tackles the receiver onto a bed/sofa to give them some attention of a romantic or similarly heated nature.

[ TRAIN ]: sender tackles the receiver as part of a sparring or training exercise.

[ SLEEP ]: sender tackles the receiver on top of a bed in order to insist that they get some sleep.

[ HUG ]: sender tackles the receiver to the ground in their enthusiasm to give them a hug.

[ CALM ]: sender tackles the receiver to the ground in an effort to both restrain and calm them down.

[ STOP ]: sender launches themselves at the receiver and tackles them in order to stop them from doing something.

[ FIGHT ]: sender, in the midst of a physical fight with the receiver, tackles them to try and gain the upper hand.

[ RESTRAIN ]: sender tackles the receiver to try and physically restrain them.

[ HIDE ]: sender tackles the receiver to the ground, out of sight, in order to stop them from being seen.

[ SHIELD ]: sender throws themselves over the receiver's body to shield them from an attack.

[ INTERVENE ]: sender tackles the receiver to prevent them from attacking another person.

[ WHISPER ]: sender tackles the receiver so as to distract on-lookers from seeing them whisper something into the receiver's ear.

[ COLLAPSE ]: sender, weak due to previous conditions, collapses on top of the receiver, inadvertently tackling them to the ground in the process.

[ SLIP ]: sender slips on something and trips, bringing the receiver down with them in their descent.

[ POCKET ]: sender tackles the receiver in order to distract witnesses from seeing them put something into the receiver's pocket.

[ CONVINCE ]: sender tackles the receiver to convince on-lookers that they're enemies.

[idontdocapes]

KNOCK - KNOCK PROMPTS.

listen i recently became obsessed with the amount of television shows that have a mystery person knocking on the protagonist's door as a major finale cliffhanger, and it got me thinking, and now we have this list that a few immensely talented people helped me with! that said, we know the drill by now. DO NOT ADD TO THIS LIST OR CLAIM IT AS YOUR OWN! IF YOU HAVE IDEAS FOR MORE PROMPTS SEND THEM TO ME AND I WILL ADD THEM!

[ KISS ]: sender shows up at the receiver's door and impulsively pulls them in for a passionate kiss that punctuates a lengthy slow-burn between the two.

[ WOUNDED ]: sender arrives at the receiver's door with considerable injuries, in dire need of help and emergency care that only the receiver is either trusted enough or convenient enough to provide.

[ TEARS ]: sender shows up at the receiver's door in tears and in need of comfort after a long day (or week, or month…)

[ DEFEATED ]: sender arrives at the receiver's door after having lost a considerably important battle (metaphorical or literal) and needing a place to recuperate from the loss.

[ FUGITIVE ]: sender, having just become a fugitive from the law, runs to the receiver's home in the hopes of finding shelter and safety with them.

[ GIFTS ]: sender arrives at the receiver's house with gifts for the homeowner themselves.

[ APOLOGY ]: sender goes to the receiver's house to apologize to them for a past wrong-doing (specify if you wish!)

[ DATE ]: sender arrives at the receiver's house to take them on a romantic date.

[ HANG OUT ]: sender arrives at the receiver's house to hang out with them for the day.

[ GO OUT ]: sender heads to the receiver's house to take them out for a day of fun/relaxation.

[ COLLECT ]: sender shows up at the receiver's house to collect something that the receiver has either purchased for them or borrowed from them.

[ DELIVER ]: sender shows up at the receiver's house to deliver something to them that either the sender borrowed or the receiver requested from them.

[ CONFRONT ]: sender goes to the receiver's house to confront them about an on-going problem between the two of them.

[ FAVOR ]: sender goes to the receiver's house to ask them for a favour.

[ RECRUIT ]: sender goes to the receiver's house to recruit them for an upcoming task that the sender is unable to do alone.

[ ROOMIE ]: sender goes to the receiver's house to move in with them.

[ COMFORT ]: sender goes to the receiver's house to comfort them after the receiver has a difficult time or experiences a significantly difficult event.

[ HELP ]: sender goes to the receiver's house to help them with something that the receiver is either procrastinating or unable to accomplish on their own.

[ LEISURE ]: sender goes to the receiver's house for a movie night or a game night.

[ WARN ]: sender goes to the receiver's house to warn them against doing something that they suspect the receiver is preparing to do.

[ THREATEN ]: sender goes to the receiver's house in order to threaten them.

[ REUNITE ]: sender returns to the receiver's house after having been away for a while, intending to reunite with them.

[ GOODBYE ]: sender goes to the receiver's house to say a final farewell after learning they're due to leave town, possibly for good.

[ SECRET ]: sender sneaks out to the receiver's house to meet with them in secret.

[ BAD NEWS ]: sender arrives at the receiver's doorstep to deliver some bad news to them (SPECIFY THE NEWS).

[ PARTY ]: sender arrives at the receiver's house to attend a party that the receiver is hosting.

[ NEIGHBOUR ]: sender, having just moved in next door, arrives at the receiver's house to introduce themselves.

[ ENGINE ]: sender's car breaks down in the same street that the receiver lives on, leading the sender to knock on their door to ask for help.

[ PRETEND ]: sender knocks on the receiver's door to ask them to pretend to know them for the sake of a cover story.

[ VISIT ]: sender goes to the receiver's house for a casual visit.

[idontdocapes]

Angry & Irritated Sentences, Vol. 23

(Angry and irritated sentences from various sources. Adjust phrasing where needed)

"I just figured 'don't eat the evidence' went without saying!"

"I still don't think there's anything impressive or romantic about this."

"You realise I'm still here, right?"

"Nothing ever changes with you, does it?"

"I'm sure you have an abundance of questions, but I doubt I'll answer any of them."

"Must you always be such a smartass?"

"Unless you have an IQ higher than mine, I'm not interested in what you think."

"How come every time you come around, someone ends up getting hurt?"

"Don't you dare follow me!"

"You understand better than most the pain a lie can inflict."

"You used me."

"You don't believe I can do it? Well, I can!"

"I think this is a conversation for another time."

"I really don't want to have this conversation right now."

"You don't know what you're talking about. Can we not do this right now?"

"Don't worry about me. I don't want it, I don't need it. Just don't do it."

"Why would you say something like that? What kind of person says something like that?"

"Am I to take it you believe in this quote-unquote 'plan'?"

"You know what? My offer just expired."

"Didn't your mother ever teach you not to touch other people's things?"

"You're stepping over a line here. You might want to step back."

"Oh, you really love yourself, don't you?"

"That's rather petty, even for you!"

"You could have killed me! You didn't, but you could have!"

"This isn't a game."

"So now you're a psychologist too?"

"You know, maybe I'm not the problem? Maybe it's you!"

"If you want to complain about life, you're talking to the wrong guy."

"You're giving me orders now?"

"I'm awfully bored of your shouting."

"You're not lying to me, are you?"

[idontdocapes]

Conner had been trailing the League's endeavor in increasing their ranks as best as he could.

He was now hidden behind a pillar, listening to their reports. All that new information was good. He just needed to get out and reveal what he learned with the rest of the Titans.

But knowing him, he longed to learn more.

Why were those metas so willing to aid the League of Assassins? Were they coerced into it?

His blue eyes narrowed at the woman who seemed to hold a special rank there. She was imposing and mysterious, but not enough for Conner to avoid conflict and confront her should need be.

“How odd... something isn't right here. If i could only get closer.” Superboy muttered under his breath, cursing the sound of machines in the distance that rendered his super-hearing useless.

“Tch! Focus Conner, you can sneak in, even if it means knocking out any members in your way.” He snickered, clenching his fists and flying towards the next pillar. Perhaps the Titan should use caution, but his self-confidence worked against him this time.

The members seemed to be regrouping somewhere else, but that imposing person was still there. Wouldn't they go too?

@idontdocapes

The league of Assassins had gathered together. It wasn't where the majority of the members were as it was another location. Katarina had been sent here to serve as an enforcer for the time being as her main role as bodyguard was relieved for the moment under Talias orders. The purple clad uniform she wore keeping her hood up and the cybertech mask hiding the lower part of her face to conceal her identity.

Her memories were manipulated and distorted as she lost her identity as Peregrine. She was someone else now. A shroud of her former self. Approaching the one in charge of the operation to recruit metas and strengthen their cause as she kept her gloved hands at her side.

"Progress?" Kat could only speak one word. A side effect from the Lazarus waters as she was alive when she was submerged in them.

The man glanced over at her. "Good. You're here. The operation is going well. We've managed to gain ten metas willing to serve the League. Your mistress will be pleased to hear, I'm sure."

Kat listened and gave a nod as she tried to think of a single word to get her message across. It was an order.

"Increase." She pointed at the group.

The man bowed. "It will be so..but we have to not attract the superheroes. You understand this?"

Kat's eyes narrowed at the man. Unsheathing a sai as she held the point under his chin.

"Failure?" She took a breath.

"Die." It was a warning to him. Leaving the man shaking as he got up quickly.

[idontdocapes]

𝐓𝐇𝐈𝐍𝐆𝐒 𝐃𝐎𝐍𝐄 𝐖𝐇𝐈𝐋𝐄 𝐒𝐏𝐀𝐑𝐑𝐈𝐍𝐆/𝐅𝐈𝐆𝐇𝐓𝐈𝐍𝐆.

you long-suffering, endlessly patient angels get two memes today bc i deleted everything in my inbox on my rp blog and i made these memes to top off a solidly productive day! also, if you ever feel guilty about “not being productive” or having to delete drafts and memes in your tumblr life, DON’T! you’re wonderful and valid and your personal comfort and peace of mind is far more important than an overwhelming inbox or draft count! anyway, these are also self-serving, but also i feel no shame bc there’s an extreme lack of this very good vibe in my line of work, so here u go besties. DO NOT ADD ANYTHING TO THIS LIST!!

DATE UPDATED: 19/10/22

[ PIN ]:     sender pins the receiver to the ground and straddles them while training together.

[ SWORD ]:    sender invites the receiver to engage in sword fighting practice with them.

[ AIM ]:    sender and receiver go to target practice together (using any weapon of choice).

[ GUIDE ]:    sender readjusts the receiver’s stance and posture with their hands while training together.

[ STRIKE ]:    sender aims a blow (via either their fists or their weapon) at the receiver.

[ BLOCK ]:    sender blocks an on-coming attack from the receiver.

[ ARMOR ]:     sender helps to show the receiver how to wear and take care of their armor.

[ PREPARE ]:     sender guides the receiver through some pre-battle stretching exercises.

[ CHALLENGE ]:    sender challenges the receiver to a sparring match/actual fight.

[ TEND ]:    sender and receiver tend to one another’s wounds in the aftermath of a fight.

[ RESTRAIN ]:    sender physically restrains the receiver from attacking someone else.

[ FEND ]:    sender adopts a defensive position that stops the receiver from launching an attack on them.

[ PUNCH ]:    sender punches the receiver (to an unknown degree of success or failure).

[ KICK ]:     sender launches a kick at the receiver (to an unknown degree of success or failure).

[ TACKLE ]:    sender physically tackles the receiver during a fight.

[ DRAG ]:     sender physically drags or carries the receiver away from a fight.

[ UP ]:     sender extends a hand to the fallen receiver to help them to their feet after a fight/sparring match.

[ BACK ]:    sender stands behind the receiver while in the midst of battle in order to help them fight off their enemies.

[ ARRIVE ]:     just as the receiver is about to lose hope and become defeated, the sender arrives at the last minute to help them fight their enemies.

[ EXTRA ]:    sender hands the receiver a spare weapon during a fight to give them a better chance after they break or lose their own.

[ WALL ]:     sender slams the receiver against a wall during a fight/sparring match.

[ COVER ]:    sender lunges forward to throw their body over the receiver and shield them from harm during a fight.

[ POWER ]: sender and/or receiver use their powers during a sparring match in order to develop and enhance their abilities.

[ UNLEASH ]: sender, while fighting with the receiver during a physical confrontation, uses their powers in an effort to gain the upper hand.

[idontdocapes]

A quick and easy plotting guide

Send me ✔ and I will bold my preferences for your muse!

My muse(s):

Do I know your muse(s):  yes | no | a little | tell me about your muse

Setting: our verse | my verse | your verse | modern | alternate universe | other

Pre-established relationships? yes | no | depends on the relationship

Possible relationships: friends | classmate | co-worker | roommate | family, real or adopted | dating or blind date | married | friends with benefits | unrequited love | lending a hand | teacher - student | rivals | allies | partner-in-crime | enemies | protecter - guarded | business partners | spy - infiltrated | manipulator - manipulated | star-crossed | first meeting | other 

I’m in the mood for: fluff | angst | horror | romance | humor | crime | hurt / comfort | action | supernatural | slice of life | crack | dark threads | light threads | any genre | multi-para | shorter para | one-line | any length | plotted threads | unplotted threads | other

Feel free to: message me ooc | message me ic | tell me your ideas | write a starter | answer one of my opens | send a meme | reblog this with your preferences - let’s find common interests!

[idontdocapes]

✧ — ⋆   𝐅𝐈𝐑𝐒𝐓 𝐌𝐄𝐄𝐓𝐈𝐍𝐆 𝐏𝐑𝐎𝐌𝐏𝐓𝐒 .

some  ideas  for  first  meeting  prompts  that  may  help  break  the  ice  between  characters .  feel  free  to  amend  contexts  &  roles  where  required !  violent  &  alcohol  related  prompts  present . 

[ BAR ]  :   for  your  muse  to  join  mine  at  a  bar  [ DINER ]  :  for  your  muse  to  join  mine  at  a  diner / restaurant   [ SAVE ] :  for  your  muse  to  step  in  to  save  my  muse  in  a  fight  [ FAKE ] :  for  your  muse  to  pretend  to  know  my  muse  in  public  to  save  them  from  a  difficult  encounter [ RUN ] :  for  your  muse  to  grab  my  muse’s  hand  and  tell  them  to  run  [ STEAL ]  :  for  your  muse  to  try  to  steal  from  my  muse  ( pickpocketing ,  in  their  home  etc  –  feel  free  to  specify  context ! ) [ STUDY ] :  for  your  muse  to  join  mine  to  study / read   [ PICNIC ] :  for  your  muse  to  join  mine  on  a  picnic  [ FIRST  DATE ] :  for  your  muse  to  meet  mine  for  a  first  date   [ BREAK  IN ] :  for  our  muses  to  break  in  somewhere  together  [ ATTACK ] :  for  your  muse  to  try  to  attack  mine  ( specify  context ! ) [ DANCE ] :  for  your  muse  to  invite  mine  to  dance  [ PAY ] :  for  your  muse  to  pay  for  my  muse’s  item(s)  ( specify  context ! ) [ TAXI ] :  for  our  muses  to  share  a  taxi  ride  somewhere [ CAR ] :  for  your  muse  to  jump  in  my  muse’s  car  and  tell  them  to  drive [ LOCKED  OUT ] :  for  your  muse  to  be  locked  out  of  their  apartment  &  to  ask  for  help  from  mine  [ DIY ] :  for  your  muse  to  ask  mine  for  help  with  diy  in  their  home  [ DARE ] :  for  your  muse  to  approach  mine  on  a  dare [ PATCH ] :  for  your  muse  to  help  mine  with  an  injury [ COMFORT ] :  for  your  muse  to  comfort  mine  [ SWIM ] :  for  your  muse  to  throw  mine  into  the  sea /  a  river /  pool  ( specify ! ) [ RESTRAINED ] :  for  our  muses  to  be  tied  up  together  [ CRY ]  :  for  your  muse  to  find  mine  crying   [ KIDNAP ] :  for  your  muse  to  kidnap  mine [ DRUNK ] :  for  your  muse  to  look  after  mine  while  drunk  [ ZOMBIE ] :  for  our  muses  to  be  caught  in  a  zombie  attack  together  [ TRAPPED ] :  for  our  muses  to  be  trapped  somewhere  together  ( stuck  in  a  storm ?  kidnapped  together ?  dodgy  lock  on  a  door ? )  [ WARN ] :  for  your  muse  to  warn  mine  of  incoming  danger [ COFFEE SHOP ] :  for  your  muse  to  join  mine  at  a  coffee  shop  /  café [ WORK ] :  for  your  muse  to  help  train  mine  on  the  first  day  of  their  job  [ ROOMMATES ] :   for  your  muse  to  be  my  muse’s  roommate  ( feel  free  to  specify  whether  in  a  college  or  a  regular  setting ! ) [ BOOKSHOP ] :  for  our  muses  to  meet  in  a  bookshop  [ EVENT ] :  for  our  muses  to  meet  at  a  charity  event   [ FUNDRAISING ] :  for  our  muses  to  team  up  to  raise  money  for  charity  ( feel  free  to  specify  potential  ideas ! ) [ COMPETITORS ] :  for  our  muses  to  be  rivals  in  a  competition  [ KARAOKE ] :  for  our  muses  to  sing  karaoke  together  [ MUTUAL  FRIEND ] :  for  our  muses  to  meet  through  a  mutual  friend [ STOOD  UP ] :  for  your  muse  to  join  mine  on  a  date  after  noticing  that  they  have  been  stood  up [ MISSION ] :  for  our  muses  to  meet  on  a  mission  [ UNDERCOVER ] :  for  your  muse  to  approach  mine  while  undercover [ MUSUEM ] :  for  our  muses  to  meet  at  a  museum  [ ABANDONED ] :  for  our  muses  to  meet  in  an  abandoned  building  [ STARGAZING ] :  for  our  muses  to  meet  while  stargazing  [ ROOFTOP ] :  for  your  muse  to  find  mine  on  a  rooftop 

[idontdocapes]

*: ･ﾟ✧ capturing a muse starters.

send one of the following for the sender’s muse to capture the receiver’s muse. add ‘+reverse’ for, well, the reverse scenario. feel free to elaborate with further details if needed! potential triggers for dark scenariors.

«ENTRAP»   for the sender to capture the receiver in a trap made by the sender.

«IMPRISON»   for the sender to throw the receiver in jail.

«SPELL-BOUND»   for the sender to use a spell to entrap the receiver.

«POWERS»   for the sender to use special powers to entrap the receiver.

«KIDNAP»   for the sender to kidnap the receiver.

«SECURE»   for the sender to keep the receiver in a secure location for their safety.

«DISTRACT»   for sender to keep receiver in place through means of distractions.

«CONTROL»   for sender to keep receiver in place through means of mind control.

«OTHER»   specify your own!

[idontdocapes]

✱˚｡⋆ ↪ 𝐌𝐀𝐊𝐈𝐍𝐆 𝐃𝐄𝐌𝐀𝐍𝐃𝐒 . ( a collection of dialogue prompts based on varying types of demands &. requests . adjust phrasing as necessary . this prompt WILL likely be updated in the future . )

don't say a word .

don't leave me here .

meet me at our spot tonight .

follow me and stay close .

don't beg , it's pathetic .

can you ( tie / zip ) this for me ?

stop lying to me . tell me what you did .

put that down , you don't know what it ( is / does ) .

get out of my sight .

stop pretending you know what's going on .

find a first-aid kit . quickly !

don't get yourself killed .

leave them to me , just go .

just admit that you love me .

just admit that you hate me .

come here , let me look at you .

( name ) , don't make me do this .

drop your ( weapon ) .

stay here and wait for my signal .

don't just sit there , move .

take this and run , don't let anyone have it .

pretend you're my ( partner / girlfriend / boyfriend ) .

don't look , you'll give us away .

don't say another word .

stop pretending like you care .

go make sure the coast is clear .

take this with you . it's a good luck charm .

don't tell anyone about this .

if anybody asks about today , lie .

stop looking at me like that .

tell me you love me .

just kiss me , already .

keep your eyes on the road .

stop crying and calm down .

come with me . there's so much we could do .

wear the ( dress / tie / item ) i gave you tonight .

show me how you like to be touched .

hold my hand .

kiss me , make it look real .

look at me . how many fingers am i holding up ?

will you marry me ?

just slow down for a minute . what's going on ?

take a deep breath , you need to calm down .

get out of here , ( name ) !

draw your weapon .

go rest . i'm not asking .

take a step back .

give me a straight answer .

be polite to our guests .

look me in the eye and say that again .

put your feelings aside for a moment .

keep close to me .

here , let me see that .

look up at the sky .

get out of here , i don't want to see you right now .

stand up , this isn't over yet .

close your eyes and count to ten .

smile for the camera !

keep your head down .

( name ) , let me past .

listen carefully to what i'm about to say .

don't just stare , come in .

stop laughing , this isn't funny .

take this and hide it .

don't make a sound .

put your hands up .

quit causing problems everywhere you go .

just admit that you don't know what you're doing .

stop right there , i mean it .

don't say that name aloud .

just trust me , okay ?

stop acting so childish .

call the police . now .

tell me you love me , even if it's not real .

take a good hard look .

stop the car , ( name ) .

don't make eye contact .

stay out of trouble .

just do it already , we've waited long enough .

hold me tight , and never let me go .

finish what you started .

tell me what you know .

just stay away from me .

turn around . slowly .

don't be scared .

put it down before somebody gets hurt .

stop pretending , i'm tired of the pretending .

grab me my ( item ) , will you ?

don't make assumptions .

put this over it to stop the bleeding .

get to safety !

wipe that look off your face .

secure the area .

keep an eye on them .

look at yourself in the mirror .

run . run and don't stop .

eat . you haven't touched your food in days .

[idontdocapes]

↪     𝑫𝑰𝑹𝑬 𝑺𝑰𝑻𝑼𝑨𝑻𝑰𝑶𝑵𝑺  .    (   a  collection  of  dire / urgent situation  sentence  &  action  starters .   adjust  phrasing  +  ʳᵉᵛᵉʳˢᵉ  as  necessary .   )

𝐃𝐈𝐀𝐋𝐎𝐆𝐔𝐄 :

hide .   hide now .

shh !!  there’s somebody in the house .

i’m not gonna hurt you !  see ?  look ,  i’m putting down the  [ weapon ] .

[ name ] ,  what were you thinking ?!

you’re being followed ,  pretend you know me .

stop , stop !  just put the  [ weapon ]  down !

drive ,  just drive fast !

you seriously think i could’ve done this ?

can you walk ?  i need you to walk for me ,  okay ?

let me handle it ,  just go !

what was your plan ??  you could’ve gotten yourself killed !

you’re just going to leave me here ?!

[ name ] ,  can you hear me ?  get out of there !

you knew and you didn’t tell me ?!

don’t you know how dangerous this is ?

you’re not going to shoot me .

move and you die .

i’m gonna come back for you ,  do you hear me ?

we have to stop the bleeding .

can you see how many fingers i’m holding up ?

i just want to go home !

don’t move a fucking muscle .

if it weren’t for you ,  we wouldn’t be in this mess .

i almost DIED back there ,  and you’re laughing ?

you’re only making this worse for yourself .

you think this is a joke ?

if i go down ,  i want you to run .

we’re gonna die ,  so what’s the point ?

this was the ONE thing i told you not to do .

i can’t promise we’re going to make it out of here .

where’s your first - aid kit ?!

just calm down and find your phone ,  we need to call the police .

someone’s been stalking me .

just listen to me for once !

i didn’t think you had it in you .

put the gun down ,  and kick it over here .

we can’t stick around here ,  let’s go .

kiss me before we die .

do whatever you need to do ,  hurry .

i can’t breathe ,  i can’t -

please ,  please  -  let me in ,  there’s someone -

i’m gonna give you one last chance .

you have to believe me ,  i didn’t do this !

run ,  and don’t look back .

this is real ,  i’m real .  look at me .

take this .  it’ll keep you safe .

follow my instructions very closely .

put your hands where i can see them .

you can’t just let me die !

i think  …  i think i need a doctor .

we need to get out of here ,  come on .

no ,  this isn’t it .  we’re getting you out of this .

you panicking is not going to help us right now .

𝐀𝐂𝐓𝐈𝐎𝐍𝐒 :

[ GETAWAY ]  sender acts as a getaway driver for receiver .

[ MEDIC ]  sender arrives on receiver’s doorstep ,  badly bleeding .

[ HIDE ]  sender and receiver hide from a threat together .

[ HUSH ]  sender clasps a hand over receiver’s mouth to silence them .

[ DRAG ]  sender physically hauls receiver to safety .

[ RIGHTS ]  sender calls receiver from a police precinct .

[ REALITY ]  sender helps receiver through an episode of derealization .

[ SHELTER ]  sender and receiver must find shelter from a storm  .

[ ARMED ]  sender brandishes a  [ gun / knife ]  at receiver .

[ CRASH ]  sender and receiver survive a  [ car / bike ]  crash together .

[ SEARCH ]  sender barges into the hospital demanding to see receiver .

[ BACKUP ]   sender calls receiver panicking after committing a crime .

[ CORNERED ]  sender menacingly backs receiver into a corner .

[ UNEXPECTED ]  receiver comes home to find sender already inside .

[ BREATHE ]  sender helps receiver get through a panic attack .

[ BADGE ]  sender and receiver flee from the cops together .

[ STRANDED ]  sender and receiver become stranded in the woods .

[ EMBRACE ]  sender kisses receiver thinking it’ll be the last time .

[ STRANGER ]  sender can’t remember who receiver is after an injury .

[ TOKEN ]  sender gives receiver a lucky charm before they go into battle .

[ CHOICE ]  receiver has to choose between sparing their own life or the sender’s .

[idontdocapes]

⠀

『 SUPERBOY 』;

conner kent / kon-el

as written by LASZLO.

both mun and muse are adults.

expectations can be found under the cut.

CHAR. INFO / MEME TAG

𝐖𝐑𝐈𝐓𝐄𝐑 ;; ⠀⠀⠀the writer is called Laszlo.

uses he/him pronouns and is +21 y/o. english isn't my mother language so please, bear that in mind.

friendly but a bit selective. IMs open to plotting and chatting. i accept asks/memes at any time.

i will write with people outside my comfort zone, and might attempt to write with non-mutuals too. i encourage you to do the same to me! i love random asks&starters.

𝐀𝐂𝐓𝐈𝐕𝐈𝐓𝐘 ;;⠀⠀ activity might be sporadic, seeing as the writer tends to get distracted easily and might hyperfocus on specific things at a time.

don't press me for replies. i reply at my own pace, hounding me for them won't make replies come any faster.

𝐃𝐍𝐈 ;;⠀⠀do not interact if you're a non-rp account, or if you condone racism of any kind, homophobia, transphobia, pedophilia, misogyny, ableism, etc. i won't interact with pro-shippers.

𝐓𝐇𝐄𝐌𝐄𝐒 ;;⠀⠀this account will have content such as mentions of violence, foul language, suggestive themes, blood, death, manipulation, etc.

i will tag sexual themes and put such replies under a cut.

my preferred genres to write are: action, adventure, angst (bonus points if it comes with comfort at the end), romance, slice of life, humor.

𝐒𝐇𝐈𝐏𝐏𝐈𝐍𝐆 ;;⠀⠀i love writing shippy stuff! but i won't let rps take this turn if you or your muse is a minor.

This blog is multiship. muse is bisexual with no lean.

[idontdocapes]

Hello! I'm Laszlo! +21, he/him. and here I'll be writing Conner Kent.

I'm going to start this blog soon,

but message me if you'd like to plot a rp in the meantime!!