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Crust of the polygon, Norihiko Terayama, 2016

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Pleiades, Orion, Ursa Minor. Physique sacrée, ou, Histoire-naturelle de la Bible. 1732.

Internet Archive

From a book uploaded by lolliffe

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Kim Tschang-Yeul (South Korean, 1929-2021), Untitled (Water Drops), 1976. Oil on canvas, 41.5 x 33 cm.

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Lena Keller (German, 1980) - Overcast (2025)

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Ey Steinn | Flickr

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Der Mensch auf seiner Erde: ein Flugbild, Georg Gerster, 1975 2 / 2

https://hermes-killer.tumblr.com/post/160590221704/der-mensch-auf-seiner-erde-ein-flugbild-georg

https://hermes-killer.tumblr.com/

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Source details and larger version.

UFOs, aliens, and things that go gzpxllztt in the night: this vintage UFO gallery is worth an encounter. (For the meaning of “gzpxllztt,” see the dictionary of all-consonant words.)

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Revisiting Claes Oldenburg’s Monumental Sculptures: A Pop Art Legacy

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David Biro

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by Yoshito Hasaka / 羽坂譲人 (@_f7) on Instagram

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Michel Seuphor (Belgian, 1901-1999)

Giordano Bruno “of the cause, principle and one”, 1970

Pen drawing in Indian ink on yellow Canson paper, 52 x 74 cm

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Aron Wiesenfeld (American, 1972) - Nightwatch (2024)

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Untitled

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The Forest (1927) Max Ernst, oil on canvas, 96.3 x 129.5 cm

Ernst’s attitude toward the forest as the sublime embodiment of both enchantment and terror can be traced to his experiences in the German forest as a child. "They are, it seems, savage and impenetrable, black and russet, extravagant, secular, swarming, diametrical, negligent, ferocious, fervent, and likeable, without yesterday or tomorrow. … Naked, they dress only in their majesty and their mystery"

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Mary Admasian - The Nest (detail), 2014 [Barbed wire, goose egg]

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Norman Ives. Vatican Stone, 1969

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Adedolapo Boluwatife