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HOW TO CROP AN IMAGE IN PHOTOSHOP
Surely on some occasions you will have the problem of having to crop an image in Photoshop , either because the background of the image is not correct, either because you had to separate an element from the rest of the same photo, or because you had to make a element of an image will remain on a design with a transparent background; Well, this is our tutorial on how to do it right and with a correct result for later printing.
Content [ Hide ]
1 Step by step: How to crop photos
1.1 First step
1.2 Second step
1.3 Third step
1.4 Fourth step
2 Let's get to know Photoshop
2.1 Why should you use Photoshop?
2.2 Other Photoshop features
3 Other photo editors
Step by step: How to crop photos
Like everything in the design there are very different ways of doing the same thing, here we are going to show you one of them, not the only one and probably not the best, but to our knowledge, and after a few years of experience making image cuts , we believe adequate and easy to follow.
To show the steps we will do it through an example, below we show you the image chosen by us and what is our cut in Photoshop to practice.
crop an image in photoshop
The purpose of this practice is to separate the bottom and the table of the products that are in the foreground, to then be able to insert the loose products in our design. please follow the link for getting a service clipping path service.

First step
We open the Photoshop program (more or less all versions work the same, so it doesn't matter which one you have). Open the selected image (the one that we are going to work at that time), you can crop with two tools: click on the Frame tool and drag the cursor in the area you want to crop, or activate the Polygonal Lasso tool from the tools menu of Photoshop, as the image shows.
tool-loop-polygonal
Once with the tool activated in our mouse pointer we will have to do the manual work of selecting the entire area of the products that we want to cut, as shown in the video that we show below.
Second step
We select the whole group of products that we want to reserve, as the video shows:
Third step
After the selection of the elements and is short, we must now go to the palette Paths of Photoshop , as pictured, and the still active selection you must click on the button Convert Selection to Path (the button is the one that the red arrow points to).
convert-select-plot
After clicking on that button, our selection will become an active path of the photo (see image below).
Fourth step
We have to convert the path in question into a clipping path , to do this, we select the path and go to the drop-down list of actions in the Paths palette, and in it we select the Clipping path option.
crop photos
With this option we get a dialog box where we are asked for the radius to apply, we have to mark 2. Once done, we have our clipping path done.
When we save the photo, it remains with the option that when placed in the layout program, such as InDesign, its background, that is, what is outside the path, will be transparent regardless of its size, which is what we wanted
Let's get to know Photoshop
Photoshop is an amazing software tool that allows its users to manipulate and create images. The use of Photoshop is widespread throughout the professional world of photography and graphic design. The first version of Photoshop came to the market in 1990 as a Macintosh product.
Why should you use Photoshop?
Photoshop gives you a huge advantage over the design with a paper and a pen. You can easily correct your mistakes without any messy deletion. There are a variety of templates for the less artistically gifted to choose from. In addition, a finished Photoshop product invariably looks more professional than a hand drawn product.
Once you've decided to invest in image editing software, you may notice that Photoshop is a very expensive product. It is possible to find a much cheaper image editing software and some computers even come with a factory installed program. However, there are four main reasons why you should use Photoshop over other cheaper or free image editing software.
These four reasons are: versatility, an easy-to-use interface, easy access to training and a variety of functions. for learning more about cliping path, please visit https://helpx.adobe.com/photoshop-elements/using/clipping-masks.html
Versatility
There are very few things that Photoshop cannot achieve for you. It doesn't matter if you're an amateur photographer who wants to make a simple cut for family snapshots. On the contrary, the best photographers and graphic design professionals use Photoshop to create and edit images.
Easy to use interface
Photoshop was designed with the consumer in mind. You don't need specialized programming skills and your drawing canvas, where the images are created, is WYSIWYG: what you see is what you get. Many elements of Photoshop are similar to other computer programs. For example, the menu bar has the same file, editing, view and help options as Microsoft Word. The tools in the toolbox modify your pointer so you remember what tool you are using.
Easy access to training
Since Photoshop is a very popular software tool, there are a lot of books, online tutorials and university courses available to train the new user in the operation of Photoshop. Not only can you find suitable information for a beginner, but also a detailed description of some of the most advanced Photoshop tools.
Variety of functions
Photoshop can perform an almost infinite variety of image creation and editing functions.
Other features of Photoshop
Photo manipulation: take a downloaded or scanned photo and reduce red eyes and other imperfections, crop the photo or change the sharpness or contrast of the image.
Painting and drawing: use the drawing canvas and the toolbox to create new images.
Graphic design: take illustrations scanned or created in Photoshop and add layers, gradients and much more to create graphic art that sells.
Typography and page design: Photoshop allows you to manipulate text and image on the same drawing canvas but in different layers. This allows you to create presentations and other projects that require juxtaposition of text and image.
Other photo editors
Since not everyone can have Photoshop , we have compiled in another article a list of photo editors where you will find both free and premium editors, we hope you enjoy them.
And remember, visit our new Cevagraf printing press website and see our entire range of products for printing.
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Discover Why You Shouldn't Consider Noise your Enemy and Add It to Your Pictures
Whenever we talk about noise we usually talk in pejorative terms, that is, we consider noise our enemy, something ugly that we should avoid. However, this hate of noise sometimes makes us too obsessive with it, we want to get shots completely free of noise. And, I'm sorry to tell you that, cold, but a shot without noise does not exist. Noise is an inherent part of photography .
But there is no need to worry! What we must learn is to control the noise, to handle it as we please and, why not, to add it as an aesthetic motif in our photographs.
Remembering what is noise
We already explain to you what the noise is in our article " ISO in Photography: What it is and How It Is Used ", but we will refresh the memory a bit.
As a general rule, the higher the ISO you shoot, the greater the amount of noise that appears in your picture . But what exactly is noise? Noise is that kind of grain that appears mostly in the darkest areas of the photo. To understand the concept of noise and how it is generated, we must first understand how image capture works in our camera. please follow the link for getting a service clipping path service.

The sensor of our camera is composed of a mesh of thousands of photosensitive cells that receive the light that enters through the lens. Upon receiving the light, these cells generate an electric current, which will be processed by the camera and converted into digital data. Each of these cells will generate a pixel of the final photograph.
However, this electrical signal not only possesses the data of the captured image, but also generates random data, the result of the electric current itself. This random data will be reflected in the image as noise.
When we increase the ISO we are digitally amplifying the electrical signal received by the photosensitive cells, but at the same time we will also be amplifying that random data . That's why the more ISO we upload, the more noise will appear in our picture.
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Learning to Control Noise
You might think then, after knowing how the noise is generated in our camera, that it would be worth underexposing a photograph rather than increasing the ISO, so as not to generate noise. Well, you are very wrong.
A poorly exposed photograph will always have a lower quality than a well exposed photograph . And trying to expose it later in editing programs like Photoshop or Lightroom will always generate more noise than if we had exposed it correctly when shooting, even if it had been increasing the ISO. So, raising the ISO is not bad, you just have to control it and know how far your camera can go.
The underexposed and later clarified photo in edition has more noise despite having been shot with a lower ISO
Each camera has a different noise treatment, and you should consider how much ISO you can upload on your camera and take pictures with acceptable noise. We can always reduce the noise in editing programs a bit , but we will lose definition and if we go over we can blur the picture so much that it ends up looking like an oil painting. So, unfortunately noise is an enemy that we will always have to deal with. for learning more about cliping path, please visit https://www.udemy.com/course/how-to-adobe-photoshop-clipping-mask-layer-tutorial-images-photoshop/
However, we will not always consider him "our enemy . " The vintage nostalgia that is lived today has made many photographers choose to add noise in their photographs. Adding noise to your photographs can help you emulate that characteristic grain of analog photographs, or it can give your photographs a cinematic look. So, you yourself will be the one who judges what amount of noise is best for your photographs.
Remember that noise tolerance is subjective , so we cannot speak of an “ISO limit”. In addition, as I said before, each camera has a different noise management. Therefore, it should be you who sets the maximum ISO limit for your camera, in which the noise that appears is acceptable to you. Do tests with your camera at different ISOs and in different situations to know it thoroughly and know how far you can go.
Adding Noise in your Photographs as Aesthetic Reason
If you see any winning analog photograph of multiple awards and cheers, you will discover that it has noise. Or grain, as it is also called. Noise and grain are the same thing, only that term "noise" has acquired a connotation so negative that when we add it on purpose with an aesthetic motive we usually refer to it as grain .
Call it what you call it, the truth is that that grain does not affect photography, it is more that analog, vintage or cinematic touch that makes us look at that image in a different way. That attractive touch that brings grain to photography is what many photographers look for in their work. And that's why many of them add noise on purpose in their shots.
You can choose to add the noise at the time of shooting, of course. You will only have to raise the ISO and compensate for this greater light input by increasing the shutter speed and closing the diaphragm , following the Law of reciprocity .
However, if you are still experimenting with this style and you are not totally convinced if you will like the result or not, or if you prefer to control how much noise you add in a much more personalized way, it is best to shoot your shot as clean as possible and that you add it later in the processing .
How to Add Grain to your Photos in Lightroom
Adding grain to your photos in Lightroom is very easy. In the development module, go to the Effects panel . In the Granulated submenu you will find 3 sliders that will allow you to configure the amount and appearance of noise to your liking:
Quantity: The amount of noise you want to add.
Size: The size of the grain. The bigger it is, the more it will be perceived.
Roughness: The distribution of grain. With a low roughness the grain will be more orderly distributed, while rising the roughness will be distributed in a more random way.
How to Add Grain to your Photos in Photoshop
To add grain to your photos from Photoshop you can do it in two different ways.
One is to add it from Adobe Camera RAW , which will open automatically when you open a RAW in Photoshop, or you can also activate it from the Filter / Filter menu of Camera RAW . As this tool is a "mini Lightroom" integrated into Photoshop, the way to add noise will be exactly the same as we have seen in the previous point. You will find those same sliders in the Effects tab (fx) .
The other way is to add it from Photoshop's own noise tool. You will find it in the menu Filter / Noise / Add noise . In this window you will find 3 options to customize your noise:
Quantity: The amount of noise you want to add.
Distribution: You can choose between Uniform, which will add a tidier noise, or Gaussian, which will add a more randomly distributed noise.
Monochromatic: If you do not check this box, the noise you will add will be chromatic noise (that is, it will have color) while if you mark it, it will simply be grain.
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How to use and edit clipping masks in Illustrator
clipping path service. About clipping mask
A clipping mask is AN object that may cowl alternative design with its form, therefore with a clipping mask, you'll be able to solely see the world within the mask form. In effect, the design is cropped to a mask. shape. Clipping masks and obscured objects ar referred to as cut mixtures . A cut combination may be established by choosing 2 or additional objects or all objects during a cluster or layer.
Object-level cut mixtures ar sorted along within the Layers panel. If you produce a layer-level cut combination, the objects at the highest of the layer cut all of the objects below. All operations performed on object-level cut mixtures, like transforms and alignments, ar supported the bounds of the clipping mask, not the uncovered boundaries. onceyou produce AN object-level clipping mask, you'll be able to solely choose what to chop by exploitation the Layers panel, the Direct choice tool, or the isolation cut cluster. please follow the link for getting a service clipping path service.

The following rules apply to making a clipping mask:
1. The mask objects are rapt to the cluster of clipping masks within the Layers panel (provided they're not already during this position).
2. Only vector objects are often used as clipping masks; but, any design are often disguised.
3. If you employ a layer or cluster to make a clipping mask, the primary object of the layer or cluster can obscure everything within the layer or cluster set.
4. Regardless of the object's previous properties, the clipping mask becomes AN object with no fills and no strokes.
5. Tips : to make a clear mask, use the Transparency panel to make AN opaque mask.
Hide parts of an object with a clipping mask
Create Associate in Nursing object to use as a mask.
This object is termed a clipping path. solely vector objects is used as clipping methods.
In the stack order, move the clipping path over the thing you would like to hide.
Select the clipping path and also the objects you would like to hide.
Choose Object > Cut Mask > produce.
Create a clipping mask for a group or layer
Create Associate in Nursing object to use as a mask.
This object is named a clipping path . solely vector objects may be used as clipping methods.
Move the clipping path and also the objects you wish to hide into the layer or cluster.
In the Layers panel, ensure the mask object is higher than the cluster or layer and click on the name of the layer or cluster.
Click the Create/Release Clip Mask button at very cheap of the Layers panel, or opt for produce Clip Mask from the Layers panel menu. for learning more about cliping path, please visit https://www.udemy.com/course/how-to-adobe-photoshop-clipping-mask-layer-tutorial-images-photoshop/
Edit clipping mask
In the Layers panel, select and position the clipping path. Or, select the cut combination and choose Object > Clip Mask > Edit Mask.
Do one of the following:
Move the clipping path in this way by dragging the object's center reference point using the Direct Selection tool.
Use the Direct Selection tool to change the clipping path shape.
Apply a fill or stroke to the clipping path.
Edit path within the cut combination
To edit a portion of the path that is outside the clipping mask, you must first select a specific path within the clipping mask boundary before editing the path.
Do one of the following:
Locate the path in the Layers panel.
Place the direct selection tool on a path that appears in the mask. Click on the path outline when it appears.
Note: To select a clipping path by clicking it, you must click on the portion that appears inside the mask.
Edit the path.
Add or remove objects from masked artwork
In the Layers panel, drag an object into or out of the group or layer that contains the clipping path.
Free the object from the clipping mask
Do one of the following:
Select the group that contains the clipping mask and choose Object > Clipping Mask > Release.
In the Layers panel, click the name of the group or layer that contains the clipping mask. Click the "Create/Release Clipping Mask" button at the bottom of the panel, or choose "Release Clipping Mask" from the panel menu.
Since the fill or stroke value specified for the clipping mask is None, it is not visible unless you select a clipping mask or assign it a new coloring property.
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