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infiniteradius · 2 days
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From Nuits et Noirs magazine Nr. 4 “ABSENCE”. nuitsetnoirs.com
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Hollow fiber capillary kidney for dialysis
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infiniteradius · 2 days
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Cape St Elias, Alaska.
(between ca. 1900 and ca. 1930)
-loc.gov
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infiniteradius · 2 days
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Gabriel Loppé • Parliament and Westminster Bridge, London, 1890
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“To abandon oneself to the pain, to cultivate and ingest it—is considered diseased in our society; but disease is alliance with God and likewise madness is an alliance with the Son on the Cross.”
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infiniteradius · 2 days
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infiniteradius · 4 days
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Portrait of a reader, 1930. From the Budapest Municipal Photography Company archive.
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infiniteradius · 6 days
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Valère Bernard (1860-1936) - Le Cauchemar (The Nightmare), c. 1860-1900
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infiniteradius · 6 days
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War in the Heavens, The Fall of the Rebel Angels - Philippe Thomassin, after Giovanni Battista Ricci, c.1611.
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infiniteradius · 6 days
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Jan Provost - The Last Judgment (c. 1525). Detail.
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infiniteradius · 8 days
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portrait of Alina by anka_zhuravleva_bw on 500px
(vía Pinterest • El catálogo global de ideas)
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infiniteradius · 10 days
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Source: The Illustrated Book Of Sapphic Sex
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infiniteradius · 10 days
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Bela Lugosi as Jesus Christ for a Passion Play (Debrecen, Hungary, 1916)
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infiniteradius · 15 days
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Orient, Pál Funk Angelo, 1952
A kiss is the beginning of cannibaism. George Bataille
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infiniteradius · 15 days
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“What we have been waiting for all our lives is this disordering of the order that suffocates us. Some object should be destroyed in this disordering (destroyed as an object and, if possible, as something “separate”). We gravitate to the negation of that limit of death, which fascinates like light. For the disordering of the object — the destruction — is only worthwhile insofar as it disorders us, insofar as it disorders the subject at the same time.”
— Georges Bataille, “The Cruel Practice of Art”
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