They/them, INFP, Aquarius | many obsessions | life is life-ing so basically on hiatus :(
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me, innocently watching the velcinta kiss: happy tears streaming down my face bc my babies have a canon kiss and so much happiness ahead of them
vs
me watching cinta’s death and vel’s monologue a few minutes later: sobbing because WTF. angry because they will NEVER give us a wlw couple with a happy ending. screaming bc WHY HER. more sobbing bc ugh CINTA my soldier you've been through too much for this to be your ending </3
#i love them so much#and im soooo late to watching s2#I haven't fully processed things but right now im basically filled with rage#like wtf is wrong with these people#I thought we had our happy ending but NO#im so tired of this shit#andor#andor season 2#andor spoilers#velcinta
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TL;DR: Don’t let Étoile go quietly into the night. Take 30 secs to sign the petition; fight for them, like they fought for us.
Edit: See the reblog for some beautiful art & comments from my sibling! đź’™
Last night, I learned Étoile—a landmark show from Amy Sherman-Palladino, one of my favorite creators—was quietly canceled early this pride month. Without spoiling too much, it’s easy to put together why.
She stuck her neck out for disabled people & queer people more than ever before.
Had a wondrous international cast featuring BIPOC characters in prominent roles.
Criticized bloody corporate money in the arts & centered the female gaze.
Amazon MGM Studio’s former president, Jen Salke, had ordered 2 seasons of the show outright. Then, she switched jobs in March, replaced by Mike Hopkins. He then canceled it six days into pride month.
He did so even after star Gideon Glick (writer & performer behind a prominent gay & autistic character in the show) was actively winning awards for it, & it’s a shoe-in at the Emmy’s.
You might say “it’s a TV show” & “there are bigger things going on in the world.”
But as it so crucially points out, the arts—including how they’re controlled by corporate interests—are a reflection of that world. Of who is allowed to exist in it.
The Overton Window matters. Masse cancellations of queer media matters. The fact disabled characters make up less than 3% of the TV landscape while representing more than 25% of the population matters.
So I am asking, please—take 30 seconds. Sign the petition. Talk about this show. Express a little outrage. Maybe, just maybe, if the noise & awards get big enough, a better outcome will prevail. But even if it doesn’t—Amy Sherman-Palladino bet her lifelong passion project, her dream, on refusing to leave us behind.
Don’t let this go without a scream.
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urgent help!
as you guys know my grandparents got scammed almost a month ago, some man told them he was going to send them medical equipment they needed for $500 dollars, we were desperate, not only they lost all the money they had, my grandpa has gotten significantly worse, he's starting to lose vision in his good eye and my grandma is losing mobility as well (evidence), I know I sound annoying always coming here and begging for money for my grandparents and for my college, I don't know how to anticipate the grief, losing my grandpa everyday to his illness, losing my college education cause I can't afford it, in México the situation it's just getting worse and even though I feel lonely I have found a community here and I'm forever grateful for that, even a dollar goes a long way and all the money will go to their medical needs since I'm very sure I won't be able to cover college expenses, please share and donate if you can, you can help via p*ypal or any way you want through ko-fi, here's the link! 💕 thank you sm
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All of these are by @mattxiv on Instagram.
Here's to all the shockingly single bachelor uncles or the two very close friends who just happened to be girls and are only living together until one of them finds a man (they lived together for forty two years).
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Mammals both produce milk and have hair. Ergo, a coconut is a mammal.
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I know most people don't care about anything unless it has to do with the U.S. but can we please start talking about the Canadian election.
Please don't vote for Poilievre. He's basically the Canadian Trump and plans to put in place laws that harm trans youth, and lots of other shit.
Please vote istg this is the only way anything will get better. Poilievre has been kissing millionaires and billionaires asses. He'll make life even harder, and he loves Trump.
Reblogs are appreciated, especially if you aren't Canadian.
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can i have you for a moment please
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Willow may have only graced our screens for a short time but I hope it's presence left an impact on the fantasy genre. I would love to see more fantasy shows that are less dark and gritty and more fun and adventurous, less a reflection of our own world and more a form of magical escapism.
I want to see more swashbuckling swordfights, more fantastical magical creatures, enchanted worlds and epic quests. Also more fantasy that doesn't take itself too seriously or feel the need to be "historically accurate" for the sake of drama cause god forbid a character get a happy ending these days.
Also I just want Willow back, GIVE IT BACK TO ME DISNEY
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This weekend I was told a story which, although I’m kind of ashamed to admit it, because holy shit is it ever obvious, is kind of blowing my mind.
A friend of a friend won a free consultation with Clinton Kelly of What Not To Wear, and she was very excited, because she has a plus-size body, and wanted some tips on how to make the most of her wardrobe in a fashion culture which deliberately puts her body at a disadvantage.
Her first question for him was this: how do celebrities make a plain white t-shirt and a pair of weekend jeans look chic? She always assumed it was because so many celebrities have, by nature or by design, very slender frames, and because they can afford very expensive clothing. But when she watched What Not To Wear, she noticed that women of all sizes ended up in cute clothes that really fit their bodies and looked great. She had tried to apply some guidelines from the show into her own wardrobe, but with only mixed success. So - what gives?
His answer was that everything you will ever see on a celebrity’s body, including their outfits when they’re out and about and they just get caught by a paparazzo, has been tailored, and the same goes for everything on What Not To Wear. Jeans, blazers, dresses - everything right down to plain t-shirts and camisoles. He pointed out that historically, up until the last few generations, the vast majority of people either made their own clothing or had their clothing made by tailors and seamstresses. You had your clothing made to accommodate the measurements of your individual body, and then you moved the fuck on. Nothing on the show or in People magazine is off the rack and unaltered. He said that what they do is ignore the actual size numbers on the tags, find something that fits an individual’s widest place, and then have it completely altered to fit. That’s how celebrities have jeans that magically fit them all over, and the rest of us chumps can’t ever find a pair that doesn’t gape here or ride up or slouch down or have about four yards of extra fabric here and there.
I knew that having dresses and blazers altered was probably something they were doing, but to me, having alterations done generally means having my jeans hemmed and then simply living with the fact that I will always be adjusting my clothing while I’m wearing it because I have curves from here to ya-ya, some things don’t fit right, and the world is just unfair that way. I didn’t think that having everything tailored was something that people did.Â
It’s so obvious, I can’t believe I didn’t know this. But no one ever told me. I was told about bikini season and dieting and targeting your “problem areas” and avoiding horizontal stripes. No one told me that Jennifer Aniston is out there wearing a bigger size of Ralph Lauren t-shirt and having it altered to fit her.
I sat there after I was told this story, and I really thought about how hard I have worked not to care about the number or the letter on the tag of my clothes, how hard I have tried to just love my body the way it is, and where I’ve succeeded and failed. I thought about all the times I’ve stood in a fitting room and stared up at the lights and bit my lip so hard it bled, just to keep myself from crying about how nothing fits the way it’s supposed to. No one told me that it wasn’t supposed to. I guess I just didn’t know. I was too busy thinking that I was the one that didn’t fit.
I thought about that, and about all the other girls and women out there whose proportions are “wrong,” who can’t find a good pair of work trousers, who can’t fill a sweater, who feel excluded and freakish and sad and frustrated because they have to go up a size, when really the size doesn’t mean anything and it never, ever did, and this is just another bullshit thing thrown in your path to make you feel shitty about yourself.
I thought about all of that, and then I thought that in elementary school, there should be a class for girls where they sit you down and tell you this stuff before you waste years of your life feeling like someone put you together wrong.
So, I have to take that and sit with it for a while. But in the meantime, I thought perhaps I should post this, because maybe my friend, her friend, and I are the only clueless people who did not realise this, but maybe we’re not. Maybe some of you have tried to embrace the arbitrary size you are, but still couldn’t find a cute pair of jeans, and didn’t know why.
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hi! i love your contrapuntal poems so so much, and i was wondering if you had any advice on how you write them? like what your process is like and how you match them up!
- @cowboy-heart
Hey there! Okay, in my experience, writing two poems and then trying to match them up so that it makes a third one is almost impossible. What I do instead is this:
I write one poem (usually the left side, for some reason), so it looks like this
And THEN I start to write both the second and third poems and the same time
From here ^^ you start to write it diagonally, I guess? Every time you add a line to the right side, it has to make sense both vertically in the second poem by itself, and horizontally in the third poem.
This version of the left side is what I consider to be the "raw" version- all of the line breaks are completely arbitrary
- don't be constrained by these line breaks! make your own! see the difference i made between the first picture and the second picture? "he is our brother;" works better with "he never let me play alone."
Pro tip: semicolons are your FRIENDS because they can act like commas or periods
ta-da! does this make sense?
try it! tag me! enjoy!
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Writing Guide: Hero's Journey
using the 3-act structure
ACT I
ORDINARY WORLD
Your hero and their everyday life are established.
Sample Synopsis: Bilbo Baggins, a very well-to-do hobbit of Bag End, sits outside his front porch. He smokes a wooden pipe, as usual.
Your Synopsis:
CALL TO ADVENTURE
An event or problem forces your character out of their comfort zone.
Sample Synopsis: Gandalf arrives and tells him that he's looking for someone to share in an adventure that he's arranging.
Your Synopsis:
REFUSAL TO THE CALL
The hero shows reluctance to leave their everyday life behind.
Sample Synopsis: Bilbo turns down the overture but makes the mistake of inviting Gandalf for tea the next day — unwittingly putting himself on the path of the journey.
Your Synopsis:
MEETING THE MENTOR
Your protagonist meets a mentor who can help them face the challenges ahead.
Sample Synopsis: Gandalf comes to tea with a gang of dwarves. They sing an ancient song of the treasure in the Lonely Mountain, making Bilbo dream of adventure.
Your Synopsis:
— 33% through your story —
ACT II
CROSSING THE FIRST THRESHOLD
The hero fully commits to their journey into the Special World. There's no turning back.
Sample Synopsis: Bilbo packs his bags and leaves Hobbiton behind, crossing the threshold into the Special World.
Your Synopsis:
TEST, ALLIES, ENEMIES
As the protagonist enters the unfamiliar world, they encounter obstacles and enemies. New allies appear to help.
Sample Synopsis: Bilbo faces trolls, bloodthirsty spiders, unfriendly Wood Elves, and a Gollum — but he befriends elves from Rivendell and the bear-man, Beorn.
Your Synopsis:
APPROACH TO THE INMOST CAVE
The hero approaches the place where they'll encounter their biggest foe (but they don't enter it yet).
Sample Synopsis: The dwarves and Bilbo get closer to the Inmost Cave: the Lonely Mountain in which Torin's treasure lies.
Your Synopsis:
ORDEAL
Your character confronts their greatest fear and the biggest threat. This is where they become a true hero.
Sample Synopsis: Up goes Bilbo to face Smaug, the dragon who jealously guards the gold within the Lonely Mountain.
Your Synopsis:
REWARD (Seizing the Sword)
Your hero sees the light at the end of the tunnel, finding the tool (or belief) they need to finish their journey.
Sample Synopsis: Smaug dies and the dwarves gain control of the Lonely Mountain once more — plus all its treasure.
Your Synopsis:
— 75% through your story —
ACT III
THE ROAD BACK
The protagonist begins their journey home, although more dangers appear along the way.
Sample Synopsis: Bilbo gets caught up in the conflict between the dwarves and the Lake Men, who demand compensation for their aid in the fight against Smaug. Thorin refuses.
Your Synopsis:
RESURRECTION
Before getting their happy ending, your character faces a final test they must survive.
Sample Synopsis: The Battle of the Five Armies breaks out and Bilbo loses consciousness.
Your Synopsis:
RETURN WITH THE ELIXIR
The hero returns home changed for the better with an "elixir" — an insight or a literal prize.
Sample Synopsis: Bilbo returns home to Hobbiton with his share of the treasure and a lot of wisdom gained.
Your Synopsis:
Note:
Use this outline to define all 9 of your story's major plot points.
You can then use the 'Scene-by-Scene' guide below to plot out your entire story.
As you write, revise, and edit, return to this guide and update the structure to reflect your latest draft.
Scene-by-Scene Guide: Hero's Journey
Scene Number (1, 2...):
Act (I, II, III):
Step (Ordinary World, Call to Adventure...):
Location:
Date/Time:
Characters in Scene:
Synopsis (What action takes place in the scene?):
Changes (How are the characters or situation now different):
Source âšś More: Worksheets & Templates âšś Story Plot âšś The 3-Act Structure Plot âšś Character âšś Worldbuilding âšś Tips & Advice âšś A Guide: 3-Act Structure
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