Rogue • 25 • Sci-fan writer • Cat person• Night owl • INFP • This blog is a mostly failed attempt to motivate myself to write more • I still post things here sometimes • Previously @speculative-scintillation • Main blog @rogue-ai-cat.
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if you're writing and find yourself thinking 'this is too weird/gross/offputting/esoteric/ambitious/catered to my specific interests + sure to push away a broader audience' that is the devil speaking and it is a lie. you are already firmly on the right path and you need to double down
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What to Give a Sh*t About While Brainstorming Your Book
(A.K.A. Before You Even Touch That Shiny Blank Page)
↳ What You’re Actually Obsessed With Stop trying to write what’s trendy. What do you spiral about at 2 a.m.? What ideas make you grin like a gremlin and mutter, “Ohhh, that’s juicy”? That’s your story. Chase that weird, niche, can’t-let-it-go stuff. Your obsession will be the fuel that drags you through chapter 27 when everything sucks and you kind of want to fake your own death.
↳ Your Story’s “Why the Hell Should Anyone Care?” Not in a mean way. But genuinely—why should a stranger give up sleep to read this? What itch does it scratch? What feeling does it deliver? Figure that out early and let it guide you like a tiny emotional compass. If you can’t answer it yet, cool. But keep poking at it until you can.
↳ A Character With Big, Messy Feelings Don’t start with a plot. Start with a person. A disaster with a wound and a want. Someone who wants something so badly it makes them do unwise things. Get to know them like a nosy therapist. Let them tell you what kind of story they want to be in.
↳ Conflict That Isn’t Just Vibes Mood boards are fun. But conflict is what makes a story move. Make sure you’ve got some stakes, emotional, relational, existential, literal. If your idea doesn’t have anything to push against, it’s not a story yet. It’s an inspiration board.
↳ A Rough Emotional Shape Not an outline. Not yet. Just… the feeling. Where does it start (lonely)? Where does it go (rage)? Where does it end (hopeful)? Think of your book like a rollercoaster. You need the high points, low points, and those slow creaky climbs that make people scream. If it’s all flat? Snoozefest.
↳ The One Vibe You Want to Nail Every great book has a thing. An atmosphere. A flavor. Your job during brainstorming is to catch the scent of it. Is it spooky and tender? Funny and tragic? Cozy but secretly brutal? Whatever it is, write it down. Tattoo it on your brain. Let it infect every scene.
↳ Something You’re Scared to Write About You don’t have to go here. But if something in your gut says, “Oh god, I could never write about that”… maybe poke it. Maybe there’s gold in there. Maybe the story wants to heal something. You don’t have to bleed for your art—but if it makes you uncomfortable in a thrilling way? That’s your fire.
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sometimes your brain really just offers you one banger of a sentence and then that's it for the entire rest of the day. creativity expired, the ability to think has clocked out for the day, context for as to how we even get to this sentence? sorry we're all out. this one sentence is all you get.
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it is honestly amazing how much of writing and editing is just. logistics. like... do i use a name here or a pronoun? if i move this dialogue tag to the middle of this line and break it in half, does the end of the line hit harder that way? what if i move the tag to the front? what if i remove it entirely? ...wait, whose point of view am i in; can i reasonably say this character is appalled, or must i say they look or seem or sound appalled? is this a deliberate action or a step-removed one; is her hand closing on his shoulder, or is she closing her hand on his shoulder? environment environment environment, we need to break all this dialogue up with some narration, the scene is coming untethered. what! are! they doing! with! the rest of their bodies that are not hands! fuck fuck fuck FUCK i forgot we covered this two chapters ago and now i either need to cut this whole chunk or find a reason to reprise the conversation from earlier. name or pronoun? name or pronoun? name or pronoun? move this clause around in this sentence? oh i'll add this phrase-- nope, never mind, past!me added the same phrase two lines down. okay, if i add too much environmental narration it's going to take away from this bit, but not enough and it won't feel grounded. what if i move this to its own line? where the FUCK are their hands?
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Most first drafts are bad and that’s okay. Even bestselling authors rewrite their books multiple times.
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Oh my gosh. I just found this website that walks you though creating a believable society. It breaks each facet down into individual questions and makes it so simple! It seems really helpful for worldbuilding!
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writing is so funny because i could write nonstop for 9hrs and then hit a block where im like "how do i transition between this moment and the next?" and then i just dont touch it for 6 months
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I have no idea where this image came from. Somebody dropped it in a chat group and they don't know either. If you know who made this, please ask them what these unlabeled axes are, and then let me know.
The funniest explanation of sub-light space travel I have ever seen
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“I’m not sure which is worse: intense feeling, or the absence of it.”
— Margaret Atwood, The Blind Assassin
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Not “Only my reading of canon is correct” or “Interpretations are subjective and all valid” but a secret third thing, “More than one interpretation can be valid but there’s a reason your English teacher had you cite quotes and examples in your papers, you have to have a strong argument that your interpretation is actually supported by the text or it is just wrong and I’m fine with telling you it’s wrong, actually.”
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The last couple of weeks I've been failing to write a poem about the bones of the meadows smothered underneath the tarp of the scotch broom, and the trees strangled by the rapid ascent of the dog rose, and the weeds that drink away the water for the wildflowers planted too late in the season. There's something being lost in here, and I think it might be me.
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I love that psychic powers are still "allowed" in science fiction. They're an acceptable part of the aesthetic. Like you can't have magic, but you can have brain magic, because it's more Science.
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