internalintestines
internalintestines
internal intestines
53 posts
soph / 19 / dykewords that i like (a side blog)
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internalintestines · 10 months ago
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not sure if anyone is interested in this but here is a list of the most joyfully vital poems I know :)
You're the Top by Ellen Bass
Grand Fugue by Peter E. Murphy
Our Beautiful Life When It's Filled with Shrieks by Christopher Citro
Everything Is Waiting For You by David Whyte
Lawrence Ferlinghetti Is Alive! by Emily Sernaker
Instructions for Assembling the Miracle by Peter Cooley
Barton Springs by Tony Hoagland
Footnote to Howl by Allen Ginsberg
Song of the Open Road by Walt Whitman
Tomorrow, No, Tomorrower by Bradley Trumpfheller
At Last the New Arriving by Gabrielle Calvocoressi
To a Self-Proclaimed Manic Depressive Ex-Stripper Poet, After a Reading by Jeannine Hall Gailey
In the Presence of Absence by Richard Widerkehr
Chillary Clinton Said 'We Have to Bring Them to Heal' by Cortney Lamar Charleston
Midsummer by Charles Simic
Today by Frank O'Hara
Naturally by Stephen Dunn
Life is Slightly Different Than You Think It Is by Arthur Vogelsang
Ode to My Husband, Who Brings the Music by Zeina Hashem Beck
The Imaginal Stage by D.A. Powell
Lucky Life by Gerald Stern
Beginner's Lesson by Malcolm Alexander
Presidential Poetry Briefing by Albert Haley
A Poem for Uncertainties by Mark Terrill
On Coming Home by Lisa Summe
G-9 by Tim Dlugos
Five Haiku by Billy Collins
The Fates by David Kirby
Upon Receiving My Inheritance by William Fargason
Variation on a Theme by W. S. Merwin
Easy as Falling Down Stairs by Dean Young
Psalm 150 by Jericho Brown
Pantoum for Sabbouha by Zeina Hashem Beck
ASMR by Corey Van Landingham
A Welcome by Joanna Klink
From Blossoms by Li-Young Lee
At Church, I Tell My Mom She’s Singing Off-Key and She Says, by Michael Frazier
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internalintestines · 2 years ago
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Diane Seuss, “[Where is the drug to drug this feeling out of me]”
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internalintestines · 2 years ago
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by Frank O'Hara / id in alt
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internalintestines · 2 years ago
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what i read in march 2023
poetry
to march - emily dickinson
willow - anna akmatova (trans. jennifer reeser)
i grant you ample leave - george eliot
worm moon - mary oliver
deer on the side of an american highway - devin kelly
reading - a.r ammons
the lady’s yes - elizabeth barret browning
“south of the north, yet north of south, lies the city of a hundred hills” - aaron coleman
the honest tongue - laura da!
why did it - william j harris
thursday - james longenbach
hello - naomi shihab nye
[like a white stone] - anna akhmatova (trans. babette deutsch, avrahm yarmolinsky)
the horse fell off the poem - mahmoud darwish (trans. fady joudah)
a lesson from my father about electricity - monica rico
abell 2218 - eric gamalinda
molly brodak - molly brodak
ancestors wildest dreams - kinsale drake
books
closer baby closer - savannah brown (poetry collection)
i must be living twice - eileen myself (poetry collection, p1-51)
detransition baby - torrey peters
university readings
‘chapter 3: michel foucault: society must be defended’ in portraits of violence, evans and wilson, 2016 (modernism and after)
‘pregnancy: reproductive futures in trans of colour feminism’, micha cárdenas, 2016 (intro to queer studies)
‘the transfeminist manifesto’, in catching a wave: reclaiming feminism for the 21st century, 2003 (intro to queer studies)
‘academy as potentiality’, in A.C.A.D.E.M.Y revolver, irit rogoff, 2006 (intro to queer studies)
chapters 1-2 of ‘borderlands/la frontera’, gloria anzaldúa, 1987 (intro to queer studies)
‘queer intersections: sexuality and gender in migration studies’ in the international migration review vol 40, martin f. manalansan, 2006 (intro to queer studies)
‘deconstructing the filmmakers gaze: an interview with celine sciamma’, cineaste vol 45, garcia, m (intro to queer studies)
‘visual pleasurea and narrative cinema’, laura mulvey (intro to queer studies)
substack
paging dr. lesbian: does the female gaze exist
patti smith: reading a poets poem
perfectly imperfect newsletter: #290 morgan maher
tv dinner: queer advice #55 really serious really quickly
the sushi shop: an ode to bad television and its brightest stars
maybe baby: #138 do you pass the turing test
maybe baby: #140 the art of pandering
cup of stars (carmen maria machado): dear kitty
articles
‘loneliness and me’, claire bushey, financial times, 2020
‘the reading summer: fragments on loneliness’, eve lio, medium, 2021
‘the state of UK prisons and the urgent need for reform’, callum clark, 2022
‘our prisons are a manifest failure. would that be tolerated in any other public system?’, kathleen maltzahn, the guardian, 2019
‘prison art, a dark place where the muse never leaves’, jillian steinhauer, the new york times, 2019
‘why pop art was the first queer art movement’, andy stewart mackay anothermag, 2020
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internalintestines · 2 years ago
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Pyramid Scheme - Hera Lindsay Bird
the other day i was thinking about the term pyramid scheme, and why they called it pyramid scheme and not triangle scheme and i asked you what you thought you thought it added a certain gravitas, and linked the idea of 
economic prosperity with some of history’s greatest architectural achievements unconsciously suggesting a silent wealth of gold and heat a triangle is two dimensional, and therefore a less striking mental image than the idea of a third dimension of financial fraud which is how many dimensions of financial fraud the term pyramid scheme suggests but i had to pause for a second at the financial fraud part because it occurred to me i didn’t know what pyramid schemes really were i knew they had something to do with people getting money from nothing like the person at the top of the pyramid scheme, or more accurately triangle scheme, acquires a number of investors and takes their money and then pays the first lot of investors with the money from another bunch of investors and so on and so forth all the way to the bottom of the triangle or pyramid face which is the kind of stupid thing that happens if you keep your money in a pyramid and not a bank account although if you ask me banks are the real pyramid schemes after all or was love the real pyramid scheme? i can’t remember maybe it’s better to keep your money in a pyramid than a bank and i should shop around and compare the interest rates on different pyramids maybe i should open up a savings pyramid with a whole bunch of trapdoors and malarias to keep the financial anthropologists i mean bankers out my emeralds cooling under the ground like beautiful women’s eyes i think this was supposed to be a metaphor for something but i can’t remember where i was going with it and now it’s been swept away by the winds of whatever but knowing me, it was probably love that great dark blue sex hope that keeps coming true that cartoon black castle with a single bird flying over it i don’t know where this poem ends how far below the sand but it’s still early evening and you and I are a little drunk you answer the phone you pour me a drink i know you hate the domestic in poetry but you should have thought of that before you invited me to move in with you i used to think arguments were the same as honesty i used to think screaming was the same as passion i used to think pain was meaningful i no longer think pain is meaningful i never learned anything good from being unhappy i never learned anything good from being happy either the way i feel about you has nothing to do with learning it has nothing to do with anything but i feel it down in the corners of my sarcophagus i feel it in my sleep even when i am not thinking about you you are still pouring through my blood, like fire through an abandoned hospital ward these coins are getting heavy on my eyes it has been a great honor and privilege to love you it has been a great honor and privilege to eat cold pizza on your steps at dawn love is so stupid: it’s like punching the sun and having a million gold coins rain down on you which you don’t even have to pay tax on because sun money is free money and i’m pretty sure there are no laws about that but i would pay tax because i believe that hospitals and education and the arts should be publicly funded even this poem when i look at you, my eyes are two identical neighborhood houses on fire when i look at you my eyes bulge out of my skull like a dog in a cartoon when i am with you an enormous silence descends upon me and i feel like i am sinking into the deepest part of my life we walk down the street, with the grass blowing back and forth i have never been so happy
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internalintestines · 2 years ago
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“I want to infect you with the tremendous excitement of living, because I believe that you have the strength to bear it.”
— Tennessee Williams, The Selected Letters: 1920-1945
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internalintestines · 2 years ago
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“But life went on, even at times like this, and it was surprising how easy it was to keep going as though nothing had changed. I found it strange that I could walk down the street and appear normal, just like anyone else. That I could be in complete turmoil inside, and yet my reflection in a shop window could look the same as it ever had.”
— Moshi Moshi, Banana Yoshimoto
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internalintestines · 2 years ago
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ALT
— Haruki Murakami, Norwegian Wood
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internalintestines · 2 years ago
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Naomi Shihab Nye, “The Rider.” Fuel
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internalintestines · 2 years ago
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internalintestines · 2 years ago
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Mary Oliver “Why I Wake Early.” Why I Wake Early
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internalintestines · 2 years ago
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You think your pain and heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me the things that tormented me most were the very things that connected me with all the people who were alive, or who had ever been alive.
— James Baldwin
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internalintestines · 2 years ago
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Deer On the Side of the American Highway by Devin Kelly
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internalintestines · 2 years ago
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Leonard Cohen to Marianne Ihlen (edited).
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internalintestines · 2 years ago
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— Simone de Beauvoir, from a letter to Jean-Paul Sartre
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internalintestines · 2 years ago
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Selected Books of the Beloved, Gregory Orr
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internalintestines · 2 years ago
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“As you read a book word by word and page by page, you participate in its creation, just as a cellist playing a Bach suite participates, note by note, in the creation, the coming-to-be, the existence, of the music. And, as you read and re-read, the book of course participates in the creation of you, your thoughts and feelings, the size and temper of your soul.”
— Ursula K. Le Guin
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