its-a-giant-mushroom

[its-a-giant-mushroom]

OKAY SO HERE ARE RANDOM HAMILTON THE MUSICAL FACTS NO ONE ASKED FOR

• After Maria mentions she is "helpless" in Say No To This, Eliza doesn't mention it for the rest of the play

• In That Would Be Enough, Eliza says: "I wrote to the general a month ago". In Stay Alive we can see her writing the letter

• In Take A Break, when Angelica and Eliza reunite and say each other's names there is a slight pause for "and Peggy"

• In Stay Alive (reprise), Phillip says to Eliza "Mom, I'm sorry for forgetting what you taught me" because Eliza taught him how to count to 10 in Take A Break and he thought that mr. Eaker counted to 10 even though he didn't

• Phillip had trouble with number 7 in Take A Break, got shot at number 7 and died at Sept-7 (guess it wasn't exactly his lucky number)

• Burr always repeats that he's willing to wait for it and Alexander always repeats that he's not throwing away his shot, but in The World Was Wide Enough, Burr doesn't wait for it and shoots Alexander and Alexander throws away his shot by aiming his pistol at the sky

• In Hurricane, Alexander says: "I couldn't seem to die" and the backing vocals/ensemble say: "Wait for it, wait for it, wait for it, wait for it.." because Burr is going to shoot him in 9 songs

• If we count all of the songs in Hamilton + Lauren's interlude, there is exactly 47 songs. 47 is also the age Alexander Hamilton died at

• In Best Of Wives And Best Of Women both Alexander and Eliza say exactly 37 words, which is also how many songs they were married for in the musical

• In Who Lives, Who Dies, Who Tells Your Story when Eliza says: "I speak out against slavery," Washington makes a surprised face behind her because he owned around 120 slaves

• In What'd I miss when Jefferson gets the letter from Washington he says: "Sally, be a lamb, darlin' won't you open it," reffering to a slave of his

[its-a-giant-mushroom]

[its-a-giant-mushroom]

Fun fact: jefferson was 12-14 years older than hamilton. The generational gap was exaggerated by the fact that jefferson was also 8 inches taller than him. Imagine getting roasted by a tiny gen alpha kid in court

[its-a-giant-mushroom]

Miku binder Thomas Jefferson has hit the Pentagon (Daveed Diggs inner circle)

[its-a-giant-mushroom]

My addition to this trend

[its-a-giant-mushroom]

daily affirmations:

1. i am the one thing in life i can control

2. i am inimitable

3. i am an original

4. i’m not falling behind or running late

5. i’m not standing still, i am lying in wait

[its-a-giant-mushroom]

One of my favorite parts of Hadestown is the way Hermes slips so seamlessly between participant and narrator. The fact that he knows from the beginning how the story is going to go, but still plays his part, surrounded by people who don’t know they’re characters in a tragedy. And he plays his part well. Every night, he tells Orpheus, “You want to talk to her? Go on," and every night, he asks, “Just how far would you go for her?” Every night, Orpheus asks him, “ It’s not a trick?” and he tells him, “No, it’s a test.” And every night, when the cycle starts again, when his voice is so broken with grief that he can barely get the words out to tell the audience - the audience that he and no one else has known was there the whole time - “Don’t ask why, brother, don’t ask how he could have come so close. The song was written long ago, and that is how it goes,” when Eurydice appears - fresh-faced and alive, with no memory of what has just happened - to ask, “anybody got a match?” he wordlessly extends his matchbook to her, and lets the story start anew. Someone’s got to tell the tale, whether or not it turns out well.

And still - AND STILL - every night, at the very beginning, he says, “Maybe it will turn out this time, on the road to hell, on the railroad line.”

[its-a-giant-mushroom]

They're heeeere congrats to this orphydice duo!!

[its-a-giant-mushroom]

the japanese “-ne?” particle and the british slang term “innit” serve the same function

[its-a-giant-mushroom]

[its-a-giant-mushroom]

[its-a-giant-mushroom]

[its-a-giant-mushroom]

[its-a-giant-mushroom]

[its-a-giant-mushroom]

People you know I watch this show, but you dont know how much I love it, probably gonna get over it ina day or two, but my new found love made me draw this as quick as posible, before said love died 😔

So yeah love this disfuctunial family, love the siblings dynamic, love the style, really love the style, and just watch it, ok? WATCH IT

-the sketch and lineart down bellow-

I was esperimenting new ways of sketching, was crazy but kinda love it

[its-a-giant-mushroom]

what I wanted was to fall asleep

[its-a-giant-mushroom]

there's something so endlessly poetic about eva noblezada and reeve carney's relationship.

they met & fell in love while performing the central romantic characters of a retelling of a 2000+ year old tragic myth, in which the central theme of the show is how people have been retelling this story over and over again for all of those 2000+ years, every time hoping that it will 'turn out this time', only to be devestated by the inevitably tragic ending. a retelling that begs people to hope, to believe that this time, orpheus will get to take eurydice with him.

"who are you?" "the man who's gonna marry you."

"lover, tell me, when we're wed..."

on reeve's final show, they recreated the end of the show, allowing orpheus to take his eurydice up the stairs and out of 'hadestown', hand in hand with her - an ending that the mythological orpheus & eurydice never got to see.

and then they got engaged, on a bridge overlooking the theatre where they first performed together, while returning to their characters together for the first time in a year and a half.

they are the orpheus and eurydice who made it out. they are what the show begs us to believe in.

anais mitchell, you prophetess.