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Fabiana Palladino with Jai Paul - I Care (Visualiser)

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Video vixen, SIncerely Ward (2006)

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A Trinity of Dragons: Fire, Earth, and Water, Rookwood Pottery Co., 1892

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ペンケース　平成レトロ　デニム　チェーン　クローバー　犬

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Tamar-kali Brown

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sevahsevah

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Gap Ad

Featuring Joy Bryant InStyle - September 2003

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from @anninathermopolisrenaldi on ig . “distressed nun mohair dress /sold hay top~sold @j_adorable_shop”

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2006

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The recorded version of “Harvest Time” begins humbly enough, fading into Tisziji Muñoz’s gentle guitar vamp, which shimmers around Steve Neil’s bass ostinato before the first notes of sax waft in like a low breeze. Sax and bass trade leads as time becomes ever more fluid, and faint chimes draw things to a lull about halfway through. It’s a natural progression, like the light shifting as the sun trances its arch across the sky, before the diaphanous drone of Bedria Sanders’ harmonium—an instrument she’d never touched before the session—settles into the piece like a thin mist.

At this point the music becomes something else, illuminating something greater than sound—a presence. A hush extends over the proceedings and for the rest of “Harvest Time” Sanders and company don’t really play anything so much as they tend to the sound they’ve encountered in the depths of an ephemeral frequency. Then they simply let the piece drift on and diminish into its own silence, guiding it back into the ether by the sound of Pharoah’s bare breath.

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