i guess im a destiel blog again, though very 911 oriented lately (yeah I hopped on the bandwagon) game dev, 26
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i love this website i just feel at home here you know
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going downâŹď¸â¨
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yesss im always saying this like sure i can give you logical advice but at the end of the day you can just do what you want to do until youre sick of it. cant move on cant switch gears til youre sick of it so go ahead and indulge
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when you listen to a song and it gives you inspiration to daydream an answer to the plot hole in the story building inside your head

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they should invent a 2025 where good things happen
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People who are fine don't go and see cardiologists. You need to tell me if something is wrong. All right. It was a panic attack. Not a heart attack. Panic.
Evan Buckley and Eddie Diaz 9-1-1 | Season 5 | Episodes 1 and 2 | Panic; Desperate Time
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When I am appointed to represent a child, my first action is to separate them from their parents and tell them the following things:
1. I am their attorney. I do not work for their parent or the judge or the cops. I donât care what any of those people want.
2. My job is to listen to them and try and make what they want happen in court. (At this point I make a joke about how most people want me to get them out of trouble but if someone wanted to be in trouble I would do my best.)
3. What they tell me is confidential. It goes nowhere unless they agree to it. (If old enough, I talk to them about mandatory reporters, and how Iâm a mandatory non reporter.)
4. I will give them lots of advice because Iâve been doing court for a while and I know a lot about it, and they donât. Itâs all really complicated, and if they donât understand whatâs happening itâs my job to help them figure it out.
5. They will make the decisions. (At this point I usually have to reassure them that Iâll help, Iâll speak for them in front of the judge, and Iâve got their back. Itâs scary to have an adult say youâre in charge, most of the time.)
6. I tell them I know itâs absolutely wild to have some stranger come in here and say âhey, you can trust me!â and that I get if they donât believe everything right away, because I plan to show them through my actions and my words that Iâll fight for them.
7. But nonetheless, I will treat them like a person who can make decisions, because they are living their life and I am not.
I do not:
Pretend to be cool.
Try to be their BFF.
Overwhelm them with detail.
Let their parents in the room until the kid asks for them. (I provide openings for this, and ask if the kid wants their parent to help them remember and understand.)
I want to emphasize I went into this job knowing nothing about how to interact with vulnerable populations, especially children. The training was minimal, and my role means that I can literally walk into a facility and get an unmonitored visit with a minor client one on one.
In my years of practice I have never felt threatened by a child, even one that was âviolentâ and âunstable.â It turns out just saying âhi, I think youâre a person with thoughtsâ is wildly successful? Now people treat me like I have special Child Whisperer powers. My powers are that I ask the child whatâs up and Iâm not scared to say things that are objectively awkward. I know nothing about anything.
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I still canât get over what brits call musical notes like bro please Iâm trying so hard to take this country seriously
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đŽđˇ Tehran, Iran - A man restores a well-known mural depicting the US flag with bombs and skulls, and the phrase âDown with the USA.â
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my favorite thing about navigating fanfiction is finding a really good one and being all âoh boy this was good, I hope they have more!â and literally every other story theyâve ever written was for like Miami ViceÂ
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Do you think authors sometimes don't realize how their, uh, interests creep into their writing? I'm talking about stuff like Robert Jordan's obvious femdom kink, or Anne Rice's preoccupation with inc*st and p*dophilia. Did their editors ever gently ask them if they've ever actually read what they've written?
Firstly, a reminder: This is not tiktok and we just say the words incest and pedophilia here.
Secondly, I don't know if I would call them 'interests' so much as fixations or even concerns. There are monstrous things that people think about, and I think writing is a place to engage with those monstrous things. It doesn't bother me that people engage with those things. I exist somewhere within the whump scale, and I would hope no one would think less of me just because sooner or later I like to rough a good character up a bit, you know? It's fun to torture characters, as a treat!
But, anyway, assuming this question isn't, "Do writers know they're gross when I think they are gross" which I'm going to take the kind road and assume it isn't, but is instead, "Do you think authors are aware of the things they constantly come back to?"
Sometimes. It can be jarring to read your own writing and realize that there are things you CLEARLY are preoccupied with. (mm, I like that word more than concerns). There are things you think about over and over, your run your mind over them and they keep working their way back in. I think this is true of most authors, when you read enough of them. Where you almost want to ask, "So...what's up with that?" or sometimes I read enough of someone's work that I have a PRETTY good idea what's up with that.
I've never read Robert Jordan and I don't intend to start (I think it would bore me this is not a moral stance) and I've really never read Rice's erotica. In erotica especially I think you have all the right in the world to get fucking weird about it! But so, when I was young I read the whole Vampire Chronicles series. I don't remember it perfectly, but there's plenty in it to reveal VERY plainly that Anne Rice has issues with God but deeply believes in God, and Anne Rice has a preoccupation with the idea of what should stay dead, and what it means to become. So, when i found out her daughter died at the age of six, before Rice wrote all of this, and she grew up very very Catholic' I said, 'yeah, that fucking checks out'.
Was Rice herself aware of how those things formed her writing? I think at a certain point probably yes. The character of Claudia is in every way too on the nose for her not to have SOME idea unless she was REAL REAL dense about her own inner workings. But, sometimes I know where something I write about comes from, that doesn't mean I'm interested in sharing it with the class. I would never ever fucking say, 'The reasons I seem to write so much of x as y is that z happened to me years ago' ahaha FUCK THAT NOISE. NYET. RIDE ON, COWBOY.
But I've known some people in fandom works who clearly have something going on and don't seem to realize it. Or they're very good at hiding it. Based on the people I'm talking about I would say it's more a lack of self-knowledge, and I don't even mean that unkindly. I have, in many ways, taken myself down to the studs and rebuilt it all, so I unfortunately am very aware of why I do and write the things I do most of the time. It's extremely annoying not to be able to blame something. I imagine it must be very freeing. But it ain't me, babe.
Anyway, a lot of words to say: Maybe! But that might not stop them from writing it, it might be a useful thing for them to engage with, and you can always just not read it.
Also, we don't censor words here.
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Check out my ongoing comic Crow Time. It has crows, and also neat pantheons of epic beasties.
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i've been road tripping across america
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