jacob-jordaens

[jacob-jordaens]

odysseus and Nausicaa, 1655, Salvator Rosa

Medium: oil,canvas

[jacob-jordaens]

The Immaculate Conception, 1640, Francisco de Zurbaran

Medium: oil,canvas

https://www.wikiart.org/en/francisco-de-zurbaran/the-immaculate-conception-1

[jacob-jordaens]

Five River Gods, Salvator Rosa, 17th century, Harvard Art Museums: Prints

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall

https://www.harvardartmuseums.org/collections/object/249370

[jacob-jordaens]

The Assumption of the Virgin, 1650, Jacob Jordaens

Medium: oil,canvas

[jacob-jordaens]

Allegory of the Peace of Westphalia, 1654, Jacob Jordaens

https://www.wikiart.org/en/jacob-jordaens/allegory-of-the-peace-of-westphalia-1654

[jacob-jordaens]

Study of a Figure in Priest's Robes, Jacob Jordaens, c. 1650, Minneapolis Institute of Art: Prints and Drawings

red and black drawing of torso, legs and arms of a figure wearing robes, with red overlay garment with scroll designs on PL side Jacob Jordaens was the leading painter in Antwerp in the generation after Rubens. He was greatly influenced by the elder artist and occasionally worked for him. Though he is now best known for his droll genre pictures, he also painted religious, historical, mythological, and allegorical works. His prolific draftsmanship is represented by some 450 drawings plausibly attributed to him today. Like Rubens, he worked with a decisive hand, and scholars have had some difficulty assigning some drawing with certainty to one or the other. Jordaens' work is characterized by clear contours and insistent hatching. He often mixed media in his drawings. The use of black and red chalk, oiled charcoal, gray wash, and white heightening seen in the present drapery study is elaborate but not exceptional. The combination of red and black chalk is a hallmark of his workaday drawings. The crisp, luminous effect produced by the brush work in gray and white typifies the close attention that he gave to lighting in preparing his compositions. Though the present study has not been connected with a finshed painting, it clearly represents a priest raising his hand in a gesture of blessing. Size: 14 15/16 x 10 1/16 in. (37.94 x 25.56 cm) (approx.) 20 1/2 x 24 15/16 in. (52.07 x 63.34 cm) (mat) Medium: Black and red chalk, oiled charcoal, grey wash, heightened with white

https://collections.artsmia.org/art/112696/

[jacob-jordaens]

Satyr and Peasant, 1620, Jacob Jordaens

Medium: oil,canvas

[jacob-jordaens]

Psyche hosted on Olympus, 1652, Jacob Jordaens

Medium: oil,canvas

[jacob-jordaens]

Meleager and Atalanta, 1618, Jacob Jordaens

Medium: oil,canvas

[jacob-jordaens]

The Brenta Canal at Padua, 1741, Canaletto

Medium: oil,canvas

[jacob-jordaens]

The Holy Family with characters and animals in a boat, 1652, Jacob Jordaens

Medium: oil,canvas

[jacob-jordaens]

Return of the Holy Family from Egypt, 1616, Jacob Jordaens

Medium: oil,wood

https://www.wikiart.org/en/jacob-jordaens/return-of-the-holy-family-from-egypt

[jacob-jordaens]

Job, 1620, Jacob Jordaens

Medium: oil,panel

[jacob-jordaens]

Lucretia, 1642, Artemisia Gentileschi

[jacob-jordaens]

Two studies of the head of Abraham Grapheus, 1621, Jacob Jordaens

Medium: oil,paper

[jacob-jordaens]

Self-Portrait, 1616, Jacob Jordaens

Medium: oil,canvas

[jacob-jordaens]

Minerva, 1640, Artemisia Gentileschi

https://www.wikiart.org/en/artemisia-gentileschi/minerva-1640