šøLei | 21+ | Multi-Fandom currently hyperfixated on TWDG | Minors DNišø
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No one asked for baby Clem but my fic demanded it. (Also I wanted an excuse to draw her in more protective styles)
I popped off a little with this one š
š¾ a piece where they're not just standing in the void??? Wow! Colored with light shading?? Unbelievable!
Anyways, in my AU, the Everett's have a gallery wall in the entrance of their house, full of pictures of their family. I know I just drew Clem but in reality, it would be a mix of all of them.
Also finding that Mary Kate and Ashely are great references.
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Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.
Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.
I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.
However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.
You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.
Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!
That's always the conclusion, right? One good, one bad.
This is incredibly limiting and it drives me nuts.
They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.
One is not good and the other bad, they're different, and I think that's worth exploring.
Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.
Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.
However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.
Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.
Marlon and Minerva are also reflective of Clementine's worst outcomes.
Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.
After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."
When she chooses Louis, he does for her what he never did for Marlon: he steps up.
Clementine proves she won't become Marlon just as she proves she won't become Minerva.
After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.
When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.
They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.
Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.
What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.
Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?
So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.
Actually, let's talk about that a little more.
In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.
An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.
On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.
These are interesting to me because I get where they're coming from... but they ultimately miss the point.
The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side⦠and something occurred to me.Ā
Louis is about challenging Clementine's perception of survival, and Violet is about validating it.
Louis challenges Clementine from the very moment we meet himāheās playing music. His initial philosophy on survival butts heads with Clementineās. The fact that hunting with him and Aasim challenges your perception of āyour choices have consequences.ā These games have conditioned the player to think along the lines of, āYeah, Louis is more fun⦠but if I donāt hunt with Aasim, we wonāt have any food.ā
Except thatās just it. I hate to say it, Aasim, but in the grand scheme of things⦠hunting with you doesnāt matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It wouldāve been more beneficial to spend time with Louis over hunting, hence how he challenges you. Ā
This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano⦠but thatās the point. If youāre going through with Louisā full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isnāt entirely right about the way sheās gone about survival.
Oh, and do I even need to mention the vote? The debate over Louisā vote is exhausting. Often times, people tell on themselves in how they talk about it. Itās not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar⦠and yet Louis is the one who takes all the blame as if heās the only one personally kicking them out.Ā
Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement⦠or, you can double down and tell him to fuck off, AJ was justified.Ā
But hereās the thing⦠the vote adds to the appeal of Louisā route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.
Except itās really not.
Ever heard of a thing called tension? Because thereās a lot of it in ep2 between clouis + AJ and itās fantastic.
Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship⦠only for that to seemingly be taken away from us the moment AJ shoots Marlon.Ā
Yes, Louisā route is about being challenged, but itās also about challenging him. That heās able to forgive them, that heās able to question his own survival philosophy and understand theirs, that heās able to apologize and actually change for the better⦠that right there is what makes clouis so damn good.Ā
He becomes hardened whereas Clementine softens. By the end of the game, theyāre on a similar level now without neglecting their differences, and they can move forward together.Ā
Thatās what makes Louisā route appealing⦠and itās also what makes it unappealing to people who prefer Violet.Ā
By contrast, Violetās already on Clementineās level when it comes to this perception of survival. She validates that Clementineās on the right path.
They have other similarities in the way that theyāre both female, queer, they both have a kid they look after, theyāre not always great with other people, etc.Ā
People who prefer Louis might consider this boring, but I think to Team Violet, itās comforting. Itās comforting to have a partner who takes this as seriously as you do, who wants to get shit done. Theyāre playing Clementine with a similar attitude, and donāt believe it needs to be challenged. Itās comforting to feel validated on something you already firmly believe in.Ā
We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.
Violetās prioritizing fishing because they need food. Thatās what theyāve set out to do, so letās do it. The game is letting you know thatās the case, and if you value that, continue pursuing her.Ā
While fishing, they discuss why things are weird with her and Brody. Violet doesnāt take well to Clementineās blunt, āBecause you make it weird. Brody tries and you just make fun of her."
Thatās understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that itās because Brody never said sorry for what happened to the twins.Ā
Thereās also comfort and validation in the way Violet sides with Clementine and AJ after Marlonās death. She votes for them to stay, vocalizing how much she disapproves of the results. Thereās this feeling that I recognize from a lot of the sapphic romance I read; āitās you and me against the world, Iāll always have your back, even if youāre in the wrong, Iāll fight for you.ā
In our case, itās violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them.Ā
The tension between violentine in ep2 is different because instead of one pushing the other away, theyāre being forced apart by the vote and thereās nothing they can do about it. That tension is somewhat released when Clementine comes back and theyāre reunited, working out a plan to best defend the school.Ā
Itās also why Violetās presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses.Ā
All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. Itās up to the player to pick what path they prefer, but that doesnāt mean the other path isnāt worth acknowledging or analyzing.Ā
I should also mention that theyāre not exclusive; there is overlap with validation being present in Louisā route and challenges in Violetās. Theyāre just more present in episodes 3 and 4 after weāve made our decision.Ā
There are several more examples of how this all fits together, buuuuutā
Yaāll wanna compare some allegories?
Those familiar with my content might already know where Iām going with this as Iāve made a post about Louis and the piano in the past.Ā
You see, I believe that there are allegories for Louis and Violetās hearts present in their routes: Louisā piano, and Violetās pin.Ā
I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all Iāll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its woodā¦
And that makes me fucking feral.Ā
But I'm also so normal about it.
As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so sheāll always remember that night⦠but she doesnāt give it to her until after Clementineās saved her, and that fascinates me in the context of it being allegory.Ā
Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if heās the one whoās captured. Yes, yes, heās also incredibly traumatized from having his tongue cut out and heād be happy to see anyone, yada yada⦠but listen, if you romance Louis and heās captured, his heart remains with herāthat piano with their intitals is on full display. When he sees her, heās still so devoted to her that he refuses to accept that itās at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when theyāre together in the end. From the moment Clementine puts knife to wood, heās hers.Ā
Now, look⦠you might think Iām going somewhere not great with this but hear me out.Ā
I think after Clementineās gone star gazing with her, Violet is fully ready to give her heart to her. Yāknow, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment.Ā
I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementineās the one.Ā
Louis gives her his heart prior to the raid because of everything thatās already gone down between them following Marlonās death. Violet needs to know that Clementineās willing to fight for her the way she fought before. When Clementine saves her from the raiders, itās solidified. Even after she sees Minerva again, it changes nothing.
Itās also worth noting that the pin is something Clementine wears. Like the piano carving, itās a piece on display for everyone to see, to let them know whose heart Clementine has.
Violet literally handed Clementine her heart as a means of saying, āIām yours. Iām devoted to you.āĀ
This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead!Ā
If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayinā.Ā
Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burnedāyes, yes, I know, her eyes are burned and Minerva messed with her head so of course now sheās not hostile, yada, yada.Ā
But I think itās rather telling that you donāt get the pin in this route. Sure, Violetās willing to forgive and possibly pursue this romance in the future⦠but sheās not ready to hand over her heart, not truly. Not after everything thatās happened.Ā
And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if sheās captured, itās possibly still sitting somewhere, abandoned.Ā
Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.
Okay just let me talk about their reactions to Tenn's death and then I'll shut up.
This makes me want to gnaw my own foot off, I can barely handle it.
AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.
When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"
AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."
If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"
If Clementine says nothing, Louis says, "Tenn was just a little boy!"
The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!
When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"
AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"
If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"
And there it is.
Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.
This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.
Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"
Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."
As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."
"So you're mad, but sad."
"Can I be that for a while?"
And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.
Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.
Let me put it to you in simple terms... they react the same.
After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.
The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.
It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."
Do I need to say it again? I'm gonna say it again.
One is not good and the other bad. They're different.
There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!
That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."
Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh⦠hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.
There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.
I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!
I'm so done with The Debateā¢; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.
I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"
So yeah, that's my ramble for the night.
I'm gonna go replay TFS for further research.
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The way Louis saysĀ āHell yeah a fuckinā treehouse!ā reblog if youĀ agree
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I hate it when people ask me what genre of music i listen to because i genuinely have no clue. It's called Music I Like genre. The best genre out there
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No, I don't know a single thing about a single celebrity. But this fictional man? this extremely sad, traumatized man? Why yes, I hold an encyclopedic amount of knowledge of him in my silly brain. Why do you ask?
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WOTAKOI by Fujita ends with 11 volumes.
ā ļøSPOILERS AHEAD!ā ļø
Please do not repost
MY COMFORT MANGA ENDED BUT I CAN'T STOP SMILING
I FINALLY READ VOLUME 11 OF WOTAKOI AND IT'S 12:44 AM HERE BUT MY SISTER AND I INTERNALLY SCREAMING AND OUR DAD IS LOOKING AT US LIKE WE'VE GONE INSANE WHICH IS PROBABLY NOT TOO FAR OFF BECAUSE (ESP THE LAST 2 CHAPTERS):
1. NARU AND HIROTAKA FIGHT AND MAKE UP

2. NARU CAME OUT AS AN OTAKU TO HER CO WORKERS (AND TOLD THEM HIROTAKA'S HER BF)


3. KOU X NAO LETTING THE SQUAD KNOW THEY'RE DATING

4. KABA X HANA HAVING A FRIGGIN BABY OTW I KENNATšššš

5. KISS KISS FALL IN LOVE

AND SQUAD GOALS

THANK YOU SO MUCH FUJITA SENSEI FOR GIVING US THIS AWESOME STORY. I'VE BEEN FOLLOWING IT FOR MAYBE 3 YEARS NOW AND SAY WHAT YOU WILL BUT IT'S DEF MY FAVORITE MANGA. I LOOK FORWARD TO THE SPINOFF AND I WILL DEFINITELY READ YOUR FUTURE WORKS AS WELL.
PLEASE DO NOT REPOST ON ANY OTHER SITES
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Let me reiterate, where are the adults that are 25+ in this fandom? Yāall are hiding
So like, where are the adults (at LEAST over 21 ffs) in this fandom? Have we vanished or something? For an older show I would expect more of us, even though the fandom is very little lol
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i cannot emphasize how necessary it is to have a buddy to participate in fandom with. completely elevated experience. don't have a buddy? find someone you like and message them and be their friend. gush over every sketch and drabble and insane headcanon they have. live life to the fullest.
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My biggest tip for fanfic writers is this: if you get a character's mannerisms and speech pattern down, you can make them do pretty much whatever you want and it'll feel in character.
Logic: Characters, just like real people, are mallable. There is typically very little that's so truly, heinously out of character that you absolutely cannot make it work under any circumstance. In addition, most fans are also willing to accept characterization stretches if it makes the fic work. Yeah, we all know the villain and the hero wouldn't cuddle for warmth in canon. But if they did do that, how would they do it?
What counts is often not so much 'would the character do this?' and more 'if the character did do this, how would they do it?' If you get 'how' part right, your readers will probably be willing to buy the rest, because it will still feel like their favourite character. But if it doesn't feel like the character anymore, why are they even reading the fic?
Worry less about whether a character would do something, and more about how they'd sound while doing it.
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It shouldāve been Gabe instead of Mariana
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So like, where are the adults (at LEAST over 21 ffs) in this fandom? Have we vanished or something? For an older show I would expect more of us, even though the fandom is very little lol
#catdog#We use to be here but now I donāt see any of us lol#i know we have jobs but where are yall?
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Deadass bout to leave this cd server, iām the odd one out lol
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Never forget Noraās casual simultaneous effort to figure out if Ren was all around blind or if he had selective friendzone hearing
Like what she said and what she thought were very different things in the V7 conversation
āFriends, huh? Just friends?ā my dude are you just all around bad at detecting sexual tension or do you just do this to me
āTwo people whoāve gone through that much? I think thereās more going onā do you see it to, you blind bitch? Weāve gone through everything together. Is there something going on between us?
Like I love the dichotomy of that talk cause sheās not really talking about Blake and Yang, sheās fully trying to gauge his feelings towards her. It really was one of those peak Noraās emotional intelligence moments that sheās been showing since really early on.
Noraās emotional intelligence is high-key my favorite thing about her
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My husband (ao3) has gone to war (it's down and we don't know why) and I don't know when I will see him again (I don't really know guys šš)
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