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Homies saw Yoko with a tall, attractive lady wearing glasses and went like "for sure that's John Lennon 😁"

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the thing about yoko ono is like. is she a good person? oh absolutely not. but we're all beatles fans so I think you can deal with a woman being a little evil when every single one of your pet white men is like the devil incarnate but we're all collectively calling them our pookies

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Instagram tributes on Paul McCartney's 83rd birthday, 18th June 2025: Klaus Voormann

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Paul McCartney, I think, is an endlessly fascinating figure who is a lot weirder than people give him credit for. -- Charlie Brooker, 2023

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sir paul mccartney you are more than a historic and national treasure to me. you are a mother and a father. a daughter and a mouse. a musical beast, a mythical archangel, and the most annoying person to exist. you are the virgin mary and the best juggler at a circus. you are a pin up doll and the 20th century mozart. all that.

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31 days countdown

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bruce and paul mccartney 🥹🥰 (pics by my friend lauren)

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George Harrison at the Empire Theatre in Liverpool, England | 26 May 1963 © Philip Jones Griffiths

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haven’t painted in aaages 💭

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John Lennon at the launch party of The Beatles’ new album Sgt. Pepper’s Lonely Hearts Club Band at manager Brian Epstein’s flat in London, England | 19 May 1967 © Barrie Wentzell

"I've had a lot of time to think," said John peering at me through his wire-rimmed specs, "and only now am I beginning to realise many of the things I should have known years ago. I'm getting to understand my own feelings. Don't forget that under this frilly shirt is a hundred-year-old man who's seen and done so much — but at the same time knowing so little."

Dinner with the Beatles New Musical Express | 27 May 1967

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Lennon/McCartney (part 4/?)

(Part 1) (Part 2) (Part 3)

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John Lennon and Paul McCartney with Beatles associates (Peter Brown, Derek Taylor, Neil Aspinall) in the Apple office in 1968. Photograph by Jane Bown.

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Charley Foxx, Paul McCartney and Stevie Wonder at the Scotch of St James club, 1966.

“When on tour I have to write essays about the places I visit. In the essay I’ll be writing when I get back I’ll certainly include my meeting with Paul McCartney. I met him in the Scotch Of St James club. He’s a really swinging guy, the only Beatle I’ve met.”

15-year-old Stevie Wonder, NME, 18 February, 1966

“None of the Beatles was on hand for Stevie’s show at the Cavern, but Paul McCartney came to a show we did in London. After the final set, Stevie, Paul, Clarence [Paul, Stevie’s producer] and I sat around acting like a proverbial mutual admiration society - Paul going on and on about how the Beatles loved rhythm and blues and how they all admired Stevie’s music and the Motown sound; the rest of us quizzing him about the “Fab Four”. it was the only time in all my years of working alongside the greatest singers and musicians in the world that I ever asked for an autograph, which earned me major points with my sisters Joan and Diane.”

Ted Hull (Stevie’s tutor), The Wonder Years: my life and times with Stevie Wonder, 2000

Braille message for Stevie (“We love you baby”) on the cover of Wings’ 1973 album Red Rose Speedway.

On the first night of recording, who should turn up at the studio door but Paul and Linda. It was the first time since the Beatles had broken up that John and Paul had been in the same room…They play. With Paul on drums, in the absence of Ringo and Keith Moon that night, and John picking up his guitar, soon to be joined by Stevie Wonder, they went into a jam of ‘Midnight Special’.

Ray Connolly, Being John Lennon A Restless Life

“I’ve always been an admirer from the early days when we first heard him as ‘Little’ Stevie Wonder with ‘Fingertips’. Then I met him on and off [for a few years] and went to his shows. Eventually, I asked him if we could record together ‘Ebony and Ivory’. I spent some time with him in Montserrat to make that record... He’s such a musical monster. You sit down with him at the piano immediately he’s off. I know some of his old stories so I can joke with him and take the mickey. He was originally ‘Steveland Morris’ and he was in a little blind school in Detroit. He was just one of the blind kids who happened to be musically gifted. He went to Motown to make ‘Fingertips’ and then he was famous. He came back as ‘Little Stevie Wonder’. So he once told me all the blind kids in the school used to call him [adopts mocking tone] ‘Wundurr’. They didn’t like him and were jealous of him. So now when I see him and if we pass in the corridor I say ‘Wundurr’ and he immediately knows it’s Paul.”

Paul McCartney, GQ Magazine, November 2012

Stevie and Paul in Montserrat, working on Tug of War, 2011.

“But, you know, he’s such a fantastic person to work with that you just go along with it. He’s worth it! He may not always show up when he says he will. Maybe he has got to finish this other album he’s doing, whatever. You just have to make a lot of allowances. He’s such a great musician. It’s all fine, in the end. When he eventually got there and started working, it was perfect. I thought, ‘Oh God, everything he does is perfect.’ I’m talking about even handclaps here… you know, just handclaps. I remember being just a little bit out on the handclaps. We were round a mic clapping, and he just went, ‘Hey Paul, stop! Hey man, you’re not in the pocket!’ And I’m going, ‘Okay, alright, I’m not in the pocket! Let’s get it in the pocket.’ On the Beatles records we weren’t that precise with handclaps! ‘In the pocket’ means being exactly on the beat. So Stevie is saying, ‘You’re not in the pocket, man!’ and I’m going, ‘Oh shit! Okay, let’s get it right!’ So we just worked at it until we got it. He’s very much the perfectionist.”

Paul McCartney, Tug of War Archive Collection, 2015

“Stevie came along to the studio in LA and he listened to the track for about ten minutes and he totally got it. He just went to the mic and within 20 minutes had nailed this dynamite solo. When you listen you just think, ‘How do you come up with that?’ But it’s just because he is a genius, that’s why.”

Paul on recording Only Our Hearts with Stevie in 2011.

Paul and Stevie during mixing for Kisses on the Bottom, 15 November 2011 source

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Lennon/McCartney (part 2/?)

(Part 1)

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I’m sorry I usually rag on Beatles Reddit but this tale of Paul in the wild is sending me