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jingmeow · 1 year ago

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HELLO MAO I AM HERE TO FEAST (finally got the time to sit down and enjoy. being a capitalist slave is not fun rip) anyways!

before anything, i just want to say that i've always loved your prose. it's always so carefully thought out. none of the sentences feel like they're just fodder, just something to fill in the space, everything sentence has a purpose and i think it's so reflective of your skill as a writer to be able to have everything mean something yk (am i making sense???) you're always going to be one of my favourite writers, regardless of who/what you write for (having wbk fics from you is just the bestest treat fr)

MOVING ON!

LOVED, LOVED, LOVED the dynamic. i know you've heard this like a hundred times already by now but truly, you've managed to balance the dynamics of not only mc and the furin trio as a whole, but also mc and her individual relationships with the three of them. which, by god, can actually be really difficult to do because some people (me. it's me.) forget that the main characters also have to interact with people outside of their main love interest. but you've managed to do that so flawlessly even when giving suo and mc their scenes together.

this has to be one of my favourite mcs. i love all your girlies (gn) but this one has to be at least top 3 for me (first place goes to your dust, diamonds mc, i'm sorry, it's ride or die for me)

the entire exchange mc and suo had about marriage!!!! kicking my feet and giggling

“No. I'd even say you're being a menace, actually. Doing a very bad job of”—you almost laugh as you say this, because you've heard this speech so many times—“engaging with my feelings. Not being supportive at all. Really falling off the staircase to adulthood, you know.” Suo studies you. Something complicated passes through his eye before he pulls away, his expression now back to normal. It's deceptive how innocent he looks. “Sorry,” he says. “You’re right. I’ll play nice.”

(chefs kiss.)

LOVED THE SWITCH TO SAKURA'S POV BTW. he's so squishy but also a horrible narrator when it comes to things about him. but otherwise, he's brutally honest. i love reading things in his pov.

At first Sakura thought that you were just immune to Suo’s tactics, but he's recently come to realise that Suo simply gets too emotional about you to know how to convince you of anything.

(o h. oh)

He doesn't mince words. “How come you were being such a dick to your friend?”

(oh sakura, you are truly a gift)

Suo nods. “I suppose it’s natural to be sensitive to the feelings of someone you like.” Heat floods his face. “I don't like her!”

(OH! OOOOOHHHH!!!!!)

TSUBAKI APPEARENCE!! i love tsubaki sm!!! umemiya is the light of my life but tsubaki is my actual favourite character. i think nii satoru did a wonderful job with his storyline, and i remember being genuinely surprised at how thoughtful it was. AND TSUBAKI IS THE PRETTIEST EVER LIKE GENUINELY I WAS SO HAPPY WHEN HE APPEARED IN THE LAST EP!!! AND I'M SO HAPPY HE'S HERE TOO!!! AND YOU GAVE HIM A BOYFRIEND!!

You smile at them, and it's the kind of smile that makes it very easy to like you. The kind of smile that makes it natural to want nice things for you. The kind of smile that would make anyone emotional, even if they're normally very controlled. It makes something in Sakura squeeze tightly, all knotted up and painful.

(THE THREESOME FIC BOUT TO BE THE HOTTEST SHIT ON THE DASH FR. sakura, my sweet, summer child, you're not fooling anyone.)

SINCERITY

Flirting with Suo is never a good idea—you can never tell whether he means to charm you or make fun of you when you do it. Sometimes it feels like both. Occasionally it feels mean. More often than not, you like to entertain it. But you can't right now, not when his blood is all over the washroom sink. Your manager will be furious about the mess, and also about the fact that you're giving first aid to three delinquents while you're on the clock. If Suo makes one more joke about marrying you, you'll probably throw up and cry. (Or: Suo, Nirei, and Sakura get into a fight in the red light district and go to you to get patched up. Suo takes the opportunity to tease you mercilessly.)

4.5k words, suo x reader with implied one-sided sakura x reader, sfw with mature themes. set post-canon (they are all 18-19 years old), non-canon backstory details for suo and sakura (speculative as of ch. 146). fem reader – references to gendered professions, e.g. hostessing; reader wears a dress for her job in a girls’ bar. warning for inaccurate depictions of first aid!

Suo’s never liked your job.

You suppose this is fair. The feeling is mutual. You’ve never liked the fact that Suo chose to go to a delinquent school rather than a proper high school, and he’s never liked the fact that you chose to drop out of your proper high school to go work in the red light district—first at a kyabakura, and now at a girls’ bar. His master, who also happens to be your master, has always told you that this was a natural reaction on his part. Having a secondary school certificate is important, after all. But Suo’s disapproval of your income sources, no matter how politely or subtly phrased, has always felt like it runs deeper than simple concern for your education.

Still, this has never stopped him from visiting you at your place of work, though he only tends to come by under the worst possible circumstances—tonight worse than any other.

When you see the three of them limping through the clamour and heat of the red light district—the neon glow of the street making the blood smeared across Suo’s face shine vibrantly—you entirely forget that you're on the clock. You chuck your sign onto the ground (3000¥ per hour! it reads) as you cut a path toward them, almost tripping in your stiletto heels. Your customer service voice gives way to your regular one, which is so outraged that it startles everyone around you.

“Suo, you motherfucker—are you trying to lose the only eye you have left?!”

Suo is unbothered. His smile is calm and deeply shameless as you approach him. It’s nothing like Nirei, who cringes at the furious look you give him, or Sakura, who looks like a deer caught in headlights when you round on him instead. Like he doesn’t know what to do at the fact that someone is worrying over him, and especially not when that person is wearing an extremely revealing evening gown. For a minute, you think he's going to bolt.

But Suo keeps him there, grip tight on his arm.

“Hi,” he says brightly, like there isn't blood all over his face and shoulder. “Are you busy? We might need to trouble you.”

“Of course I'm busy! I'm in the middle of a shift!” you fume at him. But you still extract Sakura from him, scruffing him by the neck before he can clam up and run. You pull him in the direction of your bar, and gesture for the other two to follow. “Hurry up before my manager sees you.”

Smuggling three delinquents into the washroom of a girls’ bar is not a skill you thought you'd ever need, but it is one that you've become an expert in. This is at least the third time you've done it. The Furin trio rarely ever loses fights, but they occasionally slip up in the part of the red light district that isn't controlled by Roppo-Ichiza. This is somewhat unavoidable, as Keyaki Street is a different beast from Keisei Street. It isn't just delinquents here, but bona fide criminals. “Like, actual fucking Yakuza,” you grouse at Suo for the millionth time. You wipe at the blood remaining on his face—most of it you've already rinsed off, staining the melamine sink with iron—and the paper towel in your hand blooms red.

“But these guys weren't Yakuza,” he says cheerfully.

“They still pulled weapons on you! Bladed weapons!”

“Mm… well, that's true. I'm sorry.”

You scowl at him. “No, you're not.”

“No, I'm not.” He’s still smiling. “In our defense, we didn't have much of a choice. They were about to do something terrible to an innocent person,” he says, and you deflate a little, because you know Suo can't stand to see injustice. This is something you love very dearly about him, and also a quality of his that constantly raises your blood pressure. But then you roll your eyes when he happily adds, “And in my defense, it’s all our Captain’s fault!”

“Oi!” Sakura yells from one of the stalls, where he’s sitting and holding a bag of ice to a knot on his head. “Wasn’t my fault we ended up fighting. They were practically beggin’ to have their asses kicked.”

“You did provoke them, Sakura,” Nirei says. He's in the other stall, trying to stay off his sprained ankle.

“Well, they were dangerous! Not like you wanted to just leave them alone either,” Sakura grumbles, and Nirei apologises, though Suo accurately points out there is no need for him to. After hearing this story, you can't help but agree, and you suppose you shouldn't have expected any differently. After three years at Furin, Sakura is no longer the type to pick fights for no reason. Whatever those guys were up to must have been pretty bad for him to start shit in unfamiliar territory.

Still. The red light district is what it is. Touts, street gangs, and Yakuza are constantly causing problems here, with violence of a scale and nature that Bofurin simply don't see on their own turf. Your street in particular makes someone like Endo look like a joke. “You should still learn to exercise some restraint,” you say to Sakura. “And you”—you give Suo a miserable look—“you know the area. You should have known better. At the very least, you should have called me for backup.”

“But you were on the clock,” Suo points out, and you frown. Despite having absolutely no need, you take out an alcohol wipe and swipe it over his cut. He winces.

“I'm still on the clock now,” you reply, voice dry, “and here you are, distracting me anyway. My boss is going to be on my ass about it if I don't bring in any customers tonight, you know.”

“We can be your customers,” Suo offers.

“You aren't old enough to drink!”

“Neither are you, yet you work here.” His gaze has turned a little sharp. His voice too. You blink, suddenly mollified.

“...okay. If each of you buys a drink after this, I’ll call us even.” Then you glance down at his changshan, which is sliced through, the pearly silk stained red at the shoulder. He’s insisted that the wound is unserious and said that he'd rather clean up his face first, and you're starting to question his priorities. “That is, if you don't have to go to the hospital after this.”

“I don't.”

“I don't know if I believe you.” You pull out some polysporin. “Come closer.”

Suo could do this on his own. His hands aren't incapacitated. But he humours you, as he's always humoured you, and allows you dab his cut with the antibiotic. You feel a little sentimental as you do it, and almost a little sad. Doing this reminds you of when he was a kid who had just started learning martial arts. Granted, he never got any real cuts back then, but sometimes he’d scrape his knees or his elbows or—god forbid—his face, and you would plaster bandaids all over him when he did. But none of those were real injuries.

More than anything, doing this reminds you of when he lost his eye. The state that he was in after the accident. The way his face was bandaged after the surgery. The texture of the gauze against your fingers when you asked to try swapping out the dressings for him.

If Suo notices the way your lip is trembling, he doesn't comment on it.

“You’re so mean—how come you never believe anything I say?” he asks. You press the gauze to his cut with more pressure than necessary, and he blinks. He opens his mouth again, but then the door rattles violently.

“Sorry!” you yell. “Washroom’s closed for cleaning!” You wince as you hear complaints in reply—you’ve been closed for half an hour!—and shoot Suo a sour look as the customer leaves. “I’m really risking it all for you three,” you remark.

“I'll make it up to you,” Suo says. “I'll stick around the whole night and buy as many drinks as you want. Your manager won't be able to hassle you about anything then.”

“No way. You're not wasting that much money on the red light district.” You frown. “Master will kill me if I let you piss away your inheritance like that.”

“I’m not wasting my money on the red light district. I'm wasting it on you.”

“Well, I'm employed at a girls’ bar, so when you waste money on me, you are in fact spending it on the red light district.”

“Then you should quit so I can spend as much money on you as I want.”

“Quit and then live on what income?” You set aside the first aid kit and grab some more paper towel. “Take off your shirt.”

“Oh? Right here? Right now?” His eye goes wide. “How forward.”

Sakura coughs very, very loudly from the stall. If you weren't so used to Suo saying this kind of thing just to mess with you, you'd probably do the same. In fact, you'd probably choke on your spit and die on the spot. But as it is, you only sigh and start unbuttoning Suo’s changshan, starting at the high collar. Any sentimentality or concern you previously felt is quickly drowned out by annoyance.

“Suo.”

“Don’t worry—I don't mind,” he adds. “I thought you'd never ask. I just didn't think it’d happen here. And so suddenly.”

“Don’t do that. I can't do this today.”

“Don’t do what?” he says innocently. He lets you slip his changshan off one shoulder. To your relief, the cut does look very shallow—he’s too quick for anything other than a bullet to land a serious hit on him, you guess—but you still swallow when you see it. It looks like he's bled a lot more than he probably actually has.

Or you hope so, anyway.

“Joke like that,” you reply after a moment. “It's very mean.”

“I’m not joking about anything.” You feel his eye on you as you start dabbing at all the red on his skin, the paper towel in your hands blotting crimson as if with ink. Your breath shakes as you study the wound. He lifts his hand, his knuckle brushing against your cheek. You smack it away, but he doesn't seem bothered. “I was being very serious,” he continues. “Quit working in the red light district and let me support you instead.”

“Suo,” you say, your voice flat, “there is no job you could qualify for on this planet that will let you earn more than what I'm making now. If anything, you should let me support you.”

“Ah,” he says brightly. “I get it now—you want me to be your trophy husband!”

Now you are choking on your spit and you do think you're dying. Sakura sounds like he's not doing much better—something bangs loudly against the washroom stall, and you assume it’s his forehead. Even Nirei is affected, not-so-subtly clearing his throat.

“I do not want you to be my trophy husband.”

“Just a regular husband, then?” he asks. “That’s alright. If I joined the Yakuza, I could make plenty of money. You could even stay at home if you wanted.”

“Suo you motherfucker you are not joining the fucking Yakuza! And I wouldn't be a stay at home wife!”

“Oh? You wouldn't want to be?”

“No, god! Do you know how much I could make if I scored a hostess gig at a high-end place? Why would I ever turn down that kind of money?!”

“Ah, so you want us to be dual income?”

“Of course I would want us to be dual income!”

“You could get a different job and we could still be dual income.”

“There’s no other job that would pay as well.”

Suo sighs, and your brow twitches. You've always been suspicious about why he disapproves of your choice in career. It’s not in his disposition to judge people, but sometimes you still worry that he's doing it to you.

“What,” you ask, “would you be so against marrying a hostess?”

“No, not at all. But I'd be worried if my spouse worked somewhere unsafe. What if you end up at a Yakuza-owned club?”

You pause, startled at the abruptly earnest tone of his voice. Suddenly you feel guilty.

“Oh… well, I wouldn’t work at a Yakuza-owned club.”

“Hm… then I guess it's fine.” Suo nods, as if arriving at a decision. “We’ll get married, we’ll be dual income, and neither of us will work for the Yakuza.”

“Yes, exactly. We’ll get married, we’ll be dual income, and neither of us—” Your eyes go wide as you realize what you're saying. You feel yourself flushing. “Wait.”

“What? Is there a problem?”

“Suo.”

“Don’t tell me you're going to change your mind now. That would just be mean.”

“I'm being mean?” you ask, flabbergasted.

“Well, yes. You don't think it would hurt if you changed your mind about marrying me? And so soon after agreeing, too.”

You stare at him in disbelief. You have a number of possible retorts that cross your mind, and somehow you pick the least relevant one: “You can't trick someone into marrying you.”

“Then can I trick you into dating me?”

“Suo! I said don't do that!”

“Don’t do what?”

“Joke about that kind of thing!”

“I'm not joking about anything.”

“Yes you are? You don't actually want to date me. Stop saying that you do!”

Suo leans in. He stares at you, his gaze distinctly vulpine. It's very attractive, and also intimidating, and you should be used to it by now, but your heart rate ticks up anyway. You swallow thickly as his thumb glides along your cheek again, your skin scorching beneath his fingertips. You forget to bat his hand away this time.

“You’re so mean,” he repeats, voice lilting, “how come you never believe anything I say?”

He's baiting you. He's obviously baiting you, and you consider for a moment whether you want to bite.

Flirting with Suo is never a good idea—you can never tell whether he means to charm you or make fun of you when you do it. Sometimes it feels like both. Occasionally it feels mean. More often than not, you like to entertain it. But you can't right now. His shirt’s stained with such a bright red that it keeps distracting you, just like the blood he's left all over the washroom sink. Your manager will be furious about the mess, and also about the fact that you're giving first aid to three delinquents while you're on the clock. You think they'd go broke before they could spend enough money here to appease her, were she to discover the four of you. You might even lose your job. Then you wouldn't be able to support yourself anymore, let alone Suo, who cracks jokes as easily about being your trophy husband as he does about being Leonardo DiCaprio.

If he makes one more joke about marrying you, you'll probably throw up and cry.

“You're not being very gentlemanly right now,” you finally point out. He raises a brow.

“No?”

Suo studies you. Something complicated passes through his eye before he pulls away, his expression now back to normal. It's deceptive how innocent he looks.

“Sorry,” he says. “You’re right. I’ll play nice.”

“No, you won't,” you retort, and Suo smiles at you, not replying. But he does give you a break. You finish cleaning up the cut without incident, although you do get flecks of blood on your evening gown, which you hope won't be too noticeable against the black satin. You bemoan the lost cause of Suo's changshan too—made of Suzhou silk, a gift from your master—and silently make a note to buy him a replacement sometime.

You're in the middle of buttoning up his shirt when the door clicks and swings open. Met face to face with your coworker, you freeze up.

Your stage name leaves her mouth in an angry bark. “What are you doing? I told you you're not supposed to be having sex with customers here, you should be doing that someplace—” She stops, evidently spotting the blood on Suo’s shirt, and then the other two individuals locked up in here with you, one of whom is blushing violently and looks to be on the verge of dying from embarrassment. Beneath your hands, you feel Suo’s body go stiff too.

“Oh,” she says before either of them can comment. “It’s just your delinquent boyfriend and his buddies.” Suo waves at her, and she nods back before squinting at the sink. “Are you going to clean that up?”

“Yes,” you say quickly. “Please don't tell our boss.”

“Have I ever ratted you out?” she asks. “Just get out of here soon. People do have to piss, you know.” Then she stops, looking at Suo with a dubious expression. “And make sure your boyfriend doesn't die.”

You're too tired to correct her on the nature of your relationship. “I've been trying,” you say, and she gives you a sympathetic look before retreating. You hear her laughing with a customer about people fooling around in the washroom, and I'm so sorry for the inconvenience, sir, and could you please go downstairs while I clean up. You’re so relieved, you nearly fall to your knees. A calloused hand touches your back as you rub your temples.

“I’m sorry for worrying you,” Suo says quietly—sincerely—and instead of saying no, you're not, you reply, “I know. I’m sorry too.”

Suo’s always hated your job.

He’s always hated your job, your boyfriends, your apartment, and a lot of other things about your life that Sakura doesn’t have any business prying into. And it's just as well. Sakura also hates your shitty job, and your shitty boyfriends, and considering that you live in the same shitty building as him, he isn't a fan of your rental situation either. Nirei’s too polite to say anything about it, but Sakura can tell that he disapproves as well. It’s not like any of them are living the most comfortable lives either—Sakura has personally been living from shithole to shithole, mostly alone, ever since his parents passed—but your lifestyle does make them all feel poorly.

You're just a very easy person to like. And it's very easy to want nice things for you. So Sakura gets it, how Suo feels about you.

What he doesn't quite get is how Suo acts about you.

One thing he’s learned over the years is that Suo is very good at reading people. Sometimes he understands Sakura better than Sakura understands himself, and he can convince Sakura to do things which he himself didn't think were possible for him to do. He's done the same with Nirei, and about half the other people in their grade, and at least a third of the guys in Bofurin. It’s frankly a terrifying skill. But Suo never uses it with you—not to get you to change jobs, or boyfriends, or even apartments.

At first Sakura thought that you were just immune to Suo’s tactics, but he's recently come to realise that Suo simply gets too emotional about you to know how to convince you of anything. He’s even emotional enough to get kind of petty and a little mean with you, which is something that Sakura has only witnessed from Suo during fights. Really bad fights.

It’s terribly uncomfortable, especially when you’re clearly head over heels for Suo.

Sakura doesn't have any business prying into your personal problems. Though truthfully, he’d be happy to thrash some random assholes for you anyway, if that would fix your heartbreak. (He's already done this to at least one of your exes, and it worked shockingly well.) The problem is, Suo is not a random asshole and Sakura isn't sure that you'd want him thrashed in the first place. But it's just fucking painful watching the two of you act like this around each other, so he ends up pulling Suo aside after you kick them out of the girls’ bar, scowling.

Suo looks at him, surprised. “Sakura? What's the matter?”

He doesn't mince words. “How come you were being such a dick to your friend?”

Nirei goes stiff. “Sakura,” he says in his panicked ‘why are you trying to pick a fight now’ voice, “where is this coming from? I don't think Suo was being rude…” But Sakura can tell, as Nirei’s finishing his own sentence, that he's second-guessing himself.

“No,” Suo replies. “I was being a bit terrible, wasn't I?” There’s no humour in either his words or his face, but the corner of his mouth lifts. He actually looks endeared. “I'm surprised you noticed, Sakura.”

“I mean”—Sakura feels himself going red, embarrassed at just the memory of how you looked at Suo; first so worried, then painfully fond, and then like you were going to burst into tears right there in the washroom and ask him to hold you, as if you were in a horrible getsuku drama—“it was kinda hard not to.”

Suo nods. “I suppose it’s natural to be sensitive to the feelings of someone you like.”

Heat floods his face. “I don't like her!”

“Did I say you did?” Suo’s mouth curls when Sakura can't answer. “Don’t be embarrassed. She's a very easy person to like.”

Sakura tries his hardest to ignore Suo—which should be easy, because Suo lies randomly and pointlessly all the time, whenever he thinks it's funny—and says, “If she's an easy person to like, how come you act like you don't like her at all?”

“Was I acting like that? Or was she acting like it was impossible for someone to like her?” Sakura stops. Suo gives him a long look, then smiles. “You would know how difficult it can be to accept being liked, Sakura. And how long it can take to understand that there are people who want to support you unconditionally.”

Sakura opens his mouth once, twice. A third time. Nirei sighs. The two of them watch as Suo—rather than walking in the direction of the subway—steps over to a vending machine and buys a bottle of oolong tea.

“Are you going to wait for her shift to finish?” Nirei asks.

“Mm, I think so.” Suo glances down at his ankle. “But you should go home, Nire-kun. You can’t fight like that. In case those guys come back here, I mean.” He opens the bottle, takes a sip. “They had bladed weapons. It would be bad if you risked it.”

Nirei glances at the entrance to your bar, worried. “But…”

Sakura understands without Nirei finishing his sentence. The security at your bar is terrible, and plenty of people like to exploit that. It was Nirei who noticed a group men eyeing you before anyone else did, following you all the way from Keisei Street to your place of work. And sure, Suo kicked the shit out of them in the end, did much worse to them than vice versa—but who knows if there aren't more of them.

Suo hates your job. All three of them do.

“It’s okay,” Sakura says. “I'm sure the two of us will be enough.”

“...I'll ask Tsubaki if he's free,” Nirei finally relents. “And I'll text Kiryu and Tsugeura too.”

“Thanks, Nire-kun.”

Suo gets a bottle of ramune after Nirei leaves, passes it to Sakura. Tsubaki comes by later, still in his pole outfit, with several pieces of taiyaki for them to share—I’m always snacky after dancing, he explains—and the three of them loiter in front of your bar until four in the morning. Tsubaki asks questions about you in a tone that has Sakura wanting to crawl into an alleyway just to hide, and Suo deflects masterfully with questions about Tsubaki’s new boyfriend. The guys from earlier don't show up. Maybe the sight of Roppo-Ichiza’s top fighter scares them off.

You're surprised to see them there when you emerge a little later. You give Tsubaki a happy but perplexed look as he hugs you.

“Tsubaki? What are you doing here?”

“Keeping these two company,” he replies. “And I wanted to say hi, of course. You should come by the club sometime, you know! I haven't seen you in forever.”

“Sure! That would be nice, but…” You turn to Sakura and Suo, puzzled. “Why are you guys still here?”

Sakura, on instinct, nearly recounts the whole evening to you—about the men tailing you, about how they got into a fight, about the kind of things they said they'd do once they caught you—but Suo answers first.

“Troubling you again,” is all he says. “It’s fine since your shift is over now, right?”

You give the two of them a long, curious look. For a moment, you look worried, but you're eventually disarmed by Suo’s expression.

“I guess it's fine,” you reply. You sound so happy. Suo’s gaze goes soft, and Sakura has to force himself not to look away. “Let's hurry up and go home.”

He’s starting to understand why Suo acts the way he does around you.

END

this wasn't meant to be a love triangle, my apologies…

this was also meant to be a very short piece (like 500w lol), but I kept thinking about what suo’s backstory might be, and why he was so comfortable in the red light district in the manga, and what these guys might realistically act like in an aged up, romantic context. that all coalesced into this very bizarre fic LOL. I'm not sure how it'll land, but I hope someone out here enjoyed it! I would like to write more about this triangle (+ nirei) but I'm not sure what the level of interest would be, or if it'll even make sense with the manga. I guess we’ll see eventually!

in any case, thank you for reading!! <3

#jingmeow.library #SORRY FOR RAMBLING MAO BUT I'VE BEEN WAITING TO SIT AND READ THIS #suo is such an interesting character esp since we know close to NOTHING about his past but i like that you've given him something #this was such a treat thank youuuuuuuuu sm for writing it!!

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jingmeow · 1 year ago

Text

translation

Aventurine doesn't like being understood, but he does like understanding other people. It is essential for manipulation, for scheming, for control. And he likes controlling you especially—for keeping you close but your heart a comfortable distance away, for opening your legs when he wants the pleasure of your body, for playing your emotions however he needs. And the day will come when that skill will be invaluable—the day when he must die without shattering you. (Or: You are the only person in the universe who understands Aventurine in his mother tongue. He often regrets teaching it to you.)

5k words. gender neutral reader, established relationship, angst, non-graphic sex (reader bottoms, anatomy neutral), themes of cultural loss, references to slavery, aventurine’s canonically implied desire to die. MDNI.

Aventurine cannot lie in Avgin.

Deception does not come easily to him in his mother tongue. His command of it is too weak—and too kind. The universe was a different place in the days when his life was coloured by the warble of Avgin dialect. It felt simpler, partly because he was a child and partly because Sigonia was yet untouched by outsiders. There were no corporations, no casinos, no commodity codes. His entire world was sand, desert, mother, sister, father (or more often—ghost), goddess, tent, wagon, luck, sin, rain, blessing, Avgin.

Katican.

Aventurine is sure that he knew more than just those words. He was fluent as a child. He had conversations with his sister that were complex enough to make his heart hurt, though perhaps his heart was just constantly aching anyway. But the rest of his early words escapes him. He could maybe dredge them up if he thinks long enough, but he also isn't sure if his tongue and lips could form the shape of them anymore. Sometimes he still counts in Avgin, memorises phone numbers in it, but he doesn’t remember the last time he actually strung together a full sentence in the language.

When Aventurine was first stolen into slavery (a word that he had not known as a child, and still doesn't know in Avgin), he wasn’t given a Synesthesia Beacon. He had to rely on his ears and his wits, deciphering the harsh edges of the Katican dialect and then the strange garble of Interastral Standard Language. By the time he had a Beacon installed, it was already translating all speech into Standard—his dominant language.

Sometimes he feels a little aggrieved by it, but at least it wasn't Katican. He'd have blown out his brains if it were.

But it is easy to console himself: Avgin is not a useful language anyway. Dead languages have no value, and the Avgin dialect was killed along with its people. You can’t perform commerce in a dead language, can't negotiate contracts, can't enter a gambling den and use your silver tongue to rob people blind. You can't use a dead language to fell governments and extract resources; you can't use a dead language to bring an entire planet to its knees. You can’t use a dead language to gamble your life; you can't use it to save yourself from the gallows.

You cannot deceive people in a language that is defined by sand, sister, goddess, ghost.

Aventurine cannot lie in Avgin. His command of it is too weak, and there is no one left to which he can lie, anyway.

When you ask Aventurine to teach you his first language, he gives you an amused look.

“Why Avgin?” he asks. “No one speaks it anymore. I can teach you Common Sigonian if you’d like. Or we could learn Xianzhounese together. Maybe Intellitron code? I know a little.”

“You speak Avgin,” you argue.

“Not often,” he says. “And badly when I do.”

“But it's still your language. And I want to understand you.”

Aventurine has to stop himself from laughing. Understand him? He hates being understood. When people understand him, it makes him predictable. And unlikeable. Hardly a position from which he can manipulate people in.

You understand him well enough to know that.

“You'll have to give me a better reason than that,” he says neatly. “Make it worth my while. Reward me.”

You look at him as you ponder, your eyes lingering on his. Perhaps trying to read him, though he prefers to think you're just enjoying the sight of them.

“I’ll teach you my language as well?”

“You mean—you'll reward my hard labour with more work?” he says, lighthearted.

You frown at him despite the joke. “You don't want to understand me better than what a Synesthesia Beacon would allow?” He blinks, pausing. “It’ll be convenient too. We can talk shit about other people in public and no one will understand us.”

Aventurine considers you. He doesn't like being understood, but he does like understanding other people. It is essential for manipulation, for scheming, for control. And he likes controlling you especially—for keeping you close but your heart a comfortable distance away, for opening your legs when he wants the pleasure of your body, for playing your emotions however he needs. And the day will come when that skill will be invaluable—the day when he must die without shattering you.

He also likes the idea of talking shit in public.

“I'm listening,” he says, voice lilting. You lean in, smiling. Sweet. It makes his heart feel something he isn't used to. Something addictive. Something disgusting. He scrambles to cover it with one of the usual tools: humour or distraction or maybe just plain old lying—his most reliable weapon.

“I'll throw in a kiss?” you try.

He hums. “Just one?”

“One per day.”

“Three.”

“You drive a hard bargain.”

“Well, I am a businessman.”

You snort, but he knows you're endeared. You have very noticeable tells when you’re flustered.

“Okay,” you say. “Three kisses on days you teach me.”

“Deal.”

Aventurine remembers more Avgin than he thought he would.

It comes to him slowly, painstakingly. You aren't interested in structured lessons, and he wouldn't be able to provide them anyway. He has a nonexistent grasp of grammar aside from this sounds right and that sounds strange, and Avgin dialect is both so niche and so dead that no textbooks are available. The scholars have abandoned the language as much as the politicians abandoned its people. Aventurine only has you, his fragmented memory, and whatever questions come to mind as you live out your days with him.

Mostly, you ask him about basic vocabulary. Sometimes you ask him to repeat sentences from your conversations in Avgin, like he’s some kind of multilingual parrot. Each prompt forces him to wade through the fog in his mind, the one that’s been shrouding his childhood memories until now. He's startled at how naturally the old words roll off his tongue: One, two, three, four. Good morning. Good evening. Good night. Sweet dreams. Five, six, seven, eight. You're lying to me. Why do you always lie to me? I don't know what you're talking about. Nine, ten, eleven, twelve. Welcome home. Have you eaten? Have some bread. I made you stew. Twenty, thirty, forty, fifty. That was dangerous. I thought you wouldn't make it back to me. Sometimes I think you want to die. One hundred, one thousand, one million, one billion. I'm sorry. Come here. Let me kiss you. Don't cry. Don't cry. Don't cry.

When you say, How do I ask you to let me hold you, he answers easily. He'd heard the words so often as a child: Let me hold you, Kakavasha. Let Mama hold you. His mouth forms the sounds without conscious thought.

He regrets it almost immediately.

When Aventurine hears it from you—stilted, halting, but no less gentle—he stops breathing. Let me hold you. You say it all the time in Standard, but it feels different in Avgin. More painful. A strange sense of panic closes in on him when he's wrapped up in you, thinking in Avgin, thinking sand, sister, goddess, ghost. He holds you tightly, like the rags cut from his father’s shirt, or his mother’s locket won back from the shell-slashers, or a bag of poker chips beneath a card table, clutched within his trembling grip.

“Aventurine, is something wrong?” you ask in Avgin, and he replies in Standard with his usual smile.

“Hm? No. What could be wrong if I have you here?”

Lying is one of his greatest tools. Sex is another one. So he says, “I think I'd like my reward now,” and he runs his lips along your jaw, your pulse, the spot over your heart (there's a word for that in Avgin but not Standard, he tells you), until you're laughing. I thought you wanted three kisses, you tease, and he replies, Who said I wanted to kiss you on the mouth?

But he coaxes open your thighs, and once he's inside you, he collects his payment properly. He kisses you, and kisses you, and kisses you—and you swallow his lies whole.

There are some things that Aventurine doesn't teach you. Mostly, they’re things that he can’t teach you.

There are countless gaps in his Avgin. His speech is painfully childish—probably more childish than it was when he actually stopped speaking it. He doesn't know how to swear (something that disappoints you) and he doesn't know how to flirt (something that devastates you). He doesn’t know any words that would be useful for work either: commercialization, governance, stakes, winnings, profit. When you ask him what his job title is in Avgin (“Was senior management even a thing in Avgin society?”), he laughs and gives you the word for gambler.

Then there are the words that he remembers—has remembered his whole life—but never says. Not to you, and not to himself. He doesn't teach you any prayers. He doesn't teach you any blessings. He doesn't teach you about Mama Fenge, or the Kakava Festival, or how the rain fell when he was born. When you ask him, What holidays did you celebrate when you were little? he shrugs and says, We didn't have any. Sigonia’s too bleak to do any partying.

Then you ask him one day, while your bodies are spent in the afterglow of sex, sticky with sweat and sweetness, how to say I love you. And he goes quiet.

Love is a cheap word in Interastral Standard. In the language of globalisation and trade, love has been commercialised, commodified, capitalised for power. You say it to him in many contexts: I love this, I love that, I love you. He hardly ever reacts, and he's never said it back. It would feel unnecessary and also cruel if he did: Aventurine has only ever said the words himself as either a joke or a manipulation.

But love feels different in Avgin than in Interastral Standard, doesn't sound like a thing that can be traded or bought. Kakavasha only ever said the word love to his mother, to his sister, to his father's grave. Love in his mother tongue feels priceless.

When Aventurine thinks about you saying it—I love you, Kakavasha, in clumsy, earnest Avgin—something so painful swells in his throat that he can hardly breathe.

“There is no word for love in my language,” he tells you.

You blink. “Okay, then what's an idiom for it?”

“There is none. There’s no word or phrase expressing love.”

You raise a brow. “That’s hard to believe.”

“Is it?” He smiles. “There’s no Avgin in the known universe who cares about love. Only scheming, thieving, and treachery—and you can't do those things when love is involved.”

You look at him in alarm. “Why are you saying that?” You're practically squirming in your discomfort. “I don't know why you think I'd believe such a racist stereotype.”

“It’s not a stereotype,” he says. “I'm not talking about the Avgin culture. I'm talking about myself.”

After all, he is the only Avgin left.

It is an unfair thing to say. A cruel thing to say. After all the laughing and kissing and crying and fucking, after all the tender eyes and gentle words from you—it is probably the worst pain imaginable: I don't give a shit about you. He waits for you to cry.

But you only stare at him calmly, studying him. You brush the hair out of his eyes, seeing them clearly.

“If you lie to me all the time,” you say in Avgin, “eventually I'll stop believing anything you say.”

Aventurine is speechless. His heart does that addictive, disgusting thing again. He thinks about leaving, but then you say, Let me hold you, and he can't do anything other than obey.

Avgin dialect was once included in the Synesthesia Beacon list of functions. The Intelligentsia Guild added it before the Second Katica-Avgin Extinction Event, when the IPC was trying to get a political foothold on Sigonia via the Avgin people. The language was alive then, with enough value to be included into the Synesthesia LLM by the linguists.

But since the Extinction Event—since Kakavasha ran away from home—the Synesthesia data on Avgin has been stagnant, a fossil. Aventurine knows because he's subscribed to software updates for certain languages (Avgin Sigonian, Common Sigonian, Interastral Standard, and now your mother tongue). He gets pinged every time there's a new addition for slang, for neologisms—but there hasn't been a ping for the Avgin dialect since he had the Beacon installed. The live translation function hasn't even been available since the previous Amber Era. When he checks its page on his Synesthesia app, it's very clear why—

SIGONIAN, AVGIN DIALECT SPEAKERS: 0 STATUS: Extinct END OF SERVICE: 2156 AE

The complete death of the language has led to an irritating dilemma for you and Aventurine. You keep running into words that he doesn't know—this time not because of his childlike speech, but because they never existed in his language to begin with. Ocean, tropical, rainforest. Starskiff, accelerator, space fleet. Stock market, shortselling, mutual funds. Black hole, event horizon, spaghettification. All things that never came up for Kakavasha, but now come up for Aventurine, and the language has not evolved to include it.

He always wants to switch to Standard to discuss these things, but you're insistent on speaking in Avgin as much as possible. He doesn't know why, but he doesn't mind humouring you—partly because he likes to indulge you, and partly because he’s grown used to hearing the honeyed timbre of Avgin dialect in your household. The place would feel strange without it.

So you start filling the gaps with other languages, filtering them through the lyricism of Avgin. Loanwords, he thinks they’re called. You take ocean, tropical, rainforest from Amazian; starskiff, accelerator, space fleet from Xianzhounese; stock market, shortselling, mutual funds from Interastral Standard. For the astrophysics terms, you try directly translating them—with limited success.

“Can't I literally just say ‘black hole’?” you ask in Avgin, and he nearly spits out his coffee.

“Please don't. That's a dirty word.” He can't bring himself to say what it means, but from the way you’re laughing, you can clearly guess.

“I thought you said you didn't know how to swear.”

“You've just reminded me how.”

“You're welcome.” You look on the verge of cackling. Aventurine finishes his coffee and wonders when you're going to surprise him with your newfound vulgarity.

“Let's just do the space terms based on Standard,” he says. Begs.

“No, that's so boring.”

“Then let's do your language.”

You open your mouth. Close it. Give him a blank look.

“You don't know how to say those words in your mother tongue either, do you,” he intuits.

“Well, ‘spaghettification’ doesn't really come up in everyday conversation, does it?”

“Then maybe we don't need it.” He smiles, senses an opportunity. Smells blood. “How about ‘love’? I'd much rather know how you say that. I bet it sounds beautiful.”

You give him a long look. Your eyes are vulnerable when you share it: Love. I love you. He’s fascinated by the sound of it. Your voice is never that fragile when you say it in Standard. It's never so earnest. He repeats it, staring at you, and your gaze falls to the ground. His mouth curls.

“I like it,” he says. “Let's use that. It'll sound nice in Avgin.”

You try to recover. “Sure. That works. But back to ‘black hole’—”

And the two of you continue like that for days, weeks, months. It feels like a complete bastardization of his mother tongue on some days, in some conversations. Almost unrecognisable. But it doesn't feel bad. It’s all he has, it's all you have, and when he walks into your home, he starts speaking it without thinking: your bastard, patchwork language. The Avgin dialect that exists only in your house. A tongue that can only be understood by a liar.

And then, one lazy Sunday morning, he gets a familiar ping. He expects it to be Interastral Standard, as usual. The language balloons with each planet that the IPC colonises.

But instead, he opens his screen and freezes.

SIGONIAN, AVGIN DIALECT SPEAKERS: 2 STATUS: Endangered. SERVICE RESUMED: 2157 AE NEW UPDATES: 103 loanwords and 5 neologisms added.

He can't stop looking at the status. Endangered. Endangered, which means dying, but alive. The Avgin dialect is alive again. The Intelligentsia Guild determined it, so it must be true. But Aventurine can't agree: there are no Avgin speakers in the known universe other than the two of you, and what you speak isn't real Avgin. The Avgin spoken by his mother and father and sister is dead; the Avgin spoken by Kakavasha is dead. The festivals are gone; the deserts have been terraformed. There are no wagons; there are no dances; there are no prayers. There are no blessings, and he has no home—

As long as you are alive, the blood of the Avgin will never run dry.

His throat locks up.

“Aventurine?” you ask. Your voice is drowsy, but concerned. “Is something wrong?”

He looks at you from his phone, a polished smile on his face.

“No.” His syllables are plain and efficient in the noise of Interastral Standard: “Just looking at details for a new assignment. It’ll be a long one.”

“Oh.” You frown. “Will you be away from home for a long time, then?”

He stops himself from swallowing. “Yes, I'll be away from the house. For several months, probably.”

“Okay.” Your voice is small. “Take care of yourself, okay? I'll miss you.”

Each word you speak resonates with heartbreak. It always does in these conversations, even in Standard—but the sorrow is amplified in Avgin. His mother tongue has an inherently sad quality to it, he's noticed. His people have lost so much over their history—their language is one of loss. It's his language of loss. Kakavasha did all his grieving in Avgin; Aventurine has never felt sorrow in Standard. When the language died, so did Kakavasha—and all his regrets with it.

“You'll come home to me, right?” you ask. It's a beautiful sentence in Avgin. A heartrending one. He feels something that he hasn't known since he was a child.

It's a feeling he has to kill.

“Yes,” he says in Standard. “Of course I'll come back.”

This is not the first time that Aventurine has been mistaken for dead, but this is the longest time.

The latest world to join the IPC network was a tough acquisition. It had been ruled by a despot who wreaked havoc on both the people and the planet, and who was too stupid and reckless to resolve conflicts with his trade partners. He probably would have blown up the whole star system had he been left to his own devices. Aventurine had no qualms about bringing him to ruin, nor did he have qualms about nearly dying in the process.

If things had gone his way, he'd either be dead or missing. This would have been the perfect opportunity to do the latter, actually—to be freed from the IPC. Free to drift alone, speaking with strangers in strange, unfamiliar tongues. No connection to his past, to the cruel history of his luck, to his commodity code. No tether to his inherently unjust destiny. But instead he's back in your house, pockets heavy with his borrowed wealth, speaking to you in his bastardised, childish Avgin. I'm sorry. Come here. Let me kiss you. Don't cry. Don't cry. Don't cry.

Your Avgin is—shockingly fluent. He doesn't know how. He can't think about it right now. All he can process is the wounded animal noise of your speech as you yell at him, as you cry. Like an injured songbird, or a weeping child. Why did you leave, why did you lie, why do you always lie to me, why don't you give a shit about me, you spit. Why do you want to die, why do you want to die, why do you want to die, you keep saying. Sand, sister, goddess, ghost, he keeps hearing. Sand, sister, goddess, ghost. Don't leave me, big sister. People will die. Why do you have to go?

“I’m sorry,” he tries again, this time in your language. “I'm so sorry. Come here. Let me hold you.”

You collapse into your mother tongue. Aventurine is both relieved and horrified. Relieved that he doesn't need to hear the language of his grief—horrified that he needs to hear yours. He's never heard you cry like this. He's never heard you break like this. These must have been the words you used when the soldiers found you hiding in your closet, when they dragged you out of your home. You were just a child.

Aventurine doesn't know the words you are using—you've never taught them—but he still understands them.

You're very malleable when you’re sad; even more so when you're hysterical. Aventurine understands this about you, and he understands how to calm you—this time in your native tongue—and he understands how to kiss you. He understands that you need to feel close to him. He understands that there are ways to accomplish this other than sex. A normal person would talk it out, have an honest conversation, come to a mutual understanding, and maybe even stop trying to kill himself. They wouldn't fuck you into the mattress while your face is still wet with tears.

But Aventurine is not a normal person. He doesn't know how to have an honest conversation, and he doesn't want to be understood. Lying is his greatest weapon, and sex is a close second. So he kisses you until you’re too breathless to cry, fucks you until you can't think, and makes you come so hard that you’re in too much bliss to grieve. And maybe it's horrible of him, but he enjoys it. He enjoys the way your body takes him in so easily, the way your nails dig into his back, the way you tighten around him when you climax, so wet and needy for him. The way you beg for him in your language for liars as he spends himself inside you: I love you, Aventurine, I love you, I love you, I love you—

Only because it feels good. This is all only because he enjoys fucking you. This is all only because you enjoy fucking him. This is all it'll ever be, and it'll be this way until he gets to meet his end.

(Some months ago, Aventurine started dreaming in Avgin.

It surprised him when he first noticed it. The last time he remembers having a dream in his native tongue, he was twelve years old and still in chains. And even then, it had become a sporadic, strange thing. Awful to wake up from. One minute he was with his mother and sister on a cool, rainy day, speaking fluently in Avgin as he laughed and played—and the next minute, he was being shaken awake in his cage, hearing the cruel lash of Katican.

But ever since he's started speaking Avgin with you, he's been dreaming in it. Vividly. Sometimes he's a child in these dreams, and sometimes he's grown. He's always back in the Sigonian desert, among the tents and the campfires and his family wagons. His mother and sister are alive. Sometimes his father is too. The skies roar with thunder and the stellar winds are always harsh, but they always keep him cocooned up in their arms. He's always warm.

Sometimes Aventurine dreams of nicer days. Clear skies, warm sun, cool breeze—all blessings from the Mother Goddess. On these days, he tends to be an adult, and you tend to be there with him. Your Avgin is fluent but strange, filled with funny loanwords and peculiar slang. His father likes the neologisms and starts using them—but only in wrong ways. His sister finds it embarrassing and keeps apologising to you.

His mother loves you. She loves you so much it hurts. This is how I know you're blessed, Kakavasha, she says, glowing. You’re so lucky to have found such a kind person.

Kakavasha knows this. He knows he's lucky, and in his dreams, that isn't a bad thing. In his dreams, his luck means that his home is not violently excised from his heart: his father never dies; his mother never dies; his sister never dies. The tents are not burned; the wagons are not destroyed. He is never forced to forget his people's dishes, their songs, their language, their joy. And in his dreams, his luck means that he meets you anyway, without all the loss and the chains and the lying.

In his dreams, he is able to bring you to the desert. He is able to teach you the Avgin he spoke as a child, to cook all the meals his mother used to make, to share with you their coffee and their tea. He teaches you prayers. He teaches you blessings. He tells you about Mama Fenge, about how the rain fell when he was born. He takes you to the Kakava Festival, shows you how to dance, sings to you all the Avgin songs until you're singing back. He presses his palm to yours in prayer; he kisses you in devotion, not avoidance.

Sometimes the two of you still fight, the same fights that you have in real life, but he handles them with honesty. He listens to you. He apologises to you. He tells you that he’ll change, and he means it—because this world is a kind one, and he has no need to be so cruel to you.

In this kind world, when you lay in bed with his arms tight around you, you smile at him and say, I love you, Kakavasha. You say it in Avgin—real Avgin, not the dialect born from genocide and deceit—and when he responds, there's not even a little bit of insincerity in his voice. Because Kakavasha never became Aventurine in these dreams, so he has no Interastral Standard in which he can lie to you, no silver tongue with which he can manipulate you, no commodity code that inspires his fear of being controlled by you. Kakavasha only knows Avgin, and he only has his sand, his family, his goddess, his home.

And he has you. Finally, he has you.

He kisses you, and kisses you, and kisses you—and then he tells you the truth.)

Aventurine cannot lie in Avgin.

You noticed this very early on: whenever he lies to you, he always switches to Interastral Standard. Probably he wouldn't be able to do it in his mother tongue. His command of it is too weak, and the words he knows are all too kind. He speaks with the innocence of a child, and children cannot deceive people in the way that adults can. Children cannot perform commerce or negotiate contracts. They cannot use a silver tongue to rob people blind. They cannot save themselves from the gallows.

So Aventurine’s Avgin is defenceless. Vulnerable. So vulnerable it hurts. You are not so vulnerable in your first language because your captors spoke it on occasion, and you learned to lie in it to gain their pity. You told Aventurine that knowing it would help him understand you, but this was a deception. Aventurine’s mother tongue was a language of trust, but yours is a dialect of abuse.

The Avgin language died before Aventurine could be gutted by it; this is why it disarms him so completely. This is why he’s so indulgent and so warm when you use it with him, why he yields to all your requests. Not requests for money or gifts—you’re certain those are meaningless to him—but for affection. Let me hold you. Let me touch you. Let me kiss you. He can never say no.

This is also why he loves hearing you speak his mother tongue, you think—it makes him feel at home, it makes him feel safe. Maybe it even makes him feel loved. He never seems so at peace speaking any other language, so you try to use Avgin as much as possible. You like seeing him happy. You like it even if it means you need to teach him your own native language in exchange, even when it means you need to hear him say all the things your captors used to say. You don't mind it if it's him. You never mind the harm he inflicts on you, especially not when it brings you closer to him.

It is convenient that he cannot lie in Avgin. You only wanted to learn it in the first place because he talks in his sleep—mostly in Standard, but sometimes in his native tongue. And now that you know he cannot lie in Avgin, you also know he's always being honest in his dreams. Honest when he throws his arms around you in his sleep. Honest when he grabs you so tightly that you bruise. Honest when he buries his face into your neck and whispers prayers into your skin.

Most of the words he says are common ones, the earliest vocabulary that he taught you. But there are some things he's withheld from you—and to learn those things, you had to track down linguists from the Intelligentsia Guild, bribe them with your dirty money, have them give you all their deprecated, extinct data. It felt two-faced, and it was violating, but it was the only way. You already know that Aventurine would rather die than translate his feelings for you, would never want this part of himself understood.

I'm sorry for always leaving you.

I'm sorry for making you cry.

I can't bear the thought of losing you.

Freedom would be too lonely without you.

I don't want to hurt you anymore.

I don't want to lie to you anymore.

I missed you.

I want you.

I need you.

I love you.

end

afterword