joneswilliam72

[joneswilliam72]

Dirty Audio and Slippy shake the earth with "Quake"

Look out dubstep fans, Dirty Audio is back and this time, it's a multidimensional collaboration with fellow producer Slippy. Having been long-time collaborators, the duo are no strangers to the scene and have dropped a earth-shaking "Quake" to rouse up their head-banging fans. Quake" is shaking music down to its very core with consistent drops and a […]

The post Dirty Audio and Slippy shake the earth with "Quake" appeared first on EARMILK.

from EARMILK http://bit.ly/2Drc1sX

[joneswilliam72]

SWANES drop chilled out, serene single, 'Dreams of Iceland' [405 Premiere]

Toronto duo SWANES are sharing their new single Dreams of Iceland a day before the official drop on April 26th.

Comprised of brothers Michael and Stefan Bildy, Dreams Of Iceland is another expansive step forward for the pair. Drawing on ancient Nordic song forms, melodies, and recorded folklore, the single cuts a fine curve between icy electronic soundscapes and tropical pop. The harmonies between the two explore various tropes of relationships and an earworm chorus hook.

You’ve probably already seen SWANES on all the trendy Spotify indie playlists, the dreaded algorithm knows: they’re worth a listen. The duo will be performing at The Garrison, Toronto on May 7, 2019 as part of Canadian Music Week, and have plans to tour North America extensively in 2019.

from The 405 http://bit.ly/2Gw8V7z

[joneswilliam72]

Erick 'Jesus' Coomes talks "Elevate" in "The Krewe: A Lettuce Documentary Series" [Premiere]

Known for their outrageous and genre-defying funk "Krewe" is the latest single from everyone's favourite funk band, Lettuce. They are back with new album Elevate out June 14th. As a result we premiere the first documentary in their new and special interview series.  Lettuce is a legendary six-member collective. Made up of Grammy-nominated drummer and […]

The post Erick 'Jesus' Coomes talks "Elevate" in "The Krewe: A Lettuce Documentary Series" [Premiere] appeared first on EARMILK.

from EARMILK http://bit.ly/2ISzgzC

[joneswilliam72]

Artist Spotlight: The dualities of Lennon Stella [+ Video Premiere]

Lennon Stella is an open book. She's also busier at this moment than she's ever been in her life. It's taken a good few months and twenty odd emails to pin the nineteen year old pop singer down for an interview, but now that we're finally talking, everything is easy. I'm in our mutual hometown of […]

The post Artist Spotlight: The dualities of Lennon Stella [+ Video Premiere] appeared first on EARMILK.

from EARMILK http://bit.ly/2GF61yJ

[joneswilliam72]

Misty Mtn seduce us into spiritual bliss in latest single "Silver"

Mercury is in retrograde, but it has never sounded so good.  Inspired by the idea of astrologically affected behaviour, dark pop duo Misty Mtn caress us in lusciously evocative sounds in their newest single "Silver."  "Silver" paints a self-reflective sensual journey, engulfed in liquid beats and a menacing bassline. It's the third single to be released […]

The post Misty Mtn seduce us into spiritual bliss in latest single "Silver" appeared first on EARMILK.

from EARMILK http://bit.ly/2XKHWfL

[joneswilliam72]

Nostalgic indie rockers Sad Palace share 'Doom Jacuzzi' [405 Premiere]

If there's one thing we can all agree on, it's that Sad Palace are great at naming things. Beyond their evocative band name, there's their new single: 'Doom Jacuzzi'.

While the song doesn't evoke doom and gloom so much as an enjoyably nostalgic alternative/indie rock foray, the music is sure to stay in your mind as easily as its amusingly absurd title.

Speaking on the song, vocalist, guitarist, and keyboardist Louis Pinder shares, "The lyrics were born from the frustration of failing to communicate with people, of being overloaded with information, and a feeling that you can’t keep up with the sheer amount of things happening around you."

The Gosport four piece band are poised to release their debut EP, Longbaby, on May 3rd. Stay tuned for that, and catch a tease below with 'Doom Jacuzzi', which we're pleased to premiere.

from The 405 http://bit.ly/2DuYuR6

[joneswilliam72]

Introducing Ceramiche Piemme Contract

Ceramiche Piemme Contract was created to facilitate the construction industry chain linking customer to company. from TILE Magazine http://bit.ly/2IO8NmO

[joneswilliam72]

Blueberry Cheddar Breakfast Sausage

Use fresh blueberries and cheddar craft your own custom breakfast sausage. Homemade sausage isn’t hard and tastes amazing. This post is sponsored in conjunction with #BrunchWeek. I received product samples from sponsor companies to aid in the creation of the #Brunchweek recipes. All opinions are mine alone. If you haven’t made your own breakfast sausage ... Read More about Blueberry Cheddar Breakfast Sausage

The post Blueberry Cheddar Breakfast Sausage appeared first on girl carnivore.

from girl carnivore http://bit.ly/2DHsKsf

[joneswilliam72]

Live Review: Daughters brought their grinding powerhouse live prowess in their long-awaited London comeback - The Dome, April 20th 2019

The excitement in the air in Tufnell Park was palpable while lining up to get into The Dome on Saturday night. Daughters’ first appearance in London in over a decade, off the back of their rollicking, career-best album You Won’t Get What You Want had undoubtedly built up a mythical status for all of the people attending the sold out show. The anticipation was too much for some, even after the band had taken to the stage, where they kept us waiting still as they stood stoically onstage, singer Alexis Marshall tapping the top of his microphone in a slow beat, eking out the last of the tension. It was too much for some in the audience, who started shouting for them to “get on with it” and worse – which seemingly only raised the determination in the band to put on a resounding final show of their European tour.

Once they kicked into it, nobody was left wanting for anything. The volume, the intensity, the unity – it was all there from the first crunching chord. Bolstered to a 6-piece onstage, Daughters brought their complex undefinable brand of punk-metal into grinding and grimacing life with swagger and malice. They kicked off with a trio from You Won’t Get What You Want, ‘The Reason They Hate Me’ and ‘The Lords Song’ instantly lighting a fire under everyone’s behind, the latter prompting the first chant along of the night in “I cry about it because I want to!” Third up, ‘Satan In The Wait’ – just as on record – was one of the undoubted highlights, the sing-along chorus blossoming like a cult-like religious sing along.

Although the set list leaned heavily on the most recent album, Daughters peppered tracks from their pre-hiatus albums in for long-time fans – and just to prove that they’ve always been unique. With the expanded lineup onstage they could emphasise just how complex their seemingly straightforward older material actually is, with the pulverising and sonically overwhelming onslaught of ‘Our Queens (One Is Many, Many Is One)’ being a particularly rowdy highlight.

With the audience eating out of their hands – when not jumping up on stage to kiss Marshall and dive back into the crowd (which happened a lot) – Daughters just kept turning the screw. ‘Long Road, No Turns’ picked up on the energy of the excitement of the preceding older songs and ramped it up to frenzied levels of swaying and screaming emotion. ‘Less Sex’ showed off their worrying sexiness, but that was quickly dispelled by the steamrolling double injection of tracks from Daughters, ‘The Hit’ and ‘The Virgin’.

Daughters book-ended the night with another trio from You Won’t Get What You Want, saving some of their most hollowing cuts for last. For most, the album-closing ‘Guest House’ would be the perfect cap for the evening, but even after the lungbusting and terrifying finale, Daughters powered onwards. ‘Daughter’ once more heightened the menace in the air, and the whole evening and its weighty emotions were brought home expertly in Daughters’ plummeting scorcher ‘Ocean Song’, which brought the whole night down in a splash of ice cold fireworks. As a way to finish a set I can’t think of better, as a way to finish a tour, I am sure that Daughters went back home feeling like conquering heroes.

from The 405 http://bit.ly/2ISMnAF

[joneswilliam72]

Live Review: Daughters brought their grinding powerhouse live prowess in their long-awaited London comeback - The Dome, April 20th 2019

The excitement in the air in Tufnell Park was palpable while lining up to get into The Dome on Saturday night. Daughters’ first appearance in London in over a decade, off the back of their rollicking, career-best album You Won’t Get What You Want had undoubtedly built up a mythical status for all of the people attending the sold out show. The anticipation was too much for some, even after the band had taken to the stage, where they kept us waiting still as they stood stoically onstage, singer Alexis Marshall tapping the top of his microphone in a slow beat, eking out the last of the tension. It was too much for some in the audience, who started shouting for them to “get on with it” and worse – which seemingly only raised the determination in the band to put on a resounding final show of their European tour.

Once they kicked into it, nobody was left wanting for anything. The volume, the intensity, the unity – it was all there from the first crunching chord. Bolstered to a 6-piece onstage, Daughters brought their complex undefinable brand of punk-metal into grinding and grimacing life with swagger and malice. They kicked off with a trio from You Won’t Get What You Want, ‘The Reason They Hate Me’ and ‘The Lords Song’ instantly lighting a fire under everyone’s behind, the latter prompting the first chant along of the night in “I cry about it because I want to!” Third up, ‘Satan In The Wait’ – just as on record – was one of the undoubted highlights, the sing-along chorus blossoming like a cult-like religious sing along.

Although the set list leaned heavily on the most recent album, Daughters peppered tracks from their pre-hiatus albums in for long-time fans – and just to prove that they’ve always been unique. With the expanded lineup onstage they could emphasise just how complex their seemingly straightforward older material actually is, with the pulverising and sonically overwhelming onslaught of ‘Our Queens (One Is Many, Many Is One)’ being a particularly rowdy highlight.

With the audience eating out of their hands – when not jumping up on stage to kiss Marshall and dive back into the crowd (which happened a lot) – Daughters just kept turning the screw. ‘Long Road, No Turns’ picked up on the energy of the excitement of the preceding older songs and ramped it up to frenzied levels of swaying and screaming emotion. ‘Less Sex’ showed off their worrying sexiness, but that was quickly dispelled by the steamrolling double injection of tracks from Daughters, ‘The Hit’ and ‘The Virgin’.

Daughters book-ended the night with another trio from You Won’t Get What You Want, saving some of their most hollowing cuts for last. For most, the album-closing ‘Guest House’ would be the perfect cap for the evening, but even after the lungbusting and terrifying finale, Daughters powered onwards. ‘Daughter’ once more heightened the menace in the air, and the whole evening and its weighty emotions were brought home expertly in Daughters’ plummeting scorcher ‘Ocean Song’, which brought the whole night down in a splash of ice cold fireworks. As a way to finish a set I can’t think of better, as a way to finish a tour, I am sure that Daughters went back home feeling like conquering heroes.

from The 405 http://bit.ly/2ISMnAF

[joneswilliam72]

Track Of The Day: MYSIE’s ‘Rocking Chair’ wobbles with resounding authenticity, offers a glimpse into a fresh new voice that mandates your attention [405 Premiere]

Drawing from a textured well of influences including her African heritage( granddaughter of a renowned Ugandan jazz musician), Thundercat and wait for it—Mac DeMarco, 23-year-old Lizbet Sempa makes her debut under the name MYSIE with the release of her intoxicating new single titled ‘Rocking Chair.’

Strumming heartstrings with an immaculately produced instrumental and hauntingly eloquent vocals, ‘Rocking Chair’ is a breathtaking expose of contemporary RnB at its finest. With melodic piano and ambient synths combining for a feeling most pensive, these elements ultimately draw ears back to MYSIE’s resounding words and fluttering voice.

Sopping with vulnerability, ‘Rocking Chair’ sways with simultaneous confidence, expressed through the sentiment of being unafraid to “[Put] yourself first, waiting for yourself and no-one else," MYSIE says.

As the track’s end rears its head, the burgeoning croons and beckons her listeners with a cry of slight urgency, “You just wait for you... just keep on rocking, rocking...” As MYSIE placates the air with an assuaging vocal release, it’s difficult to ignore the aching nature of her earnestness. It’s both startling, poignant, but above all, an undeniable mark of an incredibly talented mind on the rise.

With ‘Rocking Chair’ the first of many releases over the coming months, make sure to keep up with the rise of MYSIE on Facebook, Instagram and Twitter.

from The 405 http://bit.ly/2PsqVUy

[joneswilliam72]

The 405 Exchange: Reignwolf on finally releasing Hear Me Out

Whenever you read about Reignwolf (aka Jordan Cook), people tend to use words like 'storm' and 'mayhem' as descriptors of his live show. We can honestly say those words are spot on. But this isn’t contrived - Reignwolf play rock music, they just do so in the most primal way possible. Recently, Cook released his debut album Hear Me Out - an album that distills the spirit of Reignwolf and propels you through a brash collection of perfect rock songs. Ken Grand-Pierre chatted to Cool over Skype to discuss how his project finally came to be.

“It just felt right to give our fans something more than just the live show.”

You can subscribe to the 405 Exchange podcast on iTunes, Spotify, TuneIn, Stitcher, Google Play, and Overcast. You can also listen to the podcast over at Anchor.

from The 405 http://bit.ly/2Pqu0EF

[joneswilliam72]

In Photos: Charlotte Gainsbourg at Brooklyn Steel

from The 405 http://bit.ly/2W2Pkmb

[joneswilliam72]

3 Questions to Ask Before Buying a Whirlpool Tub

Content originally published and Shared from http://perfectbath.com

Are you buying your first whirlpool bathtub? Let us help you narrow down the choices. Start by asking yourself the following questions:

Will it fit in the bathroom? Make sure to measure your bathroom before you even look at a whirlpool, including any space you might gain taking down dividing walls or showers. “Most whirlpools come in three standard sizes,” says Morey. “Five feet, five and a half and six. But you can’t just consider the tub size — they’re all designed to be dropped into a deck, and that will take up more space, with the bare minimum adding at least a half-inch to your measurements on all sides.

“If you think you’d like to hold a lot of stuff like candles and oils near the water, you’ll also need extra space on the deck,” says Morey. “If you’re over six feet tall, you may want to forfeit deck space for more tub room.” Source: HGTV

Is your current heating system enough? If you choose to heat your whirlpool with your existing in-home heating system, make sure it can handle the amount of water needed to fill the whirlpool. With an external system, the water in the tub will get cool quickly due to the circulating jets, so you will need to frequently refill the tub with hot water. A 50 gallon quick recovery system should be sufficient.

The other option is a self-heating system. A self-heating whirlpool comes with its own internal heating system that circulates the tub water and reheats when necessary. This is a good energy-saving option and the best way to keep your water temperature consistent. Source: DoItYourself

Which type of jet should you pick? Choose between water jets or air jets. Water-jet whirlpool tubs force water through jets, giving more pressure and a forceful massage. In air-jet whirlpool tubs, air is forced through tiny holes for a lighter massage. A combination whirlpool tub uses both, but will be more expensive and may use more energy.

One drawback of water-jet and combination tubs is that you can’t use bath salts or oils, as these will damage the pumping mechanism.

Another water-jet and combination tub drawback is that some water stays in the jets, and mold can develop if they’re not regularly cleaned out. Source: WikiHow

We can help you figure out which brand or type of whirlpool tub will work best for your needs. Find out more when you call us today!

  Contact: Perfect Bath Phone: Toll Free 1-866-843-1641 Calgary, Alberta Email: info@perfectbath.com

The post 3 Questions to Ask Before Buying a Whirlpool Tub appeared first on Perfect Bath Canada.

from Perfect Bath Canada http://bit.ly/2W6LBE4

[joneswilliam72]

Any Other shares video for 'Geography'

It's no secret that The 405 is a huge fan of Italian singer/songwriter Adele Nigro a.k.a. Any Other. Her sophomore album Two, Geography released last year via 42 Records catapulted her to the international public eye, and she's been one of the must-see acts in festivals everywhere around Europe.

Now Nigro has shared the visuals for track 'Geography', a song she describes as being "about the feeling of being stuck with somebody, in a toxic relationship, and being aware of this while not knowing how to get out, but also being angry at that person because you realize they're hurting you." The clip emanates a very homemade vibe that probably comes from us seeing Nigro at home, relaxed, interacting with this sweetest dog called Nani. "Nani is my partner's dog, but she's basically my dog too – we live together," she explains. "I decided to have her in this video because 'Geography' is the song I love and identify with the most on the record, and since I met Nani, I've fallen in love with her so much that she's present in every moment of my life. When I go to the studio she's with me and when I come back from touring she's there waiting for me. I can easily say that I've never loved anybody this much."

"I met Nani and started dating my partner after the end of the relationship I talk about in the song," Adele continues. "She comes from a shelter and she's been abandoned twice before being adopted by my partner, so she's got a lot of trust issues and doesn't let anybody get close to her. But we got close and we're taking care of each other and each other's old wounds, and I really do believe that part of the reasons why I'm recovering (or at least, trying to recover) from a lot of stuff is her."

Any Other will play a couple of UK/EU shows next month, including a London date and a show at Brighton's The Great Escape. Check out the touring schedule below:

May 7th Brussels AB Salon May 8th London The Victoria May 9th-11th Brighton Great Escape Festival May 12th Utrecht Brouwerij de Kromme Haring May 16th Aalborg Studenterhuset May 17th Aarhus Tape May 18th Copenhagen Ideal Bar May 19th Hamburg MarX May 21st Mainz Schon Schön May 22nd Berlin Bergfest

from The 405 http://bit.ly/2GDj3g6

[joneswilliam72]

In Photos: Mahalia at Shepherd's Bush

from The 405 http://bit.ly/2ZqP9mN

[joneswilliam72]

Review: On her gorgeous third album, Heather Woods Broderick embarks on a personal journey of reflection and purpose

For her third solo album, Heather Woods Broderick returned to the Oregon coast where she spent her childhood summer day-trips, revisiting innocent childhood memories and taking time to herself to process her life experiences as an adult. In the end, she created a collection of dreamy baroque-pop songs full of observations about her life as a touring musician and the personal and financial sacrifices that come with it.

Her first proper album in four years, Invitation is a vastly different experience compared to 2015's Glider, whose hazy heavy dream-pop was lush and orchestral but also felt occasionally indistinct and implied more emotion than than it conveyed. Where Invitation differs is that it peels back much of thoe layers Glider was wrapped in to reveal a clearer brighter sound and a more personal connection. Stripped from the reverb, Broderick reveals a voice full of emotional depth largely missing from it as well.

She boasts an impressive resume as a musician which includes being a member of Efterklang, Horse Feathers, the live bands of Laura Gibson, Lisa Hannigan, and Damien Jurado, not to mention her crucial role in the world of Sharon Van Etten. But, as a solo artist, it's taken her years to find her own voice, which she seemingly comes into here. Where Glider was often draped in hazy layers that often made it a stifling experience, Invitation feels both like a corrective measure and also a creative leap forward.

Invitation doesn't completely abandon the melancholy that pervaded much of Glider, especially given its personal nature, but there are moments like the country influenced 'Nightcrawler' that offer a comparatively calmer and even lighthearted appeal, despite its breezing mournful slide guitar. The quiet build on 'Where I Lay' gives way to a gorgeous explosion of pianos and drums with haunting harmonies that, more than anything, signals just how much Broderick has grown as a composer and vocalist in the space between albums.

Though her compositions boast a little more structure, they still remain skeletal enough to feel almost painfully intimate, like the slow burning 'Quicksand' and 'I Try' where slow-rolling percussion guides the songs, and even when she strips things back even further to little more than pianos and strings, like on the appropriately titled 'Slow Dazzle' or 'My Sunny One,' they never lose their focus or purpose. For Broderick, the process was more than creative, it was also a matter of disconnecting from an otherwise unrelenting hectic reality for the sake of reflection and rediscovery. Invitation comes to a close with the gorgeous panoramic 'These Green Valleys' that doesn't really tie off the experience with any clear answers or directions. What it does do though is offer a momentary escape and also the feelings of renewal that comes from the kind of disconnection we could sometimes benefit from.

from The 405 http://bit.ly/2XKXLTJ