josiptaylor

[josiptaylor]

Jr.canest | Reel from Jorge R. Canedo E. on Vimeo.

Hola, my name is Jorge Rolando Canedo Estrada (Jr.canest) and this is my reel. I made my first reel back in 2009, and that’s a long time ago. This reel is a journey through some of my favourite projects since, dancing to the rhythm of DeVotchKa’s “The Clockwise Witness”. Enjoy!

jrcanest.co

Timecode - Project Name - Role - URL

00:00 - Jr.canest Intro - Design & Animation 00:07 - Waiting for Superman - Design & Animation - vimeo.com/12677264 00:09 - Target: Opener - Animation - vimeo.com/75440181 00:14 - FITC ‘16 Teaser - Direction & Animation - vimeo.com/153138303 00:17 - Blend Manifesto - Animation - vimeo.com/132101287 00:23 - Desiring God - Direction, Design & Animation - vimeo.com/80318319 00:25 - The Biggest Story - Direction - vimeo.com/177727635 00:26 - TOMS - Animation - vimeo.com/79833962 00:28 - Asana - Direction & Animation - vimeo.com/142414607 00:34 - ASKfm - Animation - vimeo.com/152215017 00:37 - Direct Energy - Animation - vimeo.com/135699625 00:40 - MSK - Design & Animation - vimeo.com/174142917 00:41 - Twitter Dynamic Ads - Animation 00:43 - Solea - Design & Animation - vimeo.com/80389028 00:47 - Biolux Orthopulse - Animation - vimeo.com/166371956 00:49 - How a Bean Becomes a Fart - Animation - vimeo.com/103721959 00:52 - Being a Dad - Design & Animation - vimeo.com/83502320 00:55 - Playgroup - Animation 00:56 - FITC ‘16 Titles - Direction & Animation - vimeo.com/163284811 00:59 - SAG Awards - Direction, Design & Animation - vimeo.com/151578431 01:00 - PGIO - Direction & Animation - vimeo.com/131004791 01:02 - FITC ‘16 Logo - Direction - vimeo.com/163284811 01:03 - Meaning Project - Design & Animation 01:05 - Exquisite Ant - Animation - vimeo.com/160238821 01:06 - Digit - Design & Animation - vimeo.com/130803354 01:07 - Interpreter’s House - Design & Animation - vimeo.com/25181651

[josiptaylor]

Alex Merriman - 4K Live Event Cinematography Demo Reel (2018) from Alex Merriman on Vimeo.

AlexMerriman.com

Over the last few years, I have been fortunate enough to travel the globe and film some of the UFC's most historical moments. Here is a brief look at those moments I captured while being both inside/outside the Octagon.

Every frame in this video was shot solely by me, pulling my own focus as well for the MoVI rig shots. Below is a list of the mix of gear I used throughout this demo.

Camera's: Arri Alexa Mini Arri Amira Red Epic Helium

Glass: Fujinon 19-90mm Fujinon 20-120mm Canon 17-120mm Leica 35mm Arri Ultra Prime 32mm

Rigs: Freefly Systems MoVI Pro and M15 Wooden Camera Handheld RT Motion Control with Thumbwheel Redrock Micro Wireless follow focus with Thumbwheel

[josiptaylor]

Jr.canest 1.0 ('09) from Jorge R. Canedo E. on Vimeo.

My first demo reel with all the work done in 2009.

jrcanest.co

Music by Broadcast 2000 myspace.com/broadcast2000

[josiptaylor]

moncler | don't underestimate a genius (campaign, 2018) from rubberband. on Vimeo.

moncler global campaign

with millie bobby brown

directed by rubberband.

creative director francisco salvado produced by dan cingari + josh sondock + eliza hoyland shot by oli millar edited by nate katz color by aubrey woodiwiss sound by sloan alexander @ human worldwide vfx by the colony set design by hans studio

[josiptaylor]

Digital Design Days — Trailer from Ditroit on Vimeo.

Here’s our Digital Design Days 2019 trailer, which we had the honor to premiere during the festival. As one of the leading events of this kind, DDD attracts a very wide range of communication professionals coming from all over the world, all blended together into a single vibrant audience. We decided to represent this network of personalities through a large variety of 3D shapes, interacting with one another and getting influenced by a little lively character: the intruder (a.k.a. “communication” in person). Its behavior represents the contamination of ideas through creativity, so that the global dynamics between the several elements are strongly affected, shot after shot. ditroit.it

CREDITS

— Direction: Ditroit — Creative Direction: Salvatore Giunta — Shapes Design: Martin Vokaty, Christian Cabiddu — Modeling: Giovanni Mauro — Shading: Claudio Gasparollo, Martin Vokaty, Christian Cabiddu — Lighting: Claudio Gasparollo — Animation: Vincenzo Memeo, Matteo Nicoli — Simulation: Julia Mazykina, Matteo Nicoli, Vincenzo Memeo — Producer: Noemi Bugli, Ada Korvafaj — Audio: Smider

— Festival: DDD Milan 2019 — Project Lead: Filippo Spiezia

[josiptaylor]

Sberbank | Navigator from okean on Vimeo.

Presentation video for Sberbank corporate products. The idea was inspired by slogan ‘New direction to the future’. In everyday life phrase ‘new direction’ is mostly associated with navigation systems. So this video became a journey through city, where smart navigator helps user reach various destination using innovations from Sberbank products and services.

[josiptaylor]

Untold Stories with Netflix / Outro from Vucko on Vimeo.

See below for process and credits: vucko.co/work/untold-stories-with-netflix/

[josiptaylor]

Untold Stories with Netflix / Intro from Vucko on Vimeo.

See below for process and credits: vucko.co/work/untold-stories-with-netflix/

[josiptaylor]

GfK’s Consumer Insights Engine from Claire Thimon on Vimeo.

Simple design and intricate data visualization for GfK’s Consumer Insights Engine – tracking brands and consumers globally.

Stop motion approach - everything hand animated

Credits: Design and Animation: Claire Thimon Studio: Semi-famous Creative Director: Damian Totman Producer: Dan Heighes Copywriter: Lisa Lee Composition & Sound Design: Audiac Audio Client: GfK

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jiémiàn_rǔ___foam_cleanser from smider on Vimeo.

[josiptaylor]

Pantene - Nutrient Blends from smider on Vimeo.

CREDITS

Direction Ditroit

Creative Director Salvatore Giunta

Design & Development Claudio Gasparollo Martin Vokaty Christian Cabiddu Matteo Nicoli Andrew Prousalis Giovanni Mauro Pietro Furbatto Sergio Papa

Producer Noemi Bugli

Audio Smider

[josiptaylor]

"Collaboration" Breakdown from han.del eugene on Vimeo.

I put this breakdown together for a special project I got to work on with Seth Eckert & The Furrow earlier this year. Got to work with some talented designers & illustrators along the way, thanks to Mark Conlan, Jordan Lyle, Timothy Reynolds, & Lars Lundberg for letting me put your work in motion.

More on the site: handeleugene.com/collaboration/

[josiptaylor]

Microsoft - Onedrive from YubinLim on Vimeo.

I made motion graphics under the theme of onedrive, a cloud service that I usually use pls enjoy the video :)

[josiptaylor]

The Cave from gasta on Vimeo.

gasta.org/portfolio/the-cave/

Created to produce an infinite corridor, The Cave is a black and white back projection mapping installation that explores the ways in which the perspective can be seen and visualised. With the simplicity of just few edges, The Cave drags the audience on an impressive journey, from a peaceful state through a dubstep chaos.

The Cave has been created by Nicola Gastaldi, London.

Music and sound design: Nicola Gastaldi

The Cave has been exhibited on: - 1st-6th November 2017, Lost in Play, Chao, Beijing, China. - 24th April 2014 at Village Underground in Shoreditch (London) for the Creative Review Annual launch party. - 13th-15th November 2014 at Mira Festival, Barcelona - 9th-15th February 2015 at E-Luminate Festival, Cambridge - 2015 B-Seite Festival, March 2016, in Mannheim, Germany

READ THE FULL INTERVIEW ON CREATIVE REVIEW creativereview.co.uk/cr-blog/2014/may/qa-with-nicola-gastaldi

When it comes down to projection mapping, the creative process is strictly connected to more tangible limits, like the space and the ambience light of the "stage". First of all, the room must be as dark as possible and there must be enough space for the projector to "throw" its light onto the surface. At the CR Annual launch party I had a narrow room of approximately 4sq meteres, that could allow 6 people maximum at each time. The main problem that I had to face were the possible shadows that the viewers could have cast with a usual projection. That could have completely killed the installation. To solve this problem, I tried to create a back-projection mapping (my very first time and, as far as I know, the first ever). I modelled the "stage" in 3D and played with it in Cinema4D: a truncated rectangualar pyramid could morph into an infinite corridor. Escher, there's no need to say it, has been the main reference for my animations: playing with different camera focals, inverting the perspective of the pyramid and creating holes, I wanted to cheat the reality. The black and white worked perfectly to enhance the contrast of the projection itself. To allow the back-projection, I've built the pyramid with a laser cut clear cast acrylic and covered with frost film to allow the light of the projector to bounce on it. I suspended the pyramid with fishing wires to the ceiling, trying to give the illusion that the structure was floating.

gasta.org

[josiptaylor]

Sonos Playground Deconstructed - Museum of the Moving Image from Red Paper Heart on Vimeo.

Sonos Playground Deconstructed is a site-specific installation in the Nam June Paik / HBO Production Lab at the Museum of the Moving Image. It is presented in conjunction with the exhibition Spectacle: The Music Video, April 3–June 16, 2013 Visitors are able to select any song from an iPad and watch a visualization of the music projected onto the surrounding walls. Through motion-capture technology, visitors can interact with and manipulate the animation through movement.

The installation aims to bring minimalist art to life as an immersive music video environment. Inspired by the wall drawings of Sol LeWitt and the room-flooding sound of the Sonos Playbar, Sonos Playground was originally installed in a 250 sq. ft shed at the Sonos Studio at the 2013 SXSW festival. At Museum of the Moving Image, Sonos Playground Deconstructed has re-imagined the experience using five detached walls suspended above a reflective floor. Each of the walls has been painted with 27 1-inch wide white lines and 26 2-inch wide black lines. By mapping the white lines set between black lines we were able to create a more immersive and surreal environment.

redpaperheart.com/work/sonosplayground

Installation by Aramique, Red Paper Heart, Fake Love Fabrication by 11th St Workshop. Music by Gary Gunn. Director of photography Sesse Lind. Editor Nathan Punwar

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Ryoji Ikeda :: data.path, 26 SEP 2013 – 5 JAN 2014, Espacio Fundación Telefónica, Madrid, ES from ryoji ikeda studio on Vimeo.

Follow codex | edition for more information of Ryoji Ikeda instagram.com/codexedition/ twitter.com/codexedition facebook.com/codexedition/

——

26 SEP 2013 – 5 JAN 2014 Espacio Fundación Telefónica, Madrid, ES © 2013 Ryoji Ikeda Studio. All rights reserved.

[josiptaylor]

OnePlus Nord 2 5G - Making Of from Aggressive on Vimeo.