juliebost-blog

[juliebost-blog]

Interior stylist for The plum guide.

Notting hill, London

[juliebost-blog]

Interior stylist for The plum guide.

Mayfair, London

[juliebost-blog]

Interior stylist for The plum guide.

Earl’s court, London

[juliebost-blog]

“The residue of a flare ignited upon a boundary”. 

MA FINAL SHOW PUBLICATIONS.

[juliebost-blog]

Weaving.

My work is based on visual attraction and the relation with the audience. My interests are in the visual deconstruction and the attraction of the space, How to catch the eyes in a space and how the viewer can loose marks. The way of feeling an installation is made  by different ways: our brain, our eyes and the view as a vector. What the view is catching affected simulteanously the brain, which creates an emotion. The produced effect is the feeling you get.

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SCALES, M.A Final Show

Blanc sur blanc.

This piece is composed by foam boards, elements built with a 90 degrees angle. All together, those pieces seem to draw an ondulation on the perspective wall. ��The modules are enlightened by the natural light and the sun’s movement which make the shadow move all through the day.

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VECTORS, M.A Final show, The Swan studio. 

Tense strings creates vectors. Parts of the space are enlightened by black, especially on the concrete lines to catch the view of the audience. This space is asymetrical, not regular, but the elements inside are scaled to the same thickness. 

This work is using the spectator’s senses

References

Marcel Duchamp, « Sixteen miles of strings»» or «Le fil», 1942.

Gego (Gertrude Goldschmidt), Reticulárea (ambientación), 1969.

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TRYPTIC

The Swan studio, July 2016. 

EYE SIGHT// VISION// VISUAL// OPTICAL// PERCEPTION// OCULAR// 

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The ideal space must contain elements of magic, serenity, sorcery and mystery. (Luis Barragan)

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POSITIVE/NEGATIVE SPACE

Sunday morning art. 

julie.bost@hotmail.fr

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WEAVING SPACE

... or the relation between the inside and the outside, the empty and plenty spaces, lines and also negatifs and positives spaces. Weaving spaces is emphasizing the relation between the piece of art the space and the audience. the min question about this first approach is to wonder about the creation of a new space inside the space.

This project is composed with different structures made of foam board and link together with nails. The composition of those sculpture is made without any thoughts, just as a random way of assembling. This modules can be put in different places and enlight by the natural sun. The structures can also play the role of time indicator.

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One of the biggest factors in visual attraction is symmetry -which is important in nature, architecture and, even the faces of people. While a small asymmetrical detail like a beauty mark might offset the balance of a person’s face just enough to make them visually interesting, a face that is shaped asymmetrically can sometimes be hard for someone to look at for a long period of time. We also find different shapes attractive and assign particular traits to different shapes, which can affect how we think about something as characterless as a building as having a certain personality. It’s also part of the reason artists tend to use certain shapes in their artwork to evoke specific emotions from the viewer.

http://www.lifehack.org/articles/lifestyle/the-psychology-visual-attraction.html

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SHADOWS

Sculpture, 2016

The swan studio, London

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CONNECTIONS

Painting, 2016, 1,50x3 m.

The Swan studio.

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EXTIMACY exhibition by Pluszero Collective

Everything and everyone is constantly inside and outside of something. We all shape, and mutually get shaped by, the ever-changing environments surrounding us. The processes determining the production of private and collective forms of identity always imply one’s confrontation with what is other. Containers, to contain, are contained. Jacques Lacan first coined the term extimité by applying the prefix ex- from the french exterieur or exterior- to the word intimité, intimacy. Extimacy defines the interstices where what is something relates to something else, merges with it.

EXTIMACY, the present exhibition, is an exploration of some different possible paths existing in-between privacy and exposure, reality and fiction, us and the other pluszerocollectivepeckhamart exhibitionsoutheastlondon ​