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junesmitth · 4 years
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10 dazzling logo design trends for 2021
After a less than ideal start to the new decade, the 20s are in dire need of a rebrand. Luckily, the following logo design trends for 2021 are more than up to the task.
We polled our community of logo designers from around the world, and their predictions represent the shifting climate of the design landscape. While last year’s trends were focused on reinvention through new technologies, a common theme in 2021’s logo trends appears to be innovation within constraints. The past year may have constrained the world in a number of ways, but the logo designers of 2021 are pressing on regardless.
Here are the top 10 logo design trends for 2021:
Stained glass
Perspective drawing
Simplistic geometry
Divergent letters
Authentic portraiture
Pristine symmetry
Kooky characters
Modernized symbolism
Static motion
Analogous color schemes
1. Stained glass —
Logo design, as a relatively modern invention, often seeks inspiration in the techniques and limitations of the past. In 2021’s case, many logo designers are finding enlightenment in the stained glass windows of the Dark Ages.
By eLyateh
  When applied to modern designs, the fracturing of images into shards of solid color lends ordinary concepts a touch of the abstract. Stained glass is also associated with sanctity given its roots in the medieval church. It is likely no coincidence that this logo trend is so often used in conjunction with beautiful vistas of nature. After spending the better part of a year stuck inside, we can expect our fragile ecosystem to be blessed with reverence in the stained glass logo designs of 2021.
2. Perspective drawing —
As iconic logo designer Lindon Leader once put it, great design is born from simplicity and clarity. These two virtues are what allow logo designs to effectively communicate the complex identity of a brand to a viewer. It is why so many past logo trends have focused on minimalism and flat design.
While the logo designers of 2021 are in no way abandoning this approach, they are looking to reclaim some of the magic that has been lost in over-simplification. A popular logo design trend has been to incorporate subtle perspective angles. Using basic drawing techniques such as linear perspective, curvature or foreshortening, designers are able to create the illusion of depth without complicating the design.
The effect is that logos feel emphatic—the brand literally leaping off the page—while the semi-flat design techniques that have served designers so well up until now remain intact.
3. Simplistic geometry —
Shapes are the building blocks of imagery. But while primitive shapes such as triangles, squares and circles are often phased out once they have laid the groundwork, there is power in their pure simplicity.
By KisaDesign
The designers of 2021 are taking advantage of this power with logos made out of simple lines and shapes. This strict adherence to shape minimalism gives these logos an air of calculated restraint, allowing them to take liberties elsewhere—such as in richly saturated colors.
By smiDESIGN
An added feature of this approach is that simple layering can create an illusion of structure and depth, a nod to the perspective drawing trend we noted earlier. Through pure shape language, designers are able to create logos that are easy to parse, memorable and joyously bright with color all at the same time.
4. Divergent letters —
Wordmarks—logos that are based around a typeface—have a reputation as straightforward, for better or worse. While they make the brand name the entire focus of the logo, and therefore more memorable, they do not leave much room for creative license. But the logo designers of 2021 are changing that impression one letter at a time.
By Radovan Ciobanenco
Specifically, we are seeing more and more exaggerations of one letter within a wordmark. This can be as subtle as an off-colored title over a lowercase ‘i’ or as noticeable as towering chopsticks forming an uppercase ‘H.’ The divergent letter not only creates a point of interest to draw the eye, it gives brands the best of both worlds: a traditional, type-based logo that also isn’t afraid to break the rules.
By extrafin
5. Authentic portraiture —
It is a well-documented fact that people intuitively seek out other faces, and that is why portraits are useful for establishing an emotional connection in design. The more authentic and recognizable those faces are, the deeper the connection.
By Graphz Real
For this reason, more logo designers in 2021 are turning to portraiture that reflects diverse races, cultures, genders, age groups, and more. In contrast to the homogeneous representation that too often overcrowds the media, this approach creates an authentic and real impression, which helps people connect with a brand in an instant. These logos can range from simple, flat character portraits to detailed illustrative techniques that highlight flaws and wrinkles.
The bottom line is designers are fed up with images that don’t feel personable. At the end of the day, whether a logo is telling a story about the people behind the brand or the people whom the brand serves, people are the point.
By green in blue
6. Pristine symmetry —
Balance is one of the essential principles of logo design, and symmetry is perhaps the most extreme expression of it. Symmetrical logomarks are identical on each side when split down the middle.
While sameness and predictability might seem synonymous with redundancy, symmetrical design is all about strength. They remind us of buildings, which—however tall and complex—are designed to stand their ground, and they achieve this through perfect symmetrical balance.
By twelve.point
This pristine symmetry allows logos to contain line art that feels both impossibly intricate and perfectly ordered. But even though symmetry is common in geometrical designs, we are also seeing this trend find a home in hand-drawn logos. Whether it’s perfection or strength designers are pursuing, one thing is certain: the logo architecture of 2021 is built to stand the test of time.
By S.Kitanović
7. Kooky characters —
While logo designers are leading the charge in representations of real people, many others in 2021 are contrasting this by appealing to caricature and exaggerated humor. We are seeing a rise in mostly illustrated logos that present witty, if outlandish, concepts from a rat playing doctor to a flamboyant donut dandy.
By RaidenD
Businesses that deal in comfort or entertainment are looking to put their audiences at ease, and designers are responding with logos that radiate bonhomie. Ultimately, these whimsical designs make customers feel like they’ve found a friend instead of a brand.
8. Modernized symbolism —
Logos have always had their roots in the symbols of old—from the rising Phoenix to the immortal goddess to the all-seeing eye. And like ancient hieroglyphs and pictograms, it is also the purpose of a logo to communicate through simplified iconography.
By Yokaona
Typically, logos seek to create their own unique symbolic language, but in 2021, designers are channeling the power of ancient symbols. The effect is to associate commonly understood, classical virtues with the vision of a striving brand. Starting a new business is a leap of faith, and these symbolic logos carry the promise of a revelation.
By PrstiPerje
9. Static motion —
In past years, we’ve seen the animated logos trend soar in popularity. While technology has provided the means for these impressive visual feats, 2021’s logo designers are challenging themselves to create motion within motionless logos.
By JohnBaiatul
This means an increase in motion tracers, fluid shapes, splatter particles and action lines. For businesses that look to innovate—such as tech brands—this is one logo trend sure to make a splash. It reminds customers that a brand is more than a product or a service: it is a living thing.
by GT Designs
10. Analogous color schemes —
With yearly logo design trends, we often expect to find techniques that are dazzling, revolutionary and subversive. Analogous color schemes, on the other hand, are what student designers learn about in first year color theory. This essentially means pairing colors that are adjacent to one another on the color wheel, and the result is a scientific approach to creating harmony (in place of the contrast of opposing colors).
By Spoon Lancer
While analogous color schemes are not necessarily new, their rising popularity in logo design may indicate a rejection of contrast. Color is one of the most important tools designers have for affecting the emotions of a viewer, and if you ask us, a little harmony is what we should all be looking forward to in 2021.
By Arthean
2021 will be an exciting year for logo trends! —
The 2021 logo design trends are an opportunity to rebrand this young decade. And with trends that focus on revitalising minimalism and classical compositions, from perspective techniques to simple shapes to symmetry, the logos of our future seem to be striving for a kind of purity. Whether or not this enthusiasm holds strong may depend on the rest of the world as much as it does these logo designers.
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junesmitth · 4 years
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11 inspiring graphic design trends for 2021
The great thing about graphic design trends is that each year arrives with the opportunity for a reset. And given the challenging shape of 2020, the design trends of 2021 may offer us the biggest breath of fresh air yet.
While past trends were driven by the promise of a new decade, borrowing from sci-fi and futuristic tech, 2021’s graphic design trends are putting people first. We sampled opinions from our global community of graphic designers, and their predictions—ranging from classic symbolism to nature elements to analogue painting—signal trends that are grounded in the here and now.
Graphic design is all about transforming the plain into something special. So let’s take a look at how the designers of 2021 are influencing the trajectory of this decade.
11 graphic design trends that will be huge in 2021:
Abstract psychedelia
Symbol revival
Retro futurism
Seamless surrealism
Authentic representation
Irreverent characters
Comics and pop art
Fine art infusion
Elements of nature
Blur and grain
Socially conscious design
1. Abstract psychedelia —
Psychedelia has its roots in the music and art scene of the 60s. It is associated with hallucinogens and creative experimentation under the backdrop of social upheaval: in short, the opening of one’s mind. In contrast from then to now, it seems to fit the times: the chaotic imagery of psychedelia fostering freedom, the sense that designers are no longer bound by traditional constraints.
In 2021, graphic designers will be reviving psychedelia through excessive color and intensely intricate abstractions that would make M.C. Escher himself dizzy. These are designs that take on a life of their own, both in their explosive arrangements and in their complexity—to the extent that no two viewings feel quite the same.
By Eliza Osmo
I was really excited when a Berlin based client asked me to make a giant psychedelic mural. I totally felt like Eliza in Wonderland wandering the streets at night, making art under the neon lights.
- Eliza Osmo
While distorted shapes and confused imagery might be the point, symmetry can make even the most complicated of these compositions feel stable. It’s as if this new psychedelia suggests there are ways to stay grounded even in the most nonsense of circumstances.
2. Symbol revival —
In design, the little things matter. Colored bars on a waving banner can unify a nation, and a shape as simple as a red octagon can save lives at a busy intersection.
Historically, symbols like these have been about universality. Whether this comes in the form of conveying warnings or identifying a cause under shared iconography, the power of classic symbols lies in their ability to transcend language. Designers are leveraging this power in 2021 to create aspirational icons of resilience, growth and empowerment.
By Yokaona
They do so by creatively incorporating recognizable symbols of power, such as goddesses, the stars and stoic lions. We’re also seeing designers modernize classic visual motifs, such as Eliza Osmo’s medieval crest or svart ink’s stained glass framing. Through classic symbols, designers are shaping the talismans we’ll need to ward away despair in the coming year.
By svart ink
I like to express myself through symbols. For Celestial Soaps the idea was to reflect the existence of the natural ingredients through symbols, as if the consumer is feeling the presence of a celestial object.
- svart ink
By Thio
3. Retro futurism —
Retro futurism, the sci-fi dreams of a bygone era, is appealing for the spectacular ways in which the past got it wrong. By now, we were expected to have flying cars, ray guns and robot maids. Instead, we have Roombas.
But through the ages, retro futurism as a visual style has prevailed due to its bold imagination with a surprisingly optimistic outlook—at least more so than our current visions of doom in shows like Black Mirror. The retro futurists believed in human progress, to the extent that even scary green martians in flying saucers would be no match for our scientific ingenuity.
For this artwork I had to think of a cool and strong woman wearing sunglasses with a reflection of a futuristic city. Then I remembered Tom Cruise! Why? Because of his sunglasses in “Top Gun”. When I found his leading lady Kelly McGillis with her retro look, her jacket and her curly hair I had found the inspiration for my artwork.
- XZEQUTEWORX
Stylistically, this optimism finds its expression through an emphasis on bright colors, computer-inspired typography, and curves—from fishbowl space helmets to arches and domes. Rather than returning us to an idealized past, 2021’s retro futurism promises to transport us back to the good old days of the days yet to come.
By Serhii Polyvanyi via Dribbble
4. Seamless surrealism —
‘Surrealism’ is one of those artistic terms people tend to associate with the inscrutable—imagery that is nonsensical by design. But what people often forget is that it contains the word ‘realism.’ The real is intertwined with the surreal, and in no year was that more deeply felt than in 2020, when the pandemics of bad fiction became our way of life.
By _Ossobüko_
I like to take characters or objects out of context to give them new attributes that help convey what the client wants.
- _Ossobüko_
Graphic designers are expressing this anxiety through surrealist collages, where images that would be normal separately become strange when combined. An apple-headed man can be ordinary from the neck down and a backyard swimming pool can contain an entire mountain range.
The illusion is seamless, making it difficult to separate one image from another. The effect is to greet the strange with nonchalance, to accept impossible combinations as one. As a high concept approach, we expect to see this trend more frequently on image-focused media such as posters, album art, and book covers.
5. Authentic representation —
The Black Lives Matter movement represents an unprecedented watershed moment of global protest. We remain hopeful that it is only the beginning of a reexamination of systemic prejudice and that its impact will continue to ripple through every industry in 2021, including graphic design.
As a designer portraying diversity is the way we can do our part for a better and more inclusive future. By portraying diversity, we inspire & encourage people of all backgrounds on their journeys and that’s such a needed and positive change.
- Fe Melo
By Dudeowl
We have already seen designers make efforts to ditch models in favor of authentic and diverse people in illustration and stock photography. We imagine that this will go even further in 2021, beyond mere inclusivity to celebration. We saw designers of color uplifted in the immediacy of the BLM protests, and the result was portraiture of black men and women in powerful and inspiring settings and poses.
By Jdodo
2021 will be the year to show how different people are and how rich our planet is exactly for that. The trend is to use images of real people with their own characteristics, flaws and uniqueness.
- IsaDesignNet
If there is one thing design should avoid, it is sameness. Highlighting various cultures, skin tones, ages and identities represents an exciting opportunity to make designs that, like authentic people, are truly one of a kind.
6. Irreverent characters —
Good design can tell a story. Great design makes that story unforgettable. For 2021, many graphic designers are looking to ditch abstract visuals in favor of quirky characters. And the more personality these characters embody, the more memorable they become.
By jcontreras
Concept illustration lies at the heart of this trend—providing not only character poses but personality in the form of a hand-drawn approach. It’s why these styles can range from detailed cross-hatching to the simplified shapes, lines, and colors of modern cartoons. The concepts themselves—suit-wearing animals and anthropomorphic sushi—signal the much-anticipated return of humor and weirdness in the months to come.
By Wintrygrey
The inspiration for this design was the old-school biker culture from the 70’s. The thing I like most about it is that the overall look reflects that the goat rides his bike like there’s no tomorrow.
- Wintrygrey
7. Comics and pop art —
Like an arch nemesis, the design styles of the past never truly die. And this year, graphic designers are resurrecting the grainy colors, the heavy inking and the action lines of vintage comics.
By WolfBell
Born of an era of primitive printing technology, comics often used halftones, or simplified dot shading, to represent color. Nowadays, this approach can breathe new life into modern minimalist trends such as flat design through grainy texture and depth. Similarly, web designers can break the grid with slanting panels and skewed shapes to create the sense of drama and motion.
By bayuRIP
In the global pandemic our medical professionals are considered our modern super heroes. I chose a comic style because when I was a kid I really liked comic books like Superman and Marvel. The comic book art style really inspired me during the design process.
- Dexterous
Though spandex-clad superheroes are not essential to this trend, the designers of 2021 are turning to the texture and illustrative techniques of their graphic novels to rescue modern design. Except for comic sans. Nothing will rescue that.
8. Fine art infusion —
There has always been a separation between fine art and design, but 2021 is less concerned with traditional borders. As a result, we are predicting painterly techniques such as acrylic brushstrokes and abstract expressionism will make their way onto shelves and screens across the world.
By LucaToni
Abstraction is one of my favorite painting directions and techniques, which allows us complete freedom of expression. Abstraction is not limited by law: colors, textures, shapes and spaces.
- LucaToni
Painting infuses designs with surface variation and depth, making them look real enough to touch. For that reason, this trend pairs well with physical products. Specifically, since fine art is associated with culture and class, it is useful for products that wish to convey an old world elegance—like wine labels and cosmetic packaging.
Painting also results in darker tones than those created in computers, and this gives designs an air of solemnity. Though this might not sound cheery, designs like these naturally invite the viewer to take a moment and reflect.
9. Elements of nature —
There’s no avoiding it: many people spent much of this year cooped up inside. That would go double for designers who might have experienced their work-from-home freelance lifestyle begin to resemble solitary confinement. It may be no surprise then that the outside world will be making its way inside 2021’s graphic designs.
So many of us have felt cooped up in 2020 with COVID, and have a strong desire to spend time in green spaces. Even looking at photographs of these places can feel soothing if you are stuck in apartment. I think we’ll see a greater appreciation for these kinds of visuals coming through in 2021.
- Megan Dell, Director of Design at 99designs
Whether this trend manifests in the form of leafy patterns, earth-tone color schemes or illustrations of breathtaking vistas, graphic design is going green. The best part about this trend is we are seeing it reach beyond environmentally-oriented products.
The effect of nature imagery is to impart serenity, renewal and growth—all of which we’ll be breathlessly anticipating in 2021.
What particularly influenced me in this piece was a quote I read: “Nature is like a woman who enjoys disguising herself, and whose different disguises, revealing now one part of her and now another, permit those who study her and assiduously to hope that one day they may know the whole of her person.”
- vanessa ives
10. Blur and grain —
Gradients and color transitions have been a popular trend for a few years now. In 2021, many designers will be looking to veer off on a new tangent: into even more blurry and blended backgrounds. Add in a grain filter, and these designs manage to walk the line between feeling transitory and real-to-the-touch.
By iva
Blending unusual colours with intense blur and grainy textures is a mood.
- Claire Taylor, Senior Product Designer at 99designs
The benefit of this trend is that it allows foreground elements such as bold typography or evocative imagery to pop against a near indiscernible background. It also thrives in gloomier contexts as opposed to the cheery gradients of yesteryear. There is an inherent grunge and grime to grainy textures, and a blurred image can evoke shadows and the unseen. This trend is a mood, and we expect to see it more and more as the tool of choice for designs with a dark side.
11. Socially conscious design —
As the dawn of a new decade, it seems fitting that 2020 was the year the world understood how much it needed to change. From healthcare to environmentalism to Black Lives Matter to pandemic preparedness, 2020 laid bare the many challenges to come. The good news is that this conflict might just be a turning point, provided everyone does their part.
With this in mind, designers from all over the world are stepping up to the plate to contribute their talents for the betterment of their community. We’ve seen this in the rise in creative hand-lettering that delivers messages of unity, responsibility and advice. It comes in the form of protest art. It comes in illustrations that personalize mask-wearing. Whether through charity work or personal design projects, 2021 is shaping up to be a pivotal year in which design gets involved.
In 2021 we’ll see more designs and imagery resonating with a movement, or social & environmental issues. I’ve seen more and more brands rallying around issues and connecting with their users on a deeper level.
- Tristan Le Breton, Creative Director at 99designs
Ready for the biggest 2021 graphic design trends? —
As the start of a decade, this past year may have proved to be a disappointment. But the graphic designers of 2021 are determined to turn it around in their own way. Out of tragedy, they are giving us irreverent characters. Out of self-isolation, they are giving us nature. And out of confusion, they are giving us our symbols of speech. Each year of graphic design trends will always bring change, and it is the designers who will determine whether that is for better or worse.
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junesmitth · 4 years
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Lockdown monsters: kids’ artworks reimagined by creative caregivers
The majority of freelancing designers are accustomed to working at home but for those living with kids, the logistics of lockdown came as quite a shock. Not only were creative caregivers experiencing a sharp influx of Zoom interruptions, but they were gaining a fresh source of energy and inspiration on a daily basis, all thanks to the sudden, constant presence of their family members in their day-to-day work lives.
When we surveyed the global freelance design community, 48% reported having to balance additional responsibilities like home schooling, extra childcare and distance learning in addition to their freelance work. Peace and quiet? Balance? Out the window–at least in the beginning.
52% of freelancing designers claimed that having loved ones around improved their creative process.
It’s not all clutter and noise, however. We asked designers how having other people in their work space impacted their creative process and found that a whopping 43% said it actually had a positive effect. Additionally, when we asked parents about sharing their workspace with their families, we were met with an even higher figure of positivity as 52% claimed that having loved ones around improved their creative process!
We can’t help but think that these are facts worth celebrating. Feeling inspired, we challenged our creative community to professionally reimagine their little ones’ quarantine artwork and share their parenting wins. As you can imagine, the entries were particularly heartwarming and hilarious.
Scroll to see the winning illustrations and read stories from creative parents surfing the wave of 2020.
“Dogcula” by J Studio –
by J Studio
My nephew and I had lots of fun playing games, making things and conjuring up unbelievable stories, one of which inspired this drawing.
- J Studio
“This is the drawing my nephew made for me a few months ago, when he was staying at my home during quarantine. I love spending time with him, he’s so mischievous (and cute). We had lots of fun playing games, making things and conjuring up unbelievable stories, one of which inspired this drawing.”
“Sea monster” by C!N –
“The artist behind this drawing is my youngest son, Dante. When he was six years old he was diagnosed with Asperger’s syndrome and ADHD. One of the characteristics associated with these conditions means you can become obsessed with things and, in his case, it’s boats and trains. His dream has always been to be captain of a ship, but his problem is that he’s also afraid of what lives amongst the depths of the sea, particularly large marine animals.
…without realizing it, he took a huge step to face his fears, which for me is something truly exciting.
- C!N
Earlier this year, before quarantine began, Dante saw the sea for the first time when we travelled to the beach. After years of only drawing ships and trains, this trip seemed to spark a change in him and suddenly he drew this! I asked him afterward about the drawing, he said, “It’s just a joke!” (Genial! Atrapamos muchos! literally translates as “Great! We caught many!”). This may seem like a small thing but without realizing it he took a huge step to face his fears, which for me is something truly exciting and is why I chose this particular drawing.”
“Rock monster” by Frankfigueredo –
One day he asked me where rocks came from… my ‘adult’ answer could not persuade him so he imagined they came from a giant rock monster.
- Frankfigueredo
“The littlest one at home is eight years old and loves to collect rocks from a nearby river. Like any child his age, he is very curious and one day he asked me where rocks came from, worried about the different sizes and types.
Unfortunately, my ‘adult’ answer could not persuade him so he imagined they came from a giant rock monster. I chose this piece, which he made earlier this year of said monster, to honor this funny story.”
“Rabbit” by Stenaleo –
I hope my interpretation of her drawing will show Nina that even a ‘bad’ work isn’t so hopeless if you just add a little bit more imagination.
- Stenaleo
“The original drawing was made recently by my niece, Nina. She tried to do a rabbit, but unsatisfied with the result, she scribbled over the picture with a red pencil. I don’t consider this work a failure, I see within it a unique and funny character. I hope my interpretation of her drawing will show Nina that even a ‘bad’ work isn’t so hopeless if you just add a little bit more imagination.”
“Coco Pajaro” by ricardomacia —
Children have loads of creativity and on so many occasions we need their vision to bring to life otherworldly characters.
- ricardomacia
“On the right is my nephew Luka’s drawing. Due to quarantine, my sister asked me to look after him for a weekend, so we had a lot of fun watching movies and doing what he likes most: drawing. As he also really likes music, he created a rock monster named ‘Coco Pajaro’.
We both had a lot of fun creating these illustrations; children have loads of creativity and on so many occasions we need their vision to bring to life otherworldly characters.”
“Rainbow Color Monster” by Binhsketch –
I drew this picture with the rather noisy support of my wife and two sons; your contest has given us some time to work together as a team.
- Binhsketch
“My son is over five years old and he painted this piece back in July 2020. I was so surprised when he showed me it, I thought I must capture that proud moment with the photos and story behind it.
According to the artist himself: – It is a large and powerful monster that can destroy large buildings. – It eats everything and spits everything out like a rainbow. – It can attack humans. – But, it’s always fun, only attacking when someone makes him angry.
I asked if this monster had a name and my son replied immediately, ‘His name is Rainbow Color Monster’. I then drew this picture with the rather noisy support of my wife and two sons; your contest has given us some time to work together as a team.”
Reimagining freelancing in 2020 —
It’s no surprise that kids are an inspiring bunch. What’s incredible is the depth of impact that these children have had on their caregivers’ work lives during such a chaotic period.
For more insights about what it means to be a freelancer in 2020, check out our report “Design Without Borders: The Freelance Revolution”.
Download the report in full
...and catch a glimpse into freelancers' lives.
Let's go!
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Lockdown monsters: kids’ artworks reimagined by creative caregivers posted first on https://www.lilpackaging.com
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junesmitth · 4 years
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10 dazzling packaging design trends for 2021
As the year draws to a close, we’re looking forward to the new packaging design trends that 2021 has in store for us. At first glance, they look pretty different from each other—you’ve got simple geometry right alongside super-detailed ink drawings and fleshed-out characters. But there’s actually a cohesive theme here, and that’s a pivot away from packaging design that immediately reads as “commercial” and toward packaging that feels like art.
This year, we saw just how critical ecommerce is to our everyday lives. That’s not changing anytime soon. With ecommerce, you lose the experience of walking through a store and experiencing a curated brand ambience, something even the most immersive website can’t compensate for. So packaging designers and business owners are upping the ante to deliver a piece of branding right to your door.
The goal isn’t to replace the in-store experience, but to meet consumers where they are now and where they’ll be in the future. It’s all about creating a new, more immersive brand experience through the unique packaging trends of 2021.
Here are the biggest packaging design trends for 2021:
Tiny illustrated patterns that reveal what’s inside
Authentically vintage unboxing experience
Hyper-simplistic geometry
Packaging dressed in fine art
Technical and anatomical ink drawings
Organically shaped color blocking
Product names front and center
Picture-perfect symmetry
Story-driven packaging featuring quirky characters
Solid all-over color
1. Tiny illustrated patterns that reveal what’s inside —
Patterns and illustrations can be so much more than just embellishment. They can reveal what a product is all about. In 2021, expect to see a lot of intricate patterns and tiny illustrations on packaging, and expect it to be doing one specific job: giving you a hint about what’s inside.
Tea packaging design via Gamal Assy
These illustrations are often simplified or abstract, giving you more of an artistic rendering of what’s inside the package than a literal look at the product itself. For example, instead of a photo of actual tortilla chips, a chip brand might decorate its bags with a triangle pattern that’s reminiscent of tortilla chips.
In 2021, expect to see packaging design that uses small illustrations and patterns in whimsical ways just like that. Intricate patterns like Gstar’s design for Nourish or the cute, minimal popcorn pattern by Cime show you everything you’re getting without overwhelming you with a complicated, overwhelming image.
Packaging design by maneka
 2. Authentically vintage unboxing experience —
Vintage-inspired packaging has been a trend for a while now, so what’s different about it this year? The fact that the whole unboxing experience looks so authentic, you’ll think you travelled through time.
In 2021, you’re not going to see a bunch of generically vintage-inspired packaging. You’re going to see packaging that has an authentically old-school look and feel that is taking things further by creating a complete immersive experience. You’ll come across packaging designs that look almost indistinguishable from something your great-grandmother would have used, transporting you to a different moment in time.
That means going beyond logos and labels and encompassing the whole brand experience, making use of vintage-inspired textures, bottle shapes, materials, outer packaging and imagery choices. It’s no longer enough to give a package a few fun retro details. Now the package itself feels like it was plucked from a shelf that was frozen in time.
Packaging design by Giocovision
Packaging design via CRUCE Design Group
3. Hyper-simplistic geometry —
Another one of the packaging trends we’ll be seeing a lot of in 2021 is designs that make use of extremely simplistic, yet bold geometric concepts.
We’ll see bold geometry with neat lines, sharp angles and expressive colors giving packaging designs an edge (literally). Much like the pattern trend, this trend gives consumers a sneak peek at what a product stands for. But unlike patterns and illustrations, which depict what’s inside the box, these designs are abstract to the extreme. ​It may seem simple at first, but it’s an incredibly impactful way for brands to make a statement and leave a lasting impression.
Beer label design by exsenz
4. Packaging dressed in fine art —
In 2021, expect to see lots of packaging designs where the packaging itself is a piece of art. This trend is mostly gaining momentum with high-end products, but you could see it on mid-range products too. Designers are drawing inspiration from paintings and paint textures, either playfully integrating them into their designs or making them the focal point. The goal here is to blur the line between packaging design and fine art, demonstrating that anything, even a bottle of wine that will eventually end up in the recycling, is beautiful and unique.
Still life painting inspired cheese packaging via The Clients Agency
While some designers like to draw inspiration from the old masters (like the cheese packaging above), this trend largely draws from abstract paintings and fluid painting techniques. Texture is key here, and packaging designers are emulating the kinds of textures and effects you’d see on a long-dried oil painting or a freshly-poured resin painting.
Can design via Andrea León
5. Technical and anatomical ink drawings —
Seeing the theme yet? Overall, 2021’s upcoming packaging trends feel way more “art gallery” than “commercial graphic design.” Alongside bold geometry and tactile textures, you’re also going to see a lot of your favorite (and soon-to-be favorite) products packed up in designs that feel like they were pulled right out of an anatomical illustration or engineering blueprint.
Product packaging design by Emir Alcic
Perhaps it’s because 2020 forced us to slow down and reevaluate what’s really worth doing, or maybe it’s a response to the years that minimalism reigned supreme in packaging designs. In any case, prepare to see more designs with incredible detail that look and feel like they were sketched and inked by hand for an ancient (and sometimes surreal) science publication.
6. Organically shaped color blocking —
Color blocking is nothing new. But color blocking in blobs and blips and spirals and dips? So 2021.
Packaging design by monostudio
What separates 2021’s organic color blocking from previous color blocking trends are the textures, the unique color combinations and how much the blocks vary in shape and weight. These aren’t clear, straight-edged boxes of color that make perfect grids and clean lines; they’re uneven, unbalanced, freckled and dappled collages that feel inspired by an eclectic flower garden or a dalmatian’s coat. They feel real, they feel organic.
Packaging design by monostudio
Patterns are blocked on top of colors, designers play with unexpected color palettes and shapes like spirals and squiggles find their way into these packaging designs, like JianBranding’s design for Little Rituals.
7. Product names front and center —
Instead of making an illustration or logo the packaging’s focal point, some designers are instead choosing to make the product’s name the star of their designs. These are designs that get extremely creative with lettering to allow the product’s name to take center stage. Each name on these packaging designs feels like an artwork in itself, giving the whole design a distinctive personality.
Packaging design by Pepper Pack Design
With this kind of packaging, there’s no doubt about what the product’s called or what kind of product it is, making this the perfect packaging trend for product-focussed businesses that aim to increase brand awareness. These designs rely on strong typography that can carry the brand’s whole aesthetic. Any additional design elements are just there to make the name shine.
Supplement packaging design via Igor Kovalev
8. Picture-perfect symmetry —
It’s not uncommon for a year’s top trends to contradict each other. In fact, it happens almost every year, and 2021’s packaging trends are no different. While some packaging designers play with organically imperfect shapes in their designs, others are swinging far in the opposite direction and creating pieces with perfect symmetry. These designs appeal to our sense of order, giving us a sense of grounding amid the chaos.
Packaging design by Mj.vass
Label design by Sisia Du
Not all the designs that fit into this trend are tight, intricate designs. Some, like Raluca De’s design for Yerba Mate original, are looser, more disconnected patterns that incorporate negative space for a less closed-in feel. They’re just as perfectly symmetrical as the more complex designs, though, which creates the visually satisfying sense of perfection that’s characteristic for this trend.
Packaging design by Raluca De
9. Story-driven packaging featuring quirky characters —
Storytelling is a key part of any effective branding, and in 2021, you’re going to see lots of brands extending their storytelling to their packaging.
2021 will bring us characters that go beyond being mascots to seemingly living their own fleshed-out stories. And instead of just being static mascots, you’ll see these characters in scenes, like you’re looking at an individual panel of a graphic novel. So instead of having to head to the brand’s website to read their story or inferring their brand story through the ads they run, you’ll have the main character delivered right to your door, telling you a story right from your buy’s package.
These characters bring their brands’ stories to life, often in a cartoonish, fun way that makes you feel like you’re reading a comic book as your eye travels through the packaging design. One example is St. Pelmeni’s stunning Peachocalypse design, which gives us a full scene of a giant peach attacking a city.
Beer can design by St. Pelmeni
10. Solid all-over color —
Right alongside bold packaging that reads like a comic book, you’ll see products packaged in single colors. Although it’s working with a far more limited palette, this packaging trend has no less character than any of the others in this list. In 2021, expect to see packaging designs that let the copy and (often unconventional) color choices do all the talking.
Packaging design by Archangelo
One thing you’ll notice about these packaging designs is that for the most part, they’re using bright, bold colors. That’s what makes this trend feel so fresh—this isn’t the sterile all-white packaging your Macbook came in; these designs are loud, in-your-face and take a decidedly bold tone. And in the instances where they don’t, like Eva Hilla’s design for Babo, they choose an unusual shade that creates a mood and guides the buyer’s eye directly to the copy. By doing this, they build anticipation by telling the buyer about the product, rather than showing it immediately.
Packaging design by ANAMOLLY
Ready for the biggest 2021 packaging design trends? —
If you’re planning on unleashing a new product on the market in 2021—or redesigning a current product’s look—pack it up in one (or more!) of today’s hottest trends. Great packaging design gets buyers pumped about your product before they even open it, so don’t miss the opportunity to wow them from the second they see it.
Want to wow your customers with amazing packaging?
Our designers can create stand-out packaging design just for you.
Get packaging
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junesmitth · 4 years
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How designer Shwin’s illustrative style breathes life into statistics
Last week we published our long-awaited report on the freelance industry: “Design without Borders – The Freelance Revolution”. And thanks to the amazing design work by Top Level designer Shwin it looks pretty stunning, if we may say so ourselves. Here we talked to him about his design career, how he got into design and his approach to this challenging project.
Designer Shwin’s illustrations make Design without Borders stand out. Download the report here.
Shwin is a British-born graphic designer based in Vietnam. A self-taught talent, he joined 99designs early on in his career to learn new techniques and build on his skills. While he admits to never winning contests initially, Shwin has seen significant growth on the 99designs platform. Now with nine years under his belt as a professional designer, his career has seen him break into London working for some of the city’s biggest agencies and clients. Specialising in branding and illustration, Shwin believes diversity is key, so he never shies away from a new challenge.
In taking on this project, Shwin felt it had great potential for creativity. By combining his flair for beautifully crafted illustrations with new, experimental brush styles, he breathed new life into the information. And the end result? A colourful and edgy expression of technical data that you can’t take your eyes off.
How long have you been designing?
9 years, but I wouldn’t consider myself ‘a good designer’ for all 9 of them! I used 99designs early on to see how I could tackle different projects – I but I never won any contests because I was frankly terrible ha. However, this was how I learnt my skills, taking on projects and learning new techniques for each one. Eventually, I won one.
How did you get into design? I was always encouraged to draw when I was younger by my parents and I think that moving that onto my computer was just the natural progression.
Diversity is definitely the key for me.
I didn’t go to uni, youtube was my tutor and my bedroom was the campus. So I was thrilled when I finally broke into London, working for the biggest agencies and clients, as I wasn’t sure it was possible without a degree.
What would you say is your speciality in terms of design?
by Shwin
I love branding and illustration most but, as you may be able to see from my work, I like to take on all kinds of projects and doing them in all different styles. Diversity is definitely the key for me.
What was it about this project that made you want to take it on?
I’ve worked with 99d on a few projects before and they’ve always been good fun and the project itself had a lot of potential for creativity.
The project itself had a lot of potential for creativity.
Also, it’s a big endorsement of your work to get a call from the big guys.
How did you approach this brief?
I started experimenting with illustration styles and brush strokes then created some drafts which we narrowed down together.
What is your favourite part of the end piece?
I like the illustrative style. I think overall it’s great to look at stats in an engaging way.
Love Shwin's work?
Hire him for your next project!
Let's go!
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junesmitth · 4 years
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Comparing the 7 best free website builders: which is right for you?
What’s better than user-friendly website builders to help first-time business owners? The answer is: free website builders.
The people who need website builders the most are also the ones who don’t have much to spend. If you have a DIY spirit, but don’t have money to spare, free website builders let you create your site how you want without the investment. The question is, of all the free web builders out there, which is the best for you in particular?
Illustration by OrangeCrush
In this guide, we review the best free website builders out there, along with their pros, cons and whom they’re recommended for. But first, take a look at the next section to see if a web builder is what you need.
Can free website builders help you? —
What is a website builder? Typically, they’re software or applications that allow inexperienced users to create working websites using premade templates or themes. The range of customization they offer varies—some are simply fill-in-the-blanks boilerplates, while others are more of a blank canvas.
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Although they can’t compete with professional web designers on the quality of a website, their goal is to provide convenience, speed and/or a low price; they’re meant as a helping hand to first-timers, or else a faster, cheaper alternative for business owners in a pinch.
Of all the ways to design a website, website builders are the easiest to use—for better or worse. If you want a pixel-perfect website that is unique and on brand, you might want to look into other options to get a professional looking website; but if you want something quick and easy that was due yesterday, a website builder is your best bet.
But where do free website builders fit in? Free web builders offer the same convenience, but at no cost—at least, no traditional cost. The trade-off is often something like forced ads or a freemium model, where more alluring features are locked behind a paywall. Still, they give virtually anyone the ability to publish a live, functioning website and even help with the setup, making them popular for new businesses.
You won’t know for sure if one of these free website builders is right for you until you take a look at what’s out there. To help you make that call, we reviewed seven popular free website builders below.
The best free website builders —
1. Webnode
via Webnode
Some free website builders try to entice users with extra customization features, but Webnode leans the other way: quicker, simpler web design. While you can’t create complicated websites for free, you can make basic ones in mere minutes, perfect for temporary, one-time websites for events like weddings.
Webnode’s design options are stilted, as you’d expect. That’s not to say the sites don’t look good — they do — but the user has very little customization options and Webnode free sites are more cookie-cutter than those created with other free web builders. There’s also not a lot of storage in the free version, so it’s best for small sites.
Pros:
Quick and easy
Just a small ad banner in the footer
Cons:
Very limited customization
Only 100MB of storage
Free domain format:
your-site.webnode.com
Recommended for…
single-use sites (particularly events)
basic business sites or online portfolios
2. SITE123
via SITE123
SITE123 makes good on its claim of being the “by far the easiest website builder,” and its name is quite fitting. Like Webnode, SITE123 caters more towards speed and convenience than customization or design options. In fact, you don’t get to choose your own template. Instead, SITE123 chooses one for you based on your answers to a preliminary survey, the epitome of speed over style.
Still, there’s plenty about SITE123 that stands out against other free website builders. It has reportedly excellent 24/7 customer service, a huge perk for beginners with questions. Echoing their commitment to easy usability, they also offer one-click installation, a generous free image library, and an onboarding assistant to auto-generate a site for you. Although the 500MB of storage is common, its unlimited pages are not.
Pros:
Very user-friendly
Excellent 24/7 customer service
Auto-generated starting template
Unlimited pages
Cons:
Very little creative freedom; can’t even choose template
Domains end in .me, not .com
Free domain format:
yoursite.site123.me
Recommended for…
Users who prioritize customer service
Quick, do-it-for-me web design
3. IM Creator
via IM Creator
Formerly known as XPRS, IM Creator is one of the quickest and easiest of the quick & easy free web builders. The design process is more or less choosing your template, and from there the majority of your site is auto-generated. While that may frustrate users who want more control or customization, for users who want something fast and painless, it’s perfect.
The templates themselves are good, and the visuals are more than satisfactory, but the features and options are bare-boned. What IM Creator offers that others don’t is the opportunity for students, artists and NGOs to get a premium site for free — just submit an application to see if you’re eligible.
Pros:
Quickest and easiest
Potentially free subscription for students, artists or NGOs
Auto-generates most of your site, if you’re worried about designing yourself
Cons:
Bare-bones features
Very little customization
Free domain format:
im-creator.com/free/yourname/yoursite
Recommended for…
Students, artists and NGOs
Users who want to do minimal designing
4. Wix
via Wix
One of the most popular free website builders, Wix is quickly becoming the go-to brand for creating small websites. Although their paid options have much more versatility in what you can do, the free option is still rather generous.
With the free plan, you only have 500MB of storage and bandwidth, but that’s more than enough for basic websites. The real drawback is the forced ad, though a small price to pay for a live site that’s free forever.
The editor’s usability is another advantage of Wix. For starters, they have an onboarding system to suggest themes or even generate an automated ADI template. This is a time-saver for people who prioritize speed and turnaround, but also a useful place to start, as you’re free to customize specific aspects of the site later.
Pros:
Easy to use
More features and capabilities than other free website builders
Helpful onboarding
Plenty of diverse themes
Cons:
Forced ads
Once you publish your site, you can’t change your template
Free domain format:
yourname.wixsite.com/yoursite
Recommended for…
small business websites
personal portfolio sites or blogs where more customization is prefered
5. Weebly
via Weebly
A top contender against Wix, Weebly offers more advanced options than the other free website builders on this list. Although they have fewer features than Wix, in general Weebly’s site editor functions largely the same as Wix, including the drag-and-drop interface.
Where Weebly shines is its practical SEO tools, which are available in the free version. In the right hands, these options can make all the difference and provide a great launching platform for expansive digital marketing campaigns. This, combined with their scalability, makes Weebly a good choice for small businesses with big plans. Unfortunately, their ecommerce functionality is only available for paid plans.
Pros:
Excellent SEO tools
More customization features than most other free website builders
Cons:
Forced ad
Not quite as robust as Wix
Free domain format:
yoursite.weebly.com
Recommended for…
Serious businesses anticipating fast growth
Businesses prioritizing SEO and digital marketing campaigns
6. Jimdo
via Jimdo
Getting a free website is one thing, but getting a free ecommerce website is another. Luckily, Jimdo offers all the essentials for opening your own (limited) online store for free to help aspiring online retailers get their feet wet.
Jimdo actually offers a bit more than other free website builders in way of features, but the trade-off is that you can only sell five products, and your site will not be indexed by search engines. Still, you’ll be able to accept payments through PayPal, not to mention the 2GB of bandwidth — more than average for free web builders — and 500MB of storage.
Pros:
No forced ads (just a footnote)
More bandwidth than other free website builders
Complete ecommerce transactions
Cons:
Can only sell five products
Limited design options
Bad for SEO — sites not indexed by search engines
Site editor not as user-friendly as other free web builders
Free domain format:
your-site.jimdosite.com
Recommended for…
First-time online retailers who want as little risk as possible
Retailers who want to test experimental products
7. Mozello
via Mozello
Although Mozello offers mostly standard features, where it stands out most is multilingual options: Mozello is one of the few free website builders that lets you use more than one language. Right away, if you’re dealing with a multilingual audience, Mozello might be the best — or only — option available.
Their other features are nothing special, though, yet adequate enough. They do have ecommerce capabilities with up to five products on the free plan and PayPal integration, but you’ll have to pay for your own SSL certificate. The editor itself is a bit simplistic, with limited customization, although easy enough for beginners.
Pros:
Multilingual options
Ecommerce capability
No forced ads (just a footnote)
Cons:
No SSL certificate included
Can only sell five products
Simplistic editor
Free domain format:
your-site.mozello.com
Recommended for…
Sites where multiple languages is a priority
Why sometimes it pays to pay —
For non-designers using free web builders, you pretty much have two options: learn web design yourself, or stick closely to the templates. But what if you have an amazing site idea, but not the technical skills to bring it to life? If that’s the case, you have only one option: work with a professional web designer.
Professional designers can take your ideas and apply years of design expertise to bring them to fruition. You end up with your dream site, custom-built with the best web design techniques.
Still unsure what web solution is right for you? Try the quiz below to figure it out!
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junesmitth · 4 years
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Design Without Borders 2020: the takeaways
If 2020 has taught us anything, it’s to expect the unexpected.
That’s exactly what we found when we surveyed the global freelance design community and asked them to weigh in on their year. Amongst the challenges of 2020 were stories of connection, personal growth and remarkable resilience during one of the biggest global crises the world has ever seen. We collected the significant takeaways from our annual report in this handy infographic.
Want to know what it really means to be a freelance creative during a pandemic? Read on to get the scoop.
Creativity thrives in 2020 —
by Shwin
Read the full report
Join the freelance revolution!
Let's go!
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junesmitth · 4 years
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How freelance creatives are thriving in 2020
From a global pandemic to climate instability and political uncertainty—we’ve seen it all during this crazy year. Yet as everyone prepared to stay (and work!) from home, freelancers already had the upper hand. After all, they’ve been doing this for years.
For the second year in a row, we asked the global freelance design community to open up about their 2020 experiences in our annual survey. From Sydney to Salzburg, 11,362 freelance creators across 147 countries shared their insights and stories in the most wide-reaching survey of the sector to date.
We were blown away.
Despite facing an unprecedented moment in history, freelance creatives are demonstrating a remarkable ability to adapt… and thrive.
Read Design Without Borders
Find out what happened when the whole world went freelance.
Let's go!
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junesmitth · 4 years
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What does a web designer do?
Depending on whom you ask, web designers seem to do it all these days. That’s because the term “web designer” is often used as an all-encompassing label for anyone who creates websites.
Design by OrangeCrush
The truth is a bit more complicated than that. It takes a lot of planning, content creation, artistic effort, coding and hired specialists to make a website a reality. Web designers are one of those specialists, but they usually have a very specific role within the whole process. Whether you’re looking to become a web designer or looking to hire one, it’s important to familiarize yourself with what exactly web designers do and don’t do. Otherwise, you might end up wasting time and money. With that in mind, let’s walk through the typical responsibilities of a web designer and where they fit into the web development process.
What is web design? —
Web design is the process of establishing the aesthetic appearance of a web page, including how content is arranged and how the elements of design are implemented. Web designers are typically focused on what is called the “front-end” of the website, the part of the website users actually see and interact with (as opposed to the “back end” code that makes the website function).
Web designers are responsible for the visual design of a web page. Design by wildanya
This means they can be responsible for choosing everything from the photos and imagery, the fonts, shape language, color scheme, buttons, as well as how all of these elements fit together. They use design software (such as Photoshop or Sketch) to create mockups, or image-based representations of how the final website should look once code is applied.
With that said, web designers are typically not responsible for building a working website—they focus on establishing the visual design only. Developers write the code that makes websites work, and website development requires a different skill set and sensibilities from design.
Where does a web designer fit into the process? —
In order to understand what a web designer does, let’s briefly go over the most common roles involved in the steps to create a website.
Website strategist: Conducts in-depth market research to establish the business goals for the overall website and individual pages.
Graphic designer: Creates visual brand elements—logo, color scheme, typography—and graphic assets—illustrations and icons—that are used on the website.
Copywriter: Creates all written content—from headlines to body copy to button text—across the website.
UX (user experience) designer: Focuses on the user’s needs, and designs skeletal web page layouts (called wireframes) that optimize website elements around user behaviors and expectations.
UI (user interface) designer: Designs interactive elements such as buttons and forms.
Web designer: Focuses on all of the visual elements of a website, and turns wireframe layouts into finished web page designs.
Front end web developer: Uses formatting languages and code (HTML, CSS, Javascript) to implement the web design onto a web browser.
Back end web developer: Uses coding language to develop more complex functionality behind the scenes of a web page.
It typically takes multiple specialists to create a website, including web designers. Illustration by Konstantin Kostenko
In short, a web designer refers to the goals set by a website strategist and a UX designer’s wireframe, and combines the content from graphic designers, copywriters and UI designers into a finished web page mockup. Developers then take that design mockup file, separate and export the graphic elements, and use code to turn this into a live web page. This all means that if you are looking to hiring a web designer, you should have your strategy and most of your website content either roughed out or finished.
With all that said, do take these job descriptions with a grain of salt. They are generalizations and describe the traditional definitions of these roles. As mentioned earlier, many people use the term “web designer” broadly, so it can mean different things to different people. There can be overlap between roles—most web designers do their own market research, have graphic design and UX, and some can even double as developers (especially on the front end). It is also not uncommon for companies (or clients) to combine roles and responsibilities depending on their budget. Always make sure before you start a project that you are on the same page about your expectations for the role.
What are a web designer’s responsibilities? —
Let’s get into a step by step breakdown of everything a web designer generally has to be responsible for in order to create finished web pages.
Web designers create website mockups in a design program like Photoshop. Image via Adobe.
What a web designer does
Visual design and layout: Often using wireframes and site maps, web designers order and arrange website content to optimize both visual communication, hierarchy and aesthetic sensibilities.
Mobile and responsive design: Web designers also design the look of mobile and tablet versions of web pages.
Static mockup files: Web designers create image files that represent the final look of the web page.
Exportable design assets: Web designers layer their mockup files so that each page element can be easily separated and exported for developers to implement piece-by-piece onto a working web page.
Photo editing: Web designers typically must be able to edit media assets that appear on the page.
Formatting: Web designers often use some formatting languages (especially HTML and CSS) to implement and test their designs in web browsers.
Website code is typically handled by web developers rather than web designers. Design by PANG3STU
What a web designer doesn’t do
Coding: Web designers focus on the visuals and are usually not responsible for coding the website.
Writing: Web designers should not be expected to write any website copy. Many use lorem ipsum placeholder text in their designs if the copy is not already prepared.
Branding: Web designers are not responsible for creating logos or making broad visual brand choices as establishing the color scheme and fonts to be used on corporate assets outside of the web page.
Illustration: Web designers typically do not create illustrations for the website. They incorporate graphic assets made by other professionals into their design. Some designers may design custom elements where needed.
Photography:  Web design and photography are separate disciplines. If the client has not hired a photographer, it is very common for web designers to select and incorporate stock photos into their design, the license of which the client must purchase.
Animation: Custom animations should go through an interaction designer or professional animator.
Market research: While web designers do perform some competitor research ahead of their design, they do not have access to all of the data, analytics, and expertise that an in-house marketing professional would. Usually, web designers depend on clients to deliver this information to them.
What skills do web designers need to have? —
Becoming a web designer involves learning a number of skills. Design by damuhra
If you are thinking of becoming a web designer yourself, you should consider the kind of skills you will need in order to set yourself up for success. Although a college degree is certainly not a bad idea, it is increasingly common these days for designers to be self-taught, and there are plenty of web design tutorials available online.
Graphic design knowledge
At the end of the day, web designers are designers, and even if they aren’t making logos, they should know how to combine text, copy, images, and color in a way that is visually pleasing. In particular, they should know how to strategically leverage the principles of design to create a desired effect on a viewer. This also includes knowledge of design history, knowing which design trends are still useful and which are overdone and tired.
Industry practices
Web design has been an established career path for over two decades now, and a number of design conventions and standard practices have been established with time. Because websites are software that users are meant to find intuitive, it is important to play into these conventions to meet user expectations, even while putting your own artistic spin on them. These conventions usually have to do with an approach to a design, and they range from standard website layouts, grid systems, mobile-first design and more. This is gained partially through experience, but also by paying attention to industry conferences and talks, like those posted to awwwards YouTube channel.
Learning some web development can be useful for web designers. Illustration by Sevarika
Software skills
Although the basics of a web page layout can start with a paper and pencil, eventually web designers need to use software to create files their team and/or clients can use. Photoshop is one of the most common software used for web design, but UX prototyping apps like Sketch have become increasingly popular amongst web designers. For more on this, refer to our list of the best web design software.
Web development knowledge
Although coding should typically be left to a developer, creating a website is a technical undertaking no matter which way you slice it. Web designers should be aware of technical capabilities and limitations, which is why it is often helpful to have some familiarity with code to know what design choices will work and what won’t. Some design effects or textures may be difficult to implement with code, and some may result in file sizes that slow the loading of a web page.
Where can you find a web designer? —
If you need to hire a web designer or you are curious about the options web designers have to find work, there are a number of possibilities. Many work in agencies and can be found through referrals from past employers or other colleagues. A common place to find web designers looking for work are professional networking and job sites such as LinkedIn.
Freelance web designers are easier find and hire these days than ever before. Illustration by Natalia Maca
But instead of wading through the profiles of all the users on a general purpose job listing site, a creative platform like 99designs can give you access to a global pool of professional freelance web designers. You can work with designers two ways: search for designers and contact one to negotiate rates and work one-to-one in a secure project space or you can run a contest in which you submit a project brief and multiple designers compete by submitting sample web page designs.
Find a web designer today —
Web designers have a role to play in the building of a website, but contrary to popular opinion, they don’t do everything. They are largely responsible for the visual construction of a web page. But considering that the visuals are the part of the website that users interact with, it is a big job worthy of a dedicated position. In order to get a standout web design, make sure you’re working with a web designer who knows their role and how to do it well.
Want to get the perfect web design?
Work with our talented designers to make it happen.
Let's go!
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junesmitth · 4 years
Text
What does a web designer do?
Depending on whom you ask, web designers seem to do it all these days. That’s because the term “web designer” is often used as an all-encompassing label for anyone who creates websites.
Design by OrangeCrush
The truth is a bit more complicated than that. It takes a lot of planning, content creation, artistic effort, coding and hired specialists to make a website a reality. Web designers are one of those specialists, but they usually have a very specific role within the whole process. Whether you’re looking to become a web designer or looking to hire one, it’s important to familiarize yourself with what exactly web designers do and don’t do. Otherwise, you might end up wasting time and money. With that in mind, let’s walk through the typical responsibilities of a web designer and where they fit into the web development process.
What is web design? —
Web design is the process of establishing the aesthetic appearance of a web page, including how content is arranged and how the elements of design are implemented. Web designers are typically focused on what is called the “front-end” of the website, the part of the website users actually see and interact with (as opposed to the “back end” code that makes the website function).
Web designers are responsible for the visual design of a web page. Design by wildanya
This means they can be responsible for choosing everything from the photos and imagery, the fonts, shape language, color scheme, buttons, as well as how all of these elements fit together. They use design software (such as Photoshop or Sketch) to create mockups, or image-based representations of how the final website should look once code is applied.
With that said, web designers are typically not responsible for building a working website—they focus on establishing the visual design only. Developers write the code that makes websites work, and website development requires a different skill set and sensibilities from design.
Where does a web designer fit into the process? —
In order to understand what a web designer does, let’s briefly go over the most common roles involved in the steps to create a website.
Website strategist: Conducts in-depth market research to establish the business goals for the overall website and individual pages.
Graphic designer: Creates visual brand elements—logo, color scheme, typography—and graphic assets—illustrations and icons—that are used on the website.
Copywriter: Creates all written content—from headlines to body copy to button text—across the website.
UX (user experience) designer: Focuses on the user’s needs, and designs skeletal web page layouts (called wireframes) that optimize website elements around user behaviors and expectations.
UI (user interface) designer: Designs interactive elements such as buttons and forms.
Web designer: Focuses on all of the visual elements of a website, and turns wireframe layouts into finished web page designs.
Front end web developer: Uses formatting languages and code (HTML, CSS, Javascript) to implement the web design onto a web browser.
Back end web developer: Uses coding language to develop more complex functionality behind the scenes of a web page.
It typically takes multiple specialists to create a website, including web designers. Illustration by Konstantin Kostenko
In short, a web designer refers to the goals set by a website strategist and a UX designer’s wireframe, and combines the content from graphic designers, copywriters and UI designers into a finished web page mockup. Developers then take that design mockup file, separate and export the graphic elements, and use code to turn this into a live web page. This all means that if you are looking to hiring a web designer, you should have your strategy and most of your website content either roughed out or finished.
With all that said, do take these job descriptions with a grain of salt. They are generalizations and describe the traditional definitions of these roles. As mentioned earlier, many people use the term “web designer” broadly, so it can mean different things to different people. There can be overlap between roles—most web designers do their own market research, have graphic design and UX, and some can even double as developers (especially on the front end). It is also not uncommon for companies (or clients) to combine roles and responsibilities depending on their budget. Always make sure before you start a project that you are on the same page about your expectations for the role.
What are a web designer’s responsibilities? —
Let’s get into a step by step breakdown of everything a web designer generally has to be responsible for in order to create finished web pages.
Web designers create website mockups in a design program like Photoshop. Image via Adobe.
What a web designer does
Visual design and layout: Often using wireframes and site maps, web designers order and arrange website content to optimize both visual communication, hierarchy and aesthetic sensibilities.
Mobile and responsive design: Web designers also design the look of mobile and tablet versions of web pages.
Static mockup files: Web designers create image files that represent the final look of the web page.
Exportable design assets: Web designers layer their mockup files so that each page element can be easily separated and exported for developers to implement piece-by-piece onto a working web page.
Photo editing: Web designers typically must be able to edit media assets that appear on the page.
Formatting: Web designers often use some formatting languages (especially HTML and CSS) to implement and test their designs in web browsers.
Website code is typically handled by web developers rather than web designers. Design by PANG3STU
What a web designer doesn’t do
Coding: Web designers focus on the visuals and are usually not responsible for coding the website.
Writing: Web designers should not be expected to write any website copy. Many use lorem ipsum placeholder text in their designs if the copy is not already prepared.
Branding: Web designers are not responsible for creating logos or making broad visual brand choices as establishing the color scheme and fonts to be used on corporate assets outside of the web page.
Illustration: Web designers typically do not create illustrations for the website. They incorporate graphic assets made by other professionals into their design. Some designers may design custom elements where needed.
Photography:  Web design and photography are separate disciplines. If the client has not hired a photographer, it is very common for web designers to select and incorporate stock photos into their design, the license of which the client must purchase.
Animation: Custom animations should go through an interaction designer or professional animator.
Market research: While web designers do perform some competitor research ahead of their design, they do not have access to all of the data, analytics, and expertise that an in-house marketing professional would. Usually, web designers depend on clients to deliver this information to them.
What skills do web designers need to have? —
Becoming a web designer involves learning a number of skills. Design by damuhra
If you are thinking of becoming a web designer yourself, you should consider the kind of skills you will need in order to set yourself up for success. Although a college degree is certainly not a bad idea, it is increasingly common these days for designers to be self-taught, and there are plenty of web design tutorials available online.
Graphic design knowledge
At the end of the day, web designers are designers, and even if they aren’t making logos, they should know how to combine text, copy, images, and color in a way that is visually pleasing. In particular, they should know how to strategically leverage the principles of design to create a desired effect on a viewer. This also includes knowledge of design history, knowing which design trends are still useful and which are overdone and tired.
Industry practices
Web design has been an established career path for over two decades now, and a number of design conventions and standard practices have been established with time. Because websites are software that users are meant to find intuitive, it is important to play into these conventions to meet user expectations, even while putting your own artistic spin on them. These conventions usually have to do with an approach to a design, and they range from standard website layouts, grid systems, mobile-first design and more. This is gained partially through experience, but also by paying attention to industry conferences and talks, like those posted to awwwards YouTube channel.
Learning some web development can be useful for web designers. Illustration by Sevarika
Software skills
Although the basics of a web page layout can start with a paper and pencil, eventually web designers need to use software to create files their team and/or clients can use. Photoshop is one of the most common software used for web design, but UX prototyping apps like Sketch have become increasingly popular amongst web designers. For more on this, refer to our list of the best web design software.
Web development knowledge
Although coding should typically be left to a developer, creating a website is a technical undertaking no matter which way you slice it. Web designers should be aware of technical capabilities and limitations, which is why it is often helpful to have some familiarity with code to know what design choices will work and what won’t. Some design effects or textures may be difficult to implement with code, and some may result in file sizes that slow the loading of a web page.
Where can you find a web designer? —
If you need to hire a web designer or you are curious about the options web designers have to find work, there are a number of possibilities. Many work in agencies and can be found through referrals from past employers or other colleagues. A common place to find web designers looking for work are professional networking and job sites such as LinkedIn.
Freelance web designers are easier find and hire these days than ever before. Illustration by Natalia Maca
But instead of wading through the profiles of all the users on a general purpose job listing site, a creative platform like 99designs can give you access to a global pool of professional freelance web designers. You can work with designers two ways: search for designers and contact one to negotiate rates and work one-to-one in a secure project space or you can run a contest in which you submit a project brief and multiple designers compete by submitting sample web page designs.
Find a web designer today —
Web designers have a role to play in the building of a website, but contrary to popular opinion, they don’t do everything. They are largely responsible for the visual construction of a web page. But considering that the visuals are the part of the website that users interact with, it is a big job worthy of a dedicated position. In order to get a standout web design, make sure you’re working with a web designer who knows their role and how to do it well.
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junesmitth · 4 years
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11 inspiring mask designs and the designers behind them
A mask says a lot about its wearer. It can convey anything from elegance to mystery to humor. These days, a mask can say that you care about your community, that you are committed to doing your part to keep yourself and others safe. Despite all that, masks are too often missing a personality. But masks don’t have to be bleak and impersonal.
At 99designs, we know that design can speak where words fail, and design’s visual language has a primal power to connect people. We wanted to show that mask designs can represent the unique personalities of the designers who created them—and establish a connection to anyone who’s wearing them, spreading positivity and optimism in the process.
So we invited our designer community to use their artistic talents to give masks a story and create mask designs as an expression of who they are. We ran a contest in which 76 designers submitted over 316 beautiful mask designs that express their personalities and passions.
The following designs are just a few examples of how even a canvas as small as a face mask can be a platform for telling a story. Whether that story conveys optimism for a better time, a longing for serenity, or unabashed humor, there’s something to love in all of these masks. And the best part: you can get all of these stunning masks at Vistaprint to express yourself while you are helping to make the world a safer place.
Want one of these fab masks in your life?
Head over to Vistaprint to buy them now.
Mask me!
Free-like-a-bird mask by Mark Ashraf
Mask design by Mark Ashraf
Even though masks can be something of an inconvenience, this design conveys the exact opposite idea. Nothing says freedom and the promise of a brighter tomorrow than a soaring bird over a sunny, windswept landscape. And the bird’s position directly over the mouth is no accident either. As designer Mark Ashraf puts it, ”The negative space of the bird creates a smile on anyone that wears it.”
The negative space of the bird creates a smile on anyone that wears it.
- Mark Ashraf
This mask really speaks to the enthusiasm Egypt-based designer Mark Ashraf brings to all his freelance projects. He’s not only a talented illustrator but also a college student studying applied arts and science. He says, “I am delighted that I started freelancing and working with great people. I find it very rewarding to help people with their projects while doing the thing I like the most. I get excited every time I bring someone’s idea to life.” And this mask design with its swirling mist and dazzling sunlight is no exception.
Anime-style CD mask by Kowabana
Mask design by Kowabana
The physical media of a simpler time are the subject of Kowabana’s mask design. A repeating pattern of CDs sparkles brightly in a shimmering cascade, as though we’re looking right into the rose tinted past.
This mask design is a love letter to all the things that have been keeping me creatively inspired before and especially during COVID19.
- Kowabana
As graphic designer Kowabana describes it, “This mask design is a love letter to all the things that have been keeping me creatively inspired before and especially during COVID19; which are anime, music, and pastel colors.” These glittering CDs are about more than entertainment. They are a much needed reminder of how simple pleasures like pop culture can come to mean so much.
And just as this design reaches into the past with its 80s-inspired style, Kowabana values the way their freelancing work can reach across borders: “I love being a freelance designer because I have the freedom to pick the projects and clients, get plenty of exposure (including access to out of state and international clients), expand my skills, evolve with experience, and do all of this remotely at any place I feel comfortable in.”
Cartoon smile mask by Ksenka
Mask design by Ksenka
This mask design proves that even medical masks necessitated by a pandemic are capable of brightening our day. But putting a smile on people’s faces isn’t the only story behind this mask.
I have a son, who dreams of becoming a designer. The characters he draws fit great as designs for masks, so I asked if he’d like to see them on a real project
- Ksenka
Commenting on their inspiration, designer Ksenka says, “I have a son, who dreams of becoming a designer. Over the years he’s developed his own, unique style of drawing. I figured that the characters he draws fit great as designs for masks, so I asked if he’d like to see them on a real project, to which he happily said ‘yes!’. I see that he has the talent and that there is a future for him in design.”
What drives Ksenka’s freelance career is the example it provides for their son: “Usually, children avoid pursuing the same career as their parents, but that’s not true for my boy. He really likes the type of work I do, as well as freelancing as a whole, and he sees his future in that sphere. He’s constantly drawing, and I’m very proud of his work.”
Enchanted forest mask by olrii
Mask design by olrii
In this mask design, tantalizing nature gets the high fantasy treatment. Ukranian graphic designer olrii created an enchanted woodland that wouldn’t look out of place in a fairy tale. A line of trees are positioned against a dark background, bent slightly so that you can almost hear their creaking sway against the wind. The otherworldly blues and purples along with the glow of fireflies all contribute to a dreamlike ambience.
Fireflies are a symbol of light in the dark, which helps not to give up and move on.
- Olrii
Olrii describes how she turned her signature style into a story: “This illustration represents me as a designer in that it is an illustration made in the style in which I usually work. And fireflies are a symbol of light in the dark, which helps not to give up and move on.” And it is her willingness to venture into the unknown that also drives olrii as a freelancer: “Freelancing for me is first and foremost a great opportunity to do what you like best and always learn something new.”
Steampunk mask by Aesthetic ▿d▿
Mask design by Aesthetic ▿d▿
I am a mechanical engineer and I also love graphic design. Steampunk incorporates both technology and aesthetics
- Aesthetic d
Steampunk is an example of a friendly sci-fi subgenre that romanticizes the industrial technology of a bygone era, realizing a fantastical alternate timeline that might have been. For designer Aesthetic d, the style is about embracing their passions: “I am a mechanical engineer and I also love graphic design. Steampunk incorporates both technology and aesthetics on a design—that’s why I’ve chosen it as my theme.”
Visually, the style is often characterized by pipes and gears, but Aesthetic d takes advantage of a cartoon style with thick outlines and bright colors to heighten the sense of whimsy. The clean lines and quirky theme perfectly sum up Aesthetic d’s love for design and technology, along with a drive to improve as a freelancer, “I really like to compete which pushes me to improve my work and learn from other designers.”
Jungle mask by gunadika
Mask design by gunadika
In designer gunadika’s mask design curious animals peer out from behind inky foliage in the midst of intricate jungle imagery. All of this is heightened by the monochromatic line art which makes the viewer feel like they could get lost in nature.
I know many people want to go to the beach or mountain and want to feel at one with nature.
- gunadika
Designer gunadika from Indonesia describes how their thought process focussed on people’s craving to be in nature: “People should use masks and social distancing, but I know many people want to go to the beach or mountain and want to feel at one with nature.” This mask design allows us to at least mentally escape to the jungle. Gunadika also brings a sense of adventure to their entire freelance career. As they put it, “I love freelancing because I can work with many companies. There are always different challenges and experiences that come with the job. One day, I hope to have my own international design studio!”
Palm leaf pattern mask by Pamella P
Mask design by Pamella P
This mask of lush, nested ferns offers a small window into a painted world of greenery and life. The fine shading lends an air of realism to the flora, and the interwoven pattern makes the whole composition feel hypnotic in the best way. All in all, this mask design by Brazilian graphic designer Pamella P radiates relaxation and serenity.
I always try to add a little bit of myself in my projects… I dedicate myself to manual techniques, and I get a lot of inspiration from the Brazilian flora.
- Pamella P
Pamella P is a veteran pattern designer and she describes her design process this way: “I’ve been in the design business for 10 years, but I’ve been working directly with surface design for 5 years. I really like to create prints with manual elements to give a unique character in each creation.” For her, a sense of place is important to bring to every freelance project, “I always try to add a little bit of myself in my projects, even more in surface pattern designs. I dedicate myself to manual techniques, and I get a lot of inspiration from the Brazilian flora.”
Abstract mid-century mask by green in blue
Mask design by green in blue
This mask design by veteran graphic designer green in blue features a pattern made out of sleek, abstract shapes. Specifically, it is a modernist style that feels immediately urban and fashionable. Green in blue is a designer from the US with a passion for creating modern yet vintage-inspired designs, and this mask perfectly represents her sense of style: “This design has a little midcentury vibe that is warm and nostalgic, while still being professional with a touch of wabi-sabi.”
I love choosing projects that inspire me, and the ability to do things which are in line with my own values. 
- green in blue
A sense of freedom drives the inspiration in green in blue’s approach to freelance work because she loves being her own boss. As she describes it: “I love choosing projects that inspire me, and the ability to do things which are in line with my own values. I like finding the perfect project that will stretch me just enough, and where I can express myself by putting something I made out into the world.”
Hannya gas mask by Finesse”
Mask design by Finesse”
This mask design is not trying to disguise itself—it’s a mask within a mask within a mask.
The meaning of Hannya is ‘Wisdom.’ And I integrated the Gas mask that is used for protecting the face and lungs against noxious gases.
- Finesse
As designer (and tattoo artist) Finesse” describes it, “My concept is a mixed composition of a Hannya mask and a Gas mask. The meaning of Hannya is ‘Wisdom.’ And I integrated the Gas mask that is used for protecting the face and lungs against noxious gases. I was inspired by an alternative explanation to the Hannya mask that reads: ‘The artist would need a great deal of wisdom in order to create this mask.’”
While it might not be going for realism with its selective shading, the dark color scheme, the toothy Hannya maw, the gas cylinders and noxious vapors also give this design an edge.
Lettering mask by Hanifa design
Mask design by Hanifa design
While this mask replaces the wearer’s mouth with a jumble of letters, there is an undeniable joy to the design’s bouncy typography and warm color scheme. And in the midst of social distancing, kind words are what the world needs.
Lettering is something that brings me joy, and I hope that you will share this joy with me when looking at this mask and using it for good.
- Hanifa design
Pattern designer and lettering artist Hanifa design from Kazakhstan describes their approach as revolving around the central element of letters. “For many people, letters are simply a means of communication and education. However, for me as a designer, letters are the art. Connecting with color, merging into a composition, they evoke emotions. In this design I wanted to share with you optimism which is now so important than ever for each of us. Lettering is something that brings me joy, and I hope that you will share this joy with me when looking at this mask and using it for good.”
It is the independence of freelancing Hanifa design cherishes in their work: “I love my profession. I love freelancing for freedom, both physical and mental. I work at a convenient time for myself, in a convenient place for myself, choose projects to my liking.”
Goo mask by Freesugar
Mask design by Freesugar
Who would have guessed covering your face in sludge could be so appealing? In this radioactive mask by graphic designer Freesugar, neon greens and purples intensify cascades of goo. It is a design that is both attention-grabbing and fearless.
I like to draw fluid shapes because as a designer I am always able to adapt in every place I am. 
- Freesugar
For designer Freesugar, this mask design is about adjusting to new circumstances: “I am a designer who really likes monsters and horror so I draw in that style. I like to draw fluid shapes because as a designer I am always able to adapt in every place I am. I must always be able to follow the storyline or brief.”
Get your mask and let it inspire you —
Masks encapsulate much more than safety measures—they express who we are and represent our commitment to ourselves and our community. And in a time when it can feel like all the stories we tell are dystopian, our masks can showcase perseverance, solidarity, and even comedy.
It is past time to make mask-wearing more of a cause for celebration than ambivalence. And if any of these mask designs and the stories of the designers behind them spoke to you, don’t forget that you can get all of them at Vistaprint. And whenever you find that your own designs are missing that touch of personality, the 99designs designer community is here for you to create designs you’ll love.
Want one of these fab masks in your life?
Head over to Vistaprint to buy them now.
Mask me!
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11 inspiring mask designs and the designers behind them posted first on https://www.lilpackaging.com
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junesmitth · 4 years
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Go Service Error Strategies
A well-reasoned error strategy is vital to the health of backend services. It’s important to consider how to handle an error, and if it cannot be handled then how to log it, what information is useful to be logged with, and who gets notified.
The backend service responsible for launching one-to-one projects on 99designs was failing for some number of customers. Unfortunately because of a mixture of problems with the existing error strategy, it was hard to get a clear understanding of the scope of errors occurring. Errors were being handled multiple times, there were many redundant or unimportant errors, and logged errors had inconsistent metadata. This lack of intentional strategy led to drifting standards across codebases.
We spent some time investigating our existing error strategy and inventing a model for how our errors within our Go Twirp services should operate. This post gives some context on Go errors and Twirp, details on some of the issues we faced, and lays out our strategy for error handling going forward.
Go gophers (originally created by Renee French). Design by denidon.
It’s worth mentioning that although we use Twirp for inter-service communication, this advice should equally apply to gRPC setups, or other RPC frameworks that use Go errors as part of their handler signatures.
Background —
At 99designs, our blueprint for new services consist of small Go binaries, that communicate via Twirp, either between each other, or to our frontend through our GraphQL aggregation service.
Errors in Go
Errors in Go are just values. Apart from having the built-in error interface, they are more a language convention than feature. By convention an error can be returned from a function if an error case occurred, and it is the responsibility of the caller to check this value and take appropriate action.
Any type can be an error as long as it implements the error interface. The default error type returned by the errors package is just a string containing the error message.
This model, in contrast to a feature like Exceptions, forces a developer to think about and handle error cases in the immediate context of the calling code. Having this be a strong convention also allows tools to easily lint for error checking and ensure good practises are maintained.
However one common anti-pattern we see in our services, is when a function returns an error, it is simply returned back up the stack to the caller, which can often similarly return the error to its own caller. In some ways this is the reverse problem that Exceptions have; the developer returns an error and hopefully there is something up the stack that knows the correct thing to do and will deal with the error appropriately.
Panic and Recover
The other error mechanism Go has are panic and recover statements. This mechanism is similar to an Exception, in that execution of the current function will stop and return to the caller. Deferred functions are executed however as the panic propagates up the stack. You can read more about how panic and recover work in this blog post.
Error Wrapping
Since Go errors are just values, Go does not provide much in the way of tooling in the standard library to work with them. However Go 1.13 added some utilities for dealing with common error patterns; specifically providing a standard way of wrapping errors with additional context made popular by packages like github.com/pkg/errors.
Twirp and Errors
Twirp is a protobuf API protocol over HTTP. Writing a Twirp server is convenient, because a developer can focus on service logic rather than transport or routing concerns; all that is required is writing the protobuf definition and implementing generated RPC handlers. These handlers have an error in their return type, and the Twirp server attempts to convert returned errors from a handler into an HTTP equivalent error that is returned to the client.
Twirp defines a range of useful error types that are mapped onto HTTP equivalents. Handlers may also return any valid Go error type, which Twirp will treat as if it was a twirp.Internal error mapping it onto an HTTP 500 response. We’ll unpack what this means for our handler code in the discussion below.
Bugsnag
Bugsnag is the error reporting and monitoring service we use. Errors can be submitted to Bugsnag using the Notify method of their Go client package. Because Go errors are just values, the error interface does not provide methods for retrieving stack information.
So the Bugsnag client will wrap an incoming error with stack information using the Go runtime package, and submit that along with any additional meta-data to Bugsnag. This can be done anywhere using the github.com/bugsnag/bugsnag-go/errors package, and is also done automatically upon call to Notify.
Bugsnag will collate these errors and attempt to group them such that you can see the same error grouped together. Operations such as “ignore” or “mark fixed” can then be performed on these groups.
Constructing a stack trace like this works well for normal calls to Notify, but falls short when attempting to put in place automated notifications in a part of code that is outside the stack from where the error occurred. This is because the default grouping in Bugsnag groups errors by 2 metrics: the “type” of the error (which is Go is usually just a string), and the file location of the top frame of the stack trace sent by the client. So when attempting to write something like a global error handler, stack information can be lost, and all errors can appear to originate from the place that Notify is called in such a handler.
Problems with Existing Error Strategy —
With that context in mind, let’s take a look at some of the common issues we ran into in our Go Twirp services with our existing error strategy.
Twirp Handlers Returning Errors
As mentioned earlier, generated Twirp interfaces expect back a response message, and an error from the handler function. Any error that is not typed with a Twirp error code is wrapped in a Twirp internal error and treated as a server error.
This can be a problem in cases where there is an error with the request itself. An example might be attempting to retrieve a non-existent record, attempting an action that is not permitted, or a malformed request body.  These are errors that are caused by the client side, so treating them like an internal server error does not indicate to the client that the problem is their responsibility.
Returned errors are also transmitted back to the client, and can lead to accidental leaking of information that the client should not otherwise be able to access.
Bespoke Calls to Bugsnag Notify
In the absence of some sort of higher-level automatic error handling code, developers are forced to put bespoke calls to notify Bugsnag at points they think they will likely encounter an error.
There are a number of issues with this approach. Firstly it’s inconsistent, and you can’t get a good picture of all the errors occurring on your platform. Errors are only logged in places that a developer remembers to call Notify.
Secondly, unless you terminate a handler on the spot, you run the risk of sending a notification for an error multiple times. This can create confusion when reviewing errors, as multiple notifications have the same source.
Bad Stack Traces
The generated Twirp server does provide hooks for running code when an error is returned from a handler.  This initially seems like the perfect place to do an automated Notify call, however recall that Go errors do not have any Stack information associated with them.  Recall also that Bugsnag groups errors by the last stack frame.
The automatic Notify call will have the same stack trace for all errors, and therefore all errors will be grouped together in the Bugsnag interface, meaning that bulk actions cannot be performed on subsets of errors.
No Context on Returned Errors
When returning an error from a function, it is often important that context is added to the error so that either the caller, or a developer reading the error has a better understanding of the error condition that has occurred.
Many existing calls do not do this however and return the raw error back to the caller. This leaks implementation details, and can be difficult to trace what the actual error condition is.
A Better Error Strategy —
Our Go microservices are small enough that it should be possible to reach “Inbox Zero” in Bugsnag; all errors should either be ignored because they are unimportant, or require the attention of a developer and should be put on a backlog, fixed, and afterwards marked as resolved. Getting to this point is extremely useful, as it means that any reported error from a service can be investigated by an engineer in a timely fashion.
In practise reaching this might be difficult, but we’ve adopted some of the following strategies in an attempt to get to this ideal scenario.
General Go Error Handling
When an error condition occurs in general Go code, simply returning an error might not always be the best course of action. Consider wrapping the error with additional context if it will make it clearer to the caller what has occurred using the Go 1.13 %w placeholder with fmt.Errorf.
func doOperation() error { err := callService() if err != nil { return fmt.Errorf("operation failed: %w", err) } }
Panic should be used sparingly in invariant cases where a situation should never be possible. A panic indicates that a function does not think returning an error value would be useful for the caller. In these cases a developer is likely required to make a fix.
Explicit calls to Notify can still be used, but should only be used in situations where a developer wants to know that a situation occurred that was still able to be recovered.
Wrapping Errors
Errors should be wrapped before returning if the function can add useful context with a more specific error message, or wants to decorate an error with additional metadata. Useful context might include information about related domain entities, or related structured data that a caller could use to assist handling the error.
Automatic Bugsnag Notification
So to address issues with bespoke Notify calls, we need an automatic way of notifying Bugsnag when an error occurs that we think requires a developer’s attention. And we need to do this in such a way that it preserves a useful stack trace, and grouped correctly in Bugsnag.
Our solution is to instate a panic handler high in the stack off the application that can recover, and automatically call Bugsnag with the error. The benefit of using a panic, is that the stack is preserved for all defer calls, and so an accurate stack trace can be constructed from the point of the panic.
func BugsnagMiddleware(w http.ResponseWriter, r *http.Request) { defer func() { if p := recover(); p != nil { err := NewErrorWithStackTrace(p) bugsnag.Notify(r.Context(), err) } }() next.ServeHTTP(w, r) }
In this example NewErrorWithStackTrace calls the go runtime to get the current stack, and removes enough frames from the top until the top frame of the stack is the location of the original panic. A stripped down version of this function might look like:
func NewErrorWithStackTrace(p interface{}) *Error { frames := GetStackFrames() lastPanic := 0 for i, frame := range frames { if frame.Func().Name() == "runtime.gopanic" { lastPanic = i } } ret.frames = ret.frames[lastPanic+1:] return &Error{err, frames} }
We add this stack information to a custom error type that meets the ErrorWithStackFrames interface exposed by the Bugsnag client.
Twirp Handlers
Errors that bubble up to a Twirp handler generally fall into one of two categories, client errors, where the error lies with the request and should be handled by the caller. And server errors, where the downstream service is at fault.
1. Client Errors
Equivalent to an HTTP 400 range status code. These are errors that are the responsibility of the client.  Authentication and authorisation errors fall into this category, as do validation errors. Other examples include malformed requests, invalid arguments, or resources that could not be located.
These should be returned from the handler using the appropriate twirp error codes. Example:
err := json.Unmarshal([]byte(req.JSONBlob), &dst) if err != nil { return nil, twirp.NewError(twirp.Malformed, fmt.Sprintf("could not unmarshal request: %v", err)) }
2. Validation Errors
Some concerns, such as validation, require metadata to be returned with errors. There are two main ways to implement this case.
The first is to simply include it as part of the response message. The response message itself might indicate whether the request was a success, and if not what errors were found. This is useful for validation scenarios where the client may want to display errors encountered to an end user, and each error might have some additional metadata associated.
The other implementation is to use the Twirp error metadata map—a simple key/value map that is a feature of Twirp errors, and is available to read on the client.
We don’t have a strong recommendation here, some judgement is probably necessary. We are keen to hear how developers have found the experience of working with each case.
3. Server Errors
A server error is any error that occurs not because of the incoming request, but for any other reason that the client could not predict. These errors are considered unrecoverable, and therefore should be a panic inside the handler itself. Example:
err := db.Insert(record) if err != nil { panic(fmt.Errorf("could not perform database insert: %w", err)) }
These errors will be caught by a top-level panic handler and a stack trace generated at this point as described above.
There may still be some cases where a server error occurs but is expected for some reason. These cases do not warrant a developer looking at them. In such cases any error can be returned and the client will get a 500, however no Bugsnag notification will be sent.
It’s worth noting that the standard library http.Handler interface does not provide an error return value in the signature of ServeHTTP. This is a better design as it forces the handler to call panic in the case of an unhandled error occurring. By having a separate channel for errors, Twirp (and by extension grpc) creates an opportunity for users to simply return errors they incur, instead of taking a considered approach on a per-error basis.
Conclusion —
While this is a topic that can seem boring at first glance, upon unpacking is actually complex and rewards careful consideration. Being intentional about the handling of errors can make it easier for teams to understand problems that a service is having, and quickly prioritise and resolve issues as they arise.
A good error strategy has clear guidelines defining patterns developers can reach for to handle common use-cases. While these patterns might not fit all scenarios, they are instructive and help to better inform developers about what good error handling looks like.
In this particular case, after adopting this strategy we were able to clearly identify the scope of affected customs, and the issues they were running into. This enabled us to prioritise fixes for common problems, and allowed us to trust the error reporting on an ongoing basis.
Going forward we intend to adopt this pattern across all our services, and hopefully get to a place where our backends are informing us when things go wrong in a way that we can quickly respond to.
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The post Go Service Error Strategies appeared first on 99designs.
Go Service Error Strategies posted first on https://www.lilpackaging.com
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junesmitth · 4 years
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Why do so many websites look the same? And how to make sure yours is unique.
Subjectively speaking, you could say that a lot of websites nowadays are variations of the same thing. Why is that? And is it a good or bad thing? Let’s look into it.
With easily accessible platforms (37% of websites use WordPress) and an abundance of free templates and stock images, this is no surprise. Anyone can create a decent-looking site, as long as they have the patience and some time on their hands. What’s more, thanks to those same templates, these sites can offer a relatively good user experience. They use well-developed navigation systems, color schemes, and layouts, and are, well—what web visitors are already used to. Naturally, businesses and designers alike pick up on what works and create websites that follow common trends that people know and love.
So, for quite some time now, designers have been noticing that websites are starting to look increasingly similar. And when you look at enough designs, there seems to be something to it.
 Cosmetics brand homepage example by Slaviana
Cosmetics brand homepage example by Alex Capellan
Nonetheless, for the longest time, there was very little empirical research being done on the subject.
This changed in May 2020, when The Conversation published an article titled Yes, websites really are starting to look more similar, written by Ph.D. student Sam Goree. By studying over 10,000 sites, Goree’s team concluded that websites are, in fact, starting to look alike.
They backed up their claims by closely defining similarity and identifying the three points on which all web pages could be compared. These included color scheme, layout and AI-generated attributes. In the paper, they pointed out that since 2010, web design features were becoming increasingly uniform, even though the code behind them was becoming more diverse.
 Pricing plan example from Buffer
Pricing plan example from HootSuite
But what does this mean for designers and business owners? Should they be trying to stand out? Or are there benefits to fitting in?
The thing is, there may not be a definitive, scientifically backed answer to these questions—and certainly not one that works for everyone.
So, instead of following any web design advice blindly, organizations should be aiming to examine every aspect of their website in relation to how it serves the business.
Ultimately, the question isn’t whether you should use a particular font, layout, or color palette. Instead, it’s how those elements contribute to conversions and user experience, how they represent your brand, and how they make you look in relation to your competition.
At the end of the day, you need to stand out without sacrificing usability—a delicate balancing act that can take time to perfect.
What’s with all the website doppelgangers? —
The increase in website similarities may be attributed to overall aesthetic trends, found in all forms of creative expression.
Over the past 25 years, as internet use became widespread, there have been several design trends adhered to by most developers. In fact, based on visual appearance, experts were able to clearly define four prominent global design periods. These were named Rudimentary, Chaos, Formative and Condensation. Web 1.0 is an example of the Rudimentary period, which had a distinct, text-heavy appearance. In a similar fashion, today’s websites also follow particular aesthetic trends.
As you can see from the examples below, in the year 2000, two popular media outlets, CNN and The New York Times, both adhered to similar design choices. This is logical, especially if we consider two major factors. First and foremost, during this time, there were still severe technical limitations regarding what could be done on the internet. On the other hand, the focus of these two resources was the same: they aimed to provide web visitors with a way to read news stories online.
But, although we might have expected that technological advancement would make way for more originality, modern-day screenshots prove the opposite. Though heavily updated to follow contemporary standards, these two companies still use relatively similar layouts on their websites today, apart from a few variations in use of color and typography.
The reason behind these similarities may just hide in artists’ tendencies to follow certain rules of the period. But when discussing uniformity and originality, identifying the aesthetic (or technological) periods of web design isn’t enough. To have a strong understanding of how they came to be and how they’re evolving, we need to identify exact features that can be easily compared to one another. In this regard, what Goree’s team found was that there are three key markers of web design:
navigation menus
visual flavors
media composition
Over time, these would change in appearance, according to current technological and aesthetic trends.  We can argue that they will continue to change as we adopt new technologies or form new habits regarding how we use the web.
Another factor that contributes to the similarities we see in sites is connected to the growing availability of web design guides and courses which are often uniform (um, unoriginal) in their suggestions. Ultimately, the result of these best-practice guides is a growing tendency to choose similar visual and functional elements, which are slowly but surely making the web a strangely homogenous place.
Even big players, who have considerable design budgets, tend to go with almost identical aesthetic choices. It works and it looks good, so why risk changing things? Just take a look at the examples below, one by AirBnb and the other by onefinestay. With the exception of navigation menus, the homepages of these two companies look very much alike.
Why following design rules is a good thing —
Of course, following trends isn’t necessarily a bad thing.
By adhering to the widespread tips, designers are creating online spaces, which already feel familiar to users. In theory, this cuts down on acclimation, as users don’t have to waste time becoming accustomed to the website’s functional features.
For example, it’s standard practice for e-commerce websites to place the cart icon in the upper right corner. When users want to check out and make a payment, they will automatically look to that section of a page.
E-commerce store design by NetDesigner
 E-commerce store design by Artyom Ost
Furthermore, it’s not just user habits that cause website design similarities. Psychological research shows that UI familiarity plays an even more important role in users liking a website/product.
According to the mere exposure effect, it is human nature to like the things we are most often exposed to—and this works most significantly with the images we take in. So it’s no surprise that, biologically, humans really do tend to prefer web design that is, in some ways, known to us.
Then again, the benefits of uniformity in web design aren’t just psychological. From a technical perspective, the growing tendency to utilize similar elements resulted in the web becoming more accessible to visually impaired users. Tools and guidelines such as WCAG and WAVE have allowed developers to create websites that are more comfortable to use. This extends not just to those with eyesight issues, but the elderly as well.
When does uniformity become a disadvantage? —
While there are many advantages to web design uniformity, there are drawbacks, too.
The first thing that happens when all websites look like one another is that the vibrancy of the internet declines. According to the 2018 Internet Health Report, one of the main areas the internet is lacking in is diversity. Not only are the users predominantly white and male, but so are those designing and developing the pages. The result of such sameness means that the requirements and viewpoints of marginalized groups are often overlooked.
Moreover, the same report calls attention to the fact that large companies, like Google, can impose global standards, which may or may not be accessible to small players. As a result, those same large corporations gain the power to censor information or use the internet for their own agendas.
Large companies like Google are proposing global design standards
But even if we disregard the fact that uniformity may lead to marginalization and security issues, it’s still important to consider the question of branding.
For any company trying to make it in today’s business world, branding plays a crucial role in reaching, and drawing in, its target audience. And while branding doesn’t rely on design alone, it’s good to remember that first impressions are mainly built on visual data. It’s all about creating a strong and unique visual identity and brand personality. This means that every single element on a company’s homepage needs to play a role in defining that company’s values, mission and offering. Now, if all websites tend to look similar, that makes it increasingly difficult to stand out from the competition.
Why is originality important? —
Well, that’s simple. A strong visual identity isn’t just a random design choice. It’s a brand’s calling card. With a unique look, any brand can:
become easily recognizable (think of McDonald’s golden arches)
draw out an emotional response from their target audience (Coca Cola’s Christmas ads, for example)
have a uniform presence throughout all online and offline practices (franchises do this particularly well, with locations all over the world offering almost identical experiences)
communicate values and mission (for example, it’s clear from Organic Valley’s website what they’re all about)
 Coca Cola heavily relies on visuals for its branding
Organic Valley‘s logo is an example of good branding
Thus, it becomes evident that following some design rules can offer brands an advantage in terms of user experience. However, without developing enough unique elements in their (online and offline) presence, strong branding becomes almost impossible to achieve.
Common web design best practices to stick to —
Before you start thinking of ways to stand out, it’s important to be aware of the most commonly similar web design features. You need to understand the rules before you can break them. The following ten points represent web design best practices recommended by design experts and online resources.
The reasons why these features are being implemented on most websites vary. On the one hand, some became standard practice as an answer to common user behavior when viewing pages. Data supporting these was found either through heat maps or split testing.
On the other hand, other practices became commonplace as web designers started to look towards psychological research studying consumer behavior for cues. If a certain type of language was shown to have stronger convincing power (like the words used in CTAs), it was more likely to become implemented into web design.
Finally, some of the advice relies on aesthetic intuition as well as simple facts of accessibility. After all, it doesn’t take an empirical study for someone to realize that green text on a red background is difficult to read.
For good, user-oriented web design, you don’t necessarily have to follow every single one of these rules. But having an understanding of why they’re important may give you the required insight to make the right choices for your brand’s needs.
1. Logo placement
The vast majority of websites place a clickable logo in the top left corner. Even the world’s most visited websites adhere to this standard. The reason is relatively simple. In the western world, where Indo-European languages are spoken, people read from left to right. This translates to their online behavior as well. In general, they tend to gravitate towards the top left corner of the page. By placing the logo in this area, graphic designers rely on web visitors’ habits and use them to showcase information they believe to be of the greatest importance.
An example of top left corner logo placement by Adam Muflihun
2. Navigation
When it comes to the ease with which users can explore the contents of a website, a well-made navigation menu plays a crucial role. Most experts agree that the best practice is to use established styles, which are already familiar to users—meaning they have a short (or nonexistent) learning curve.
The simplest of these solutions is a horizontally oriented navigation bar, which is used in 88% of websites. Of course, there are a few other popular options as well, most commonly the sticky menu, sidebar navigation, hamburger menu and the dropdown.
An example of a homepage using the classic navigation menu by DSKY
 An example of a homepage using the dropdown navigation menu by KR Designs
3. Hero section visuals
By default, the most prominent section of a website is reserved for branding purposes. This means that the hero section, as it’s often referred to, commonly features a striking visual. Now, the thing with these visuals is that they don’t necessarily have to represent the brand’s product or service. Following advice to keep the section attention-grabbing, designers might opt for imagery that’s unrelated to a product, or go with stock photography. For many, the approach will work, but it also runs the risk of looking very similar to other websites.
Example of hero section visual by Mithium
4. Typography
The consensus is that the font used on any website needs to be legible, which is why using big, bold typography that adequately contrasts the background is standard practice. The best fonts to use on websites are web safe fonts.
5. CTA buttons
One of the main contributors to website conversions, call-to-action buttons, get plenty of attention from developers and designers. Generally, the advice is that CTAs need to be highly visible, use short text and instructional verbs, create a sense of urgency, and address web visitors with either first-person or second-person pronouns.
The CubeFunder homepage uses the same CTA button several times throughout the page
Moreover, because of their importance, many designers choose to repeat their CTAs throughout a webpage, as seen on CubeFunder’s homepage. Here, the button is shown in the hero section, in the top right corner, and after each benefits section, aiming to make it as easy as possible for the user to convert.
6. Layout
According to heatmap data, most users browse websites in one of three ways, with the F-pattern being the most common. Product pages often follow this practice, with images in the top left corner and text to the right of them, divided into bullet points. Perhaps the best example of this comes from Amazon, where all https://zomasleep.com/product pages follow this type of layout, assuming that visitors will look at the picture first, then go on to read (or more likely skim) the text.
Amazon product pages adhere to the popular F-reading pattern
7. White space
Most resources advise the use of negative space in web design. From a design standpoint, this allows creatives to get the required contrast between backgrounds, visual elements and CTA buttons. Minimalist web design takes these principles even further. It aims to remove all distractions and focus instead on providing a streamlined user experience.
8. Color schemes
While there’s very little evidence to prove that psychology can predict user reactions to colors, many sources propose using certain hues (like blue, green, red, or orange) based on people’s preferences. It’s not uncommon to see designs using green or orange CTAs, as shown in the example by Mithium below.
This design by Mithium uses an orange CTA button
9. Page loading speed
“Think with Google” reports a significant increase in bounce rates when page loading speeds go above 3 seconds. As designers and developers want to avoid bounces at any cost, they will be more likely to sacrifice page elements for the sake of achieving faster loading speeds. Consequently, most pages will tend to have a similar number of elements.
10. Mobile optimization
More than 50% of all internet traffic in 2019 came from mobile devices. This is a clear indicator that web design needs to be developed with smaller screens in mind. Tools such as Bootstrap have made this easier to achieve. Unfortunately, however, mobile-first may limit designers, mainly due to having to stick to grids to make websites responsive.
An example of how screen size affects layout by MVB
When and how to stand out from the crowd —
Sure, designers can sacrifice artistic freedom to honor the guidelines and practices that promise higher conversion rates. But in the end, that type of uniformity only leads to boredom. Just imagine if everyone changed their CTA buttons to be red, based on one test showing that this color was 21% more effective than green.
Whether you’re an entrepreneur or a designer, make sure you’re asking the right questions. Having insight into web design practices that drive results is a good start. Following them is even better. But sacrificing uniqueness in the process is, ultimately, a self-sabotaging decision.
If you’re looking to make your website one-of-a-kind, here are some of the ways you can add your own flair.
1. Be yourself
More than anything else, your website needs to showcase your brand identity. It should be integrated into every aspect of your site, from header to footer. Choose visuals that represent who you are, even if they’re different from what everyone else in your industry is doing, and take the time to introduce yourself to your visitors.
A design that prioritizes brand identity by Mike Barnes
Adding About Us and Meet the Team sections, such as in the example above by Mike Barnes, gives you the perfect opportunity to state who you are and what you stand for. This way, you’ll have a higher chance of attracting the right clientele, without having to deal with the consequences of poor expectation management down the line.
2. Showcase your audience
If you’ve done your research well, you will have a good understanding of your target audience. One of the ways to stand out is to make that audience part of your branding.
Don’t be afraid to use social proof. Reviews work well, but content works even better. Something as simple as adding user-generated content to your homepage, as done here by Zoma, can give your brand an edge over the competition. Especially because you won’t be using the same generic stock photos everyone else is putting on the web.
User-generated content by Zoma
3. Experiment with media
You want your audience to engage with the content on your website, so see whether you can use elements that drive engagement. Use video and animation, and you’ll not only increase revenue but will also get a unique chance to show off your products. You can also choose to skip the photos and videos and opt for creative website illustrations to drive your message home.
A creative alternative to photography by Studio Ubique
4. Show your true colors
Although color psychology can offer insights into how people react to certain hues, don’t feel like you have to adhere to a color scheme just because you’re in a specific industry or niche. Instead, aim to create harmonious web designs using branding colors that promote your brand’s identity, while helping you stand out from your competition. Think about how Pepsi and Coca Cola use very distinct color schemes, even though their products are relatively similar.
5. Give insights
One of the best ways to use web design to differentiate yourself from the competition is to offer something extra. A resources section like the one below by Aura helps customers with added value. It’s one of the surefire ways to grab their attention, as well as to make your website, in itself, an irreplaceable tool.
Aura uses a blog section to turn its website into a tool
6. Copy
In addition to offering information, the copy on your website needs to work hand in hand with your visual identity. Make sure it’s true to your brand. If you’ve chosen fun, colorful visuals, don’t go with formal, stuck-up language. Be original, stay away from cliches, and always look for ways to give more.
7. UX
Last but not least, outstanding web design will support conversions and have a short learning curve. But, that doesn’t mean that it will limit innovation. One of the absolute best ways to stand out from your competition is to give your users an exceptional user experience—even if it means doing something that’s never been done before.
Take Festicket, for example. What originally started as a website for purchasing festival tickets turned into a single resource for all festival-related services, including accommodation and transport.
With Festicket users can book individual services or entire packages
Unique web design: should you stick to the rules or do your own thing? —
Life would be so much easier if we had the right answers all the time. The same goes for original web design. There’s no such thing as universal advice that you can apply to your site. In the end, anyone presenting you with a definitive formula on whether you should go standard or original—except for your trusted team of designers, of course is doing you a disservice.
Think of it this way: you wouldn’t ask a musician to stop using the C-Major key just because it’s popular, would you? Just because an element is used commonly doesn’t have to mean it can’t contribute to an original work of art. Mozart loved using major keys. Does that make his compositions boring, uninventive, or bad? Absolutely not. Then again, blindly following trends isn’t the answer either.
So how do you know what to do? In the end, your mission is to seek out balance. When creating any work of art, which a great website definitely can be, you want to first learn the basics. You need to know exactly how to implement a technical detail and how to make standard practices work in your favor. Once you’ve got a strong hold of those, you can find ways to deviate from those standards, without sacrificing user experience.  Of course, you want to make design choices that will support your company’s branding, communicate its mission and values and appeal to your target audience.
If you just follow what everyone else is doing, you risk becoming another unmemorable brand. But, if you manage to find a way to do something innovative, even if it’s just a fun color palette, and still retain a high level of website usability—well, in that case, you’re doing things right.
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This article was written by Natasha Lane
The post Why do so many websites look the same? And how to make sure yours is unique. appeared first on 99designs.
Why do so many websites look the same? And how to make sure yours is unique. posted first on https://www.lilpackaging.com
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junesmitth · 4 years
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How to make a Wix website—a step-by-step guide
Out of all the best website builders for small businesses, Wix has captured the lion’s share of attention lately (not to mention the market’s share). But even if you like its design style and pricing, that doesn’t mean you know how to make a Wix website.
Illustration by OrangeCrush
Second only to Squarespace, Wix features a user-friendly, WYSIWYG site editor at affordable prices, with a healthy library of templates to get you started. Even if you have no experience whatsoever with web design, Wix lets you design and customize sites with ease—or simply fill-in-the-blanks on a standard template if you still want to avoid design.
But how does it work? In this guide, we explain how to create a Wix website, from setting it up to designing your web pages. We even talk about how to unpublish a Wix website if you’re having trouble removing it from online. But before you do any of that you need to sign up, so let’s start at the beginning.
How to set up a Wix account —
First things first, let’s walk through not only how to sign up at Wix, but also the Wix pricing plans, so you know which one is best for you.
1. First things first, go to the Wix main page.
2. To get started, click on the big blue button that says Get Started. You can also click on the Sign In button in the upper-right corner—both links go to the same page.
3. Now you’re on the log in page, but you need to create an account first. Click Sign Up near the title.
4. Finally, you’ve reached the sign up page. This is pretty straightforward: just enter the email you’d like to use with your account, or sign up with your Facebook or Google account.
5. From here, you’re taken to an onboarding questionnaire to help personalize Wix for you. Although it’s skippable, filling in the multiple-choice questions affects what templates are recommended or how automated sites are built.
6. Ultimately, you have two choices: build the site yourself off a template or let the ADI (artificial Design Intelligence) auto-generate it. Building it yourself takes longer, but lets you customize more, whereas using the ADI gives you a ready-made site in no time, but without customization.
Of course you can also customize your ADI site later, but if you want to get your hands dirty anyway, you might as well start out designing off a template you’ve chosen. For this guide, we take the Create Your Website with the Editor approach.
How to create a Wix site using a template —
1. You need to access the Wix template page, either by following the instructions above or clicking here.
Choosing your template is one of your most important design decisions. Pay attention to how the templates organize your site, in particular navigation and user interface. You can always change your images or color scheme, but changing the structure of your page is more daunting.
Thankfully, Wix makes browsing templates easy with their categories. At the top of the page, you can see templates organized by industry (Business & Services), the types of goods you sell (Store), themes for creative or business portfolios (Creative), themes for other organizations like events or non-profits (Community) or styles for a blogging website (Blog).
2. Browse through a bunch of templates until you find one you connect with. Keep in mind the specific visuals can often be changed (if you put in the effort), so focus more on structure and usability. You can view a sample of the template by hovering over a selection and clicking View, or you can jump straight into editing by clicking Edit.
3. You can also design a website on a blank canvas. Just click Blank Templates in the upper-right, under the search bar. These “maximum minimalist” templates let you virtually build your site from scratch if you don’t like any of the detailed templates.
How to choose Wix payment options —
Wix offers a fairly generous free site builder, including hosting, so you may not need to pay Wix at all. However, consider some of the main drawbacks of a Wix free account:
Forced ads on your site
Cannot change your template once your site is published
Generic URL
If you’re serious about your website, it’s worth it to invest in a Premium plan for more features and freedom. And if you’re planning on upgrading, it’s best to do it before you start designing so you don’t have to redo anything.
1. If you want to start a Premium account, just click Upgrade at the top of the screen from the site editor. You will be prompted to save if you haven’t already, and have the opportunity to register your custom domain.
2. Wix offers 4 premium plans for standard websites and 3 premium plans for ecommerce sites. Compare the features and benefits below to see which is the best for you, and then click Select on the plan you’d like.
Standard:
Ecommerce:
3. Next you choose your subscription type, or how long you’d like to subscribe for. Like most sites, Wix offers price breaks the longer you sign up, but you have to pay the whole subscription at present.
4. Last is the checkout, where you enter your payment details. Wix accepts all major credit cards and a few international banks. When you’ve finished, click Submit Purchase and wait for confirmation.
5. Once your account has been upgraded, you’ll have all the available features in your plan ready to go. That means it’s time to roll up your sleeves and start designing. You’re also free to publish your site at any time, but we recommend sprucing it up first.
How to create and design a Wix website —
After choosing your template, you’re free to explore the site editor and make any customizations you want. Although the interface is fairly user-friendly, it can be a bit overwhelming at first, so here we’ll explain some of the basic controls.
Functionality
Essentially, you click on the area you want to edit, and that brings up the control menu. Want to change the navigation menu? Click on it. Want to change the background image? Click on it. Want to rewrite text? Click on it. The only problem is that some elements overlap, so you might have to click a few times before hitting the one you want.
If you double-click on an element, that brings up a specialized editing window with even more commands—which commands again depends on the type of element.
Different elements have different controls, but you’ll notice sometimes the same icons are used (for example, animation). We’ll explain what those controls are below.
Top Navigation
The top navigation menu (of the Wix editor, not the site you’re editing), has all of the actions not directly related to editing. Here’s a brief explanation of what each item does, from left to right.
Page:_____ — go to a different page or manage all your pages
Desktop and Mobile icons — choose between desktop view and mobile view (for more responsive mobile sites)
Site — actions for the entire site, such as saving, duplicating or trashing.
Setting — this is an important area where you adjust the behind-the-scenes settings of your site, including analytics, social sharing, SEO options and your favicon. When you have some free time, it’s worth it to explore and personalize these.
Tools — affects the display for the editor, what you see and don’t see.
Dev Mode — although it’s just in preview at the moment, this mode offers more technical options, like customizing code or connecting to external APIs.
Help — your basic help section.
On the far right:
Four arrows icon — zooms out for a more bird’s eye view of your site
Curved arrow to the left — undo the previous action
Curved arrow to the right — redo an action you just un-did.
Save icon — saves your site manually
Preview — enter Preview mode, where you can browse your site as if it were live (but not edit it)
Publish — publish your site to make it live online.
Left Menu
For all your editing options, the column menu on the left of the screen has your main control. Keep in mind that you can sometimes access the same pages in multiple different ways, so don’t be confused if you see the same listing twice.
From top to bottom:
Menus & Pages — this is the central command for managing your site overall, such as adding or renaming pages, or which pages appear on your site’s navigation menu.
Background — change your background image, whether photo, video or matte color, and preview stock designs.
Add — one of the most important tools, this is where you add new elements. Some people will be satisfied by revising the text and images that are present in the template, but if you want to go the extra mile with your site, you can add elements like buttons, contact forms, lightboxes and many more.
Add Apps — this button simply takes you to the Wix app store, where you can add or buy specialized add-ons for extra features.
Media — here you can upload original images, browse Wix’s stock library of images or use a photo editor to spruce up either.
My Blog — this is the central command for your blog (if you have one), where you can add or edit posts, as well as play manage the structure of your blog.
Bookings — take advantage of Wix’s booking widget, which lets users set up appointments through your site.
Once you publish, you’ll also have an option here to set up email marketing, though that’s completely optional.
Floating menu
You also have a free-floating menu that defaults on the right side. This menu has your standard editing icons, most of which should be familiar to you, such as copying, deleting and alignment.
In particular, this menu is helpful for fine-tuning your placement, with the option to specify precise coordinates for elements (in pixels). There’s also options for tilting or flipping images, as well as determining which layers go on top of others.
Because these commands are more optional, you can get rid of this window completely for a better view of your site.
Element menu
As we mentioned above, clicking on an element like text or a button brings up an editing menu for that element and double-clicking brings up a new window. Different elements have different commands, for example, double-clicking on text brings up a standard text editor, whereas double-clicking on the background image brings up the background image editor.
The commands are pretty straight-forward, so we suggest exploring freely. If you’d like to change a certain aspect of an element, browse the window that comes up and you should find the option you’re looking for.
Before we move on, there are some commands worth pointing out, though.
Scroll Effects [icon looks like a box falling] — these control animations when users scroll down, such as parallax or zooming in effects. These can add some flair to otherwise bland sites, but be careful of loading times and lagging.
Animation [icon looks like a box moving right] — for smaller elements like text block or separate images, you can add animated effects for how they first appear: bouncing, fading, spinning, etc.
Layouts [icon looks like a screen broken into boxes] — these let you control how many columns are in a section, and what alignment they use, in case you want to change up your page structure.
Stretch [icon looks like a line with arrows on both ends] — this is for fitting all your elements in a screen; you can play with margin sizes until you get it how you want.
Page Design [paint brush icon] — If your background is a matte color, you can customize it here.
Help [question mark icon] — a shortcut to the Help window.
Wix has a lot of options and aims to be as user-friendly as possible. That means if you don’t know how to do something, chances are you can figure it out by just a little exploration. You can always use the Help menu as well.
How to unpublish a Wix site —
Last, one of the most popular concerns is how to unpublish a Wix site. The platform makes it obvious how to launch one, but not quite so obvious to delete it. But once you know how to unpublish a Wix site, it’s actually quite easy:
1. Go to your account Dashboard.
2. In the left column menu, scroll down and click on Settings (near the bottom). Double-check the upper-left corner to make sure you’re in the site you want to unpublish.
3. You’re taken to the Overview tab within Settings, which is exactly where we want to be. You’ll notice that the third option is Publish Status. Click on Unpublish to the right.
4. This brings up a confirmation screen. Simply click Unpublish and your Wix site will be taken offline.
Easy to use, but not easy to design —
Wix is set up to make it simple to use, but that doesn’t necessarily make the designing aspect any easier. Creating a successful website requires an understanding of web design principles, which in turn require an understanding of graphic design principles. While you may be able to make a fully-functional site without web design experience, if you want to truly maximize your site’s potential, you should enlist the help of a professional.
99designs web design services help you pair with the professional designer that best matches your style and business goals. You can browse our top web designers yourself to find someone who catches your eye, or you can commission a design contest, where multiple designers send you design concepts and you simply choose the one you like best.
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The post How to make a Wix website—a step-by-step guide appeared first on 99designs.
How to make a Wix website—a step-by-step guide posted first on https://www.lilpackaging.com
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junesmitth · 4 years
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How crisis shapes creativity: marketing in 2020 and beyond
If you’d told us this time last year that we’d be soon be locked in our houses, running entirely remote teams and creative processes, navigating some of the most significant social crises in living memory, and having meetings with the CEO whilst wearing our slippers, we’d have asked what you were planning to call this fantastic work of fiction.
Design by Pinch Studio
Nobody could have predicted what has unfolded in 2020 – and it’s not over yet.
Pandemic. Social injustice. Civil unrest. A climate crisis.
The list of challenges is as exhaustive as it is exhausting, and in both a personal and professional capacity, this year has tested every marketer and brand manager on the planet.
Our design community works with marketers from all over the world on a daily basis, and as these changes unfolded we wanted to understand the highs, the lows and the learnings of the past six months within this group. Agency, client-side and freelance, we spoke to C-suite executives, Marketing Leads, Account Managers and Brand Directors from around the world to establish how the events of 2020 have shaped the industry so far.
A challenging year, with silver linings —
While the marketing industry has been moving slowly towards more flexible working arrangements for a while now, almost three quarters (74%) of marketers have been working from home since March.
The impact of such a rapid and fundamental shift in work model is far reaching, as are the effects of 2020’s many social and economic challenges.
But even through adversity we are already seeing benefits emerge that have the potential to shape the growth of the marketing industry in a positive way for years to come. Key takeaways include:
Account Managers and Brand Managers are almost twice as likely to have experienced improved productivity levels than their senior leaders when working remotely
Younger marketers have found remote creative collaboration significantly more challenging than their older colleagues
1 in 5 marketers believe opportunity for career advancement has actually improved during the pandemic
42% of managers believe that communication with their team has improved while working remotely
Working from home has normalized remote work, and the majority of marketers say this will affect their hiring plans moving forward
Agency staff are much more keen to get back to the office than their in-house counterparts
Many marketing professionals under 35 believe remote training and onboarding will have a positive impact on the industry – as do 40% of agency staff
A quarter of agencies expect fixed retainers to disappear altogether with a significant increase in demand for project-based work
Direct mail and out-of-home are the channels marketers expect to die out in a post pandemic world, but there’s already some growth in paid social activity, digital advertising and podcast sponsorship
Unveiling a rebrand during a pandemic is a risky move, with 37% of marketers expecting it to have no impact at all
The majority of marketing professionals are confident that their own brand will take (or has already taken) meaningful action following anti-racism pledges, but they are much less confident that other brands will follow through on their promises
Account managers and brand managers are almost twice as likely to have experienced increased productivity while working from home. Design by Pinch Studio
Productivity in a remote setting —
Surely working from home makes us all more productive? There’s less distraction from the fancy coffee machine, no need to tend to the office plants, and no chatting with your desk mates.
Well, yes and no. It’s definitely not one size fits all.
Almost a third (32%) of marketers said their productivity improved working from home, while just under a quarter (23%) said their productivity had taken a nosedive. Everyone else said their levels remained about the same.
But when you look more closely at the specific roles of marketers and how their productivity has been affected, there’s more to these figures than meets the eye.
Almost 2 in 5 (38%) Account Managers and Directors and 44% of Brand and Marketing Managers said their productivity had improved while working from home. On the other hand, half of C-Suite and Agency Owners said their productivity levels had stayed the same, with only 25% reporting an improvement.
The do-ers seem to do better remotely while senior leaders have maintained similar levels of productivity compared to their more junior colleagues. While experience means more senior team members have likely refined their working style and already found a balance that works for them, the type of work could well play a role.
In short, executional, hands on work has the opportunity to thrive in times of increased focus and decreased interruptions (pets and children notwithstanding!).
Creativity and collaboration —
A similar split can be seen when it comes to creativity.
30% of all marketing professionals said that they found creative work and collaboration on creative projects more difficult since working from home, but a similar number (31%) said they actually found it easier remotely.
However, when you look at the breakdown of responses by age (and therefore typical levels of seniority), a pattern emerges: younger people have found remote creative collaboration more challenging than their older colleagues.
Younger marketers have found remote creative collaboration much harder than their older colleagues.
Again, this can perhaps be explained by experience and tenure: effective collaboration is often underpinned by effective communication – both of which are skills that can be developed over time. The confidence that comes with experience is also significant when it comes to decision making and accountability in a remote setting.
However, how the type of work being done affects creative collaboration shouldn’t be ignored if remote work is truly going to be the world’s new normal.
Career changes and opportunities —
Marketing budgets are often the first to be cut when belts start tightening (despite a lot of evidence showing it shouldn’t be). As such, layoffs and furloughs hit the marketing industry hard when the pandemic took hold in March.
But several opportunities have emerged, and there are some silver linings that will serve the industry well moving forward.
Reduced teams and shared experiences of enduring challenging times together has meant people have had to rely on each other a lot more than normal – both professionally and personally. As a result, almost a third of marketers (31%) now believe their managers have a greater trust in their abilities than before the pandemic began.
With many marketing professionals taking on extra responsibilities and workloads over the past six months, 22% also believe that the opportunity for career advancement has actually improved during the pandemic.
42% of marketing leaders believe communication with their teams has improved during the pandemic. Design by Pinch Studio
Communication and teamwork —
With the majority of the industry now working remotely, phone calls, video calls and instant messaging tools quickly became necessities for communication and collaboration. 37% also said that the number of meetings they attend has increased since working from home.
However, despite initial worries that not being sat next to each other would hinder quick and effective communication, many marketers have actually found significant benefits in working in a distributed team. In fact, 42% of managers believe that communication with their direct reports and team has actually improved during the pandemic.
The future is remote, long live the freelancer! —
While the shift towards flexible work has been happening in the background for some time, the pandemic is set to have a lasting impact on how brands and agencies engage with staff both in and out of the office.
The majority of respondents (57%) said that they expected their company or clients to bring in more remote-only talent as a direct result of the normalization of working from home during the pandemic.
Over two fifths (42%) expect their companies to hire full time remote employees and almost a third (31%) anticipate working with more remote freelancers moving forward. The opportunity here is clear: as the industry becomes more comfortable working with remote talent, brands and agencies will be able to hire more diversely, benefitting both companies and clients alike.
Back to the office —
In March, almost overnight, offices across the world emptied. And almost a quarter of marketing professionals would like to keep it this way forever.
Even so, 42% would like to return to the office full time, while a third would prefer the best of both worlds, combining some days in the office with some time working from home.
Agency staff in particular seem to be craving some company, with 56% wanting to return to the office full time compared to just 38% of in-house staff.
Around a quarter (24%) of all marketers also point out there are certain types of work they’re simply unable to do outside of the studio or office, which could explain the enthusiasm to get back to it.
40% of agency staff believe remote training and onboarding will have a positive impact on the industry. Design by Pinch Studio
The impact of remote training and development —
The first few years of your career are crucial for developing skills and forming a working style. This traditionally requires on-the-job learning and observation of others, so it’s no surprise that 84% of marketers said that being close to their team and manager was important when they were starting out.
So how will remote work impact younger marketers just beginning their professional journeys?
We asked marketing professionals what they thought the effects of remote training would be, and somewhat surprisingly, more believe that remote training will have a positive impact (31%) than negative (24%).
The most common positive benefits of remote training and onboarding were highlighted as:
Remote training allows for more focused 1:1 attention (33%)
It puts everyone on the same level communication-wise (29%)
Being able to train people remotely enables their business to hire more diversely (26%)
The top challenges flagged by those who believe the impact of remote training will be negative include:
They don’t think they can replicate on-the-job training effectively in a remote setting (40%)
In-person training is necessary for the roles they hire for (23%)
Being together in an office is critical for company culture (17%)
There were also some fascinating differences of opinion by generations and organization type:
Younger marketers believe remote training will prove beneficial, with 41% under 35 predicting a positive impact compared to just 26% of those over 35
Similarly, 40% of agency staff anticipate positive effects from remote training, compared to just 25% of in-house marketers
While time will tell if this optimism around remote onboarding and training transforms into a lived reality for those embarking on their marketing careers, in many ways the benefits are clear: more focussed attention, a more equal platform for meritocracy, and opportunities for diversity – something the industry is sorely lacking.
Shifts in agency relationships —
For many reasons, 2020 has also changed the nature of many client/agency relationships.
18% of marketers said they expect fixed retainers to become obsolete in a post-COVID world, while 39% expect there to be much higher demand for project-based work over monthly retainers.
Agencies themselves are less optimistic than their in-house counterparts about the future of the traditional business model. A quarter of agencies anticipate retainers disappearing altogether whereas only 14% of in-house marketers agree.
With so much uncertainty still remaining across so many industries, it’s not surprising that marketers expect the demand for greater flexibility and scalable teams for specific projects to increase in the future.
37% of marketing professionals have had their budgets cut. Design by Pinch Studio
Impacts on channels and spend —
An enormous number of brands and businesses have experienced a downturn this year, and as such 37% of marketing professionals reported their media budgets being cut.
Spend was reduced across the board, covering everything from social spend and ads across newspaper, magazine and TV. Unsurprisingly, our increasingly digital existence means that out-of-home and direct mail are the channels marketing professionals expect to dramatically decrease in importance in a post-pandemic world.
However, as we learn to live with COVID-19, many channels are expected to recover and grow – particularly paid social activity, digital advertising more broadly, and podcast sponsorship.
Rebranding in a pandemic —
When asked whether rebranding in a pandemic was a smart move, marketers had mixed opinions.
49% believed a rebrand (even during a global crisis) would have a positive impact, while only 14% said it was likely to have a negative effect.
However, 37% thought that rebranding now would have absolutely no impact at all – which isn’t ideal for a brand looking to evolve its identity and unveil what will have been months, and potentially years of work. But that is exactly what Office 365, Cadbury, even Australia did – with very mixed results!
Brand activism —
Alongside the challenges of the pandemic, 2020 was the year the world finally stood up and took notice of the Black Lives Matter movement following the tragic and untimely death of George Floyd.
Protests demanding social justice and an end to racism prompted many brands around the globe to state their solidarity with the cause and speak up on their commitment to fighting racial inequality.
While brand activism can play an important role in raising awareness and amplifying the voices of those who need to be heard, many marketing professionals are concerned that brands are making empty platitudes, with half (49%) of those surveyed believing that the majority brands will not follow their anti-racism pledges with meaningful action.
When it came to their own organizations though, they were slightly more optimistic. 39% of marketers said their company had released a statement or creative work supporting anti-racism in recent months, and 62% of them were confident that there would be real action taken as a result. Only 14% felt that there would not, but there’s clearly still work to be done.
No one was prepared for the amount of change society has endured both personally and professionally over the last six months. While much remains uncertain about the future of what the industry will look like beyond 2020, the silver lining is that marketing professionals and their teams have proven much more resilient and adaptable than we ever imagined.
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Methodology: 772 responses from marketing professionals collected online via market research platform Corus in August 2020. Responses were collected from the United States (528), Australia (145) and Germany (101). 37% are currently working in an agency, 36% are employed by a brand in-house and 27% are currently freelancing.
The post How crisis shapes creativity: marketing in 2020 and beyond appeared first on 99designs.
How crisis shapes creativity: marketing in 2020 and beyond posted first on https://www.lilpackaging.com
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junesmitth · 4 years
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The 10 best ecommerce platforms for selling online—and how to pick the right one
As of 2020, there are somewhere between 12 and 24 million ecommerce stores operating on the net, spread out across the best ecommerce platforms. Anything you want, you can get online… but what if what you want is to become an ecommerce entrepreneur yourself?
There are lots of different reasons to start an online shop. Maybe you’re planning a new business venture to replace your sole source of income. Maybe the plan is to start a side hustle with room to grow into your full-time source of income. Maybe you want to keep your day job, but use the ecommerce business as a hobby. Or maybe you already run a brick-and-mortar business and ecommerce is just another expansion, like opening up a second store, except online.
Shop around to find the best ecommerce platform for your online store. Illustration by OrangeCrush
As you learn about different ecommerce platforms and their capabilities, think about how you’ll need (or not need) these capabilities as you grow your business. Your store’s current and future needs will drive its design, as will the technical specs and limits of the platform you’ve chosen. To help you make the right call, we took a close look at ten of the best ecommerce platforms on the internet.
Hosted? DIY? Licensed? —
Ecommerce platforms fall into three distinct categories:
Hosted
Licensed
DIY
The difference between these three categories is where they’re hosted. There are other differences too, but hosting is the most divisive one.
Here is an example of a custom Squarespace design. Web design by blue-eyed-barbarian
The first category, hosted platforms, handle everything for you (yes, even hosting). With a hosted ecommerce platform, you create an account and build your store using the platform’s store builder. The store is hosted on that platform’s server, and that platform handles everything “techy” for you, like web security and software updates. For an entrepreneur who neither has coding/tech skills nor wants to learn them, a hosted platform is by far the simplest choice.
Within the hosted category, there are two distinct subtypes. First are platforms that enable you to create an independent store with your own look, your own custom domain name and your own rules regarding returns, shipping, payment options and items for sale. Second are platforms where you simply list your products and the platform takes care of the rest, less customization but less effort, too.
This guide deals more with the first category, which includes many of the best ecommerce platforms like Shopify. But if you’re looking for a hands-off way to get your products out into the world, platforms like Etsy or Amazon allow you to create a seller account, upload your products and descriptions, set your your prices and that’s it.
This website was designed for Shopify. Web design by Hiroshy
Then there’s licensed platforms, which are way more technical than hosted ones. When you go with a licensed ecommerce platform, you buy store builder software. With the software, you create your store’s pages, then upload them to the server of your choice. The platform provides support, but you’re on your own when it comes to security, hosting and managing your own files. For the tech-savvy entrepreneur (or the entrepreneur with a budget to hire somebody who’s tech-savvy), licensed ecommerce platforms give you the greatest amount of freedom as a store owner.
And this is an example of a custom WordPress theme. WordPress theme design by JSPDesign
Last, we’ve got DIY options. Like a hosted platform, this kind of setup often comes with customizable templates and easy-to-use editors. But like a licensed platform, you’re on your own when it comes to finding hosting. This kind of setup works best if you have some tech skills, but you don’t need to be a programmer to create a functional, nice-looking ecommerce shop.
Let’s take a look at your options. Here are the most popular ecommerce platforms for selling online:
1. Shopify —
First up, we’ve got Shopify. More than 800,000 ecommerce businesses use the Shopify platform, and since its launch in 2004, they’ve made billions in collective sales.
Setting up a store with Shopify is easy. You can buy your domain name right through Shopify and start building immediately. There are more than 60 themes you can use to customize your store, but be aware that some of them cost extra. If you don’t like any of the premade themes, you can also work with a designer from 99designs to create a custom Shopify theme.
Shopify also offers an enterprise-level platform known as Shopify Plus. The difference is the platform’s power: a store built with Shopify Plus can handle more than 10,000 transactions per minute. You pay a lot more for Shopify Plus, but you get a lot more, too. Shopify Plus offers a few features that large-scale store owners might want, including:
A dedicated store launch manager who audits your store to ensure it’s fully compatible with Shopify
A customizable checkout page
Shopify Flow, a tool that creates personalized storefronts for customers based on their previous purchases
A more robust analytics system
Type: Hosted
Price:
Basic Shopify: $29/month
Shopify: $79/month
Advanced Shopify: $299/month
Shopify Plus: starts at $2,000/month
Pros:
Huge community of designers, developers and other store owners who offer solutions and support
Built-in analytics dashboard with a live view option
Lots of plugins and integrations
A comprehensive point-of-sale system that you can use in real-life settings (like a pop-up shop), with tools like barcode readers and receipt printers
Cons:
If you don’t use Shopify Payments, you’ll pay transaction fees
Less customization options compared to other platforms
Recommended for:
Shopify is recommended for small- to medium-sized retailers. It’s not built for any specific industry; you can sell tangible goods as well as digital goods via Shopify’s platform.
Shopify Plus is for large-scale retailers who are already doing thousands of transactions daily.
2. Big Cartel —
Big Cartel advertises itself as being for artists and makers. If you’re a creative entrepreneur, keep that in mind—Big Cartel was built to accommodate the kind of business you run, with five images per product and multichannel selling options, so your site goes with you to every art show and vendor fair.
Unlike most of the other entries on our best ecommerce platforms list, Big Cartel offers a free option. It’s limited for sure, but if you’re brand-spanking-new to ecommerce and you have a shoestring budget, Big Cartel’s free option might be your best choice. With it, you get a basic setup with premade themes, shipment tracking, sales tax calculations and the ability to sell both online and in person. These are all things you’ll get with a paid plan too, but for a free option, we’d say it’s pretty robust.
Type: Hosted
Price:
Gold: Free
Platinum: $9.99/month
Diamond: $19.99/month
Titanium: $29.99/month
Pros:
Inexpensive
Integrated Google Analytics in paid plans
No transaction fees
Cons:
Few direct add-ons; if you want apps, you’ll need to use (and pay for) Zapier
Limited user support
Lacks many of the features other ecommerce platforms offer
Recommended for:
Independent artists and makers who want a simple way to sell their creations online.
3. Magento —
Among the best ecommerce platforms on the web, Magento is one of the biggest. Magento actually offers more than an ecommerce site-building tool; the company brings to the table a variety of products for various aspects of launching and operating an ecommerce business, like order management and business insights.
In 2018, Adobe bought Magento and subsequently launched Adobe Commerce Cloud, a rebranded version of what was previously known as Magento Cloud. It’s a cloud-based version of Magento Commerce that gives users access to Adobe’s suite of ecommerce tools like Adobe Marketing Cloud, Adobe Analytics Cloud and Adobe Experience Manager. Adobe Commerce Cloud is Magento’s enterprise-level offering and, according to the BigCommerce blog, launches often have six-figure price tags.
Any kind of ecommerce business can use Magento’s platform, but it has configurations tailored to a few specific industries like fashion, automotive and food & beverage. With one of these setups, you can build a website that provides exactly what customers want from a business like yours, with features like easy mobile ordering for a restaurant.
Type: Licensed
Price:
Magento Commerce: starts at $1,988/month
Adobe Commerce Cloud pricing varies widely according to project scale and individual needs
Pros:
Built-in scalability
Dedicated omnichannel shopping features
You can list a ton of products in your store and process thousands of transactions every hour
Cons:
You need to buy your own hosting—and your own dedicated server is recommended
It’s “bulky,” your site has lots of files to manage and store
Recommended for:
Large-scale operations that need a platform with a lot of horsepower. If you’re a solopreneur, unsure if you’ll turn a profit or just dipping your toes into ecommerce, Magento is probably too much platform for you.
4. WooCommerce —
WooCommerce isn’t a standalone ecommerce platform; you also need to use WordPress. Don’t worry, WordPress is free—but all your store’s individual components, like your domain name and hosting, are not. The upside is that you’re not locked into buying a domain or hosting from a specific provider, so you’re free to shop around to find the best prices.
WooCommerce is free too, but don’t assume that means running an ecommerce store with WooCommerce doesn’t cost anything. The plugin itself is free, but to run a functional store, you’re going to need additional plugins that can cost anywhere from $25 to $100 apiece. Some themes are free, but more stylish or customized themes cost extra as well. If you’re not tech-savvy enough to do all the backend work yourself, you’re also going to need to hire a developer.
As far as ease of use goes, WooCommerce isn’t as simple to use as a hosted platform like Shopify or Squarespace. But since you’re outside a gated platform like this, there are a lot more ways to customize your store. Unfortunately, those customization options aren’t created equally—you could end up with a buggy, broken or non-secure plugin if you don’t do your homework.
Type: DIY
Price:
Technically free, but the costs for hosting and plugins vary
Pros:
A huge online WooCommerce community, so you can always find support and answers to your questions
Lots of plugins for different ecommerce needs, like dropshipping integration
Cons:
Too many moving parts; it’s WordPress + WooCommerce + a theme + hosting + any plugins you want to use
No centralized support
Recommended for:
Entrepreneurs who are somewhat tech-savvy and don’t have a huge budget to work with. WooCommerce is scalable, so there’s no limit to how many products you can list or how many daily transactions you can process.
5. Wix —
Wix is perhaps best known as a free website builder, or even for being very easy to use. That extends to Wix’s ecommerce site builder, which comes fully loaded with premade templates, images and backgrounds. Also, Wix ecommerce is partnered with dropshipping platform Modalyst, so setting up dropshipping is super simple.
Wix’s online store builder also includes tools meant for specific types of businesses. For example, if you’re a restaurant owner, you can easily upload your menu and accept reservations through your Wix website. If you’re a musician, you can add a SoundCloud or Spotify music player to your store so visitors can listen to your work before they buy. Regardless of your business type, you can use any of the user-created plugins available in the Wix app store.
But Wix ecommerce isn’t perfect. It’s simple, but simple often means basic—and compared to other platforms, Wix lacks more advanced features like multilingual stores and the ability to accept Apple and Google Pay.
Type: Hosted
Price:
Business Basic: $23/month
Business Unlimited: $27/month
Business VIP: $49/month
Enterprise: $500/month
Pros:
List up to 50,000 products
Easy-to-use interface
Unlimited bandwidth with every plan
Cons:
Although you can list up to 50,000 products, your site will slow down around 50 products
Sites tend to load slowly in general
Fewer third party plugins than other platforms
Recommended for:
Small to mid-sized stores. Because Wix is an all-in-one solution, it’s a good choice for the less tech-savvy entrepreneur.
6. Squarespace —
Squarespace is among the best-known website builders, and that popularity lands it among the best ecommerce platforms on the web. With Squarespace, you’ve got everything you need to build your website, like a domain registrar, hosting and a no-coding-skills-required editor, all in one spot.
Like other platforms, Squarespace comes with lots of free website templates (and plenty of paid ones too). You can also use apps and plugins to add functionality to your ecommerce site, but there’s no actual app store with Squarespace. Rather, you’ll be using third-party apps.
Squarespace isn’t a dedicated ecommerce platform, but instead a general website builder that has ecommerce capabilities, so it lacks some of the features the other best ecommerce platforms offer. This means fewer payment gateways, fewer marketing extensions and more features restricted to the higher-tier subscriptions than other platforms.
Type: Hosted
Price:
Online stores basic: $30/month
Online stores advanced: $42/month
Pros:
Unlimited bandwidth and storage
Easy integration with apps like MailChimp and Google Maps
Cons:
No phone support
No professional analytics reports
Recommended for:
Entrepreneurs who are new to ecommerce and want a relatively basic, all-in-one platform without shelling out a lot of money.
7. SalesForce Commerce Cloud —
Of all the best ecommerce platforms, SalesForce shares the most in common with Magento. Both are companies that offer multiple licensed ecommerce products, rather than being one store-building platform. SalesForce, like Magento, also offers a customer relationship management (CRM) platform as well as marketing and sales products.
Specifically, SalesForce Commerce Cloud is SalesForce’s ecommerce platform. There are two distinct products: one for B2B businesses and one for B2C businesses. One thing that makes SalesForce Cloud Commerce unique is its approach to pricing: instead of charging users a flat monthly fee, SalesForce takes a commission from each user’s sales. This can make running a store with SalesForce inexpensive… if you aren’t moving much inventory. On the flipside, it can get expensive if business is booming.
Type: Hosted
Price:
Varies widely; dependent on your store’s gross merchandise volume (GMV)
Pros:
Hosting is included in your plan
SalesForce offers other products you can use to manage your business more effectively
You can run multiple unique stores from one backend interface
Cons:
No premade templates
Smaller developer community than other platforms
Recommended for:
Any entrepreneur who needs a robust, everything-included ecommerce solution with a lot of integrations, a lot of room to scale and no need to touch code.
8. BigCommerce —
Although it’s on the pricier side, BigCommerce compensates with more advanced features at the basic level than some other platforms have at higher tiers (or at all!), such as automated image optimization, unlimited staff accounts, unlimited bandwidth and professional analytics reporting.
Like other ecommerce platforms, BigCommerce’s service is available in tiers, but unlike the others, each of BigCommerce’s tiers have sales limits. For example, BigCommerce Standard’s sales limit is $50,000 annually. If you sell more than that, you have to upgrade to BigCommerce Plus regardless of whether you actually want or need the upgraded tools available at that tier.
BigCommerce stands out as the only one of the best ecommerce platforms that makes it possible to sell tangible goods, digital goods and services without integrating an outside app. Other platforms on our list, like Big Cartel, can be set up to sell tangible and digital goods, but if you’re selling a service, BigCommerce is your best bet.
Type: Hosted
Price:
BigCommerce Standard: $29.95/month
BigCommerce Plus: $79.95/month
BigCommerce Pro: $299.95/month
BigCommerce Enterprise: varies
Pros:
Ability to sell on multiple social media platforms like Facebook and Pinterest
Customizable code; you can design a site without ever touching the code or you can alter the theme’s HTML and CSS to suit your exact needs
Strong SEO tools
Cons:
Only 12 free themes
Not as simple to use as other ecommerce builders
Recommended for:
Businesses that have unique needs or needs that require advanced features. There’s a lot under the hood with BigCommerce, making it the ideal solution for a large or rapidly growing business.
9. Volusion —
Next up, we’ve got Volusion, another hosted platform that offers customizable store templates, add-ons and integration with third-party services and products.
One of the specific features Volusion provides is Quick Wins: affordable services that help you get your store up, running and optimized for profit. Among the services Quicks Wins offers are Google Analytics training, Facebook Pixel installation, SEO-friendly URLs and PPC ad copywriting. Beyond these, Volusion offers larger scale professional services too, like custom logo and brand kits.
Type: Hosted
Price:
Volusion Personal: $26/month
Volusion Professional: $71/month
Volusion Startup: $161/month
Volusion Business: $269/month
Volusion Prime: Varies
Pros:
Lots of built-in features, like variant pricing and advanced shipping options—there’s less need for additional apps or plugins
Unlimited products and storage available even on the lowest tier
Easy integration with Ebay and Amazon Marketplace
Cons:
Sales limits at each level
Only seven free themes
Recommended for:
Any entrepreneur who needs personalized support getting their store up and running. When you need help branding, blogging, developing a newsletter strategy or navigating the world of ecommerce via social media, Volusion’s team is there for you.
10. PrestaShop —
The last of our picks for the best ecommerce platforms, PrestaShop has the quite a lot in common with WordPress. Like WordPress, PrestaShop is an open-source program that’s completely free to use. Similarly, like WordPress, the PrestaShop community is full of custom-made templates to download and plugins to install to improve your shop’s functionality. The main difference between PrestaShop and WordPress is that PrestaShop was created specifically for ecommerce, whereas WordPress is a more generalized platform that can be outfitted for ecommerce.
It’s impossible to estimate what it costs to run your store with PrestaShop because you’ll need to buy the plugins your store needs and a template that works for your industry and brand. The costs for these vary widely, so we recommend taking a look at the PrestaShop Addons marketplace and sketching out a rough budget of what the setup will cost before you commit.
Although you have to buy your own hosting, PrestaShop is partnered with two hosting providers, so setting up hosting is a relatively straightforward process. Similarly, PrestaShop offers customer support plans, website audits, optimization services and training on how to use the platform—but you have to pay for them.
Type: DIY
Price:
Technically free, but expect to pay for plugins, hosting and a template.
Pros:
It can be a budget-friendly option for users who don’t need a lot of add-ons
Large developer and user community
Flexible platform with lots of customization options
Cons:
It’s free to download, but the add-ons are costly… and for most users, critical to a functioning ecommerce site
Everything is on you—hosting, add-ons, integration and security
Limited scalability
Recommended for:
An entrepreneur who’s comfortable DIY’ing their website and wants the freedoms that come with the DIY approach. PrestaShop has lots of add-ons and customization options, but they’re best suited for users who aren’t afraid to tool around and get their hands dirty.
Shop around for the best ecommerce platforms —
When you’re choosing the right platform for your ecommerce store, you’ve got a lot of considerations to make. One way to make it easier for yourself is to write a list of what you need in a platform, like built-in hosting or easy dropshipping integration, and then see which platforms check off the most boxes.
And if you pick a platform and find it’s not working out for you, don’t fret—you can always migrate your site to another one.
Regardless of which platform you choose, your store needs to look great and fit your brand. Otherwise, visitors won’t become buyers. Once you have a platform, find an ecommerce designer who’s got experience creating great-looking stores on that platform.
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junesmitth · 4 years
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Everything you need to know about selling online
With an estimated 24 million ecommerce websites operating globally, it’s safe to say that most people these days have bought something online. Especially in today’s climate, buying online is one of the easiest and safest ways to purchase products and services. But have you ever thought about selling online? There are lots of attractive reasons to make a side hustle or even a career out of selling online, like:
There are lots of reasons to start selling online. Here’s how to get started. Illustration by OrangeCrush
Launching an ecommerce business has a relatively low startup cost
87% of shoppers are most likely to start their search for products online (even if they end up buying from a physical store in the end)
With ecommerce, it’s easier to collect, measure and act on customer data than it is when you’re operating a brick and mortar shop
With an ecommerce store, you can reach customers who aren’t able to visit your physical store
It’s easier and faster to set up an ecommerce store and start selling online than it is to set up a brick and mortar store
Even though it’s easy to set up an ecommerce site, it’s important not to jump into it without some planning. Here’s what you need to do first:
Define your overall branding
Establish an ecommerce strategy
Pick the right products to sell online
Choose an ecommerce platform that suits you
Create a website that looks and works great
Set up social media accounts before you go live
This may seem like a lot, but when you break it down, each step is very doable! You can read more about it in our guide to starting an ecommerce store in 7 simple steps. In this post, we’re covering all the “big picture” things you need to know about selling online, rather than the more granular steps of how to sell online. If you’re serious about setting up shop and selling online, you need a thorough understanding of both.
Here’s what we’ll cover in this article:
Where to sell online
Brand your way to success
The importance of marketing and UX
What type of products can you sell online?
Top 3 latest ecommerce trends
Ecommerce web design for EYCO by Craig Steel
Where to sell online —
There’s a plethora of places where you can sell products online, from social media to your own ecommerce website. With all these options, it might be difficult to figure out which is best for you. Learn about the different ecommerce avenues available to you to determine which is the right one for your business and remember, you can always switch to another one down the line if your business model or needs change.
Selling on social media
You can sell online quite easily via Facebook, Instagram, Twitter or Pinterest. The benefits of selling on social media are that it’s super easy to set up and that you automatically have an inbuilt audience that can grow. Facebook Marketplace is a great way to keep transactions local and is very similar to an online yard sale. Facebook’s and Instagram’s “Shop Now” button lets your fans easily click and be taken to a website to buy your products. Pinterest is a great place to sell physical products via Buyable Pins that consumers can click on directly to go to a website and purchase.
Pros:
Easy to set up
Instant audience
Keep transactions local
Affordable
Cons:
Not as “official” as an ecommerce website
Harder to track your repeat customers
More difficult to include branding and make your shop your own
In summary, you might choose to sell on social media if you’re just getting started and want to see if selling online is right for you.
Instagram shopping online via TechCrunch
Facebook marketplace via newsfeed.org
Selling through online marketplaces
Selling through online marketplaces is a more official way to start a shop than social media, but it requires almost as little effort. It’s also a great way to leverage an existing audience that frequents online marketplaces. A downside of selling on online marketplaces is that they often take a  percentage of your sale. Examples of great online marketplaces to sell your products or services are eBay, etsy, Amazon, Alibaba.com and Google Express.
Pros:
More official than selling on social media
An easy way to leverage an existing audience
Cons:
More effort to set up than a social media shop
Marketplaces often take a percentage of your sale.
You might choose to sell on online marketplaces if you’re ready to take the next step after trialling a social media shop, but aren’t quite ready to set up your own ecommerce shop.
Etsy online Marketplace via Etsy  
Building your own ecommerce website
Although this avenue requires the most effort, it allows you to build a truly custom shop. If you’re serious about building a business selling online, this is the way to do it.
The best way to get a unique, fully customized ecommerce website is to work with a web designer to create exactly what you need. But there are many template sites and website builders (like Wix, Shopify and Squarespace) that allow you to build one with no prior coding experience. Keep in mind that templates allow for limited customization and you might not get exactly what you’re looking for. Fortunately, many website builders also allow you to hire a designer to give your site a custom look.
Pros:
Customizable (though certain platforms have their limits)
Easy to track and market to repeat customers
The best way to show off your brand
Cons:
More difficult to set up than stores on social media or online marketplaces
There is often a cost involved to register a domain and host your website
You may need to update your website regularly
If you’ve got more of a budget to work with and are serious about building your business, setting up an ecommerce website might be the right choice for you.
Website design by Janki14
Brand your way to success —
No matter where you choose to sell online, having a well-developed brand will net you more sales than you’d get without one.
By creating a brand, your customers will be able to recognize your business instantly across platforms. A brand includes everything from your logo design to your product packaging to the kinds of images you use on your website and the tone of voice your copy takes..
When creating a brand for your online business, it’s important that the look and feel is suitable for your target audience. For example, sophisticated and muted tones mightn’t be appropriate for a kids gym, but they might be perfect for an up-market fashion company. Create a brand style guide for your business to ensure your brand is always portrayed consistently online.
Be sure to also check out this complete guide to ecommerce branding to learn more about the specifics of branding an ecommerce business.
Ecommerce website for haircare products by Sudip Dutta
Brand Guide for CapUps by Hugo Maja
Ecommerce store by Studio Ubique   
The importance of effective marketing and great UX design —
Online selling doesn’t stop at the purchasing part. It’s important to understand how you will drive customers to your store, as well as how you will keep them and keep them coming back! Here are a few ecommerce must-haves:
Online advertising
According to a 2019 study, 51% of shoppers said that they used Google to research a purchase they plan to make online. Once your customers make this search, you can use this opportunity to market to them online via Google, and then retarget them via social media platforms like Facebook and Instagram. This is called retargeting or remarketing, and works when someone interacts with your business online. Even if that person doesn’t instantly convert to a paying customer, they’ll see an ad for your product or service when they log into Instagram or Facebook later on. This strengthens your brand recognition and makes it more likely that they will convert to a paying customer in the future.
Online advertising is a  great way to get your audience to notice you, or to find out about you in the first place. You can read more about digital advertising in our beginner’s guide to advertising online.
Headbanner design by Kuz Design
Email marketing
Did you know that the number of global email users is roughly 3.9 billion? Plus, email marketing has the highest return on investment for small businesses. If you’re looking for a great way to drive your audience to your online shop, email marketing is for you. Email marketing allows you to showcase your current promotions and specials, share relevant news stories with your customers, introduce new products and ask your audience for feedback on your brand and products.
Check out some great email marketing design here. Consider looking at email platforms like HubSpot, Campaign Monitor and Mailchimp to set up simple yet effective email newsletters which you can easily track.
TapGlance Email Template by Grigoris G
Great UX design
UX, or user experience, is extremely important for your ecommerce website. It’s how users interact with your website and can often make or break a sale. For example, meditation app Calm keeps their users healthier and calmer through a minimalist UX design. Their UX design helps users easily navigate through the website and find the information they’re looking for. Users can even choose an environment like the rainforest or the sea as they navigate through the site and app, giving them a way to customize their experience with Calm.
UX Calm App via Calm
Considering things like having navigation menus in the correct place and making the complete user journey an intuitive one is vital if you’re looking to have repeat customers, not drop-offs. Remember to also always check for broken links and other technical features that might be annoying to your audience when testing your ecommerce site’s UX design. To get in-depth on UX and how to make your website easy and even fun for users, check out our guide to creating great UX design.
UX Homepage by Adam Muflihun
What type of products can you sell online? —
Essentially, there are two types of products that you can sell online.
Commoditized products
Niche products
Commoditized products are indispensable and mainstream products or services. Basically, they’re products that everyone needs. The majority of online purchases around the world are of commoditized products. For example, clothing, makeup, food.
Commoditized ecommerce website for DTC Fashion by Alex Capellan.
Meanwhile, niche products are products or services that are for a very specific, or niche, audience. They’re usually made on-demand or in small batch runs. For example, handmade jewellery, one-of-a-kind plants, homemade candy.
Niche handmade candy website by Mithum
Selling only commoditized products in your online store (especially if they’re already sold on major online marketplaces like Amazon) will make it very hard to become successful, as you’re competing with the big dogs. We suggest selling a mix of both commoditized and niche products in order to offer the best value to your clients. For example, if you are selling candy, think about commoditized products that you can sell in bulk (like a well-known candy brand) but then add a niche to your ecommerce website by selling handmade candy that no other store is able to offer.
Finally, tangible products aren’t the only thing you can sell online. Don’t forget about selling services online too, like online courses. If you’re in the service business, you might also consider selling things like marketing services, custom videos, design templates, coaching sessions and even subscriptions online, which can combine selling products and services, depending on what kind of subscriptions you offer.
Digital products are also a unique niche that you might like to sell online. This can include things like skins for gaming characters, digital art and eBooks and themes for websites.
LivelyShop ecommerce website by Creative_David
Top three latest ecommerce trends —
Still looking for some inspiration for your ecommerce website? Take a look at some of the biggest 2020 ecommerce design trends for some great branding, packaging and design tips. This is what today’s customers want and expect from online shopping.
Motion in product images
Videos, cinemagraphs, animation and microinteractions are more popular than ever, and a great way to stand out from the crowd when it comes to selling online is to show off your products in motion, rather than static images.
Detox Mode motion product image via detox mode
Unconventional grid layouts
Experimenting with new layouts and jumping off the grid bandwagon gives your brand an edgy and contemporary feel, which is especially helpful for modern and fashionable industries.
Femme and Fierce unconventional grid layout via Femme and Fierce
Landing page-product page hybrids
Ads and social posts often direct shoppers straight to the product page, which means they never actually see the homepage of your website. That’s why ecommerce designers are focusing more on their landing pages, resulting in mini stores revolving around a single product or category.
Landing Page design by logicainfo
Start selling online today —
Whether you’re looking to sell on social media, on an online marketplace or build your own ecommerce store, remember to focus on branding, great UX and consider selling both commoditized and niche products.
If you have a great idea to sell a product or service online, now’s the perfect time to start. Or, if you already have an online store, think about revamping it with these tips. In either case, you’ll need great web design to connect with your target audience, so find a designer who fits your style today!
Need awesome web design for your ecommerce site?
Our designers can create the perfect look for your brand.
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