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Someone special says they’ll wait, but only for a day.

The other stands feeling torn in half.

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the eyes grow wet with half-remembered aches

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I was lucky enough to meet kitty bedtime in my self making

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EAT YOUR WAY OUT OR YOULL DIE

DO YOU UNDERSTAND

DO YOU UNDERSTAND

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i am

and is

i am

and is

i am

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Pink tar sludge

In my person galaxy

Pink tar sludge

Is this really meant to be?

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Limerance

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PLOT POINT : THE ASSUMED “PROBLEM CURE” GOES WRONG, CREATING A UNIQUE PROBLEM

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girlsketch: 

sorry its different again - im still figuring it out 

except.. how to abstract more specifically..

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“and not to feel like the end of the world is happening in my mouth” -aliza dental 

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if you know me then im kinda like one of those toys you put in the water and get to watch it transform

wow haha guys remember when I was (6 mo ago / 1 year ago / 4 years ago) wild huh

old in old ways, young in new ways. That’s how it always is, isn’t it?

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im gonna hold your hand in cool air and stare at a bright pretty moon with you

feeling the psychic impression of our prescences each

and kiss you with wet loving lips

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girlwife song

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Most home, Most comfortable among strange lights

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“Oh! But aren’t YOU thrilling!” (Eye looking to the side)

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Adding small moments of existence to your writing 

What I’m talking about is proof of life outside your characters in your world. Not in the sense of ‘talking to the cashier at the checkout’, but things like:

Graffiti etched into a desk your character sits in during an exam

Realising that someone has come along and arranged the cans on the shelf so the labels say something stupid

Dirty vans that have ‘wash me’ written in the dried mud

A coin that has been stuck into a piece of gum on a handrail

Little things that show the world still goes on despite whatever is happening to the characters. 

This helps make the world a world, not just a setting. There are other people with other lives doing stupid, funny, dangerous, things that in no way impact the protagonist. You don’t have to dwell on them, they can only be mentioned briefly in passing during the set up of a scene, but it will help create life within the background of the story and give the characters a chance to briefly think about something other than themselves/their situation.

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Acing pacing in your writing

I’ve read too many books and watched too many shows where pacing has ruined a good story. So, here are some of my tips for getting pacing right:

1. Don’t take too long to get to the inciting incident

Look, showing the ordinary life of your protagonist might be interesting if there’s something strange about their life, but readers want stuff to happen.

At least with genre fiction, you shouldn’t take too long to get to the action - the event that gets the story going.

If you can do it well and have readers invested from the start, you can start with the inciting incident. However, for most works I would recommend having it in the second chapter.

Your readers want to know what the story is about, not what the character thinks of his English teacher

2. Keep it moving, but don’t rush

Action is important. It drives the story and it’s interesting. You should make sure to put enough action in your work. Things should be happening.

BUT a novel is not a play or a movie or a comic. What makes reading a full-length novel so entertaining is the detail. The in-depth characterisation and description. The emotion and thought processes.

So, keep it moving, but don’t sacrifice the juicy details. Don’t skip from one action or dialogue scene to the next without taking your readers deeper into the intricacies of the story and characters.

It’s a delicate balance that can only truly be found by reading a lot and practicing.

3. Avoid a sagging middle

Your beginning is solid. Your end is exciting. But the middle is a chaotic mess that bores the reader. Trust me, it happens more than you might believe.

Sagging middle syndrome is a thing, and the only way to avoid it is to plan.

Look, I like pantsing, but planning the middle of your novel will help your pacing exponentially.

Make a rough outline of what needs to happen to get your characters to the climax. Add a few lighter/character-driven scenes where there are too many action scenes in the sequence. Remove events which are unnecessary. And make sure that everything makes sense!

This counts for second books in series as well. It should be good on its own, not just as a filler.

4. Don’t fast forward to the end

I’m looking at you, Game of Thrones.

If you’ve built up the story and set up everything for the final big bang, you have to deliver.

Keep the pacing somewhat similar to that of the rest of the story. Your readers have gotten used to it. And if they’re still reading at that point, they probably like that pace. Don’t write a relatively slow book and then have the climax be over in three pages.

I know you want the climax to be exciting. So, yes, make it a little more fast-paced than the middle. But not massively different.

5. Trust your characters

As with every aspect of creative writing, character is most important.

Is your character experiencing the scene quickly and choppily? Or are they slowing down and taking in everything?

If you stick with what your characters are feeling, you will get it right.

Look, exams have fried my brain. So, this isn’t the most well-formulated post I’ve made. But I hope that it can be helpful.

Reblog if you found these tips useful. Comment with your own pacing tips. Follow me for similar content.