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New work by artist Kit Russell, an alternative poster design for the French sci-fi film La Jetée (1962) with Amp Posters

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A hibiscus flower under ultraviolet light, shining for the polinators.

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Anita* – 女人花

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Hiroyuki Sanada as Koji Round About Midnight/ 真夜中まで (1999)

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the worst part about grief is that it feels like the world should be horrendously earth shatteringly changed, and to an extent it IS but its also the same. to everyone else it's just another tuesday. the world moves on. you have to go grocery shopping.

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Children of Shatila (1998), dir. Mai Masri

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still thinking about the back of this dress worn by kay francis in one way passage (1932)

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Marlene Dietrich in Shanghai Express (1932)

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"'When Adrian showed me the sketch, I laughed,' remembers Hepburn. [...] 'Then he explained to me how he saw Tracy's character. She comes on, you know, and she wants to be running the show. Very bossy. She wants to defy convention, and she won't take advice from anyone. But inside there's a frightened young girl. He thought the hat would help show that Tracy wasn't as stiff as she seemed on the surface, and also give a glimpse of that girl inside. Well, you know, I loved it.'" - Katharine Hepburn on Adrian (Gowns by Adrian: the MGM years 1928-1941)

KATHARINE HEPBURN as TRACY LORD The Philadelphia Story | Costuming (and included sketches) by Adrian Greenburg

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Naked Weapon (Ching Siu-tung, 2002)

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Marianne Faithfull in The Girl on a Motorcycle (Jack Cardiff, 1968)

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Europa ‘51 (Roberto Rossellini, 1952)

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Pier Paolo Pasolini, Interview, 1969

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Séance, from the old French seoir (to sit) and the anatomical séant (posterior), refers to a sitting, meeting, or session. (…) Séance is also the term used for the duration of a film projection (une séance de cinéma), a psychoanalytic session (une séance de psychanalyse), and the name for an appointment or encounter with ghosts mediated by a spiritualist (une séance de spiritisme), a usage that seems to have originated in an English appropriation of the term “séance” that was subsequently reimported to French (…). A séance is a fixed appointment with precise spatiotemporal frames, but its events remain open to encounters with unexpected, strange, and heterogeneous phenomena as well as with scenes elsewhere.

James Leo Cahill, Timothy Holland, Double Exposures: Derrida and Cinema, an Introductory Séance, 2015.