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Ok but let’s be serious about Blitzø’s argument in this scene real quick.

He mentions how Stolas just sprung this on him and barely gives him anytime to react, he asks for time to think. Stolas ignores that (NOT BC HES A DICK) because they have different focuses here.
Stolas wanted to have a relationship, everything that involves it. He never once mentions sex. He’s serious and expresses himself to the best of his ability. AND STILL Blitzø assumes its role play, that he’s not genuine (NOT BC HES A DICK) because before this moment he had no tangible reason to think Stolas was serious about a relationship, about him.
Stolas sees this as “I’ve fucked up so fucking bad. This can’t happen because there’s nothing meaningful to build off of. While Blitzø is out here just confused as fuck. When he thinks he finally gets it he assumes “Stolas is mad about me assuming this was a sex thing. What the fuck. Fuck this guy”
It takes Stolas being irreparably heartbroken at how Blitzø views him and how he has treated him. It takes those tears and that goodbye for it to TRULY register.
Then Blitzø immediately panics and tries to apologise, even tries to REACH OUT in order to not be pushed away. Too bad Stolas has fucking magic powers.
He ends up outside. Sad. Confused. And with the portal echoing his unfinished words back to him.
What. The. Fuck.
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the thing about the miscommunication trope is that it truly can be SO good when it's done well
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OH BOY I CAN'T WAIT FOR THE CRIPPLING ANGST BETWEEN THESE TWO
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FIZZAROLLI in THE FULL MOON
bonus:
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Made a zine based on this itch.io game: https://thoughtlesspessimist.itch.io/life-of-a-monster-teen
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I am being so serious when I say: if you have the financial and time privilege to get a group of friends together and make an indie project, PLEASE do. Indie games, indie animations, indie comics etc etc
the art industries are kind of in the shitter. It’s not so much because of AI (though that doesn’t help) but because studios just aren’t hiring people and funding projects anymore. People who’ve been in the industry for decades are finding themselves struggling, and once you have a mortgage or kids it’s harder to do something as risky as making something on your own.
completing projects is hard. it takes a lot of time and effort, and most people can’t afford it. so if you CAN afford to make art, even at the risk of no financial gain, I strongly encourage you to be as resilient as you can. We’re at a point where these industries are not going to turn around by themselves, and waiting for jobs to open up again in order to get experience and portfolio work might not be realistic.
people have been making art and telling stories longgggg before we were getting paid for it, and people aren’t going to stop just because no one has hired them to do so.
for everyone else: support indie artists when you can!!!! That person who made that cool indie game or youtube animation or webcomic might be doing this full time! your support might be the only reason they’re able to keep doing it.
and if you have already started an indie project: you’re so brave and I’m very proud of you!!! in fact, drop a link to it in the reblogs if you want! 👇
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Welcome to my tumblr
I'm an artist yada yada yada
all of my art is under #my art
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Dear Followers
Since I really don't know how to transition this blog into a personal blog, I'm going to do it in the most jarring way I can.
I will be:
Deleting Reblogs
Keeping Original Art
Renaming this blog to reflect me and my interests
If you do not want to follow me or my personal work/interests moving forward please feel free to unfollow. If you don't unfollow, there's going to be significantly less Disco Elysium content and plenty of personal art and future projects.
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