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Colossi of Memnon, Theban Necropolis, by Eliot Elisofon, 1965

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Mistrzejowice, Kraków (photos by me - grace4drowning on instagram)

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Daniel Santangelo.

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Haunted Books

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The Leftovers 1.09 "The Garveys at Their Best"

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Friedrich Nerly - "St. Mark's Column in Venice by moonlight"

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I SHALL NOT WANT , by me, 2025. i don’t usually do textile work but i have been lately i guess

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Voice of Space (La voix des airs) (1931) René Magritte, oil on canvas, 72.7 x 54.2 cm

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Janice Sung

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Claude Paradin, Devises heroïques

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Mamaceqtaw tattooing tool, early 20th century This wood handled tool with metal tines lashed to the tip was made and used by Mamaceqtaw (Menominee) people in what is now Wisconsin during the early 20th century. Today it is in the collection of a museum as part of a larger toolkit that also includes charcoal used as a base for tattoo ink, and a ceramic sherd used as a surface for mixing and holding pigment. One historical account notes that Mamaceqtaw tattoo pigment included “bear gal,” a mixture of birch bark charcoal and roots of skunk cabbage, deer’s ear, red top, and others plants.

Archaeological research from elsewhere in eastern North America has shown that bone points were used for tattooing before the introduction of metal needles, while traditional knowledge also recalls use of fish teeth, thorns, porcupine quills, and flint. By the time this tool was used, tattooing among the Mamaceqtaw was primarily medicinal, and used for treating muscle and joint pains and headaches. reposting from Aaron Deter-Wolf (Tennessee Division of Archeology)

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Character (1958) Remedios Varo, oil on canvas, 77 × 49 cm

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Cosmic Energy (1956) Remedios Varo, oil on canvas, 31 × 31 cm

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Another pit fired piece! This little dragon came out so cool, it looks like it was carved of stone!

This, and many other pieces, will be available this Friday, 6/20 at 8pm!

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ph. Danko Maksimovic - Dortmund, Germany (2025)

Film: Kodak Ultramax 400

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Heavenly Bodies: Fashion and the Catholic Imagination, 2018.

Art objects, such as devotional paintings and altarpieces from The Met’s collection, are presented alongside fashions from designers including Cristóbal Balenciaga, Callot Soeurs, Domenico Dolce and Stefano Gabbana, John Galliano, Jean-Paul Gaultier, Madame Grès, Christian Lacroix, Karl Lagerfeld, Jeanne Lanvin, Claire McCardell, Alexander McQueen, Thierry Mugler, Elsa Schiaparelli, and Gianni Versace. The volume also presents a selection of ecclesiastical vestments and accessories from the Vatican collection.

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'shadow jewellery--legs' by gijs bakker, 1973 in sustainable jewellery - julia manheim (2011)