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That's how it was: boys got to believe their private lives were extricable from their politics–I read feminist theory so it's irrelevant that my girlfriend's career is subordinate to my own; it has nothing to do with our genders–and yet they never believed your politics were anything but feeling-based. She would never be allowed to have ideas about the world that were not traceable back to female insecurity. You only wrote a bad review of my book because I wouldn't sleep with you. You voted for him because you think he's hot.
Elvia Wilk, Oval
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“I was 14 years old at the time, the age where music becomes as much a part of your DNA as the nucleotides and the molecules and all the other biological parts that define who we are. At that point in life, the most angst-ridden pieces of music seemed to attach themselves to my body with the ease of a barnacle taking to a lonely, sad looking rock in the bottom of the ocean.”
Beautiful review on one of my most beloved albums of all time <3
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maggie and milly and molly and may went down to the beach(to play one day) and maggie discovered a shell that sang so sweetly she couldn’t remember her troubles,and milly befriended a stranded star whose rays five languid fingers were; and molly was chased by a horrible thing which raced sideways while blowing bubbles:and may came home with a smooth round stone as small as a world and as large as alone. For whatever we lose(like a you or a me) it’s always ourselves we find in the sea
E. E. Cummings
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Blumen statt Böller (Sarah Illenberger)
https://www.zeit.de/zeit-magazin/mode-design/2014-12/sarah-illenberger-feuerwerk-silvester-blumen-fs
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"Was uns gehört: Die Handtasche, der Wein, die Aufmerksamkeit. Was uns nicht gehört: Die Unendlichkeit. Die Garantie. Die Unverletzlichkeit."
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Interstellar One of the saddest, loneliest space epics ever made, Nolan’s expansive sci-fi film — about Matthew McConaughey and Anne Hathaway traveling through a wormhole to another part of the universe in an effort to find a new home for humanity — was divisive when it came out, but it’s slowly being acknowledged as one of his best works. It’s certainly his most earnest movie, and maybe the mixture of eye-popping special effects, gee-whiz scientific phenomena, environmental dystopia, and unabashed sentiment was too much for some to take, as if 2001: A Space Odyssey had been hijacked by someone’s therapy session. At heart, this is a story about parents and children, about the fear of letting go, about the need to reconcile your dreams with the needs of your loved ones. At the same time, it’s a movie about survival — how planetary survival and species survival and individual survival often conflict with one another. The way Nolan ties these concepts together in a narrative that mixes heavy-duty scientific theories with nutty sci-fi invention can be jarring. But open yourself up to it, and Interstellar becomes one of the most emotionally overwhelming things you’ll ever see.
Vulture: All 10 Christopher Nolan Movies Ranked
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“In the end, humans always win, whatever the species, however powerful it is.”
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hella beautiful, hella melodramatic
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