kineticcharmer

[kineticcharmer]

━━ ⟢ SENTENCE STARTERS : WARRIORS ( 2024 ). pulled from the genius lyrics of eisa davis and lin manuel miranda's concept album, based on the 1979 movie of the same name. feel free to edit as needed.

❛ at midnight, there’s a gathering after dark in [place]. ❜

❛ the truce is on. no weapons but your fists, she insists. ❜

❛ time it just right and you might just survive the night. ❜

❛ warriors, come out to play ! ❜

❛ miracles can happen when we gather in the dark. ❜

❛ ‘cause you could do ninety-nine things right, but meet the wrong cop at night and it’s brrap on sight, ya dig ? ❜

❛ survival all depends upon the corner you run to. ❜

❛ what a fuckin’ pain, takin’ a train to a boat to another train ? ❜

❛ come out, come out… ❜

❛ when shit goes down, we intervene. ❜

❛ why the fuck we gotta go uptown ? ❜

❛ we’ve never gone that far uptown… ❜

❛ if the night goes sideways… ❜

❛ hey ! you better have my back, ‘cause this is happening. ❜

❛ [name], you bring the cans and keep taggin’ our sweet graphic. ❜

❛ anybody testin’ these hands will see static, capiche ? ❜

❛ leave your weapons back at home, don’t pack no chrome. ❜

❛ oh please, you know my style. ❜

❛ they call me cowgirl ‘cause i like to ride ! ❜

❛ i’m the youngest and the prettiest, they call me [name] ! ❜

❛ i got two f’s for y’all, fuck around, find out ! ❜

❛ there’s peace so far, but i’m in your corner if that shit goes down. ❜

❛ can you count, suckas ? ❜

❛ nobody’s wastin’ nobody, and that’s a miracle. ❜

❛ can you see how strong we can be if we can agree that it’s all our turf ? ❜

❛ imagine what i had to do to stay on top. ❜

❛ now imagine what we could do if you and your crew got with me and my crew - ❜

❛ you are brothers and sisters now, and anywhere you go, you are home free. ❜

❛ no, i didn’t do this ! i’d never do this ! ❜

❛ i don’t see a way to escape from the crowd ! ❜

❛ get away from the crowd ! make your way downtown ! ❜

❛ go the other way or there’s no getting out ! ❜

❛ who will save us now ? ❜

❛ punch your fuckin’ way through the gate ‘til it breaks down ! ❜

❛ when you woke up today, you didn’t think you could die. neither did i. ❜

❛ i guess we’re running ! ❜

❛ everybody make it ? ❜

❛ we gotta go back and find [her/him/them] ! ❜

❛ it is way too soon to mourn [her/him/them]. ❜

❛ knowing [her/him/them], [she/he/they] probably tried to make things right. ❜

❛ is the truce still on ? ❜

❛ when the night goes sideways, get back home alive. ❜

❛ if the night divides us, meet back up in [place]. ❜

❛ and who decided to make you war chief ? ❜

❛ no, i wanna know ! who gave you the right ? ❜

❛ make your move or fall in line. ❜

❛ we gotta stick together. ❜

❛ we lost [name], we can’t lose you too. ❜

❛ i’ll get us home alive. ❜

❛ [name], just before we go - make our mark and let ’em know that we were here tonight. ❜

❛ we’ll live to see tomorrow if we just survive the night. ❜

❛ looks like they forgot about the truce… ❜

❛ we gotta get past ‘em to catch that train ! ❜

❛ on my signal, five, four, three, two, one, run ! ❜

❛ you won’t leave [place] alive. ❜

❛ why we leavin' ? all the amenities, i really coulda stayed. ❜

❛ [place/group] pissed on us, if you didn’t notice. ❜

❛ you weren’t supposed to bring any liquor. you aren’t supposed to drink on duty, period ! ❜

❛ we coulda stomped ‘em. 'least i flipped ‘em the bird. ❜

❛ it’s alright, nobody can read these maps anyway. ❜

❛ shit, this train’s had it, is that a track fire ? ❜

❛ they want ‘em alive, we don’t. ❜

❛ they’re looking for [person/group], remember ? we can do some lookin’ too. ❜

❛ can’t you see ? i’m havin’ a good time ! ❜

❛ i came to make your dad shit his depends. ❜

❛ let’s kick this town, watch the whole skyline come tumbling down ! ❜

❛ light one match, don’t be scared. you just might watch the world burn. ❜

❛ be a star. better yet, be a shooting star. ❜

❛ let me do the talking, be easy. ❜

❛ what is this, a late-night cosmetology class ? ❜

❛ you dare to cross our lawn ? with your colors on ? ❜

❛ easy, easy, we’re only passing through. ❜

❛ we’ve got no beef with you. ❜

❛ i’m sensing a little condescension. do you think we’re not big time ? ❜

❛ we’re known for our compassion when the chips are down. oh ! and also known for bashin’ in our deadly foes. ❜

❛ hey, i like your vest. you wanna gimme one ? ❜

❛ help us get through and i’ll see what i can do. ❜

❛ bitch, i don’t want a new one, i want the vest offa you. ❜

❛ you really gonna let ‘em walk around all through your little territory ? ❜

❛ i’m losing my cool. ❜

❛ pssh, you ain’t never once been cool. ❜

❛ fuck you, we’re walking home. ❜

❛ you made us get our weapons, now you see what you get ! ❜

❛ hey, let me go to wherever you’re going. ❜

❛ what do you do when they kill everything you believe in, but you still breathin’ ? ❜

❛ i wish i shared your dream of peace, but it’s killing season. ❜

❛ [name], wake the fuck up and tell me what your story is. ❜

❛ we decide if you get to live, see ? ❜

❛ [name], you in a pickle. if i were you, i would start talking right now. ❜

❛ i’m not your judas. ❜

❛ cut me or kill me or riddle my body with bruises, that’s what the truth is. ❜

❛ the truth is you have me confused with my accusers. ❜

❛ so where’s the rest of your crew, then ? ❜

❛ c’mon, let me be and set me free. ❜

❛ if i am guilty then where is my gun ? ❜

❛ you gonna kill me ? then have it be done. ❜

❛ i’mma help you find the one who killed [her/him/them]. ❜

❛ this city will never forgive what you did. ❜

❛ there’s a price on your head for the shit that you did. ❜

❛ go back to the gutter with your late night dates ! ❜

❛ oh, so you’re innocent. ❜

❛ running makes you look guilty. ❜

❛ you got some to say, let ‘em know. ❜

❛ if you wanna survive, burn bright. ❜

❛ quiet girls don’t make it home. ❜

❛ let’s fight, ‘cause i’m sick of being wimps. ❜

❛ i’m sick of running. ❜

❛ we keep runnin’ when we can take these clowns. ❜

❛ we ain’t come this far just to run and hide. ❜

❛ i’ll fight my way to wherever you’re going. ❜

❛ yoo hoo, ladies, you look lost and exhausted. ❜

❛ you’d look prettier if you’d smile. ❜

❛ you wanna show me how you play ? ❜

❛ but you wanted to play, right ? old ass predator looking for prey, right ? ❜

❛ talkin’ that shit, but got nothin’ to say, right ? ❜

❛ this is judge, jury and trial, motherfucker ! ❜

❛ i’m sick of runnin’ when i’ve done nothing wrong. ❜

❛ picked the wrong fight, now you’re in for a long night. ❜

❛ ‘why cause pain ?’ life is pain. ❜

❛ [name]’s just an extra soldier to help us get back home. ❜

❛ if we get home tonight, what’ll we have left ? ❜

❛ matching cardigans ? that’s cute. ❜

❛ where you headed ? look like you’ve been on the run. ❜

❛ now we got a place next door. that might be what you’re looking for. ❜

❛ i will shield you from all harm ‘cause you’ve been through hell, and your shelter is here in my arms. ❜

❛ how are you so beautiful tonight ? ❜

❛ if you need my place to hide, take my hand. ❜

❛ everybody needs a soft place to land. ❜

❛ can we stay on track ? ❜

❛ why’re you being so quiet in this subway tunnel ? whaddaya think, i bite or somethin’ ? ❜

❛ ha. i don’t think you’d like initiation. ❜

❛ so whatcha wanna do, jump me into the crew ? ❜

❛ well, you split from [group]. are you loyal ? ❜

❛ i’m loyal to you. ❜

❛ what’s wrong ? kiss me. ❜

❛ if i’m everything wrong, why’d you keep me along ? ❜

❛ why stick up for a stranger, in spite of the danger ? ❜

❛ i followed the night just to be in your corner. ❜

❛ i’d fight by your side. i would stay in your corner and you know it. ❜

❛ i wanna live, not just live to survive. ❜

❛ don’t know what you think you see in me. ❜

❛ don’t tell me you believe in me. you don’t even know me. ❜

❛ i’m broken, so don’t put your hope in me. ❜

❛ what do you want me to say ? that you’re beautiful ? ‘cause i think we both know that. ❜

❛ you’re more than beautiful. ❜

❛ you’re more than your body. you’re more than these lips, or this face - ❜

❛ if we ever somehow get out of this place, then we’ll go find something new. ❜

❛ the light at the end of this tunnel’s got nothing on you. ❜

❛ i think i see a light or somethin’. ❜

❛ i smell good cookin’ and i haven’t had a bite all night. ❜

❛ they’re so good-looking that i don’t know who to decide i like. ❜

❛ watch ‘em drop with a kick to the dick or the kidney ! ❜

❛ that pretty boy just bit me ! ❜

❛ never follow a beautiful face to a second location. ❜

❛ you can’t kill an idea whose time has come. ❜

❛ he’s waiting for us on our turf. ❜

❛ someday in the city we won’t have to run. ❜

❛ let’s find the train that gets us home. ❜

❛ hey yo, this hot dude bit me ! ❜

❛ i smashed that bad guy with his own chair ! ❜

❛ i’m a walkin’ talkin’ fire-breathing controversy ! ❜

❛ hands where we can see ‘em, if you please. ❜

❛ i’m sick of being afraid of you. ❜

❛ why can’t we just go back home ? why we always on the run from you ? ❜

❛ we put 'them in their place. you want some too ? ❜

❛ oh, you wanna rumble ? no problem ! ❜

❛ mission accomplished, i’ll see you in [place] ! ❜

❛ [name] would’ve beat him, but i am no [name]. ❜

❛ everyone you ever lost is still around, yes. see them in the flickers of the train’s fluorescent light, here in the night… ❜

❛ we’re all on the same train home. ❜

❛ oh, let them stare in judgment, let them witness this. ❜

❛ all we got is us. ❜

❛ we made it home alive. ❜

❛ it’s been a long fight just to see the ocean. ❜

❛ i’ve never seen the ocean. ❜

❛ how do we carry on without them ? ❜

❛ if [name] were alive, we’d be home free. ❜

❛ stay behind me, let [him/her/them] find me. ❜

❛ i am the ghost and i’ve hunted you. ❜

❛ stop. who the fuck are you and why are you here ? ❜

❛ don’t you know i killed [name] ? ❜

❛ you missed me ! and what ? ❜

❛ no one is coming to lend you a hand. ❜

❛ you only know how to break shit apart. ❜

❛ your crew is scared of you, see how it scatters ! ❜

❛ my crew would die for me. loyalty matters. ❜

❛ that’s where the glory is, not in blowing it up but in holding it down. ❜

❛ i don’t know why i’m still alive and some of us gone. i don’t think i’m special. ❜

❛ even though i’m home, i’ve got a knot in my chest that i can’t untangle. ❜

[kineticcharmer]

Listening to the other's words brought back memories of his own. Everyone had their own experiences after all. It wasn't unnatural to feel familiar but were their issues cut from the same cloth?

Gambit's expression remained serious as he considered the offer.

“I won't turn down de help but dis is clearly trouble, mon cher. You sure you're not bitin' more t'an you can chew?”

He was half-joking, knowing well the Red Hulk was strong. But the thought of being in debt with him didn't sound good at all.

“I lost a device dat McCoy made, it enhances one's abilities t'a certain degree. It's pretty obvious what de crimelord who has it will use it for...”

@kineticcharmer

Oh ha ha ha,very funny. Granted, Red could handle Gambit's explosives with very little effort, but a Hulk had standards on where to aim.

At least HE did. Big Green was the one that liked to aim below the belt a few times to get a win.

" Keep laughin' LeBeau. If I tossed a rock at your jewels you wouldn't be laughing so hard either."

Still, he had to wonder...

" What the Hell are you up to, anyways? Aren't you usually with the rest of the X-Men?"

[kineticcharmer]

He fell quiet for a second, allowing the silence between them to linger for a moment as a yellow smile came to him. The Hulk had a point.

“Errm... it's a long story.” Once the inquiry was made, he reflected on his actions hours ago.

He had lost an important item the X-Men had created. To top it off it was on a Poker table.

Remy wasn't used to losing like that, it almost felt cheated.

“Ever lost somethin' you weren't supposed to? Well! I'm out here t'get back what i lost.”

He averted his eyes back to the other, his mind running with doubts but in the end only one question was voiced.

“What is it to you, though?”

@kineticcharmer

Oh ha ha ha,very funny. Granted, Red could handle Gambit's explosives with very little effort, but a Hulk had standards on where to aim.

At least HE did. Big Green was the one that liked to aim below the belt a few times to get a win.

" Keep laughin' LeBeau. If I tossed a rock at your jewels you wouldn't be laughing so hard either."

Still, he had to wonder...

" What the Hell are you up to, anyways? Aren't you usually with the rest of the X-Men?"

[kineticcharmer]

The professor had tasked Remy with gathering more mutants and bringing them in, should they want to. He was aware joining the X-Men would be a change for anyone, but was it a desirable thing? It surely came with its pros and cons, but he wasn't one to overthink or make other's decisions.

He knew there was a mutant working at that high-end club and decided to pay her a visit.

The place's atmosphere was lively even without many people that night, which surprised him.

He was there on business, but everyone was eye-candy. It made him want to loosen up too.

For some reason, the Cajun couldn't take off his eyes of a specific dancer. Something about her just stood out, call it a hunch, but he believed she was the mutant there.

His gaze followed her every movement, soon he rose from his seat and tagged behind her to the bar.

“You surely know how t'put on a show, don't you? Somethin’ 'bout your moves back dere aren't at all... ordinary.” He began, finally stopping on his tracks besides the other.

He was usually so eloquent, yet now Remy felt troubled. How should he go about that? He couldn't just say they wanted her to become an X-Men.

“You're a mutant. Correct?” He asked in a hushed tone, unsure how people there would react to that.

“What should i call ya?”

Strip club || Dazzler || Closed

@kineticcharmer

The club wasn’t overly busy, but that suited Ali just fine. It meant she could give the people watching her dance the attention they craved.

This was a higher end club, she’d worked her way up from the dives where she’d learned the ropes, which meant better tips from her admirers.

She knew most of them, had slept with most of them even- for a price, and knew what they liked.

Her outfit was more stick on jewels than clothes and they caught the light with her every movement.

If she added a few subtle special effects with her powers, well, no one was the wiser.

She finished her dance and headed through the seats to the bar for a drink.

((Minus the jacket and face jewels))

[kineticcharmer]

Nonverbal RP Starters

I’m finding it difficult to find memes for nonverbal characters ( be they mute, or just not fond of talking ) so I thought I’d make a few!

Neutral

☝️ Tap my muse on the shoulder

👉 Point to something for my muse to see

🤙 Bump into my muse

😊 Sit down next to my muse

🤨 Sit down across from my muse

📓 Push/Slide [an object] across a table to my muse

✍️ Pass my muse a note

🙄 Roll their eyes at my muse

🚪 Tap on a table/door/wall/chair to get my muse’s attention without speaking

Aggressive

🐺 Growl at my muse

😬 Snarl/show teeth at my muse

😠 Death Glare at my muse

🙌 Push/Shove my muse

👊 Punch my muse

👖 Kick my muse in the shin

👠 Stomp on my muse’s foot

😵 Knee my muse in the gut

💀 Knee my muse in the groin

🔪 Point a weapon at my muse

🖕 Flip my muse the bird/a similar gesture

👔 Roughly pull my muse down by the collar

💢 Bang on a door/wall/table to get my muse’s attention- angrily

Angst

👩‍⚕️ Put pressure on my muse’s wound

🌡 Push my muse down to give them medical attention

🥣 Bring my muse soup/medicine when they are sick

🤢 Hold my muse’s hair back/Rub my muse’s back while they are sick/throwing up

👐 Hold my muse when they are badly wounded/dying

👁 Wake my muse up during a nightmare

🐱 Hold my muse after a nightmare

😭 Hold my muse when they are crying

😢Touch my muse’s shoulder while they are crying in secret

💧 Wipe away my muse’s tears

💥 Try to calm my muse during an overwhelming emotional moment

⛈ Find my muse after some kind of trauma

Soft

👕 Tug on my muse’s sleeve/shirt/skirt

🐈 Lean against my muse’s side

🤝 Hold my muse’s hand

🤗 Pull my muse into a hug

🐕 Rest their head on my muse’s shoulder/knee

🐶 Nuzzle my muse with their nose [specify a location]

✋ Touch the back of my muse’s hand

🤝 Reach for my muse’s hand to hold it

👗 Fix/Straighten my muse’s clothes

😴 Stand by the bed to see if my muse will let you under the covers with them

🛌 Crawl under the covers with my muse

🥪 Set a plate/tray/bowl of food down for my muse

😚 Kiss my muse on the cheek

Playful

🌸 Put a flower in my muse’s hair

✨ Playfully shove my muse’s shoulder

💃 Pull my muse onto a dance floor/up to dance

🤞 Come up beside them and tap the shoulder opposite where they’re standing

😈 Jump out of the shadows to scare/startle my muse

😛 Stick their tongue out at my muse

😱 Make a silly face at my muse

🤭 Tickle my muse

👃 Poke my muse’s nose

💪 Pick my muse up

Sensual/Sexual

💘 Pull my muse in for a rough kiss

💕 Pull my muse in for a tender kiss

💞 Pull my muse in for a messy/desperate kiss

💖 Lean in to give my muse a sweet/chaste kiss

❤️ Lean in to give my muse a tender kiss

🔥 Pull my muse down by the collar/by their clothes - in a sexy way

😉 Pull my muse in by the hips

😲 Smack my muse’s butt

💋 Kiss my muse’s neck

👌 Push my muse down and give them a massage

👙 Pull [an article of clothing] off my muse

👀 Push my muse down on the bed

👄 Pull my muse onto the bed

[kineticcharmer]

" Woah there, watch where you're pointing that thing! I'm old but I'm not ready to lose my family jewels any time soon!"

(XD)

Remy was throwing cards around, nearly getting the other caught in an explosion by accident. Though he thought of apologizing for it, their reaction brought out a smile to his face. Certainly he wasn't offended by it?

“You're in de way, big guy! I assumed ya had better reflexes?”

[kineticcharmer]

He tilted his head to the side ever-so-slightly, a pensive expression finding its way to his visage. Remy tried to recall what these monsters should look like, his lively imagination doing more than it should to help. But alas, he hasn't seen anything unusual per se.

“Depends, mon ami, I heard weird rumors lately. De locals are sayin' dat a demon's roaming around here at night.” He began, shuffling his deck before going on.

“I came here t'investigate, but lady luck hasn't smiled upon me yet.”

For all he knew, it could be just baseless rumors that shouldn't be minded. But it didn't change the fact a few people went missing in the vicinity.

He's seen the other before, that was the only thing that made him less suspicious of their presence there.

“Anyways, dat doesn't really answer my question. Must you keep me in de dark, monsieur?”

────🃁ᝰ⠀⠀⠀OPEN STARTER

Gambit was treading along the alleyway, his ears picking up sound but his peculiar set of eyes failing to spot the reader. They're the source of the sound perhaps?

He didn't pay much attention to it at first, however as it continued he had no other choice other than want to check it out, the X-Man's curiosity mildly stired.

“I know you're dere, as loud as you were...” He pointed out, removing his hands from his trenchcoat only to reveal a set of cards.

Nonchalant steps are taken, carrying him closer to the dark spot he assumed the reader was in.

“Question is: what kinda trouble are ya up to?”

[kineticcharmer]

KNOCK - KNOCK PROMPTS.

listen i recently became obsessed with the amount of television shows that have a mystery person knocking on the protagonist's door as a major finale cliffhanger, and it got me thinking, and now we have this list that a few immensely talented people helped me with! that said, we know the drill by now. DO NOT ADD TO THIS LIST OR CLAIM IT AS YOUR OWN! IF YOU HAVE IDEAS FOR MORE PROMPTS SEND THEM TO ME AND I WILL ADD THEM!

[ KISS ]: sender shows up at the receiver's door and impulsively pulls them in for a passionate kiss that punctuates a lengthy slow-burn between the two.

[ WOUNDED ]: sender arrives at the receiver's door with considerable injuries, in dire need of help and emergency care that only the receiver is either trusted enough or convenient enough to provide.

[ TEARS ]: sender shows up at the receiver's door in tears and in need of comfort after a long day (or week, or month…)

[ DEFEATED ]: sender arrives at the receiver's door after having lost a considerably important battle (metaphorical or literal) and needing a place to recuperate from the loss.

[ FUGITIVE ]: sender, having just become a fugitive from the law, runs to the receiver's home in the hopes of finding shelter and safety with them.

[ GIFTS ]: sender arrives at the receiver's house with gifts for the homeowner themselves.

[ APOLOGY ]: sender goes to the receiver's house to apologize to them for a past wrong-doing (specify if you wish!)

[ DATE ]: sender arrives at the receiver's house to take them on a romantic date.

[ HANG OUT ]: sender arrives at the receiver's house to hang out with them for the day.

[ GO OUT ]: sender heads to the receiver's house to take them out for a day of fun/relaxation.

[ COLLECT ]: sender shows up at the receiver's house to collect something that the receiver has either purchased for them or borrowed from them.

[ DELIVER ]: sender shows up at the receiver's house to deliver something to them that either the sender borrowed or the receiver requested from them.

[ CONFRONT ]: sender goes to the receiver's house to confront them about an on-going problem between the two of them.

[ FAVOR ]: sender goes to the receiver's house to ask them for a favour.

[ RECRUIT ]: sender goes to the receiver's house to recruit them for an upcoming task that the sender is unable to do alone.

[ ROOMIE ]: sender goes to the receiver's house to move in with them.

[ COMFORT ]: sender goes to the receiver's house to comfort them after the receiver has a difficult time or experiences a significantly difficult event.

[ HELP ]: sender goes to the receiver's house to help them with something that the receiver is either procrastinating or unable to accomplish on their own.

[ LEISURE ]: sender goes to the receiver's house for a movie night or a game night.

[ WARN ]: sender goes to the receiver's house to warn them against doing something that they suspect the receiver is preparing to do.

[ THREATEN ]: sender goes to the receiver's house in order to threaten them.

[ REUNITE ]: sender returns to the receiver's house after having been away for a while, intending to reunite with them.

[ GOODBYE ]: sender goes to the receiver's house to say a final farewell after learning they're due to leave town, possibly for good.

[ SECRET ]: sender sneaks out to the receiver's house to meet with them in secret.

[ BAD NEWS ]: sender arrives at the receiver's doorstep to deliver some bad news to them (SPECIFY THE NEWS).

[ PARTY ]: sender arrives at the receiver's house to attend a party that the receiver is hosting.

[ NEIGHBOUR ]: sender, having just moved in next door, arrives at the receiver's house to introduce themselves.

[ ENGINE ]: sender's car breaks down in the same street that the receiver lives on, leading the sender to knock on their door to ask for help.

[ PRETEND ]: sender knocks on the receiver's door to ask them to pretend to know them for the sake of a cover story.

[ VISIT ]: sender goes to the receiver's house for a casual visit.

[kineticcharmer]

REASONS TO TACKLE. [ a prompt list! ]

listen. tackling is a language that can convey many many things. and once again, this is a list that may be edited down the line to capture those languages, but in the meantime! we have this! bc i saw One Scene in a film and made it the dashes problem! bon appetit, enjoy! DO NOT ADD TO OR EDIT THIS LIST, NOR CLAIM AS YOUR OWN.

[ ANGER ]: sender tackles the receiver in a fit of rage.

[ DODGE ]: sender tackles the receiver out of the way of an attack.

[ LOVE ]: sender tackles the receiver onto a bed/sofa to give them some attention of a romantic or similarly heated nature.

[ TRAIN ]: sender tackles the receiver as part of a sparring or training exercise.

[ SLEEP ]: sender tackles the receiver on top of a bed in order to insist that they get some sleep.

[ HUG ]: sender tackles the receiver to the ground in their enthusiasm to give them a hug.

[ CALM ]: sender tackles the receiver to the ground in an effort to both restrain and calm them down.

[ STOP ]: sender launches themselves at the receiver and tackles them in order to stop them from doing something.

[ FIGHT ]: sender, in the midst of a physical fight with the receiver, tackles them to try and gain the upper hand.

[ RESTRAIN ]: sender tackles the receiver to try and physically restrain them.

[ HIDE ]: sender tackles the receiver to the ground, out of sight, in order to stop them from being seen.

[ SHIELD ]: sender throws themselves over the receiver's body to shield them from an attack.

[ INTERVENE ]: sender tackles the receiver to prevent them from attacking another person.

[ WHISPER ]: sender tackles the receiver so as to distract on-lookers from seeing them whisper something into the receiver's ear.

[ COLLAPSE ]: sender, weak due to previous conditions, collapses on top of the receiver, inadvertently tackling them to the ground in the process.

[ SLIP ]: sender slips on something and trips, bringing the receiver down with them in their descent.

[ POCKET ]: sender tackles the receiver in order to distract witnesses from seeing them put something into the receiver's pocket.

[ CONVINCE ]: sender tackles the receiver to convince on-lookers that they're enemies.

[kineticcharmer]

𝐏𝐑𝐎𝐌𝐏𝐓𝐒 𝐓𝐇𝐀𝐓 𝐌𝐀𝐊𝐄 𝐌𝐄 𝐆𝐎 👀.

okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )

[ HAIR ]:          sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)

[ CLOSE ]:          while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.

[ CHIN ]:          as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.

[ THUMB ]:          while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.

[ WOUND ]:          upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.

[ INHALE ]:          while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.

[ DANCE ]:          when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.

[ BARE ]:          as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.

[ SCAR ]:          noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.

[ FOREHEAD ]:          placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.

[ PALM ]:          taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.

[ LINGER ]:          taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.

[ BEHIND ]:         upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.

[ WAIT ]:          realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.

[ ARM ]:          after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.

[ HOLD ]:          while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.

[ PLAY ]:          while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.

[ GUIDE ]:          in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back

[ TOUCH ]:          while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.

[ CUP ]:           bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.

[ TUG ]:          the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.

[ HUSH ]:          while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.

[ WRAP ]: when sitting astride a horse/motorcycle/etc. together, the sender reaches back, takes the receiver’s wrists, and gently pulls their arms around the sender’s waist in an embrace designed to keep the receiver safe, despite feeling remarkably intimate.

[kineticcharmer]

────🃁ᝰ⠀⠀⠀OPEN STARTER

Gambit was treading along the alleyway, his ears picking up sound but his peculiar set of eyes failing to spot the reader. They're the source of the sound perhaps?

He didn't pay much attention to it at first, however as it continued he had no other choice other than want to check it out, the X-Man's curiosity mildly stired.

“I know you're dere, as loud as you were...” He pointed out, removing his hands from his trenchcoat only to reveal a set of cards.

Nonchalant steps are taken, carrying him closer to the dark spot he assumed the reader was in.

“Question is: what kinda trouble are ya up to?”

[kineticcharmer]

────🃁ᝰ⠀⠀⠀OPEN STARTER

The cajun swung his bo staff around in intimidation, though he doubted that would work against the reader.

They seemed like one tough fellow.

“Be careful, mon ami. I kno' martial arts, an' several ot'er dangerous words.” He smirked, red eyes peering into the other's own set of eyes.

What were they doing there?

[kineticcharmer]

Seeing how pale her face had become brought worry to his visage. The cajun soon becoming, distressed. He felt he did something incredibly stupid, maybe even more than he initially assumed it were.

His lips parted to speak in his defense, but Rogue's words poured out. Her tone made him curious too. Why did she react that way?

Could the item be connected to her somehow.

“I will get it back! Don't worry.” He tried to sound convincing, despite the unsure tone he assumed.

“You got all worked up... it's jus' a collar. No piece o' jewelry or anythin'.” He added, offering a yellow smile as he raised his hands in the air.

But Remy knew better than that, for Anna Marie to react in such a way it was bound to have a deeper meaning.

“What does t'is collar do anyways? D'ya know?”

OPEN

She can tell by the way the other is looking at her that they're just itching to say something. People tend to have a certain look on their face when they're trying to hold back something that's on the tip of their tongue. Whatever it is, she'd prefer to get it out in the open than endure the other's uncomfortable scrutiny.

"If ya got somethin' to say, spit it aht."

[kineticcharmer]

The Cajun's was just wrestling with his tormented thoughts, thinking of the best way to tell her what happened. It wasn't easy, to say the least.

Remy hardly ever lost when gambling or playing for keeps.

He had lost one of Hank's newest inventions on a poker table, and now the item would be auctioned at an auction house.

Although he thought of getting it back by himself, he figured his chances were better with Rogue by his side. Telling the events to her wasn't going to be easy, he was certainly in for an earful.

"W-Well, i might've lost somethin' important."

He began, trying to smooth his way out of that.

"It's de weird collar dat Hank made last week... de man's gon' be mad, ain't he?"

⠀

OPEN

She can tell by the way the other is looking at her that they're just itching to say something. People tend to have a certain look on their face when they're trying to hold back something that's on the tip of their tongue. Whatever it is, she'd prefer to get it out in the open than endure the other's uncomfortable scrutiny.

"If ya got somethin' to say, spit it aht."

[kineticcharmer]

𝐒𝐎  𝐘𝐎𝐔  𝐖𝐀𝐍𝐍𝐀  𝐈𝐍𝐓𝐄𝐑𝐀𝐂𝐓?

send  STARTER!    for  a  random  starter  

send  PLOT!    to  discuss  potential  threads

send  MEMES!    to  request  the  receiver  to  send  meme  options

send  IC  ASKS!    to  request  the  receiver  to  send  ic  ask  prompts

send  DYNAMICS!  to  discuss  potential  dynamic  types

send SHIP! to discuss potential ship types

[kineticcharmer]

seggsual tension!

never too early/late for some sinday stuff! add '+' for the reverse! assume all of these are done with consent!

[smolder] - Sender stares at receiver from across the room.

[pin] - Sender and receiver are caught in a small space, causing their bodies to be close together.

[position] - Sender catches receiver in a compromising position.

[heat] - It's hot, and sender/receiver notices how the other's clothes are sticking in all the right places.

[cold] - It's cold, and sender/receiver have to stay together for warmth.

[bed] - Sender and receiver have to share a bed.

[towel] - Sender catches receiver in nothing but a towel.

[squeeze] - Sender and receiver have to hold hands.

[moan] - Sender accidentally / on purpose moans suggestively.

[wound] - Sender has to patch up receiver's wound.

[dance] - Sender and receiver have to dance together.

[whisper] - Sender whispers in receiver's ear.

[bath] - Sender catches receiver bathing.

[food] - Sender watches receiver eating something in a particular manner.

[sleeves] - Sender sees receiver roll up their sleeves.

[button] - Sender sees receiver's shirt unbuttoned.

[zip] - Sender helps receiver zip/unzip their dress.

[grope] - Sender accidentally (on purpose) gropes receiver.

[stretch] - Sender watches receiver stretch, showing a bit of skin.

[scent] - Sender gets a smell of receiver's cologne/perfume.

[kineticcharmer]

"Hey, Gumbo's mighty good! How else are ya supposed to react when dat happens?" He joked, trying to lighten the mood.

He'd press on with the lie, but something he did changed his goals completely.

His peculiar eyes looked up at her, studying her expression.

There it was⸺ the worry he loathed to cause on others, especially Rogue.

But there was one way to make it better, and it was telling the truth.

A sigh leaves his lips as Gambit rose from his seat.

"Let's go fo' a walk? I'll tell you all 'bout it."

He took the lead, trying to find the right way to convey his troubles. Even with all his education, sometimes words eluded him when around the other. He was usually so smooth and eloquent but Rogue could make it all go down the wire sometimes.

"You remember our last mission? De robots attackin' us? I feel i know who might be behind it." Remy began.

"But it's hard ta believe 'cause it was a former friend. I don't think he'd do dat, knowin' how much i treasure y'all. But de way it all happened... it has t'be."

"You are strangely quiet. How do you feel, I wonder?" (from @down-home-charm)

The wind blowing would make his auburn locks move along with it.

A refreshing breeze was always welcome and Remy was usually appreciative of it, however, this time he didn't voice anything.

he seemed to be lost in thoughts all alone.

In the ballroom of his mind, scenes played of the previous mission his team had to see through to the end.

Despite everything ending well, things were escalating quickly with the mysterious culprit who was sending machines to attack them.

Remy had a hunch he knew who was behind it!

Before he could sink deeper into his thoughts, @down-home-charm 's voice rang out.

"...feelin' fine, I'd say." The Cajun lied, offering his signature smile.

Why was he putting on a brave front?

"Why⸺ are ya worried 'bout dis good olʼ Cajun?" He teased, his smile growing accentuated.