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Adult realization: you will make mistakes, you will act irrationally. You will commit some wrongs that cannot be fully righted. People will dislike you and misunderstand you for all sorts of reasons. None of these make you a bad person. All you can do is try your best to be kind and just to people, grow and learn.
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writing characters with one eye
i can pretty much guarantee that ↑that↑ is not a heading you see everyday.
now i will not be giving advice on writing cyclopses, (though it may be sort of the same thing) i still hope this will be helpful for some people out there that are looking to provide a more diverse cast to their wip!
i have never ever ever read a book, watch a show movie etc etc that involves a character with one eye. (aside from those badass characters who wear eye patches bc they lost sight in one eye in some badass way)
for context: i am one of many people who was born with microphtalmia, an eye disease that results in one or both eyes develope smaller than normal at birth. i myself was born with a smaller left eye, which resulted in my left eye being removed exactly twenty days after birth.
microphthalmia (along with many other eye diseases) typically leads to being half or fully blind. i lucked out and only lost my left eye which i am so so thankful for.
i would really really love to see more representation for my community in literature, especially so people would come to see that being half blind isn’t as unusual and weird as people make it out to be.
without further ado, i present to you, a list of information, facts, and first hand experiences from yours truly!
i’ve had prosthetic eyes made to fit my eye socket for about fifteen years (i’m 16 lol) (the first 6ish months after the surgery i never had a prosthetic)
in my life i’ve had four different prosthetic eyes made because just like other people, my eye socket grew alongside the rest of me, meaning the prosthetic needed to be made bigger
i’ve had my current prosthetic for four years now, the past ones lasted about 2-3 years at a time. this one will probably last me through the rest of my life unless i need/want a new one
as opposed to most media/assumptions, my prosthetic (along with most prosthetics) is PLASTIC (people always think it’s glass) and only half a circle!!
i’ve had three surgeries related to my eye
i do not have depth perception which makes doing certain things very difficult (estimating distance, how close/far i am from something etc)
driving is not affected too much, i just have to turn my head more than other people. i believe being blind in the right eye might be more difficult, but i couldn’t say
doing my make up is kinda easy, except for eyeliner is a pain in the ASS since most people close their eye to do it on their upper lid, but clearly i can’t close my right eye whilst doing it lol
my family as well as my friends and even myself often forget i have a prosthetic, which sometimes results in awkward/funny situations
i hate walking with people on my right bc i can’t tell where they are unless i’m constantly looking down at my/their feet
i sucked at basketball bc i had such a disadvantage (no depth perception, i could only see half the court, i was constantly turning my head) but professional swimming is much easier for me since it’s not a contact sport and doesn’t really require for me to be paying attention to a million things at once
i rarely have to take my prosthetic out, and if i do, it’s either to clean it, (we do get eye crusties on our prosthetics just like other people do when they have pink eye or sever allergies) it’s bothering me/really dry, or i want to take it out to show/scare people lol
a lot of people don’t realize when i first meet them that it’s fake bc my recent prosthetic is amazing accurate to my real eye. others notice and assume i have a lazy eye since it doesn’t move
for some reason people think i can’t cry out of my left (prosthetic) eye??? i still have a tear duct??? i actually think more tears come out of my left tear duct than my right lol
i am extremely self conscious about it, but i know there are other one-eyed beauties out there who aren’t which is amazing!! i try to live vicariously through them lol
i make sooo many jokes about my eye lol, and i’m usually ok w other people making jokes as long as they aren’t like overly rude/offensive, then i’ll feel a lil bad about my self
people never really made fun of it, but kids in middle school likes to wave things in front of my left eye/on my left side that i couldn’t see which got really annoying after a while
getting custom designed prosthetics are available, but they’re really expensive (so are normal lol) they costs thousands of dollars, just like other prosthetics do
i run into things that are on my left side ALL THE TIME it’s actually kinda funny lolol
i try to hide my left eye/turn more to my left side in photos bc my eyes aren’t always looking in the same direction, which really gets to me
i wear glasses for both protection and bc my right eye is -1.75 lmao but i did used to wear non-prescription glasses purely for safety
i do have contacts to wear during the summer, swim meets etc, for when i don’t want/can’t wear my glasses but need to see. bc of this, i have a second pair of glasses that have no prescription
if doctors/scientists managed to figure out a way to fix microphthalmia (a birth defect), or do a sort of eye transplant, i would not be able to have that done to me because all parts of my left eye have been removed from my body
microphthalmia is NOT the only disease that results in the haver losing sight in one or both eyes!! there are many others, but it is not my place to share any experiences for something i have not experienced!!!
for once i just want to see a clumsy character who has one eye that WASNT a result of some tragic event.
so please please please consider including a character with one working eye in your wip. it would mean the world to myself and all the other members of the community (there’s a lot of us, trust me) plus, i wouldn’t mind starting an acting debut playing a half-blind female protagonist, that would be so dope.
that’s about all i can think of for now! please send an ask or reply to this post if you have any questions, i’m willing to answer any!!! and if you happen to be a member of the one eye club, please add to this post!! that would mean the world to me:)
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oh you're in a horror film/book and your phone died/has no bars? how boring. I think phones in horror SHOULD work. they should ding only to have the protagonist check and find nothing. they should get calls from somebody you don't know but is still somehow in your contacts. google maps should lead you to one place, no matter what address you type in.
phones are such a big part of our daily lives, removing them from horror removes the horror from our experience. what if the horror felt like it could happen to you, right here, right now? what if it felt like it was already happening?
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On writing sexual tension
⊹ standing too close. like just barely not touching. why are their shoulders breathing on each other??
⊹ conversations that sound normal but feel like foreplay. “pass the salt” has never been so loaded.
⊹ one of them says something flirty and the other freezes for 0.2 seconds like “oh.”
⊹ eyes dropping to lips and then—back up. with effort.
⊹ holding eye contact just a little too long. like... are they gonna kiss or duel??
⊹ unintentional physical contact that lasts one second too long and now they’re both broken
⊹ a hand on the small of the back. that’s it. that’s the tweet.
⊹ tension so thick that other characters start noticing like “hey are you two okay?” (they are not)
⊹ “accidental” sleepovers. “oh no there’s only one bed.” yeah. suuuure.
⊹ biting back a smile. biting back a moan. biting anything really.
⊹ one of them walks away and the other has to physically restrain themselves from watching the hips
⊹ lots of sighing. frustrated sighs. horny sighs. “i want to kiss you but I’m emotionally unavailable” sighs.
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One of my biggest frustrations in trying to discuss queer media is how many people seem incapable of separating "this is an important milestone in representation" from "I did or did not enjoy this piece of media." Media analysis goes beyond just "fandom stuff," and queer media in particular deserves analysis and discussion because of how hard it's been stifled.
It doesn't matter if you hate Steven Universe, it's still important to talk about, because it showed the first queer wedding in American children's television. It has been cited by the creators of subsequent queer family animation as a major milestone in allowing their shows to enter production. The Ruby/Sapphire wedding is a historical milestone, and that doesn't stop being true just because you hate the show or think the ending was bad.
It doesn't matter if you think Will & Grace is entertaining or if you have any real interest in watching it, it's still a majorly important entry in televised queer representation. It kicked down the door to allow even more to come after, and deserves credit for what it did even if you don't personally care about the story.
It doesn't matter if you have any personal interest in Rocky Horror Picture Show, it's still got a ton of important history in queer spaces. Understanding why Rocky Horror showings were and still are hubs of queer expression is important even if you despise the movie and the creator.
Giving credit for representation milestones doesn't mean you can't have criticisms of a piece of media, it doesn't mean you have to like the media, and it doesn't mean you can't prefer other media. It doesn't mean it's free from problematic material, it doesn't mean it's god's gift to television, it doesn't mean it's better or worse storytelling than other stories.
It just means it's worth talking about and understanding the context in which it was made.
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Emotionally Questionable but Artistically Valid Things To Do When You’re a Writer Losing the Plot (Literally or Figuratively)
Write your WIP’s obituary. “She lived a chaotic life, filled with plot holes, unresolved arcs, and one very confusing love triangle. She is survived by a Google Doc, 74 sticky notes, and a Pinterest board titled ‘vibes but make it pain.’” Bonus catharsis if you make it weirdly tender. Double bonus if you actually cry a little.
Make your WIP a dating profile. Age: Timeless. Location: Trapped in your brain since 2018. Looking for: A writer who won’t ghost me mid-draft. Interests: Slow burn tension, morally gray decisions, and long walks through traumatic backstory. Will it match with anyone? No. But you might remember why you fell in love with it in the first place.
Assign your plot holes a Hogwarts house. That one you keep ignoring? Slytherin. The subplot that’s doing too much? Hufflepuff with main character energy. The gaping logic error you swear you’ll fix later? Ravenclaw, but drunk. Somehow this helps. Somehow this feels like control.
Write a resignation letter from your genre. “Dear Fantasy, it’s not you, it’s me. Actually—it is you. The worldbuilding demands are emotionally abusive, and I just want to write messy little humans having conversations that ruin their lives.” You can always go back. Or not. You’re allowed to genre-hop like a chaotic frog with a laptop.
Host a fake podcast episode where you psychoanalyze your protagonist. Today on Therapy, But Make It Fictional, we discuss why Aiden cannot maintain a single healthy relationship, the consequences of childhood abandonment, and how trauma is not a personality trait (even though he tries). Record yourself. Don’t post it. Unless you do. I won’t stop you.
Put your WIP characters in a reality show. Big Brother: Emotional Damage Edition. Who cries first? Who forms a secret alliance? Who self-destructs on Day 2 because someone used their emotional trauma as a joke? (Yes, this is basically writing. Yes, this counts.)
Create an “Am I the Problem?” chart for your WIP. Spoiler: You’re not. The plot arc from hell is. But mapping it out like a true crime board will help. Use yarn. Use vibes. Use Google Slides if you’re a Virgo. Just externalize the chaos.
Write fanfiction… of your own book. That spicy scene you know you won’t put in because it messes with pacing? Write it. That “what if they shared a bed but didn’t touch” trope you secretly crave? Give in. You are your first fan. Be delulu. Be free.
Create a soundtrack for your villain’s redemption arc that will never happen. Include Lana Del Rey. Include Mitski. Include at least one angry violin solo. You don’t have to redeem them, but you can imagine them staring into the rain while “The Sound of Silence” plays.
Doodle your plot like a crime scene. Victim: Narrative Cohesion. Suspects: A surprise third act twist, a talking sword, and that one flashback chapter that broke the timeline. Go full corkboard-and-pushpins energy. You’ll either solve it or at least feel like an unhinged genius. Which is basically the same.
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This is Hiroi of money.
Reblog to receive around 2$ in small change in the future.
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You know, since it's Pride Month (and also I miss them), I feel like reminding everyone how fucking important Ruby and Sapphire were.
The way they were both unambiguously conceived as queer characters and let the writers make an established character queer retroactively. The fact that as soon as they share the screen, they immediately show how in love they are, without any ambiguity to please the censors, and they do that almost every episode they're in.
How their relationship isn't always 100% perfect, and they do conflict and fall out, but make up in the end because they genuinely love each other. How they were allowed to be iconic parts of the show, not just through being the focus of two of its most famous songs (Stronger Than You and Here Comes A Thought) but also through the book version of The Answer.
The fact they got the first gay kiss...
...and the first gay wedding in the history of kid's TV.
The way their reception showed networks that yes, people do enjoy media with queer characters, and so they contributed to many other series with prominent LGBTQ characters getting greenlit.
I honestly don't think it's exaggerating to say they're among the most important queer characters in the history of fiction for all that. And people need to say it more, and demand stuff like them more.
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I know the animation industry has been going through a serious rough patch in the past 10 years. I just hope the medium and the artists making it can get the respect they deserve someday soon. So I wanna take a moment to spread a reminder of the powerful emotional scenes we've gotten from animation in the past 10 years.









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IILWTW as Text Posts:
Pt 1 / pt 2 / pt 3 / pt 4 / pt 5/ pt 6
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Why did Harry use only Expelliarmus on Voldemort but Sectumsempra on Draco? Also, if Expelliarmus was Harry's go to spell why use Sectumsempra when he could use it against Draco's Crucio?
Harry fights Draco really differently than he fights everyone else.
So okay. Normally when he fights, Harry's go-to spells are:
Impedimenta (slow down)
Petrificus Totalus (paralyze)
Stupefy (knock out)
Expelliarmus (disarm)
Which means his strategy is get away from/incapacitate his opponent as quickly as possible and that's IT. Harry is not a flashy or creative fighter the way Dumbledore, Voldemort, and heck even side characters like Percy are. Which makes perfect sense. Fighting has never been a game for Harry. It's never been abstract. He'll do all these badass things but when he talks about fighting (like we see during the DA segments) he's not thinking about it like it's something interesting or cool. He's picturing going up against a more powerful opponent, probably while injured and scared. And what's the best thing to have in that situation? Four useful, all-purpose spells that you've practiced enough times that you don't have to think about them anymore.
Zachariah Smith gives Harry a hard time for relying on a spell as "basic" as expelliarmus, which tells us that in-universe, Harry's stripped-down dueling style might be considered kind of plain or boring. But Harry's a very effective duelist, probably because he is so practical. He doesn't care about showing off, looking powerful, or intimidating his opponents.
... except when he's fighting specifically Draco.
When he's fighting DRACO MALFOY, Harry brings out the fun spells:
Rictusempra (tickling)
Furnunculus (boils)
Leg-Locker jinx
Levicorpus (levitate by ankle)
Toenail-growing hex
And also Sectumsempra, which he THINKS is going to be another embarrassing/fun spell, because levicorpus and the toenail-growing hex also came out of the Half-Blood Prince's textbook, and Harry thinks this third spell is going to be another one like that.
So my conclusion is that Harry just kind of... uniquely enjoys fighting with Draco. He's not trying to end the encounter as fast as possible, there probably is some element where he wants to show off, hit Draco with something new or something clever. Harry and Draco have a dynamic where it's *fun* to one-up/get the upper hand over each other, and duels are perfect for that.
To me this is a very natural extension of Harry's "lets plot hypothetical ways to get Malfoy expelled" (which he does with Ron, for fun) and "lets try to figure out what Suspicious Thing Malfoy is up to now" (one of Harry's very favorite pastimes.) So long story short - when Harry fights Draco, he fights like a teenager. When he fights anyone else, he fights like an auror.
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Iroh: so Toph, what are your goals in life?
Toph: I’ve been banned from every major city’s transportation system except Omashu
Toph: I don’t know what their limit is but I will fucking find it
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