laurenfoxmakesthings - Tumblr blog

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The Great Muppet Caper but it's just Pink Jacket Lupin.

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Lupin stop trying to kill Tottsan challenge

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lala peace & love on planit monkyyy

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Pink Jacket Fujiko is beautiful

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somehow the poor cops who we were told are simply too understaffed and underpaid because of Woke to deal with 'rampant rising crime' have found the strength to beat the shit out of college students across the whole country for peacefully saying "divest from the country killing innocent palestinians in the tens of thousands"

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Caption: [A stitch with user @/sapphicyuji. The text on screen reads, " "you can't misgender cis people!", you have never had your gender questioned outside of your transness and it shows. sincerely, a trans poc".

I'm actually super glad we're having a conversation about this. The masculinization of black and brown women, because for years I felt like I endured this unique form of trauma until I realized other people went through the same thing too. And if there's one thing that I'd like to add to the conversation, there seems to be this misconception that this is something that starts at puberty. Like boys tell you you look like a man to hurt your feeling when that's so far from the case.

The first time I was purposefully misgendered was in kindergarten. I was constantly referred to by the masculine variant of my name, I was chased out of the women's restroom, and I had grown adults questioning what my biological sex was before I even knew what the difference was. And those behaviors persisted into adulthood because now if I present as anything less than 100% feminine, people will either compare me to men or animals.

And for myself and for many other brown and black women this is a life long act deliberately intended to humiliate, shame, and other us for the features we were naturally born with and I'm glad we're having a discussion on how harmful it actually is.]

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Small artists you need to understand that when you see an artist who you think has 'made it' tells you not to worry about the numbers and to not fret about getting more likes than reblogs they are not telling you it because they think you are stupid for caring or because they dont need to network to survive they are very likely telling you that because they have witnessed first hand the way the numbers game tears people to shreds in terms of mental health and motivation

[laurenfoxmakesthings]

Me and Tom Ripley

The Talented Mr. Ripley. The Imposters. The Grifters. Inventing Anna. Saltburn.

I love stories about con artists, sociopaths, and imposters.

I've rewatched the Netflix series Ripley about six times since it came out.

When I was about thirteen years old, I read every book in the local public library about cons and cold reading. I read about how to win people over in business, I learned how to cold read. There were all these books out there that TEACH you how to pretend to be a normal person that someone wants to be friends with! These books teach you how to get people to trust you, to believe you!

I found these to be amazing tools. I could not get people to believe me, I could not figure out why people disliked me. I could not figure out what I was doing so wrong that made bullies kick me in the halls or throw things at me from schoolbuses. I knew it was something wrong with me, I knew I was messing something up, I knew I was failing. So I studied.

I studied how to fake the things I actually felt and believed.

The thing was, I wasn't lying most of the time. Most of the time I was using the social techniques of con artists and cold readers to get people to believe that things I meant. If I said "yes I like this song" in a way that was natural and comfortable for me, the person I was talking to thought I was being sarcastic and mean and that I hated the song, that I thought poorly of them for liking it. I did not! I liked the song! But to get the other person to believe me I had to remember to do all these extra things, like turn my body to 3/4 face the other person, to smile, to make me voice sound like a smile. I would think about cuddling a puppy in order to get the right amount of warmth in my eyes. I would lean in and raise the pitch of my voice.

There are all these extra THINGS I had to learn and remember to do in order to get people to respond to what I intended to say.

So, yes, I love media about con artists and grifters. I love watching people be good at that switch, at putting on the mask. I love watching people in a panic that they will be caught, be revealed, because that's how most social interactions feel to me -- constant worry that my mask will slip and the person I am talking to will suddenly feel that I'm lying to them, that I'm faking everything. (I am faking everything but it's to make sure they believe the truth! Which they won't believe unless I fake everything! I am an imposter, but in support of the truth!!)

Part of what I love about the Netflix Ripley is that Tom is only good at lying to other people when he has successfully gotten himself to believe what he is about to say. He practices and rehearses his lies so that he can sell them to others. I used to practice my facial expression in the mirror, trying to get them to look like other people's faces and expressions. I would practice my tone of voice and how to make it sound warm and friendly. All the things Tom does -- except the murders! and the theft! -- all the SOCIAL things Tom does, I have done those things in an effort to hide my autism and be accepted by the people whose respect and friendship I wanted.

Con artists, cold readers, and comic books taught me how to pretend to be neurotypical.

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[laurenfoxmakesthings]

" It all ends in one of two ways: either someone gets eaten or something blows up."

Frank Oz, Jim Henson (Inside Big V) and Jerry Juhl, C. 1966.

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Click through to see story links

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Emil Melmoth

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April 26: All 13 IATSE Locals Have Reached Tentative Agreements with the AMPTP; now IATSE will restart general negotiations.

After over a month of negotiating, all 13 of IATSE’s West Coast Locals have reached tentative deals with the AMPTP, IATSE announced today. Now the real fight can begin.

On Thursday, April 25, the last of the remaining 13 locals, Affiliated Property Craftspersons Local 44, reached a tentative agreement with the studios, and Studio Teachers, IATSE Local 884, reached a deal on April 19, opening the door for IATSE’s national negotiating committee to restart negotiations on the Basic Agreement. Those talks are scheduled to kick off on April 29 and continue through May 16.

“Our locals’ craft-specific issues required the employers’ attention, and at the table we’re seeing improved engagement and dialogue,” IATSE’s International vice president Mike Miller said in a statement. “That indicates the studios’ negotiators have different marching orders this contract cycle. This approach will be helpful as we continue our negotiations over the next few weeks.”

After over a month of negotiating, all 13 of IATSE’s West Coast Locals have reached tentative deals with the AMPTP, IATSE announced today. Now the real fight can begin.

On Thursday, April 25, the last of the remaining 13 locals, Affiliated Property Craftspersons Local 44, reached a tentative agreement with the studios, and Studio Teachers, IATSE Local 884, reached a deal on April 19, opening the door for IATSE’s national negotiating committee to restart negotiations on the Basic Agreement. Those talks are scheduled to kick off on April 29 and continue through May 16.

“Our locals’ craft-specific issues required the employers’ attention, and at the table we’re seeing improved engagement and dialogue,” IATSE’s International vice president Mike Miller said in a statement. “That indicates the studios’ negotiators have different marching orders this contract cycle. This approach will be helpful as we continue our negotiations over the next few weeks.”

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Each of the 13 locals (44, 80, 600, 695, 700, 705, 706, 728, 729, 800, 871, 884, and 892) were negotiating issues specific to their own crafts and union members, with two locals talking with the studios at a time. They reached tentative deals largely without any hiccups. A few of the locals, including Local 44 representing set decorators and propmakers, did not reach a deal in their allotted three days of scheduled bargaining and bled into the following week, but there were no delays in the overall schedule, and IATSE even scheduled a week of caucusing to account for such a scenario if things ran long.

The locals haven’t had a chance to negotiate a new contract for the last six years, with Covid interrupting what would’ve been the prior round of negotiations. And it’s also unprecedented that each of the 13 locals got several days of individual time scheduled in advance in order to work through their contracts. Not all of the locals has always had the time afforded to them to come to the negotiating table.

Terms of the tentative deals with each of the locals have not been revealed to members just yet, and they won’t be put up for ratification until after IATSE has reached a tentative deal on the Basic Agreement. IATSE recently flopped the order of its bargaining schedule, intending to negotiate the Basic Agreement followed by the Area Standards Agreement, which covers craftspeople working outside of Los Angeles. Negotiations for the ASA will start on May 20 and run through May 31.

The real battle now begins with the studios over issues wage increases, pension and health contributions, quality of life conditions such as lengths of workdays, meal penalties, and turnaround times, job security, residuals, and the big elephant in the room, AI.

IATSE already got the ball rolling on talks related to health plan terms and pension benefits back on March 4, and they teamed up with the Teamsters and Hollywood Basic Crafts to speed along the process. Teamsters and Basic Crafts won’t begin their individual talks until sometime in June.

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aroace flag but it's colorpicked from this image of tintin :)

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this is the best video ive seen in my goddamn life