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lcain1341 · 3 months

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Something really amazing happened in France, and I think it'd help us in the US to learn about it. Forgive the long read, but I think this is genuinely great both because of what happened and how.

So as some of you might have seen, in a decision historians will debate for years (mostly to figure out just WTF he was thinking, even though he is alive right now and can be asked), the French president, Emmanuel Macron, currently in power and THREE YEARS before the scheduled election, seeing the far right rise in popularity decided to dissolve the assembly and hold snap elections.

577 seats were up for grabs. Remember that number. Since half of that is 288.5, 289 seats is needed for a majority.

The first round happened last week and boy, was it bad. The far right made HUGE gains. It won or was in first place in so many races. And Macron's party ended up third!

Overall, this is how things ended up after the first round:

Far right bloc: 33%

Left bloc: 28%

Macron's centrist party: 20%

Conservatives: 7%

The way the French system works is that if a candidate gets over 50% of the vote, they win outright, and some of the far right did manage that. But, many races went to a runoff.

Immediate projections after were that the far right bloc might win anywhere from 240 to 310 seats, a catastrophe.

A shameful swing to the far right leading to the first time they'll be in power since the 1940s? Yes, but maybe not??

This is where things get interesting.

Unusually, a lot of these runoffs are 3-way, instead of a simpler 2-way choice. And in pretty much every case, that helps the far right.

So on June 30th, the night of the first round, this is how things went down:

Immediately, the left parties put out the call: anywhere they were third, they withdrew and their voters would go over to whoever was running against the far right candidate. Their goal: form a "republican front" to block the far right. The far right cannot get 289 seats.

Macron's bloc was not so...motivated. Different people put out different instructions: in some places, if they were third, they should drop out, but only to help the center left, not far left, in other places, see how far you are, only then drop out, that kind of thing.

The conservative party simply said they won't drop out and won't give their voters instruction either way in races they're not involved in.

Late night developments:

More people in Macron's party are now beginning to realize the situation and starting to coalesce around whichever candidate can beat the far right one. Prime Minister Gabriel Attal, from Macron's party, says clearly the priority is to block the far right. BUT, some Macron spokespeople on TV say they'll form a coalition only with the center left and conservatives, splitting the left bloc if needed. Some individual Macronists still saying they won't drop out, even if there's no hope of winning.

Lol.

So, now July 1st:

Only half so far. In one race, where the sister of Marine Le Pen (the far right leader and the face of their movement) was leading, the third place Macronist refused to bow out.

Excellent quote from another Macronist:

Perhaps realizing the same thing, that Macronist in the race against the Le Pen sister now drops out.

In some places, third place Macronists are dropping out DESPITE Macron bewilderingly telling them NOT to?

Halfway through the day:

Of the 311 3-way or 4-way runoffs, the number is down to 135 because of these candidates dropping out: 121 Left, 56 Macronists, 1 conservative.

Oh, there was this, in case people had any doubts about how terrible the far right are:

And to show the selflessness of the left:

July 2:

The deadline to decide if they want to stay in a runoff is today.

A dozen new third place Macronists who said they'd stay in have now dropped out. One got a call from both the PM Attall AND Macron to drop out, signalling the dawning understanding of the importance of this moment.

Even some conservative party members are now backing the left candidate who faces the far right.

A Macronist who had 30.55% of the vote in the first round and came in third to the far right's 33.11% and left's 32.73% and who would have been tempted to stay has dropped out.

The deadline to stay in or not has now passed.

Look at these far right shenanigans!

Macron still being a freaking loser:

July 3rd:

In the end, of the 311 3- or 4-way run offs, only 91 left. Some polls come out that have the far right getting between 190 to 220 seats.

July 4th:

New polls say the balance of the voting itself isn't transferring between the left and center and predictions have risen for the far right, now predicted to get between 210 and 250 seats.

July 5th:

New polls again, left voters now predicted to do better transferring vote to the centrists, decreasing the far right projections again.

However, scandalous reporting emerges: while Attal was trying to fend off the far right, Macron was not only NOT taking the far right seriously, he was undermining efforts to defeat them. His team shrugged off the first round results and celebrated a BIRTHDAY as the results were still coming in?

July 6th:

A few runoffs happened yesterday, nothing much unexpected, some left and center wins.

July 7th:

The day of reckoning. At this point, the expectations are that the far right won't come close to that 289 number but could still easily have the most seats.

GUYS.

It's over and the left are in the lead!

A LOT of cases where a leftist or centrist was 2nd in the first round and now won.

Amazing:

SO many lessons to take from this.

First, you have to vote! You have to. You can't do anything without voting. The freaking French, who'll protest for anything, are showing up to vote. If you're trying to achieve any kind of result and it's not going to happen by January 2025, you have to vote now.

But just as importantly, the left and center (and even conservative) parties made very key decisions. They were all lucky that Attal, who Macron chose, saw the big picture, bigger than indeed Macron could. A stupid selfish centrist leader could have still ruined everything if it were up to him.

TL;DR: After a disastrous first round in the national French elections where the far right was on the cusp of taking power, the left and center formed a strong coalition and through the power of voting and unity, overcame the far right AND their selfish centrist president to win.

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lcain1341 · 3 months

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the motel room, or: on datedness

Often I find myself nostalgic for things that haven't disappeared yet. This feeling is enhanced by the strange conviction that once I stop looking at these things, I will never see them again, that I am living in the last moment of looking. This is sense is strongest for me in the interiors of buildings perhaps because, like items of clothing, they are of a fashionable nature, in other words, more impermanent than they probably should be.

As I get older, to stumble on something truly dated, once a drag, is now a gift. After over a decade of real estate aggregation and the havoc it's wreaked on how we as a society perceive and decorate houses, if you're going to Zillow to search for the dated (which used to be like shooting fish in a barrel), you'll be searching aimlessly, for hours, to increasingly no avail, even with all the filters engaged. (The only way to get around this is locational knowledge of datedness gleaned from the real world.) If you try to find images of the dated elsewhere on the internet, you will find that the search is not intuitive. In this day and age, you cannot simply Google "80s hotel room" anymore, what with the disintegration of the search engine ecosystem and the AI generated nonsense and the algorithmic preference for something popular (the same specific images collected over and over again on social media), recent, and usually a derivative of the original search query (in this case, finding material along the lines of r/nostalgia or the Backrooms.)

To find what one is looking for online, one must game the search engine with filters that only show content predating 2021, or, even better, use existing resources (or those previously discovered) both online and in print. In the physical world of interiors, to find what one is looking for one must also now lurk around obscure places, and often outside the realm of the domestic which is so beholden to and cursed by the churn of fashion and the logic of speculation. Our open world is rapidly closing, while, paradoxically, remaining ostensibly open. It's true, I can open Zillow. I can still search. In the curated, aggregated realm, it is becoming harder and harder to find, and ultimately, to look.

But what if, despite all these changes, datedness was never really searchable? This is a strange symmetry, one could say an obscurity, between interiors and online. It is perhaps unintentional, and it lurks in the places where searching doesn't work, one because no one is searching there, or two, because an aesthetic, for all our cataloguing, curation, aggregation, hoarding, is not inherently indexable and even if it was, there are vasts swaths of the internet and the world that are not categorized via certain - or any - parameters. The internet curator's job is to find them and aggregate them, but it becomes harder and harder to do. They can only be stumbled upon or known in an outside, offline, historical or situational way. If to index, to aggregate, is, or at least was for the last 30 years, to profit (whether monetarily or in likes), then to be dated, in many respects, is the aesthetic manifestation of barely breaking even. Of not starting, preserving, or reinventing but just doing a job.

We see this online as well. While the old-web Geocities look and later Blingee MySpace-era swag have become aestheticized and fetishized, a kind of naive art for a naive time, a great many old websites have not received the same treatment. These are no less naive but they are harder to repackage or commodify because they are simple and boring. They are not "core" enough.

As with interiors, web datedness can be found in part or as a whole. For example, sites like Imgur or Reddit are not in and of themselves dated but they are full of remnants, of 15-year old posts and their "you, sir, have won the internet" vernacular that certainly are. Other websites are dated because they were made a long time ago by and for a clientele that doesn't have a need or the skill to update (we see this often with Web 2.0 e-commerce sites that figured out how to do a basic mobile page and reckoned it was enough). The next language of datedness, like the all-white landlord-special interior, is the default, clean Squarespace restaurant page, a landing space that's the digital equivalent of a flyer, rarely gleaned unless someone needs a menu, has a food allergy or if information about the place is not available immediately from Google Maps. I say this only to maintain that there is a continuity in practices between the on- and off-line world beyond what we would immediately assume, and that we cannot blame everything on algorithms.

But now you may ask, what is, exactly, datedness? Having spent two days in a distinctly dated hotel room, I've decided to sit in utter boredom with the numinous past and try and pin it down.

II.

I am in an obscure place. I am in Saint-Georges, Quebec, Canada, on assignment. I am staying at a specific motel, the Voyageur. By my estimation the hotel was originally built in the late seventies and I'd be shocked if it was older than 1989. The hotel exterior was remodeled sometime in the 2000s with EIFS cladding and beige paint. Above is a picture of my room, which, forgive me, is in the process of being inhabited. American (and to a lesser extent Canadian) hotel rooms are some of the most churned through, renovated spaces in the world, and it's pretty rare, unless you're staying in either very small towns or are forced by economic necessity to stay at real holes in the wall, to find ones from this era. The last real hitter for me was a 90s Day's Inn in the meme-famous Breezewood, PA during the pandemic.

At first my reaction to seeing the room was cautionary. It was the last room in town, and certainly compared to other options, probably not the world's first choice. However, after staying in real, genuine European shitholes covering professional cycling I've become a class-A connoisseur of bad rooms. This one was definitively three stars. A mutter of "okay time to do a quick look through." But upon further inspection (post-bedbug paranoia) I came to the realization that maybe the always-new brainrot I'd been so critical of had seeped a teeny bit into my own subconscious and here I was snubbing my nose at a blessing in disguise. The room is not a bad room, nor is it unclean. It's just old. It's dated. We are sentimental about interiors like this now because they are disappearing, but they are for my parents what 2005 beige-core is for me and what 2010s greige will become for the generation after. When I'm writing about datedness, I'm writing in general using a previous era's examples because datedness, by its very nature, is a transitional status. Its end state is the mixed emotion of seeing things for what they are yet still appreciating them, expressed here.

Datedness is the period between vintage and contemporary. It is the sentiment between quotidian and subpar. It is uncurated and preserved only by way of inertia, not initiative. It gives us a specific feeling we don't necessarily like, one that is deliberately evoked in the media subcultures surrounding so-called "liminal" spaces: the fuguelike feeling of being spatially trapped in a time while our real time is passing. Datedness in the real world is not a curated experience, it is only what was. It is different from nostalgia because it is not deliberately remembered, yearned for or attached to sweetness. Instead, it is somehow annoying. It is like stumbling into the world of adults as a child, but now you're the adult and the child in you is disappointed. (The real child-you forgot a dull hotel room the moment something more interesting came along.) An image of my father puts his car keys on the table, looks around and says, "It'll do." We have an intolerance for datedness because it is the realization of what sufficed. Sufficiency in many ways implies lack.

However, for all its datedness, many, if not all, of the things in this room will never be seen again if the room is renovated. They will become unpurchaseable and extinct. Things like the bizarrely-patterned linoleum tile in the shower, the hose connecting to the specific faucet of the once-luxurious (or at least middling) jacuzzi tub whose jets haven't been exercised since the fall of the Berlin Wall. The wide berth of the tank on the toilet. There is nothing, really, worth saving about these things. Even the most sentimental among us wouldn't dare argue that the items and finishes in this room are particularly important from a design or historical standpoint. Not everything old has a patina. They're too cheaply made to salvage. Plastic tile. Bowed plywood. The image-artifacts of these rooms, gussied up for Booking dot com, will also, inevitably disappear, relegated to the dustheap of web caches and comments that say "it was ok kinda expensive but close to twon (sic)." You wouldn't be able to find them anyway unless you were looking for a room.

One does, of course, recognize a little bit of design in what's here. Signifiers of an era. The wood-veneer of the late 70s giving way to the pastel overtones of the 80s. Perhaps even a slow 90s. The all-in-one vanity floating above the floor, a modernist basement bathroom hallmark. White walls as a sign of cleanliness. Gestures, in the curved lines of the nightstands, towards postmodernity. Metallic lamp bases with wide-brimmed shades, a whisper of glamor. A kind of scalloped aura to the club chairs. The color teal mediated through hundreds if not thousands of shoes. Yellowing plastic, including the strips of "molding" that visually tie floor to wall. These are remnants (or are they intuitions?) of so many movements and micromovements, none of them definite enough to point to the influence of a single designer, hell, even of a single decade, just strands of past-ness accumulated into one thread, which is cheapness. Continuity exists in the materials only because everything was purchased as a set from a wholesale catalog.

In some way a hotel is supposed to be placeless. Anonymous. Everything tries to be that way now, even houses. Perhaps because we don't like the way we spy on ourselves and lease our images out to the world so we crave the specificity of hotel anonymity, of someplace we move through on our way to bigger, better or at least different things. The hotel was designed to be frictionless but because it is in a little town, it sees little use and because it sees little use, there are elements that can last far longer than they were intended and which inadvertently cause friction. (The janky door unlocks with a key. The shower hose keeps coming out of the faucet. It's deeply annoying.)

Lack of wear and lack of funds only keep them that way. Not even the paper goods of the eighties have been exhausted yet. Datedness is not a choice but an inevitability. Because it is not a choice, it is not advertised except in a utilitarian sense. It is kept subtle on the hotel websites, out of shame. Because it does not subscribe to an advertiser's economy of the now, of the curated type rather than the "here is my service" type, it disappears into the folds of the earth and cannot be searched for in the way "design" can. It can only be discovered by accident.

When I look at all of these objects and things, I do so knowing I will never see them again, at least not all here together like this, as a cohesive whole assembled for a specific purpose. I don't think I'll ever have reason to come back to this town or this place, which has given me an unexpected experience of being peevish in my father's time. Whenever I end up in a place like this, where all is as it was, I get the sense that it will take a very long time for others to experience this sensation again with the things my generation has made. The machinations of fashion work rapaciously to make sure that nothing is ever old, not people, not rooms, not items, not furniture, not fabrics, not even design, that old matron who loves to wax poetic about futurity and timelessness. The plastic-veneered particleboard used here is now the bedrock of countless landfills. Eventually it will become the chemical-laced soil upon which we build our condos. It is possible that we are standing now at the very last frontier of our prior datedness. The next one has not yet elided. It's a special place. Spend a night. Take pictures.

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