lemonpixycat

[lemonpixycat]

went to an elementaryschool musical production and they started the show with the director saying: "Now there's some very small viewers here today, so just so you know. There will be a scary character later in the show. This is her," and a girl in a kinda scary ghost outfit did a creepy walk across the stage, the stood up straight and did a cheery wave, "but remember, it's just Nina. She's pretending to be scary."

Aaaand i would very much like for horror movies to have that as a little bonus feature you can chose. Let me start a movie with Guillermo del Toro showing me a scary ghost that might jump at me, but don't worry, thats just Doug!

[lemonpixycat]

by @beetlemoses

[lemonpixycat]

Even more pride crows!!

[lemonpixycat]

It's important to remember that "neurotypical" just means "still able to cope with society's demands and expectations well enough to avoid being psychiatrized". It doesn't refer to some idealized super human who doesn't have any problems, doesn't struggle with anything, never does anything weird and who thrives under the status quo.

[lemonpixycat]

your opinion on does kidzbop count as censorship?

you know, this has been sitting in my inbox for nearly 4 years and I still don't have an answer

[lemonpixycat]

all the trans bathroom bans have this awful tendency to push the overton window of even trans advocacy by trans people to the right

so many trans people now are focused on pleading to let trans women use women's restrooms and to let trans men use men's restrooms that I feel like the demand that was much more prominent even 5 years ago to construct non-segregated accessible bathrooms for everyone is almost nonexistent

[lemonpixycat]

[lemonpixycat]

it must feel good as hell when you’re a horse and you take a big bite out of an apple like ttshoke

[lemonpixycat]

went to an elementaryschool musical production and they started the show with the director saying: "Now there's some very small viewers here today, so just so you know. There will be a scary character later in the show. This is her," and a girl in a kinda scary ghost outfit did a creepy walk across the stage, the stood up straight and did a cheery wave, "but remember, it's just Nina. She's pretending to be scary."

Aaaand i would very much like for horror movies to have that as a little bonus feature you can chose. Let me start a movie with Guillermo del Toro showing me a scary ghost that might jump at me, but don't worry, thats just Doug!

[lemonpixycat]

Some more art!

[lemonpixycat]

One of the things that makes the family conflict in Lilo & Stitch work narratively is that Cobra is correct in that Lilo and Nani's current situation is non-sustainable. And yes, Nani is not prepared to handle everything by herself. But losing the custody is not the solution either, and to a degree Cobra seems to believe the same (he legit does not want that to happen), but if Nani can't solve the problem, then from his perspective it's the least harmful solution.

And the conflict is solved because what Lilo and Nani need (what they REALLY needed) is a support net. Someone, anyone to be there to take at least SOME of the burden from Nani and give her breathing room.

Which is why Jumba and Peakley joining the family alongside Stitch, and become a constant pressence who share the burden of the household, makes all the difference.

And this does not solve all the problems, because the movie is not about magically resolving those problems, it's about putting the characters in a situation in which they can move forward as a family. And for their desire to be a family and be together as a family, to be respected.

Anyway, someone told me what the remake did for the ending

[lemonpixycat]

[lemonpixycat]

[lemonpixycat]

Hi, I noticed your story has conflict in it, and I was wondering why you didn't just write people who are right doing everything correctly with a note saying "I enthusiastically co-sign everything in this story"? Must be some kind of mistake haha

[lemonpixycat]

you are 16. you are talking with a gay man in his 50s or 60s, a friend, huge and gentle with a scarf and short fluffy curls of gray hair, who has directed you in two plays staged in your mid-size artsy town. (he has not yet asked you to be in his production of The Laramie Project which will change your life. this conversation will also change your life.)

he is talking about theatre. he is talking about theatre when he was younger. he says, "of course, it was AIDS then." in the pause, you ask him. clumsy and quiet and 16 and "straight," you ask him. what was it like.

he takes a moment in which his face is not like a person's face. "there was a time," he says, "i'm not sure how long, years. when i went to a funeral every weekend." he tells you about two funerals in a day, and choosing between friends when you couldn't make it to both. he does not look at you, he looks at them. his wet grey gaze is so clear that you start to see ghosts. it will be years before you understand why it feels like your grief too. why the ghosts call you family.

[lemonpixycat]

[lemonpixycat]

an angel loses its wings every time a woman shaves her pussy