letslearnart

[letslearnart]

The Ambient Century From Mahler To Moby By Mark Prendergast : Free Download, Borrow, and Streaming : Internet Archive

[letslearnart]

How do you go about your backgrounds? Particularly interiors where believable looking perspective makes or breaks the scene.. Do you use vanishing points or is it something you just intuitively build around the character?

I will often just freehand it, starting with the character and then building a scene around them, but for more complex or rendered pieces I do make use of perspective tools. If you use Clip Studio, I highly recommend downloading the TOPGYN(The Only Perspective Grid You Need) assets, I've been using it a lot recently and it's very useful.

I'll use this recent commission as an example to show my process. I usually start with just freehanding perspective when I'm sketching. I don't like worrying too much about being 100% accurate with the perspective at the start, I just wanna be able to feel out the image I have in my head, then I can worry about accuracy later.

Depending on how rough I am with the initial sketch, the perspective probably gonna be at least a little off in terms of accuracy or "believability". So I'll set up TOPGYN and focus on setting up the background as close to the initial sketch's perspective as possible

And once I have all of the rough shapes blocked out, I just use this as a guide to draw everything else back into the scene.

I don't really use the perspective tools for any of the details at this point, it's just too much hassle to block out the perspective for ever little object in a scene so I just do my best to eyeball it from there. And from that point I just paint it, that's basically my whole process for setting up backgrounds and perspective! I don't know how novel any of this info about my workflow is but I hope it's at least somewhat useful ^_^;;

[letslearnart]

Editing Your Novel Part 2: The Plot Pass

Okay, it's finally time to edit. You've got all your materials sorted, it's time to dive right in. You want to start with the big edits first, aka the plot pass.

Now listen. You're going to want to linger and fix those little bits of grammar or dialogue, and I know it's so hard not to, but letting yourself get off-track might mean wasting hours on a scene you realize later you have to delete. Fix a few spelling errors, leave a note, and stay plot-focused.

Making Sense (Of the Plot)

In the plot pass, you're asking yourself some basic questions:

Do events follow a clear order? - When you're getting everything down on the page for the first time, scenes might get jumbled up or events might not have clear causes. Maybe you have a car crashing into the cafe pages before, but in a writing haze, you wrote your main characters having a casual conversation moments later. If the bad guy beats your heroes to treasure, is it clear how they got there? (Not everyone can be Yzma.)

Do circumstances feel contrived? If there are any problems that can be solved by your characters sitting down and talking to each other, it may be better to lean into their motivation for not speaking to each other, rather than coming up with bad romcom scenarios. If the plot can be resolved by the mcguffin the grandma had the whole time, it might be better to make finding that mcguffin part of the plot instead.

It doesn't have to be perfect, and you don't have to reinvent the wheel. If someone gets bitten by a werewolf, it's perfectly fine to have them turn into one at the worst possible moment. When it comes to contrived, you're looking for problems that seem easy to solve and look for more interesting ways to complicate them.

Are your character motivations consistent to the characters throughout the story? - They can change throughout the story, but character motivations do need to be linked to the actions they take. An out-of-nowhere betrayal is way more satisfying if you lay the groundwork for it ahead of time.

Take a moment to list out the motivations of the characters in a scene you're not quite sure of can help you figure how to fix it. Having an outline helps with this a lot!

Are you following an "if... then" format? - My brain doesn't work like this when I'm writing, because as a writer you know how A got to Z, and it seems (in your head) obvious how it happened. This is where my scene card outline come in handy, because I can look at my overview of what should happen and why, and then compare it to what actually happens in the scene. I've discovered so many threads I forgot to connect that way, like why a character had a certain device (I forgot to have him pick it up two scenes earlier), or adding a few simmering dialogue bits that make the big fight pay off much better.

Can you fix the "Because the Plot Demands It" scenes? - Look, sometimes your character needs to be in that haunted house to see that damn ghost, but your character isn't the type to set foot in such a place. It's really easy, especially in the first draft, to contrive a way in there (she took a wrong turn on her way to grandma's!), but retooling these scenes to connect them to the characters motivations and needs is the way to go. The main character doesn't want to go into that obviously cursed place, but her best friend hasn't shown up for school in three days and now she's crying for help from the second floor window. Your character's strong desire to be there for her friend is a much better way to get her into that house.

This is not always easy - it took me six fricken drafts to realize a critical part of a character's motivation was because his father blamed him for his mother's death - but it is going to be worth putting in the work to hammer down.

Do you have a solid timeline? - This might not seem as important, but it's super easy to accidentally fit two weeks worth of activities in three days. Make sure you have that on reference, even if you don't mention it in the book. Also make sure to gauge your distances if your characters are on a trip, because if you do accidentally say it takes two hours to drive from Seattle to Spokane instead of five, someone will dive down your throat for it. Not me. Just someone.

Okay, maybe me. Slow down, you maniacs.

Next post we'll dive into the structure pass. See you then!

[letslearnart]

for all the artists out there, here are my favorite resources i use to learn!

Files

The Complete Famous Artist Course

Art Books and Resources

Art, Anatomy, and Color Books

PDF Files of Art Books

Internet Archive

YouTube

My YouTube Playlist of Tutorials

How to Draw Facial Features

Drawing and Art Advice

Drawing Lessons

Art Fundamentals

Anatomy of the Human Body

2D Animation

Perspective Drawing

Websites

Pinterest Board for Poses

Another Pinterest Board for Poses

Pinterest Boards for References

Reference Angle

Figurosity

Sketch Daily

Line of Action

Human Anatomy

Animal Photo References

Humanae - Angélica Dass

Fine Art - Jimmy Nelson

Character Design References

CDR's Twitter Account

iamagco's Twitter Account

taco1704's Twitter Account

takuya_kakikata's Twitter Account

EtheringtonBro's Twitter Account

Drawabox

Color Wheel

Color Palette Cinema

Free Images and Pictures

Free Stock Photos

FILMGRAB

Screen Musings

William Nguyen Light Reference Tool

SketchFab - 3D Skeleton Model

Animation References - sakugabooru

Animation References - Bodies in Motion

[letslearnart]

if you’re white and wanna write a poc character and feel awkward about it i implore you to ignore any twitblr stuff treating it as a massive ethical burden and instead come in more with the same mindset you’d have if you wanted to write about idk firefighters but didn’t know anything about firefighters so you do... research. Like fuck off with the weird kinda creepy calls for spiritual introspection you’re not writing about god damn space aliens you’re writing about humans and if you think you need more perspective of different life experiences just read?

[letslearnart]

I know we all love when writers go deep down a research rabit hole on something really specific for the sake of a fic (I certainly am not immune to doing ridiculous research into minute details for no real reason lol)

but allow me, just for a moment, to sing the praises of ✨️vagueness✨️

Unfamiliar with a city's precise geography? Be real vague.

Want a character to be a doctor but don't know how surgery works? Mention it in passing.

Character plays a sport you know nothing about? Vague it up!

You don't know what specific brand of a thing would have been popular in that time and place? Go generic baby!!

You really can just hand-wave stuff that's not where you want the focus of your story to be without anything falling apart. The audience will look where you point them, like a magic trick! If the research is stopping you up and making progress hard or frustrating you can just... not do it.

[letslearnart]

Webtoon's new age rating standards say that a comic can't be rated All Ages if it includes "Fully censored profanity (e.g., #$%^) in a few episodes". Literally more restrictive than 1950s newspaper funnies!

[letslearnart]

after eight years, I finally updated my huge Historical Fashion Reference & Resources Doc! Now in the form of a MUCH more easily updated Google Doc with better organization, refreshed links, and five more pages of books and online resources.

I know tumblr hates links, but it’s worth it for a doc that I can now update with far more regularity going forward! RIP to the original, you did your duty for far longer than you should have. 😔🙏🏼

[letslearnart]

So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.

I'm going to try it.

[letslearnart]

for all the artists out there, here are my favorite resources i use to learn!

Files

The Complete Famous Artist Course

Art Books and Resources

Art, Anatomy, and Color Books

PDF Files of Art Books

Internet Archive

YouTube

My YouTube Playlist of Tutorials

How to Draw Facial Features

Drawing and Art Advice

Drawing Lessons

Art Fundamentals

Anatomy of the Human Body

2D Animation

Perspective Drawing

Websites

Pinterest Board for Poses

Another Pinterest Board for Poses

Pinterest Boards for References

Reference Angle

Figurosity

Sketch Daily

Line of Action

Human Anatomy

Animal Photo References

Humanae - Angélica Dass

Fine Art - Jimmy Nelson

Character Design References

CDR's Twitter Account

iamagco's Twitter Account

taco1704's Twitter Account

takuya_kakikata's Twitter Account

EtheringtonBro's Twitter Account

Drawabox

Color Wheel

Color Palette Cinema

Free Images and Pictures

Free Stock Photos

FILMGRAB

Screen Musings

William Nguyen Light Reference Tool

SketchFab - 3D Skeleton Model

Animation References - sakugabooru

Animation References - Bodies in Motion

[letslearnart]

It is done (enough)!

I would hype it up more but this is really really simple. It randomly generates a set of symbols, colors, and a word, and then the expected thing to do with those is you draw some sort of character based off the result you get. So it's just an art challenge toy thingy.

There are also some practical features like you can lock parts of the result in place to rerandomize the rest, or hide parts of the generation you don't care about (like if you want to pick your own colors or hate the words being there)

You can try it out over on itch.io!

It should run in browser, but there's also a downloadable version for Windows if you want to use it offline. (No mac/linux versions for now, because I don't have appropriate computers to test those on and I...don't want to deal with mac's developer accounts or whatever their problem is...)

Here's something I made from one of the results I got for the sake of example:

(It's a bit of a rushed drawing sorry I just wanted to get the actual generator out there)

I hope everyone has fun with it :]

[letslearnart]

Overview of some topics when it comes to drawing characters who are burn survivors.

DISCLAIMER. Please keep in mind that this is an introductory overview for drawing some burn scars and has a lot of generalizations in it, so not every “X is Z” statement will be true for Actual People. I'm calling this introductory because I hope to get people to actually do their own research before drawing disabled & visibly different characters rather than just making stuff up. Think of it as a starting point and take it with a grain of salt (especially if you have a very different art style from mine).

Talking about research and learning... don't make your burn survivor characters evil. Burn survivors are normal people and don't deserve to be constantly portrayed in such a way.

👍

[letslearnart]

Free resource for artists and designers!!

I made a website where artists and designers can get color palette inspo from fire hydrants I've 3D scanned all over the US

Some of my favorites:

There are about 100 hydrants so far and I'm continuing to add more all the time

Public infrastructure is sexy, baby!!!!!! Pass it on!!

dayroselane.com/hydrants

[letslearnart]

*taps mic*

Fuck NaNoWriMo

It's always been a shit way to write a book. Slamming through fifty thousand words in a month leads to burnout and a garbage draft you'll spend more time unfucking than if you'd actually just paced yourself.

I'm proposing Novel Outline November

Start with your idea on November 1st.

Write something for your novel every day. The only unacceptable amount is 0.

Attempt to complete the plot in 50K words. Stick with that as a limiting factor so you focus on what's most important to your story.

When it's done it's done! Everyone is a winner!

You will

Develop good writing habits

Challenge yourself to write long form

Create a base that can be expanded into commercial fiction (70-100K) or genre fiction (100-110K)

Happy writing!

[letslearnart]

Why Don’t Edit As You Go is Actually Maybe Good Advice (but not for the reason you think it is)

              I edit as I go. I kind of have to—I can’t just leave a scene I know is subpar, or that I don’t think is the quality that I want it to be at. It’s like it haunts me, I can’t get it out of my mind. So I always hated the advice “don’t edit as you go” as a way of keeping you on track and productive. I guess the thinking there is that if you edit as you go, it’ll take way longer to get to the end of your draft.

              Maybe true, but I never really cared how long it took. It’s not like I’m on any deadlines yet.

              Now, I’m nearing the end of my draft and I’m starting to see a bit of wisdom in that advice, though not for productivity’s sake—but rather because I’ve edited about half of my novel in random scenes interspersed with all the others. Some scenes are on rewrite 4 or 5 while others are on 1 or 2 and none of it matters because I’ll just have to go back through and edit it all again to make it flow together anyway.

              Had I left all the editing to the end of the process, I would’ve had to go through to edit once or twice. Combined with all the time I’ve already spent editing, I’ve probably read and reread some of these scenes like 7 times. I’ve gone a bit blind to my novel.

              Will I learn from this experience and stop editing as I go? No, probably not. Like I said, I feel pretty incapable of not doing it, but still, that piece of advice looks a whole lot less stupid now.

              What are your thoughts on editing as you go?

[letslearnart]

really helpful technique ^ once you know how to divide by halves and thirds it makes drawing evenly spaced things in perspective waaay easier:

[letslearnart]

Since the whole thing with NaNoWriMo has gone down, I've noticed that one of their former sponsors, Ellipsus, has cut contact with NaNoWriMo because they do not support their stance on AI; I didn't know what Ellipsus was, but upon further research I've found that they are a writing platform that works a lot like Google Docs and Microsoft Word, only with a heavier leaning on the story-writing aspect and connecting with other writers - and they also completely denounce any use of AI, both in the writing process itself and in the use of their platform. I really appreciate that.

Since this is the case (and since I've noticed Google has begun implementing more AI into their software), I've decided to give Ellipsus a try to see if it's a good alternative to Google Docs (my main writing platform). It's completely free and so far, I've found it simple to use (although it is pretty minimal in its features), and I really like the look of it.

I figured I'd spread the word about this platform in case any of you writers would want to give it a try, and if you do, let me know how you like it!