Text

Pizza Index strikes again.
Trump is trying to play this like he and his administration had no knowledge of Israel's attack on Iran, but the Index never lies.
56K notes
·
View notes
Text

Caption From @ essenceofblackculture on instagram:
Kristi Williams
@kristi_williams_black_history, a Black woman whose aunt survived the Tulsa Massacre, saw Oklahoma trying to silence Black history-and answered with action. She started "Black History Saturdays," free community classes to teach what the schools won't.
Now the room is full, the lessons are real, and the legacy lives on. end caption
____________
This is a heroic feat that shouldn’t be needed. But because it is, a hero emerged.
42K notes
·
View notes
Text
I think Leverage has a really neat take on the concept of revenge.
Because a lot of times, revenge gets framed as this inherently immoral act, like it doesn't matter how evil the person you want revenge on is, it doesn't matter that stopping them is a net positive for the world, revenge is just bad and wanting it makes you bad.
But I think that a lot of the problems with most revenge narratives come from the fact that the person/people seeking revenge put too much importance on getting revenge, but there's not enough catharsis in the actual act of taking revenge. They end up left with a whole lot of left-over righteous anger, and no acceptable targets left to vent it on. That way lies the bloodline ending feuds of greek tragedy and the like.
But Leverage says "No, actually you're right, that guy is absolutely terrible, he does need to be stopped and his victims should be awarded the catharsis of revenge." But then, instead of taking the easy way out of having Hardison siphon all the money out of their accounts, or sending Elliot over to their house with a baseball bat, they complicate the revenge plot. Instead of walking the easier path of the quick and unsatisfying revenge, they insist on poetic justice and dramatic irony and the complete and utter, very public destruction of the worst people in the world.
That's why I think Leverage feels different to, say, The Count of Monte Cristo, or other revenge-centric stories. They go the extra mile to tailor their revenge to the target, and give them Exactly what they deserve.
3K notes
·
View notes
Text
Sometimes I have to remind my dad that he’s a master furniture maker and most people do not possess encyclopedic knowledge of European and American furniture styles and the history of wood glue
17K notes
·
View notes
Text
you should always be weird next to people you want to befriend. if you want to befriend people and for them to like you as you are then you can't hide yourself. if people you like/want to befriend react to you being kinda weird by getting angry or making fun of you, then they're not worth befriending.. you GOTTA look the way you want and dress the way you want and talk weird and be nerdy and have interests. you gottaaaaaaa be yourself and then people who like you the way you are will naturally be drawn to you. please. promise me you'll be weird
6K notes
·
View notes
Text
It's okay to think you know yourself through and through, perhaps you do. Great! Just never let that close yourself off to the oppurtinity that you can still discover something about yourself you didn't know. Perhaps with age you will grow to like/dislike something, perhaps you will feel different and as scary as that can be, it's okay. You weren't lying if you felt that way before, you simply changed as humans do.
5 notes
·
View notes
Text
hey sorry not to be an asshole but I saw someone say that a sports team posting about pride month was "pandering" and I need you to log off and touch grass because now more than EVER it's important that large institutions (and especially those that could easily be right wing like sports teams) show the fuck up for queer and trans people. especially trans people. so no it is not "pandering" to take a stand for a marginalized group of people that are currently under attack for trying to play sports. be so fucking for real
42K notes
·
View notes
Text
The Side Job: an episode where we come full circle, and full circle has always meant Parker
So so so full of spoilers - read at your own risk.
"I don't feel things the way other people do, so I was using their feelings to look at mine. Everyone kept asking me why I was doing this, but they wouldn't let me answer. They just kept guessing why I was doing it. Always my feelings, through them. And then I thought, 'Do I even know what I want?' So I had to get away. Because I do have feelings. One a lot...anger...Because when I was younger...Anyway, now I'm strong and you're weak. So what am I going to do and why am I going to do it?"
People likely have been doing this to Parker her whole life. But let's focus on this episode. Everyone in this episode tries to understand Parker, but their understanding is informed by who they are as people (and, for those who have known Parker longer, it's informed specifically by common touchstones in their history).
With one notable exception. But before we get there, let's talk about everyone else first. The show sets this up in order of decreasing permeability of boundaries.
Sophie comes first, and while Sophie and Parker's relationship is allowed several lenses in the Leverageverse (I've written about this here), maybe more than anyone else's, I think it's significant that right before their major interaction of the episode, we are presented with Harry's struggle with boundaries with his mother. Sophie's come a long way from last season's "Everything I do is from them" line of thinking, but she's always going to feel a little responsible for Parker, Hardison, and Eliot.
And so Sophie guesses it's because Parker doesn't want to deal with well thought-out plans every once in a while and wants the adrenaline of not having everything planned out. This makes sense because this is Sophie's style of masterminding. The entire first episode of Redemption season 2 deals with this. This is not to say that Sophie has bad boundaries with Parker. Just the boundaries in their relationship are more permeable than anyone else's. This is made clear by the way that Parker ropes Sophie in (or the way that Sophie presents herself to be roped in, intutitively).
Breanna guesses it's because Parker wants to change up the way that they do cons, which is a reflection of how she has new ideas and, like her brother, is drawn towards a slightly different style of work than the rest of the crew. Breanna does bring a new energy to the crew, and it's actually that energy that helps Parker out of her rut in s1. It also challenges her.
Harry guesses it's because Parker wants to use this experience to see if it's possible to change, if change is possible in general. And like, that's Harry's entire arc on the show (he doesn't have as much material to draw from...but like yes if you were to sum it up in a sentence, that'd be it).
I think it's important to note that no one here is completely wrong. They all have pieces of the truth. That's why Parker replies, "Something like that." to each of them. Parker is in fact taking a risk (how calculated the risk is left up for our interpretation, but on Leverage, the best cons are based in truth, and we are told that over and over again), trying something new, and testing herself.
Sophie and Parker have always been able to bond over the adrenaline rush of a job and a plan made up on the fly. Parker's risks tend to be more physical, and Sophie's tend to be more emotional. But their most significant beats involve this concept. (Sophie using a rig to get Parker off the roof in exchange for the David, "Maybe that's why they call it falling in love," Parker willingly stepping back into pure theft on this specific team and letting Sophie call the shots).
The new energy Breanna brings to the team does help Parker rediscover her passion and get in touch with a different side of herself.
The parallel in Harry wondering if change is possible and Parker, Hardison, and Eliot's "we change together" is directly referenced in Harry and Parker's scene.
So who's the exception? It's Eliot. Eliot doesn't offer up anything, even a piece, of what's going on with Parker. He just holds up a mirror and affirms her choice, referencing their shared history but never once deviating from that affirmation. It's not that he isn't worried about her - he clearly is, almost as much as Sophie. He just knows what she needs.
Speaking of Sophie, let's go back to a moment with her, because it speaks volumes, especially on a rewatch.
Harry: You don't trust Parker? Sophie: With my life? Always. With her life? Usually.
It's a lovely statement, right? It speaks to the depth of their relationship and how Sophie really cares for Parker. And it's also not really what Parker needs right now.*
*It's also not something that makes Parker upset. Parker has a very good understanding of the people around her and the way that they relate to each other. As Sophie points out, she doesn't shut them out and actually makes use of this in her plan! And she also knows that this is part of the reason why not everyone can be around when everything comes down to the wire. After a long time with our families, we get used to the way they do things. It's never completely good but it's also never completely bad. It's the way it is.
Eliot, who ran red lights to stop Parker from maybe killing a guy rolling Nanas, knows what Parker needs right now. And that's someone who has her back. And also has some distance between them.
(Hardison isn't in this episode much, but it's significant that Parker's entire self-examination is prompted by him.)
And finally (because I've gone on way too long, but you all indulge me sometimes, so I'm going to keep going until I'm finished), let's talk about Parker's only other significant relationship, which is present in this episode even though the character is no longer on this mortal plane.
Like, it's Nate, right?
Nate, who also had one emotion a lot: anger. Same as Parker! Nate, whose decision to make Parker his heir was made with input from the whole team (whether or not they were aware). Nate, who trusted Parker's judgment but also backed that reasoning up by saying that she didn't get emotional. Nate, who never fully understood Parker but like so many others close to her, understood pieces of her. And that was enough.
In many ways but not all, Parker was raised by and informed by Nate. She is not Nate. She doesn't have his upbringing or his baggage. Eliot makes that crystal clear.
I feel like a broken record, but it bears repeating. Leverage is a story about Nate. It is also a story about Parker.
And Leverage: Redemption is a story about Sophie. It is also a story about Parker.
One common thread: Parker.
What Parker decides to become and do is the most important question of the Leverageverse. Always has been!
Actually, in their respective stories, Nate and Sophie both address this in episodes that are EXTREMELY THEMATICALLY SIMILAR.
Archie: I made her unique. What is she now? Nate: I have no idea what Parker is now. I doubt she knows. (Leverage, The Inside Job, 3x03)
In both episodes, the answer involves them having no idea. However, the vibe is that they're both supportive of her figuring that out for herself.
Sophie: She's been three steps ahead of you the entire time. And you gave her 30 minutes to set it up. Alexandra Bligh: To set what up? Sophie: I honestly don't know.* But it's going to be fun. (Leverage Redemption, The Grand Complication Job, 3x05)
*Okay, Sophie is a professional liar. She sort of kind of knew what Parker was doing in this situation because she was stalling so Parker would have time. It is however on theme. We know Sophie loves a theme.
Leverage ends with Parker repeating Nate's speech from the pilot, which is basically the thesis statement for the show, the explanation for what they do.
The Side Job ends with Parker answering why she does what she does. (It's also why the team does what they do, but for Parker, this is deeply, deeply tied into who she is as a person.) Redemption means being the best version of herself and helping other people, and for Parker, that's intimately linked to her doing crime. And she expresses that - in word and action - in a very Parker way.
This show is famous for treating every season finale like it's the end of the show. I deeply crave more Leverage, but if this was the last episode we ever get, it's a pretty damn good place to end.
362 notes
·
View notes
Text
Parker: A little while ago someone, someone important, asked me to think about why I do what I do. So I thought about it, and I was working really hard at it, and I realised, all of a sudden… I don't know. I know why we do what we do. And I love that. But I don't.
I've been this way since I was a kid. I don't feel things the way other people do. So I was using their feelings to look at mine. Everyone kept asking me why I was doing this… but they wouldn't let me answer, they just kept guessing why I was doing it. Always my feelings through them. And then I thought, "Do I even know what I want?"
So I had to get away. Because I do have feelings. One a lot. It's so strong inside my head. Anger. At people like you, who think, what did you say, "The strong do what they will, the weak do what they must."
Anyway, now I'm strong and you're weak. So what am I going to do, and why am I going to do it? Because that was the whole point of all this.
I had to be totally alone, away from all their influence, all their good influence, so I could get to this moment right here, where I genuinely do not know what I'm going to do.
Eliot: You make the choice. And that way you know who you are. No matter who that is… I got your back.
82 notes
·
View notes
Text
the way parker was prepared for it to be eliot who intervened. the way he knew to track the mark’s phone and not hers. the way he wasn’t going to stop her, he just wanted her to be sure, and to know that he would support whatever decision she made. the way when she mentioned that stealing stuff is what she does and what she enjoys, she included him in the aftermath of it.
it’s just so special to me that even after all this time the two of them are so in sync in a way that is all about complementing each other and accepting each other for what they are.
582 notes
·
View notes
Video
Wait tho pls tell me non british people have also seen this advert bc it’s amazing and very important to me
342K notes
·
View notes
Text
let's hear it for the nonbinary folks who:
don't present androgynously
use "binary" pronouns in any capacity
identify partially with a binary gender
have a "gendered" name
don't experience body dysmorphia
don't experience gender dysphoria
DO experience gender dysphoria/body dysmorphia but aren't sure what gender or body would suit them
just experience body/gender apathy instead
can't be open about their gender identity yet
you're all absolutely valid.
don't ever feel like you're "not nonbinary enough" because you absolutely are! 💖
33K notes
·
View notes
Text
59K notes
·
View notes
Text
Dudes healthcare is so fake. My ADHD meds are $940 without insurance. But they gave me a website of "coupons" which straight up looks like a scam website, and I got it today for $60! Just a coupon from a random website and it was $900 cheaper. America, I am confusion!! America explain!!
137K notes
·
View notes
Text


Noticed concerns from people on Tumblr about how the Leverage Redemption team uses AI, Breanna in particular, and thought this thread with John Rogers would be relevant! (x)
5K notes
·
View notes
Text
I want one of those scenes in a dude bro film where “tomboy” chick has to wear a dress to go undercover or whatever, but instead of the guys drooling as she walks down the stairs, they’re like “k. U need to stop. Go put the cargo pants back on. You look super uncomfortable and awkward in that. Brutus, you go be the fake prostitute.”
812K notes
·
View notes
Text
2 notes
·
View notes