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EMBODIED ROMANTIC CONCEPTUALISM
REDACTED FROM/ DISTRIBUTED THROUGH PROPOSAL
too (academic?) (fixed?)
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NEW VISIONS (2021)
CREATING TO CREATE to be making to be feeling to embody the making to be the work see myself in the work see yourself in the work.
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Sounding Out Vacancy: Performing (anything but)Empty Space Julieanna Preston2019
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Destruction and regeneration and things taking time. But I need to be making consistently so things can take time and I am continuously working on things.
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Regeneration and destruction (and on and on)
I am such a procrastinator in making. Thinking about it is so much easier than doing. I'm so worried I'm going to appropriate something, create something that's already been done before (especially within my inner circles, as I am immediately influenced by all the great artists around me).
I psychoanalyze all of my actions within my personal relationships in a new-age psychological kinda way. I try not to do this within art making. In this way it's a safe space, but in another way it's just a constant unknown. I have no boundaries in which I set myself, which often means I do nothing at all.
I'm thinking about three art works right now
one with a thermal receipt printer that will print out my writing as a performance
one that sources clay from mount victoria that will eventually go back there in orbs that contain new growth
and the other (most recent) is a concrete pool(ish) that has water in it and petals. -> this third one feels too close to Loretta's work which is incredible and always makes me want to make it. I wonder if I just start regenerating their work though...
I have many ideas about what to make. I could make without thinking but that's not my style.. But now we're so close to being done for the year and I feel like I should show something. But I'm not ready to. ANd that's fine. So I won't. But I'd like to. So what if I did/?
I don't want to race to have something by Monday.
I'll just crack on at my own pace.
Now to ground
NOT EVERYTHING HAS TO BE ART
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Maria Fusco - writing about architecture
Can i take up this as writing from the perspective of the burning buiding. Of the ice cold sea.
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my solo practice is about coming back into my body. My collaborative practice is about sharing something meaningful
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Formative catch up
We ask that you prepare for this conversation by reflecting on what you have done this semester thus far, your level of engagement and contribution, what you expect of yourself in this course and ways that we can better support your study. It may help to revisit the course assessment criteria.
What have i done this sem
Reconciling my practice a lot. Finding it hard to make but getting better. Reading a lot. Reading as research. Not enough doing. Planning a lot.
level of engagement/ contribution so far
High engagement I think. Generosity in contribution I like to think. Could be kinder in contribution to my own making.
what I expect of my self in this course
To expand my making and writing. I think I need to start making more. I feel I self sabotage in this way.
How can you better support my study
Guiding softly. Generosity of time. Helping me to connect with people that would be helpful.
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An email to Catherine Bagnall summing up my practice
Kia Ora Catherine,
My name is Lily Joyce and I'm a 1st year masters student. I am looking into supervisors next year and have come across your name more than once. Would you be free sometime before Monday to chat about this possibility? Alternatively would you mind telling me a little bit about yourself in this email? Sorry, I know I've left it a bit late. Below is a little bit about my practice.
I would describe myself as an interdisciplinary artist but have a particular interest in performance art and writing. I am also really interested in collaboration as a means of making. As a solo artist I make art as a reflection of my internal state, focusing on catharsis, regeneration of will, and personal idiosyncrasies. As a collaborative artist I am interested in connection and slow, mindful, making as (maybe??) a resistance to our fast paced capitalist society. I think both ways of making surface both in my solo and collaborative practice but this tends to be the trend...
Cheers, Lily Joyce [email protected] 0211578843
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