harvey/link ✧ he/him or hy/hym, 22 ✧ horse boy ✧ please ask me about my ocs!! ✧ potentially suggestive
Don't wanna be here? Send us removal request.
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Any conspiracy theory about people going missing in National Parks is automatically silly to me. Like "Why are National Parks such a hotbed of disappearances???" because they're full of idiots. You've got thousands of people who've never pissed outdoors in their life wandering around the woods/desert/mountain with zero experience and zero gear and zero understanding that this place can kill them. You don't see as many disappearances in wild areas because people don't go to them unless they have some background knowledge. Whereas you get tour buses full of old folks and suburban families shuttling people into National Parks 365 days a year. If you took the same amount of buffoons and dropped them in the actual wilderness the disappearances would be significantly higher than at the parks. Use your brain.
#as someone whos been out in the woods a lot: PLEASE LISTEN TO SIGNAGE HOLY SHIT its really easy to get lost or hurt. like obnoxiously easy#please be cautious and know what youre doing
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horse standing in a fenced in area with a small gay pride flag held gently in its mouth so that the colored stripes of the flag perfectly face the camera just as the horse itself is doing the horse faces us with bright eyes and erect ears in front of a green building and beautiful blue sky this horse reminds us that life is beautiful and so are horses and so are queer people it is important to never forget our horse friends vital message in these trying times
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The other night husband and I were watching a documentary about the yeti where they were doing DNA analysis of samples of supposed yeti fur, and every one of them came back as bears.
Anyway, the next night we watched a thing about some pig man who is supposed to live in Vermont. People said it had claws and a pig nose but walked upright like a man. Now, I happen to know that sideshows used to shave bears and present them as pig men. So every piece of evidence they gave of this monster sounds to me like a bear with mange.
So now the running joke in our house is that everything is bears. Aliens? Bears. Loch Ness monster? Bear. Every cryptozoological mystery is just a very crafty bear.
Bears. They’re everywhere. Be wary. Anyone or anything could be a bear.
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Dame Archer kicks McDougal’s Scots ass there in the rain at the Washington Midsummer Renaissance Faire - August 11, 2018 - Photo by Douglas Herring
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Gaming Dice.
I learned a lot about edges and light and color relationships here.
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If you're a TERF you're a gender fascist. No other way to spin it. You claim your ideology is about protecting women and children but what it actually necessitates is an overfixation on people's genitals and the persecution of a minority group that does not actually hold institutional power. You insist on fitting humanity into two strict boxes that do not reflect the true diversity present among 8 billion of us. The moment you start talking about "large gametes"--what the fuck are you doing?
All fascists cloak their actions in protective language. But unless you're going after the white male billionaire class that actually holds the most power and does the most harm to both humanity and the planet, you're not protecting anyone and your "resistance" is not worth anything.
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a Bad Drawing Zine
#this is so fucking real#and yes as a horse artist i can mercilessly rip you apart if you draw a bad horse. but i wont because i try to be kind#i do know them really well though im so sorry everyone who tries to draw horse
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the fact that we only have “herculean task” and “sisyphean task” feels so limiting. so here’s a few more tasks for your repertoire
icarian task: when you have a task you know you’re going to fail at anyways, so why not have some fun with it before it all comes crashing down
cassandrean task: when you have to deal with people you KNOW won’t listen to you, despite having accurate information, and having to watch them fumble about when you told them the solution from the start (most often witnessed in customer service)
feel free to chime in i ran out of ideas much faster than i anticipated
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A snake story, based on an experience I had while I was in Florida.
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me messaging a casual acquaintance: hello, how are you?
me messaging a best friend w/zero lead-in:
#unrelated but i miss when media had this energy. i never knew what was happening in time and space in a lot of older things#bc of the bloom and the dark rooms and mysterious aura#give it back
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as a cis guy, when presented with the "99% you get a ton of money, 1% you turn into a girl" it honestly would be dumb to not hit that button until it breaks. like ok now i have 100 bajillion dollars and gender dysphoria. big deal. i have all the money in the world to turn me back into a guy. like with that kind of money i could have obama do me a phalloplasty. he wouldnt be able to do it as he isnt a surgeon but the point still stands
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@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!
I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.
If you are able to draw a circle and a couple of lines, you can easily put together a stick person.
Congratulations! You have started to draw. :)
A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.
But what can a stick person teach us about drawing people that look more like… well, people? Lets have a look!
By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.
These simple additions can allow us to explore the wide range of human emotion and individuality.
This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.
For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.
We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.
The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!
Now we can use our stick person to show us an even wider range of human movement, action, and expression.
Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.
By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.
By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!
These basic ideas are the building blocks that will enable us to create more complex shapes.
The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.
For example. Two ovals and a rectangle can be combined to create a cylinder.
Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.
Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.
A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.
Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.
Lets see how these solid shapes can be used to compose the human body.
By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.
An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.
We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!
In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.
You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.
The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.
Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.
For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.
With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.
Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.
Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!
I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.
Cheers :3
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