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Marcel Duchamp

Nude Descending a Staircase, No. 1

1911

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At one point, this 1968 Cy Twombly was titled, Study after Duchamp's Nude Descending A Staircase, but yesterday when it sold at Sotheby's it had been stripped bare of the reference. Barely namechecking Twombly's interest in Duchamp is something that happens, apparently.

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Marcel Duchamp (French, 1887-1968), Nude Descending a Staircase, No. 2, 1912 oil on canvas, 57 7/8 x 35 1/8 in. (147 × 89.2 cm)

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Robert Rauschenberg (1925-2008) Untitled *detail

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Robert Rauschenberg Earth Day 1990

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"Should Love Come First" (1951), Robert Rauschenberg. Oil, printed paper, enamel, and ink on canvas. 24 1/4 x 30 in. No longer extant. Repainted by the artist in 1953; now known as "Untitled [small black painting]."

"In Memory of My Feelings—Frank O'Hara" (1961), Jasper Johns. Oil on canvas with objects. 40 1/4 x 60 x 2 7/8 in.

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Attribution: Robert Rauschenberg (USA, b. Texas, 1925-2008). Purr (Waterworks), 1995, Vegetable dye transfer on paper, 56.5 × 78.1 cm. Thanks to @mepaintsme for the tip.

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Robert Rauschenberg

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Frank Hinder

Subway (double image), 1947

lithograph from stone, brown and black ink on ivory wove cartridge paper

In 1927 Hinder travelled to the United States, studying at the Art Institute of Chicago and then at the New York School of Fine and Applied Art (later known as Parsons) under Howard Giles and Emil Bisttram. From 1930 to 1931 he attended the Master Institute at the Nicholas Roerich Museum, a centre of art, science and spirituality, where he acquired the belief that art should serve to both advance civilisation and express the unity of existence. Here he was introduced to the formal language of cubism and Jay Hambidge’s theory of dynamic symmetry, which outlined principles of geometric proportion implying growth as opposed to static geometry. He also became acquainted with the work of Mexican socialist painters Diego Rivera and Jose Clemente Orozco, as well early-Renaissance artists including Piero della Francesca, whose techniques influenced what would become his medium of choice: egg tempera worked over pencil in quattrocento colours.

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Max Ernst 'Little Machine' & 'The Hat That Makes the Man'

Oil painting, 1919-1920

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I Ching Systems and Artworks Engineering For the Human Spirit: From Gentle Wind Project to I Ching Systems, 1983-2022 Theta, New York

January 11 – February 11, 2023

Curated by Nick Irvin

Contemporary Art Library

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John Nixon, enamel on MDF

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Wittgenstein, Derek Jarman, 1993

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Laszlo Moholy-Nagy Space Modulators (1943)

Mobile Sculpture (Space Modulator), Plexiglas and chrome-plated brass

Space Modulator in Repose, Gelatin silver print

Space Modulator in Motion, Gelatin silver print

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Laszlo Moholy-Nagy, 1921-22

Kinetisches Konstruktives System, Schematische Darstellung einer beweglichen Lichtspirale für die Zentralbühne eines Totaltheaters (Kinetic Constructive System, Schematic Diagram for a Light Machine for a Total Stage)

Kinetisch Konstruktives System: Bau mit Bewegungsbahnen für Spiel und Beförderung (Kinetic Constructive System: Structure with Moving Parts for Play and Conveyance)

Nickelplastik mit Spirale (Nickel Sculpture with Spiral)

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Laszlo Moholy-Nagy Drawings from 1918

Self Portrait, Wax crayon on paper

Tafelrunde, Watercolour and ink on paper

Barbed-Wire Landscape, wax crayon on paper