lordmo

[lordmo]

Matt Groening, 1982

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original url http://www.geocities.com/taraguthrie/

archived on 2009-04-26 01:54:36

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[lordmo]

Space Is The Place (John Coney, 1974)

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currently running the Sweetie Pie Challenge where i dont hit anyone with a tire iron as hard as i can for seven days

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left hook to body -> right straight to body -> lead low roundhouse -> rear high roundhouse

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SNK's sprite animation for their fighting games is so iconic man. I've seen a lot of media that'll do fighting game references and I'm sure many people have seen a character do the Shoryuken. I know, that animation is Capcom's, but my point is that Shoryuken is so normal. Mundane. This is oatmeal compared to seeing a character do literally any of SNK's iconic attacks.

Genocide Cutter fucks me up every time I see it, the pose is so fucking good. It's INSTANTLY recognizable. Shoryuken is just an exaggerated uppercut. That can go over your head. You see a character do Genocide Cutter and you gotta be thinking "What was that????"

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ECCC 2012 & ECCC 2013 

Rocketeer commissions – by Dustin Weaver

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Claude Montana FW91

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It’s what Street Fighter’s will need if you get your hands on a Score Master.

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ko-fi request: “PLEASE draw Hollywood Hulk Hogan sweating and looking at his hand where someone wrote dont be racist”

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youtube recommended me an hour long video where someone rants about the decline of build a bear as a brand and I decided to watch maybe 15 minutes or so not for any insight, but instead as a form of people watching. what kind of life would an adult my age lead to feel that kind of consumer betrayal? not because build a bear is cringe but because build a bear is expensive. ridiculously expensive. the only time in my life where i walked into a build a bear and did not immediately walk out was when my old-old ex took me there for my 18th birthday and got me a twilight sparkle plush because we were looking at the cost of these custom bears and their clothes and going "holy fuck whaaaaat". a build a bear ride or die is built very different from me.

you probably deduced from the thumbnail (as well as from the nature of these consumer grievance type videos) that the thing this person has an issue with is the overall modern day "aesthetic". the store has downsized considerably in the last decade and resembles a regular toy store moreso than its older workshop-like setup. at one point she near-tearily mulls over how many malls only have a "dinky little kiosk" instead of an actual location. she hates the fluorescent lights and minimalist style shelves. she doesn't get why things that were once painted surfaces are now interactable screens. she gushes over the things she loved about the old store as if she's seeing it all for the first time in between talking extensively about her personal relationship to certain accessories and plush types. she hates that so many of the plushies are just licensed characters now. she misses the experience of being in the store as a child. she misses the bears from her childhood that she regretfully gave away. she doesn't like that these things that meant so much to her are going away and that she doesn't know how to get them back. at one point, she mentions that she tried to go back to the store a few years ago and (pausing repeatedly as if hovering above some kind of inscrutable alien truth) that buying a bear and paying $30+ for clothes "just wasn't...fun?" but immediately combats the instinct to investigate these feelings by arguing that this is the store's fault for not being fun. that build a bear is failing because it is not more accommodating to adults.

with any other youtuber who was confounded by the fact that novelty things from their childhood did not survive the forces of the market 15+ years later (and had to shuffle around its brand aesthetics to see what would maybe make investors happy while also minimizing cost) I would probably have just stopped watching at the 15 minute mark, but I found myself fascinated by this humorism powered hydraulic performance. she simmers in nostalgia happily, reliving her memories with every image of old build a bear she superimposes over the screen, before snapping into a state of sadness and confusion once the image has been taken away. it takes about 25 minutes in for her to start verbalizing her frustration towards all modern day toy aesthetics. "why did they do this? what makes them do this? why does everything look like this now? I don't understand" she's less asking a question and more unable to reconcile that a part of her life which once possessed tangibility no longer exists, and the transactional nature of her relationship with build a bear is what specifically makes her unable to make peace with this. she cannot accept that she cannot buy back this time that was lost because her time as a child in build a bear was something that she purchased in the first place. the experience is tied so much to build a bear as an enterprise and transaction that to simply separate what she liked about it and pursue something that resembles that is inconceivable, and instead that the only choice is to. retvrn to build a bear.

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Steiff, felt may bug on wheels

circa 1916

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Source details and larger version.

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Vale of Tears