lucacangettathisass

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first year stsg and sashisu

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thinking about the vampire remmick in sinners coming from a same place of oppression as the people he's terrorizing, thinking about him using the music that his oppressed ancestors played to perpetuate the cycle of domination that they were a victim of, thinking about him trying to use his background to make sammie think they're on the same side when he's trying to take his gift for himself and use it for evil, thinking about him using his talents to destroy communities instead of healing them and bond his people together the way sammie does, music as the vessel of love through generations of black people against a white man that wants to take it for himself, vampirism in the movie being represented as a continuation of the south's racism, one that wants to appropriate the culture ("your memories become my memories") by using it to destroy the community, ryan coogler... genius i'm afraid

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something about smoke being rejected since childhood because everyone was certain his father's evil lived on in him. something about annie being the only one to call smoke 'elijah' and how that makes him soften. something about how just before they're truly reunited, annie says 'i dont want any of that smoke on the baby'. something about annie being the one who sets smoke free from his past and his sins and lets him be human instead.

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Annie is a force of nature when she challenges Cornbread. She is the gravitational point for all the other characters. Cornbread tries to move around her, to address Smoke, because it's Elijah who is considered the weaker link, not she. Yet he does not succeed because Annie's concerns are not dismissed. She is the carrier of knowledge, of tradition. All the characters in that room have her in high regard. She is LISTENED to and she is never treated as some paranoid, hysterical woman. I found it refreshing.

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“It still hurts comin back here. But I love you. And I miss you.”

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Sammie :(

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Some after "Sinners" reading material if you're interested in Black American and Indigenous History (and the immigrants who came over, too). I put in the Jones-Rogers book too so y'all won't think the 58% had no serious role in shaping the horrors of America.

Adding this amazing "Sinners Syllabus" too for further resources to educate yourself. The books above are ones I have in my personal library, but some very cool people put together an entire webpage of information. Check it out HERE.

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Poor Sammie played literally his first gig and immediately got the worst fan to ever exist

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the women of Sinners

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the choctaw vampire hunters in sinners, photographed by eli joshua adé, smpsp.

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remmick and the vampires present a false dichotomy

Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious

remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency

when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA

when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative

remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people

in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer

remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that

theres a reason vultures are shown early on in this movie

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did u guys see their grills are on opposite sides. ok gn ily

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annie appreciation post✨

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one day he'll follow you home

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"No miseries worth complainin' about."

WUNMI MOSAKU as ANNIE SINNERS (2025) dir. Ryan Coogler

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if sinners (2025) taught me anything, it's that it IS actually always about race.

you can be oppressed, and still promote and maintain the very same systems of oppression onto other marginalized people. being oppressed in one dimension doesn't allow you to be exempt from oppressing in other dimensions. the "villain" of the movie, remmick, being from the time period of the english colonization of ireland, all the while wanting to take a piece of sammie's own culture from him, use him for it. and this plot point coming after remmick witnesses the significance of sammie's playing within his culture, for his ancestors and how it would shape Black culture in the future.

even in today's society, ive noticed that people treat Black people like a commodity. our worth is only as much as other people decide it to be, and that's usually dependent on how much the oppressor can take from us. for example, the controversy of"internet slang" and how it is blatantly just AAVE with a bad disguise on

do you listen to Black musicians? do you watch Black movies? do you engage with Black creators? do you defend the racist tendencies you notice in your friends, in your family, or do you stay silent? do you listen when Black people tell you you've said or done something racist? do you actually care about not being racist, or do you just not want to look like you're racist?

i just think people have a very specific take on what racism is, and that if they're not committing KKK-levels of violence on people, then they're not racist. or if you've experienced oppression in one form, you cannot possibly be engaging with oppression in another form. but the ways in which we interact with other people and the world will always be through the lens of race, because that is simply what it means for oppression to be systemic, especially in the US and our current political climate

anyway 10/10 movie. highly recommend

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it really frustrates me to think about how people are inevitably going to take Remmick’s one (1) singular statement about how much he resents the way the Irish were colonized and forcibly converted to Christianity and use it as fuel for “actually he had a point” and “he was right actually” and “he’s not really the villain here” posts, when the whole point is that Remmick is, through the vampiric hive mind he’s creating, forcibly assimilating people into yet another manipulative and parasitical system. he doesn't value the cultures of the people he assimilates—notice how all the vampires he turns dance to his culture's music using his culture's dances, and how he only uses the languages or knowledge other vampires have to offer when he needs to manipulate someone. Remmick is extremely transparent about the way he sees the people he turns as resources to exploit.

he’s perpetuating a cycle that he claims to hate and resent, and I think the movie is pretty damn clear about the fact that he doesn’t see anybody as valuable or useful to him except as prey and as pawns—otherwise he would just, you know, focus solely on people who actually consent to being turned. but he looked sad in that one scene and he’s an apparently attractive white cis man so people are gonna bend over backwards justifying all the harm he did.