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'Nereids Worshipping the Moon' by Moritz von Schwind, (1804-1871)

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Josef Mánes (1820–1871) - Utonulý (Drowned), 1867

oil on canvas

source

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Anxiety

Indian ink on paper

26x36 cm

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The dreamer (1840) by Caspar David Friedrich

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Three Black Cats, Carl Kahler

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Art by Koji Ikuta

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'Three Women and three Wolves' by Swiss artist Eugene Grasset, 1897

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The Enchanting Symbolism of Owls by Anton Seder (1896)

Anton Seder, a master of Art Nouveau, crafted Owls in 1896 as a mesmerizing fusion of nature, mysticism, and ornamental beauty. Known for his elaborate patterns and rich symbolism, Seder’s work embodies the era’s fascination with the natural world, blending it seamlessly with artistic fantasy.

In Owls, Seder presents these nocturnal creatures with an almost regal presence, perched amid swirling golden patterns and intricate botanical details. The stylized feathers, sharp gazes, and symmetrical composition reflect both the wisdom and mystery associated with owls throughout history. Art Nouveau’s emphasis on organic forms is evident in the fluid, decorative lines that frame the birds, lending the piece a sense of movement despite its stillness.

Owls have long been revered as symbols of knowledge, the unseen, and the supernatural. In many cultures, they represent wisdom, foresight, and a connection to the spiritual realm. Seder, working at the height of the Art Nouveau movement, likely sought to capture this esoteric essence while pushing the boundaries of ornamental design. His work, deeply rooted in decorative arts, was part of a larger movement that sought to infuse everyday objects with artistic splendor.

What makes Owls so captivating is its meticulous craftsmanship. Every feather, vine, and golden accent feels intentional, drawing the viewer into a world where nature and ornamentation coexist harmoniously. The color palette, dominated by warm tones, evokes an autumnal glow, enhancing the mystical aura surrounding the birds.

Seder’s legacy endures through pieces like Owls, which continue to captivate art lovers and historians alike. His ability to merge nature’s elegance with intricate design remains a testament to the Art Nouveau movement’s lasting impact.

Follow my page for more stunning art and history!

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A portrait of Theda Bara I made last week.

Loose charcoal powder and pressed charcoal on Ingres paper.

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Armida, ca.1650 by Francesco Montelatici, known as Cecco Bravo (Italian, 1607--1661)

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Under the Moonbeams (John Atkinson Grimshaw, 1882)

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Reuben Saidman. London Gulls, 1936

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The Woman, The Man and The Serpent (detail) Byam Shaw

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