lythraeinteractivestorytelling - Tumblr blog

lythraeinteractivestorytelling · 8 years ago

Text

Interactive story idea

For our storytelling class we need to create an interactive story using Tumult Hype 3. The theme for the story is ‘Anxiety’

The protagonist of my idea would be the person reading the story. It is a journey, from the room you will wake up to a presentation in a classroom. In between there will be some situations where I try to cause anxiety to the reader, playing with sounds and images.

For all of my scenes I was thinking of adding heart beat/respiration sounds to imitate what the character would feel in that situation and also transmit it to the reader so this one can feel the same thing and get into the character’s shoes. Also there is a possibility that I would be playing with blur and distortion in some images.

Scene 1 - The room

Black image (eyes closed.

Eyes a little bit open, you see a lamp in the ceiling.

Eyes closed, then open again and all you can see is a bed and a door far away.

One red alarm clock appears (with the sound as well/. You need to click the clock to make it disappear.

More clocks will start to appear around the room, each one with their noise, faster and faster. You need to click all of them until they all disappear.

Once the room is quiet, the door starts knocking, it keeps on knocking faster, and the noise gets louder until you finally click it to open it (This will put pressure on the reader to have to get out of the room/.

Once the door is open, you’ll have to click to go outside.

Sketch of the room. The room would have cracks on the wall representing the instability of the mind.

Scene 2 - Danger. Crossing the road

Eyes closed. Eyes opened and you see a crossing on the road.

Cars go very fast, each time faster, more cars and more noise.

You need to click the traffic lights button very fast (an amount of times/ to make all the traffic stop.

Then you’ll have to click the other side of the road to cross.

Optional scene - Feeling of being followed

I am not sure if to add this scene or not and if so, I don’t know if it would be best to place it before or after scene 2.

Street that goes up the hill with cracks in the ground.

Noises of footsteps will appear as if someone was following you.

The sound of the footsteps gets louder and faster, and so does your heart.

There will be a km/m counter on the screen.

Each click will count as 10 metres, that would be taken away or added to the counter until you get out of that situation.

Scene 3 - The school

Building a school (Your destination

Click door to enter

Hallway full of monsters/people (zooming out

They would start to whisper or say things, as soon as the time goes there would be more noise of whispering, laughs, etc.

You will have to click the end of the hallway, every time you click, it will zoom in bringing you closer to end.

Sketch of the school,the top of the building would be bigger than the bottom of it. This would make it look more scary.

Sketch of the hallway. It would get darker at the end.

Sketch of the monsters, they would have eyes because they would stare at you all of the time.

Scene 4 - The classroom

Front of the classroom.

Tic tac noise, each time it would get quicker.

You would have to wait until the alarm of the class appears, it would get louder so you will have to click the door to get into the class.

Once you get into the classroom, everyone would be sitting together staring and whispering.

You will sit alone at the back of the classroom (You will have to click to sit down

Then the class will start, the teacher would start the lesson. At first, you will hear the teaching speaking clear but as time goes, the sound would be distorted and impossible to understand. *Maybe the teacher instead of eyes, would have a mouth.

Scene 5 - The presentation

The teacher points at you and everyone would start whispering until you click the board.

Perspective will change, now instead of you sitting at the back of the class you would be standing up at the front of the class.

Silence.

People will start whispering.

Scene 6 - The end ?

Images of the other situations *traffic, whispers, etc* would start to appear like in a fast slideshow that goes faster and louder with a mixture of different noises being distorted.

Everything stops and all you can see is black.

*Optional* A heart (painted with ink and watercolour* will start beating at a normal pace.

Eyes closed *black image*, eyes opened a little bit and you see a lamp.

You close your eyes again and when you open then you see the room you was in at the beginning with the following text: The end ?

What I try to express here is that is it really the end? or just an endless loop that doesn’t ever stop?

0 notes

lythraeinteractivestorytelling · 8 years ago

Text

Art movement research

I went to the Tate Modern Museum in London to research some of the artwork of the movement chosen. The art pieces that they had on the walls were produced by Andy Warhol, the most iconic artist in the Pop Art movement.

Mao Tse-Tung 1972, Andy Warhol

What I noticed about these paintings was the bright colours used and also the amount of variations of this same piece with the face of Mao Tse-Tung, the Chinese communist leader at that time. The technique that Andy Warhol used was silkscreen, that is why he was able to create multiple pieces of his work without taking him so long.

Marilyn Diptych, 1962, Andy Warhol

In this other piece we can see the same colour portrait produced 20 times by the same technique as I mentioned before. Andy Warhol created the piece after Marilyn Monroe died from overdose. He related this art piece with fame and death. We can see a huge contrast between the colour images and the black and white panel, which starts fading slowly to the right. This represents the mortality of the actress and how she fades away.

Self-Portrait, 1967, Andy Warhol

Another piece created with the same technique, but this time using his own image. This piece is one of a series of self-portraits. As the display caption of the artwork says, we can recognise that it is Andy Warhol but it is painted in such a way that it makes it difficult to capture human qualities. The intention was to become sort of anonymous and evasive.

The museum had various small panels where they were projecting some quotes from different artists. This one from the american artist, defines his own artwork, as he didn’t paint them manually but used other techniques such as silkscreen which permitted him to create a large amount of artwork in a short period of time.

Do Women Have To Be Naked To Get Into the Met. Museum?, 1989, Guerrilla Girls

What Do These Artists Have In Common?, 1985, Guerrilla Girls

Women Artists In The Andy Warhol And Tremaine Auctions At Sotheby’s, 1989, Guerrilla Girls

I found some interesting posters by Guerrilla Girls in the section where all the work of Pop Art artist was displayed. The Guerrilla Girls were an anonymous group of radical feminists from America. They were artists that fought discrimination. They produced a series of posters to expose racism and sexism to conscience society. In their posters they include some Pop Art elements, like the banana, previously seen in one of Andy Warhol’s work.

Victor Pivovarov

Another interesting artwork that I found was a collection of three pieces that looked like a comic, which remind me of the Pop Art movement. It has black outlines, clear figures and everyday objects which made me think that it fell into that category. I couldn’t research these artworks online, they are very difficult to find and the official page of the Tate can not display the images because of copyright restrictions. But I came up with the name of an artist, Viktor Pivovarov which falls into the Moscow Conceptual Art category. Most of the work he has of this type was created around 1992, which makes me feel that he got some inspiration from the Pop Art movement.

Two Women Holding Flowers, 1954, Fernand Léger

Fernand Léger was a french painter, sculptor and filmmaker that belonged to the Cubist art movement. There was some characteristics of his art like the simplified figures, bold lines and vivid colours which defines him as the precursor of Pop Art.

Street Art, 2016

This is a painting I found in Ladywell. There is some influence from Andy Warhol which also use the image of Marilyn Monroe in his artwork. It has plane colours, black outlines and a clear representation of the figure which are some of the characteristics of Pop Art artworks.

I did some research online to find more of the artwork of this movement and other different artists involved.

POP ART

Pop art was born in England in 1950 as a rebellion against abstract expressionism artists. Their work was considered overrated and over intense by Pop Art artists. They wanted to change the abstraction and transform it into real world daily elements which were clear and distinguishable.

Autumn Rhythm, 1950, Jackson Pollock

Pollock. J. (1950). ‘Autumn Rhythm’ [Online] Available At: https://www.metmuseum.org/toah/works-of-art/57.92/

In England, the Independent Group was formed by artists, painters, sculptors which had a similar perspective in terms of fine art. They wanted to connect with the people making art about real life. Some of their work was collages made out from cut outs from comics, magazines and advertisements.

They started getting some influences from the American life and the American Dream but transmitted it with irony in their artwork. The style and ideas were different from the American Pop Art ones, which were more emblematic and more daring.

Just what is it that makes today's homes so different, so appealing?, 1956, Richard Hamilton

Hamilton. R. (1956). ‘Just what is it that makes todays home so different, so appealing?’ [Online] Available At: http://www.tate.org.uk/art/artworks/hamilton-just-what-was-it-that-made-yesterdays-homes-so-different-so-appealing-upgrade-p20271

In the United States, Pop Art appeared after WW ll during America’s economic boom. It was the start of revolution, the era of rock music, free speech and civil rights.

In 1960, Americans started to give popularity to cigarettes, alcohol and sex. They started to sell and advertise them more, which built a generation of consumers.

Andy Warhol was a good reflection of what the United States was at the time, a mass production machine. With the Silkscreen process he was able to create a lot of pieces of work which wouldn’t take as much effort or time compared to hand painted artworks. He started to push the idea of having mundane objects as art, to see them from a different point of view by taking them away from the shelves of kitchen, for example, and displaying them in a gallery.

Main characteristics of the movement

Pop Art artists transformed the material realities of everyday life to popular culture, most of the influences came from television, magazines and comics.

The Art movement coincided with the Pop music phenomenon of the 1950’s and 1960’s which was associated with fashion. Peter Black designed album covers for Elvis Presley and the Beatles. He also used actresses like Brigitte Bardot in his artwork, while in the United States, Andy Warhol used the image of Marilyn Monroe.

The main characteristics of this movement were the techniques and themes drawn from popular culture like comic books, advertising and everyday objects. The colours used (predominantly yellow, red and blue) were more colourful if we compared them with other art movements.

Silkscreen printing was a very popular technique for mass production. The shapes were cut out from a stencil, which blocked the other parts of the canvas when applying paint over the layer. This way, multiple stencils were used, to apply different colours or shapes on top of the canvas. Another element used in this method was photography, which gave you the ability of making a few different variations of pictures, most common portraits.

Soph. B. (2012). ‘Silk Screening’ [Online] Available At: http://tigger-soph11.blogspot.co.uk/2012/04/silk-screening-equipment-process-when.html

The technique that Roy Lichtenstein developed was based on the comic strip. The style consisted in black outlines, bold, colours and tones rendered by Benday dots (a method used in comic books to print tones of skin in the 50’s and the 60’s) using a stencil. He also used a rotatable easel and wood rulers which gave him a lot of control of the work.

Benday dots are used today in our culture and we commonly see them on mangas. It is also a cheaper way of printing that doesn't require much ink.

Lichtenstien. R. (1961). ‘Ben Day dots’ [Online] Available At: https://legionofandy.com/2013/06/03/roy-lichtenstein-the-man-who-didnt-paint-benday-dots/

The features of most of Pop Art artworks were clear lines, sharp paintwork and clear representations of symbols, people and objects from the popular culture.

Some of them were hand painted, some using a collage of photographs and others made by techniques that would allow mass production.

Campbell’s Soup Cans, 1962, Andy Warhol

Warhol. A. (1962). ‘Campbells Soup Cans’ [Online] Available At: https://www.inexhibit.com/marker/ny-andy-warhol-campbells-soup-cans-works-1953-1967-moma/

This is one of the last artwork that Andy Warhol actually hand painted before moving to the silkscreen technique. The only thing that he didn’t paint, was the ‘Fleur de Lis’, which he hand stamped at the edge of the end of the cans. He replicated the same image, the only thing the varied from one image to the other was the label that indicated which flavour of soup it was. The can itself is a mundane object that people saw everyday in their cupboards, but it has a different perspective when hang on the wall of a gallery. That was one of the ideas of the movement, to take daily elements and put it on gallery wall so people would pay attention to them and see them from a different perspective, as art.

Cow wallpaper, 1966, Andy Warhol

Warhol. A. (1966). ‘Cow Prints’ [Online] Available At: https://en.wikipedia.org/wiki/File:Cow_wallpaper_-_Andy_Warhol.jpg

Banana, 1966, Andy Warhol

Warhol. A. (1966). ‘Banana’ [Online] Available At: https://www.huffingtonpost.com/2013/10/28/velvet-underground-banana_n_4170126.html

Whaam!, 1963, Roy Lichtenstein

Lichtenstein. R. (1963). ‘Whaam!’ [Online] Available At: http://www.tate.org.uk/art/artworks/lichtenstein-whaam-t00897

Drowning Girl, 1963, Roy Lichtenstein

Lichtenstein. R. (1963). ‘Downing Girl’ [Online] Available At: http://www.artsz.org/lichtenstein-pop-art-drowning-girl/

Ohhh... Alright..., 1964, Roy Lichtenstein

Lichtenstein. R. (1964). ‘Ohhh.. Alright...’ [Online] Available At: http://www.anothermag.com/art-photography/1964/roy-lichtenstein-a-retrospective

I Can See the Whole Room … and There's Nobody in It!, 1961, Roy Lichtenstein

Lichtenstein. R. (1961). ‘I can see the whole room... and theirs nobody in it!’ [Online] Available At: http://www.scottedelman.com/2013/04/14/i-can-see-roy-lichtenstein-and/

Roy Lichtenstein used to get his inspiration from comic books. He used to take the exact comic panel and copy it and colour it. Sometimes he would change the hair or some elements like the name of the characters. Taking out the panel from outside the comic and making it an art piece made it lost its original context and people are able to view it differently. This is similar to what Andy Warhol did with the soup cans paintings.

Pop Shop lll, 1989, Keith Haring

Haring. K. (1989). ‘Pop Shop III’ [Online] Available At: http://www.haring.com/!/art-work/835#.WfHi32i0NPY

The main characteristics of Keith Haring's art are the simplicity, the use of vivid colours and black bold outlines. Most of his artwork had social messages and was made for public work. He produced a big amount of artworks for charities and hospitals.

Beauty Knows No Pain Woman with a Vacuum, 1966-1972, Martha Rosler

Rosler. M. (1972). ‘Beauty know no pain woman with a vacuum’ [Online] Available At: https://www.pinterest.com/pin/826480969087019342/

Martha Rosler's work is made by collage images, mostly from magazines. Her artwork presents social and political criticism.

Ruined Heart, 1964, Delia Cancela

Cancela. D. ‘Ruined Heart’ [Online] Available At: http://citymagazine.rs/clanak/pop-art-zene-u-prvom-planu/cancela

In this piece, Delia Candela represents the feeling of a heartbreak. She painted a red heart with missing parts on a canvas and broken pieces of the heart attached with silk ribbons to the bottom edge outside of the canvas.

The Only Blonde in the World, 1963, Pauline Boty

Boty. P. (1963). ‘The only blonde in the world’ [Online] Available At: http://www.tate.org.uk/art/artworks/boty-the-only-blonde-in-the-world-t07496

Pauline's artworks were very critiqued due to the expression of joy in confident femininity and female sexuality. She has a free style of painting.

Look out!, Marjorie Strider

Strider. M. (1964). ‘Look out!’ [Online] Available At: https://www.artsy.net/artwork/marjorie-strider-look-out

Girl with Radish, 1963, Marjorie Strider

Strider. M. (1963). ‘Girl with Radish’ [Online] Available At: https://www.wikiart.org/en/marjorie-strider/girl-with-radish-1963

Marjorie Strider´s art was influenced by pinups girls. She also created 3D artworks and soft installations.

Influences of Pop Art

The influence of pop art ideas spread through different types of art forms. We can see pop art artwork in album covers, advertising, design, architecture and fashion.

LOVE, Robert Indiana

Indiana. R. (1973). ‘LOVE’ [Online] Available At: https://en.wikipedia.org/wiki/Love_(sculpture)

Happy Rizzi House Germany

Rizzi. J. (1950). ‘Happy Rizzi House’ [Online] Available At: https://de.wikipedia.org/wiki/Happy_Rizzi_House

80s Building and Rubiks Cube, 1981

Popcentury. (1981). ‘80s Building and Rubiks Cube’ [Online] Available At: http://www.popcenturysite.com/content/80s-building-and-rubiks-cube

Venus in Sequins, 2011-2012, Philip Colbert

Colbert. P. (2011). ‘Venus in Sequins’ [Online] Available At: http://www.todayandtomorrow.net/2011/06/08/venus-in-sequins/

This collection is inspired by mundane objects taken out of context with vivid colours and black bold outlines.

The Souper Dress, 1960, Campbell’s Group Company

Campbell. (1960). ‘The Souper Dress’ [Online] Available At: https://laughingsquid.com/the-souper-dress-a-warhol-inspired-pop-art-paper-dress-by-campbells/

The inspiration of this dress came from the paintings that Andy Warhol made of the famous Campbell Soup cans.

Iceberg Collection, 2011

Phelps. N. (2010). ‘Iceberg’ [Online] Available At: https://www.vogue.com/fashion-shows/spring-2011-ready-to-wear/iceberg

In this collection we can see a big influence of Roy Lichtenstein’s work by the use of comic style drawing and Benday dots.

Versace Spring/Summer, 1991

Hayford. A. C. (2015). ‘TOP TEN ANDY WARHOL INSPIRED COLLECTIONS’ [Online] Available At: http://www.hungertv.com/feature/top-ten-andy-warhol-inspired-collections/

The pattern of this dress is designed with some similar work that Andy Warhol produced with Marilyn Monroe ’s portrait.

Slips-Ons, 2015, Takashi Murakami & Vans

Murakami. (2015). ‘Takashi and vans’ [Online] Available At: https://www.vans.com/murakami.html

Converse All Stars Chuck Taylor

Converse. (n/a). ‘All Stars chuck Taylor’ [Online] Available At: http://www.sarenza.co.uk/converse-chuck-taylor-all-star-pop-art-hi-w-s754988-p0000021589

Jeremy Scott’s McDonald’s Uniform Collection, 2014, Moschino

Scott. J. (2014). ‘McDonalds Uniform Collection’ [Online] Available At: https://www.milanoimai.com/surf-life-saving-raceday/

This collection represents the consumerism and big mass production companies with vibrant colours.

Milan Fashion Week, 2009, Agatha Ruiz de la Prada

Ruiz. A. (2009). ‘Milan Fashion Week’ [Online] Available At: https://www.pinterest.com/okiesweetie708/agatha-ruiz-de-la-prada/

This collection also uses bright colours and simplicity of figures like the heart.

Cartoon Purse

Link: https://2dbags.co/

These bags usually come in bright and happy colours, they are also design as if they were 2D with black bold outlines.

Archer Cartoon

Floyd Prod. (2017). ‘Archer’ [Online] Available At: http://archer.wikia.com/wiki/Season_7

This cartoon is similar of the artworks that artists like Lichtenstein and Marjorie Strider, which is influenced by the popularity of comics.

Zofies Verden (world)

Nestor. G. (2006). ‘Zofies verden’ [Online] Available At: https://no.wikipedia.org/wiki/Zofies_verden

This is a panel from a book that has an influence of the style of Roy Lichtenstein.

Grand Theft Auto Vice City

Rockstar games. (2002). ‘GTA: Vice City’ [Online] Available At: http://gta.wikia.com/wiki/Grand_Theft_Auto:_Vice_City

Hello Kitty Cafe

Sanrio. (2011). ‘Hello kitty Cafe’ [Online] Available At: https://sanriodigital.com/products/mobile/hello-kitty-cafe

Neko Atsume

Hit-Point. (2015). Neko Atsume: ‘Kitty Collector’ [Online] Available At: https://itunes.apple.com/gb/app/neko-atsume-kitty-collector/id923917775?mt=8

Yellow Submarine, The Beatles

youtube

Beatles. (2012). ‘Yellow Submarine’ Video[Online] Available At: https://www.youtube.com/watch?v=vefJAtG-ZKI&feature=youtu.be

youtube

The Beatles - Lucy in the Sky with Diamonds Beatles. (2015). ‘Lucy in the Sky with Diamonds’ Video [Online] Available At: https://www.youtube.com/watch?v=h_64MBkiEIw&feature=youtu.be

In some of these videos I found some kind of pop art features like human figures with black outline and the bright colours.

Whaam! Game, 2012, Alastair Low

youtube

Whaam! game video Low. A. (2012). ‘Whaam Game’ Video[Online] Available At: https://www.youtube.com/watch?v=zpa5qFFDLdY

I found that someone made a game based on one of Roy Lichtenstein most famous artworks, ‘Whaam!’.

Ohhh.. Alright, kitty... , 2017, Fat Cat Art

Fat Cat Art (2017). ‘Ohhh.. Alright, kitty...’ [Online] Available At: http://fatcatart.com/2017/01/lichtenstein-ohh-kitty/?lang=en

I wanted to finalise my research with this fan art of Lichtenstein’s piece made by Fat Cat Art.

Feedback 20th October 2017

Tate. (2017). ‘POP ART’ [Online] Available At: http://www.tate.org.uk/art/art-terms/p/pop-art

Tate. (2017). ‘Andy Warhole’ Biography [Online] Available At: http://www.tate.org.uk/art/artists/andy-warhol-2121

Ranker. (2008). ‘The Best Pop Art Artist’ Artists Lists [online] Available At: https://www.ranker.com/list/famous-pop-art-artists/reference

Ranker. (2008). ‘Famous Pop Art Artwork’ List [Online] Available at: https://www.ranker.com/list/pop-art-art-and-artwork/reference

Pennington. J. (2014). ‘What did Roy Lichtenstein mean’ Question and Answer [Online] Available At: https://www.quora.com/What-did-Roy-Lichtenstein-mean-by-I-can-see-the-whole-room-and-theres-nobody-in-it

Anirudh. (2014). ‘10 Most Famous Painting By Andy Warhole’ List Article [Online] Available At: https://learnodo-newtonic.com/andy-warhol-famous-paintings

Tate. (2017). ‘Who Is Yayoi Kusama’ Article [Online] Available At: http://www.tate.org.uk/kids/explore/who-is/who-yayoi-kusama

Wolf. J. (2017). ‘Pop Art Movement Overview and Analysis’ Internet Article [Online] Available At: http://www.theartstory.org/movement-pop-art.htm

Adriana. (2016). ‘The Influence of Art History on Modern Design’ Article [Online] Available At:

https://pixel77.com/art-history-modern-design-pop-art/

Hall. H. (2015). ‘Inside the marginalised world of women and Pop Art’ Article [Online] Available At:

http://www.stylist.co.uk/life/first-look-at-the-tate-modern-new-show-puts-women-at-the-forefront-art-feminism-women-london-gallery

Martinique. E. (2017). ‘Who Are the Pop Art Women We Should Know?’ Article [Online] Available At:

https://www.widewalls.ch/pop-art-women/

Lebowitz. R. (2016). ‘11 Female Artists Who Left Their Mark on Pop Art’ Article [Online] Available At:

https://www.artsy.net/article/artsy-editorial-11-female-artists-who-left-their-mark-on-pop-art

Tate. (2017). ‘Do Women Have To Be Naked To Get Into the Metro. Museum?’ [Online] Available At: http://www.tate.org.uk/art/artworks/guerrilla-girls-do-women-have-to-be-naked-to-get-into-the-met-museum-p78793

Tate. (2017). ‘Who are GuerrillaGirls?’ [Online] Available At: http://www.tate.org.uk/art/artists/guerrilla-girls-6858/who-are-guerrilla-girls

Tate. (2016). ‘Guerrilla Girls’ Article [Online] Available At: http://www.tate.org.uk/art/art-terms/g/guerrilla-girls

Tate. (2016). ‘Andy Warhole’ Online Entry [Online] Available At; http://www.tate.org.uk/art/artworks/warhol-self-portrait-t01288

Tate. (2017). ‘Hit Me with a Hammer’ [Online} Available At: http://www.tate.org.uk/art/artworks/pivovarov-he-hit-me-with-a-hammer-and-burst-into-tears-t14797

Tate. (2016). ‘This is Radio moscow…’ [Online] Available At: http://www.tate.org.uk/art/artworks/pivovarov-this-is-radio-moscow-t14798

Moscowart. (2015), ‘Victor Pivovarou’ Biography [Online] Available at: http://www.moscowart.net/artist.html?id=VictorPivovarov

Pereira. L. (2015) ‘The Emergence and Evolution of The Pop Art Movement’ Article [Online] Available At: https://www.widewalls.ch/pop-art-movement-history-context/

MoMAS. (2015). ‘Campbell's Soup Cans’ Passage [Online] Available At: https://www.moma.org/learn/moma_learning/andy-warhol-campbells-soup-cans-1962

Khan. (2012). ‘Why is this art?’ Video [Online] Available At: https://www.khanacademy.org/humanities/art-1010/pop/v/andy-warhol-campbell-s-soup-cans-why-is-this-art

Rosler. M. (2016). ‘Bodily trauma at the very level of form’ Portfolio [Online] Available At: http://bombmagazine.org/article/7323329/portfolio

Myartbroke. (2015). ‘Britain Vs America’ Article [Online] Available At: https://www.myartbroker.com/blog/myartbroker-explores-pop-art-britain-vs-america/

Schmahmann. B. (2014). ‘Emergence of Pop Art in Britain’ Article [Online] Available At: http://www.the-art-world.com/history/pop-art2.htm

Nastasi. A. (2012). ‘Andy Warhol’s Best Advice about Art’ Article [Online] Available At: http://flavorwire.com/315928/andy-warhols-best-advice-about-art

Pereira. L. (2015). ‘The Emergence and Evolution’ Article [Online] Available At: https://www.widewalls.ch/pop-art-movement-history-context/

Anika. D. (2015). ‘From Art to Industry and Back’ Article [Online] Available At: https://www.widewalls.ch/pop-art-fashion-industry/

Blazenhoff. R. (2017). ‘A Warhol-Inspired Pop Art Paper Dress’ Article [Online] Available At: https://laughingsquid.com/the-souper-dress-a-warhol-inspired-pop-art-paper-dress-by-campbells/

Bumpus. J. (2011). ‘Rodnik Rules’ Article [Online] Available At: http://www.vogue.co.uk/article/rodnik-london-fashion-week-preview

Hayford. C. A. (2015). ‘TOP TEN ANDY WARHOL INSPIRED COLLECTIONS’ Published Article [Online] Available At: http://www.hungertv.com/feature/top-ten-andy-warhol-inspired-collections/

Vans. (2015). ‘Murakami’ Shoe Designs [Online] Available At: https://www.vans.com/murakami.html

Tate. (2015). ‘Fernand Léger’ Article [Online] Available At: http://www.tate.org.uk/art/artists/fernand-leger-1488

Adriana. (2016) ‘The Influence of Art History on Modern Design’ Biography [Online] Available At: https://pixel77.com/art-history-modern-design-pop-art/

Strider. M. (2014). ‘Marjorie Strider’ Biography [Online] Available At: (https://www.artsy.net/artist/marjorie-strider

Haring. (n/a). ‘ Keith haring’ Bio [Online] Available At: http://www.haring.com/!/about-haring/bio#.WfH13Wi0NPZ

Rosler. M. (1943). ‘Martha Rosler’ [Online] Available At: https://www.artsy.net/artist/martha-rosler

Tate. (2016). ‘Delia Cancela’ biography [Online] Available At: http://www.tate.org.uk/whats-on/tate-modern/exhibition/ey-exhibition-world-goes-pop/artist-biography/delia-cancela

0 notes