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HILSON || I Love you so by The Walters
A gift for @ihopeicanchangethislater05
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Crashing into everybody's lives, leaving shards behind.
The main illustration I made for the OneHelluvaZine! 😊
I really wanted to make an art nouveau stained glass!
It was before season 2 so I didn't know much about their respective childhoods! I put whatever I could in symbolism and flowers 💐 🌷

The background on its own 💐
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welcome back to me making up dynamics that dont exist
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I know this isn't her name but as soon as I saw her my brain went 'But what if..?'
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Just another day in the fizzarozzie household (I like to think Oz would sent this to Bee) 🤭
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The Fizzies used puppy-dog eyes...
It was super effective...
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Please do not repost!
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Fizz is too caught up in getting ready for the pageant so Ozzie tries his best to convince him to take a break~ 💕 This was based on a wonderful fic by kayisdreaming on ao3!!
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(I've never done a comic before but Stolas' line in the trailer was haunting me and I couldn't get this whole thing out of my head 👍)
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Erik is a metaphor for the Monarchy
This season has given me so much to think about Erik and Wilhelm's idolization of Erik, and how it plays a dual role in Wilhelm's arc as a character.
I think Erik represents Wilhelm's motivation to carry forward the legacy of an institution which is slowly crumbling in its relevance (in the fictional Sweden atleast, I have no idea about the geopolitical scenario of the real-life monarchy in Sweden). Yes, Wilhelm does come from a lineage of a family relevant in history, but not only he is too young to understand that burden but he is also someone who does not feel a personal connection with that burden, unlike August(which ironically also stems from his love for his father). But he does feel that personal connection to Erik, not only because they are brothers but also Erik seems to be the only one Wilhelm can fully be vocal about his thoughts until he meets Simon. Erik is what separates Wilhelm from that burden of legacy and responsibilities.
But then Erik dies. Erik's death not necessarily represents the death of the monarchy, but it's still the death of the stability that the system thrives on. Royals want everything in control, and we can see that a lack of control runs everything berserk in that system. Erik's death is the beginning of the legacy weighing down on Wilhelm in full force, how the monarchy is just a system that thrives in perpetual succession and does not care if a spare fills the shoes of an heir unwillingly. He is expected to mould himself in the image of Erik, and the personal connection Wilhelm lacked with the Monarchy takes the shape of Erik in his mind- he believes that he is doing good to Erik's memories if he steps up as a suitable Crown Prince, but in the end, he's just catering to the system, not Erik. Even if the system is full of lies and secrets and he is forced to part ways from his authentic self.
But then he realizes that he does not want to part ways with himself, and how he stands apart as an individual when he is with Simon. Trying to get Simon back was also an attempt to reclaim his individuality, and the more he tried to gain everything back by the easiest way possible, the more he lost Simon and got pushed to the deep end. The Monarchy still loomed on the horizon, he still wanted to uphold Erik's memory by complying with the mould his mother and the Royal Court has been preparing for him. But when he gets Simon's love back, he also gets back his individuality, and how it leads to an epiphany only his free self could have made in his speech.
The illusion reigns supreme even in his relationship with Simon, because Wilhelm thought that he can be a Crown Prince and Simon's boyfriend at the same time, but the more they progressed with the burden together, it became clear that what Wilhelm wants to be is at clear odds with the system he is being prepared for.
Then the illusion shatters with August's confession. It's utterly heartbreaking that Erik and his homophobic actions put deep cracks in Wilhelm's illusion because in the end, he was still his brother. But he will forever remain scarred by the possibility that maybe Erik could have not accepted his individuality and his love for Simon. His first safe haven he found as a child, and which continued to be one when Wilhelm's grief became too painful, all shattered by a revelation he had no answers to. And suddenly all the comparisons with his older brother became a suffocating chain around his head, and he explodes in a rage of fury to his parents.
Erik was not only a literal figurehead of the institution, but he was also a phantom manifestation of the Monarchy for Wilhelm's character. The ever-present apparition of a system he does not thrive in.
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—wentworth's letter to anne, persuasion, jane austen
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