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was thinking about that one blind professor post earlier today and how well it applied to the aptly named Team Dark

(really 'Team Dark' just sounds a lot cooler than 'Team Saves-On-Electricity')

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today I used the phrase "breasting boobily" in casual real life conversation and everyone was shocked asking how I came up with that and I had to explain it. ive been at the devil's sacrament so long that I forgot he wasn't god

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Shout out to the 2 biggest haters in Hisui

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aw look she’s learning metronome :D

SHIT

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Pov: The Clan Leaders find out what Volo did at the Temple of Sinnoh

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One of my favorite aspects of Sinners how they use the musical scenes to build tension. Because they start out small, with just Sammy and Stack in the car, then the performance with Slim at the train station, and then working up to the scenes in the barn.

The first juke sequence is the most visually stunning, of course. It's chaotic but overwhelmingly positive, beautiful, and joyous. When we move to Pearline's song, things start to darken. The thumping stomps are timed with the twins beating the man with the loaded dice. We've already seen violence in the film, but this is a steep escalation intentionally set to music.

Then, we think the tension is going down when the ******** show up (no spoilers 🤫), but they are so immediately unsettling that we never feel at ease. Their music is sweet and their voices are soothing, but it's a front, one that fractures pretty quick but shatters completely with the Rocky Road to Dublin.

Rocky Road is a perversion of the first juke scene, twisting the joyful chaotic energy of the dance into a masterfully disturbing parody, where the full evil and madness (and twisting of spirituality) of the ******** is put on display.

It's just such a good way to build the narrative. I love love love how serious they were about making music the keystone of every filming decision.

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my favorite post-credit scene was when it was very clearly implied that smoke only let stack go in exchange for making sure their baby cousin didn’t get turned into a monster, and then went ousside and shanked the irish vampire bc one thing the juke joint family was NOT doing was selling off their baby cousin to remmick in exchange for their lives. bc at the end of the day, it was about preserving sammie’s future. it was about giving the children a chance to grow up. remmick wanted sammie to help him lure in more humans and thus make more vampires, but smoke wasn’t having that. on god, that white man was NOT touching sammie. forced vampire marriage CANCELLED 💀

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im thinking abt sinners and The Scene: how Sammie played so beautifully that the house caught fire and showed the people inside, but he wasn't the center of it - there was so much movement in that scene!!! so much to SEE - no two people danced the same way - you're focusing on the spirits of the old and the new and how Together everyone looked even without four walls around them.

And then you have Remmick and his song. There's uniformity in the dancing!!! in the singing!!!! in the movements!!!!!!! Those same people who were dancing so freely and expressively!!!!! Now following remmick step after step!!!!!

Whiteness as vampirism!!! Leeching away individuality!!!! culture!!! freedom!!! ughhgghh this movie !!!!!¡!!! so good !!!!!¡!!!!!!!

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just saw sinners and i can safely say that michael b jordan looked so slutty in his bloody tank top emptying entire gun clips into kkk members. immediate 10/10

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thinking about the vampire remmick in sinners coming from a same place of oppression as the people he's terrorizing, thinking about him using the music that his oppressed ancestors played to perpetuate the cycle of domination that they were a victim of, thinking about him trying to use his background to make sammie think they're on the same side when he's trying to take his gift for himself and use it for evil, thinking about him using his talents to destroy communities instead of healing them and bond his people together the way sammie does, music as the vessel of love through generations of black people against a white man that wants to take it for himself, vampirism in the movie being represented as a continuation of the south's racism, one that wants to appropriate the culture ("your memories become my memories") by using it to destroy the community, ryan coogler... genius i'm afraid

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the renaissance of freaky vampires in media makes me so unbelievably happy it’s what god intended.

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the comparison of the Irish experience to the Black experience, finding out that Remmick comes from a time when the Irish were colonized... while still acknowledging that he was able to use that privilege to escape the vampire hunters... and the first thing he did was un-racist those fuckers in the home he ran in to.

and the absolute juxtaposition of Sammie escaping the vampire hivemind with his life, only to go back home to the church where he is expected to give up the music of his life to assimilate into his father's church

FUCK

Ryan fuckin Coogler the man that you are

i'm not going to shut the fuck up about this movie

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I can't get over how Sinners is such a rich text on assimilation and whiteness and the dangers of "civility" and music as a way to look both forward and back

And it's also a phenomenal vampire movie where a lot of hot people get covered in blood and there's a B plot about eating out girls

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remmick and the vampires present a false dichotomy

Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious

remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency

when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA

when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative

remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people

in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer

remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that

theres a reason vultures are shown early on in this movie

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Lusamine 🪼✨

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this is probably my favorite shot in anything pokemon. it’s so #sitting