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SCHOOL / TRAINING
February 2024 - AfterEffect CC training, compositing techniques and their applications in animated film, Atlantiz Park, Angoulême
2020-2022 - DNSEP with distinction for political commitment, EESI (European School of Visual Art), Poitiers
2017-2020 - DNA, with specialization in animated images, EESI Poitiers
2016-2017 - Preparatory class for entrance examinations to art schools, GrandAngoulême Art School
PROFESSIONAL EXPERIENCES
November 2022 - June 2023 - Civic service assignment (mediation and communication) with the Musiques Métisses association, Angoulême
February - June 2022 - Cultural mediation for young audiences and schools, Sainte Croix Musuem, Poitiers
March - June 2022 - Internship with Chloé Mazlo, creation of an animated film as part of a workshop with prisoners at the Maison Centrale in Saint-Martin-de-Ré
January 2019 - Internship at the Confort Moderne, installation of Claire Fontaine’s exhibition Les printemps seront silencieux, Poitiers
RESIDENCIES
May - June 2025 - Residence to continue the work Don’t worry they are just grieving, Can Serrat, El Bruc, Spain
July - November 2023 - Research and experimentation residency at Can Serrat, El Bruc, Spain
◌ View of the work developed, Don’t worry, they are just grieving, by Edo Garcia : https://www.youtube.com/watch?v=O-bHTkLj3fY
EXHIBITIONS
May 2025 - Screening of Five seconds during the Festival Sauvage at La MPP, Angoulême
July - August 2024 - Collective exhibiton A Corps Perdu, screening of Five seconds, Médiathèque de Trélissac
May 2024 - Screening of Five seconds followed by the webserie Gender Derby (Camille Ducellier) and a discussion, Chantier Public, Poitiers
March 2024 - Corps et communautés en mouvement , performance made with Manon Thomas, as part of the Essenti’[elles] festival, Centre d’Art Madeleine-Lambert, Vénissieux
March 2023 - Broadcasting of Five seconds, on the web radio ZaïZaï Radio, followed by a talk about chosen mixity, for the 8th of March (international day for women’s rights)
Septembre 2022 - Screening of Five seconds at the eco-feminist festival «Réinventer son monde», Orléans
July 2022 - Screening of Loques à terre at the FEMA La Rochelle (50th edition)
February 2022 - Collective exhibition Chemins de Faire, diffusion of Five seconds in sound form, Confort Moderne, Poitiers
Février 2022 - Collective and feminist exhibiton Mêlées, diffusion of Five seconds in sound form, Chantier Public, Poitiers
FILMOGRAPHIE
Five seconds, documentary, live-action and animation, 9 minutes, 2022
Loques à terre, fiction, animation, created during a workshop with Cholé Mazlo and the inmates of the Maison Centrale in Saint-Martin-de-Ré, 6 minutes 32, 2022
goutte à goutte, documentary, traditional animation, 6 minutes 07, 2020
Programme délicat, fiction, live-action, 3 minutes 57, 2019
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About
Based in Angoulême, France
Morgane's work draws on personal experiences of the intimate, the ordinary and the everyday to tell common, shared stories. Whether they start from their own experiences, or choose to look at those of other women, Morgane's stories are always told from a position of retreat. The way they position themselves as observers can be felt in the way they welcome and convey these realities, letting them speak for themselves. The subjects they deal with reflect a feminist commitment that Morgane nurtures through their roller derby practice, a sport where feminist issues are important. It is introduced in their work through a short film based on interviews with Morgane’s teammates. After the violence, we are shown a potential space for the emancipation of the body and thought.
Joanna Brosset
Vimeo : https://vimeo.com/morganelar
Contact : [email protected]
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Corps et communautés en mouvement
�� For this feminist and inclusive performance entitled «Corps et communautés en mouvement» (Bodies and communities in motion), the artists Manon Thomas & Morgane Larousserie put on their roller skates, helmets and protective gears. They set off along the resin floor of the Art Center Madeleine Lambert. Inspired by the contemporary practice of skating and by its history - carried especially by lesbian and Afro-American minorities since the 1970s and 1980s - this performance, set to the beat of drums and music, will involve notions of care and attention, the reappropriation of bodies and the conquest of public space. »
Text by the Art Center Madeleine Lambert in Vénissieux where the performance was played on the 8th of March 2024 for the Essenti’[Elles] festival.
duet performance with Manon Thomas, 20 minutes - 2024-
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Don't worry, they are just grieving
I start this film during my residency in Can Serrat. The project center on the grieving process, moving from anger, symbolised by fire, to sadness, tears and finally care and healing, represented by the image of the hands. For me, this part of the body is very powerful and carries a poetic dimension. There are many expressions and gestures linking the hands and the attention paid to others or to oneself. As well as videos and animations, drawing and engraving have played an important part in my visual research.
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Thirty seconds
This poster was created to announce my diploma, modelled on the posters announcing roller derby games. Thirty seconds is the title of my DNSEP. It refers to the thirty seconds whistled before the start of a game and the time between each jam (period of play in roller derby), when the skaters take their places on the track. A text explains how the event unfolds. I chose green and purple because they were the colours we chose for the Pict’Alien club, the subject of my final year film. They are also the colours of the Sufragettes feminist movement.
Poster announcing my diploma - 2022
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Five seconds is a short documentary about a roller derby club in Poitiers - the Pict’Aliens - which has chosen to play the sport in chosen mixity (without cisgender men) and self-management. Roller derby, a feminist and inclusive sport, is a pretext for tackling these issues of chosen mixity and self-management, which are often misunderstood and strongly criticised, but are sometimes essential for people from minority backgrounds.
Graduation short-film - 2022
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Untitled
A roller derby track is marked out on the ground. Five people are spread out on the track, dressed in everyday clothes and standing still. I start skating on the track, dodging the «civilians» and getting as close to them as possible. Sometimes I push them slightly. The performance ends when I’m too tired to continue.
With this performance, I wanted to re-enact the violence that women and LGBT people can experience in the public space, from stares to street harassment. By rollerskating and wearing protective gear, I reverse the power dynamics, I take back the power, I become the danger for these static people. By rollerskating, I hope to reappropriate spaces, in this case a gymnasium.
Performance, varying duration - 2022
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Activist fanzine
These editions were produced during a workshop with Hélène Alix Mourier. They unfold to reveal a poster. They are made up of silver photographs taken during demonstrations (the Gilets Jaunes movement and Pride marche in Angoulême).
They have a militant slant and are designed to be distributed or stuck up at similar events.
Prints on colour paper, black and white silver photographs, text, A3 folded - 2021
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T'as pas fait la vaisselle ?
T'as pas fait la vaisselle ? (You didn't the dishes ?) is a dissertation about the violences committed in the home (mostly by men). It deals with unpaid domestic work (looking after the house, taking care of the family), domestic violence and incest.
The book is built like a house, with each part corresponding to a room (kitchen, living room, bedroom), and the layout of the text and footnotes suggest that room. Passages of fiction, depicting the evening of a family that could be defined as ordinary, also link each theoretical part and allow the reflection to progress.
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goutte à goutte is an animated documentary narrated by Pascale, a woman who has managed to leave her violent partner. She recounts the evolution of her increasingly dangerous relationship. I chose to show everyday objects, actions and places to illustrate the deterioration of the relationship, which is becoming increasingly toxic. I wanted to create a contrast between the audio testimony, which can be destabilising for the viewer, and more symbolic images.
Animated documentary, traditional 2d animation - 2020
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