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marlenacantswim · 1 hour
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THE OLD MEN ARE BACK AT IT SOMEONE HOLD THEM BACK
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marlenacantswim · 5 hours
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Changing my belief system from "this is the hill I'll die on" to "this is the hill I'll kill you on" has done absolute wonders for me 10/10 do recommend
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marlenacantswim · 5 hours
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I had a very interesting discussion about theater and film the other day. My parents and I were talking about Little Shop of Horrors and, specifically, about the ending of the musical versus the ending of the (1986) movie. In the musical, the story ends with the main characters getting eaten by the plant and everybody dying. The movie was originally going to end the same way, but audience reactions were so negative that they were forced to shoot a happy ending where the plant is destroyed and the main characters survive. Frank Oz, who directed the movie, later said something I think is very interesting:
I learned a lesson: in a stage play, you kill the leads and they come out for a bow — in a movie, they don’t come out for a bow, they’re dead. They’re gone and so the audience lost the people they loved, as opposed to the theater audience where they knew the two people who played Audrey and Seymour were still alive. They loved those people, and they hated us for it.
That’s a real gem of a thought in and of itself, a really interesting consequence of the fact that theater is alive in a way that film isn’t. A stage play always ends with a tangible reminder that it’s all just fiction, just a performance, and this serves to gently return the audience to the real world. Movies don’t have that, which really changes the way you’re affected by the story’s conclusion. Neat!
But here’s what’s really cool: I asked my dad (who is a dramaturge) what he had to say about it, and he pointed out that there is actually an equivalent technique in film: the blooper reel. When a movie plays bloopers while the credits are rolling, it’s accomplishing the exact same thing: it reminds you that the characters are actually just played by actors, who are alive and well and probably having a lot of fun, even if the fictional characters suffered. How cool is that!?
Now I’m really fascinated by the possibility of using bloopers to lessen the impact of a tragic ending in a tragicomedy…
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marlenacantswim · 5 hours
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WAIT I HAVE AN AWESOME HOUSE DESIGN
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marlenacantswim · 5 hours
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Happy Monday! And a reminder: it's always a good day to make your existence everyone's problem
Previous meme dump!
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marlenacantswim · 5 hours
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doodles of the 8th and 13th doctors :D
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marlenacantswim · 5 hours
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🐍❤️🧚🏻‍♂️
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marlenacantswim · 5 hours
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marlenacantswim · 5 hours
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so real Simon
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cutiessss
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marlenacantswim · 5 hours
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marlenacantswim · 5 hours
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My only real beef with NuTrek set at the same time that Bashir and Garak exist is that they haven't had the balls to make it screen canon. Like, it was there in DS9 to the point the Powers that Be had to tell Alexander Siddig & Andrew Robinson to Knock It Off, and separated the characters as much as they could without pissing off the entire fan base.
The actors saw it, the fans saw it, it is there!! If you can give us Picard and bring back all those people and little nods, you sure as hell can give us 30 seconds of Bashir consulting with Beverly with Cardassia in the background and Garak popping over Bashir's shoulder to ask about her magic-borg-son.
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marlenacantswim · 7 hours
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marlenacantswim · 8 hours
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marlenacantswim · 8 hours
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marlenacantswim · 8 hours
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marlenacantswim · 8 hours
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marlenacantswim · 23 hours
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Halloween calls for DT in Fright Night gifs
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