martapossum

[martapossum]

Another piece for @lemoshima

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all has been made to stand still in the house of incest

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Posting here some of my saxloch sketches as well for my beloved @lemoshima

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Starting to relate to the corpse father keeps in our basement

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one beautiful morning twenty days ago i assigned a rodent to each 🐀liff

timothy — a guinea pig

very round

losing it but still looking bossy

look at him go

lochlan — the winter white dwarf hamster

scared

poisoned

high

saxon — a wharf rat

beefy boy

scheming

were you really expecting anything else?

victoria — the groundhog

sleep

piper nauuuuu

sleep

piper — the degu

demure

mindful

loves dust baths

thank you kindly. .

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Arno Rafael Minkkinen. Aere River, Berne, Switzerland, 1975.

Galerie Camera obscura.

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It's possible that Utena never existed. That she's merely a part of Anthy. If everything is a metaphor anyway and the story can be summed up as a story about trying to break free from sexual abuse - it may as well be that Utena herself is just a metaphor.

In the end Anthy is all by herself when she walks away from school, right.

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How are we feeling satomaya nation

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For everyone following me from certain fandoms: I am not consistent in any, unfortunately.

But my Mains are: RGU and MARUTOKU GAMES (ZENO and NO SALVATION mostly)

Also, be aware, that my blog may contain some uncomfortable content such as INCEST, GORE, NUDITY, NECROPHILIA, etc…

(don't know where I`ll find myself in the future…)

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no man has ever made me question my sexuality more then this before like what is it about him that’s so damn attractive

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it's not enough... it's still not enough! why were you always LOOKING at me like that!? why...

not finishing this but very fond of her. riff on edgar degas' "at the miliners" (1881) which is maybe the most gay yearning painting i’ve ever seen

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why so dramatic????🤨🤨

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Booty showing the world

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My pure girl...

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recent realization has been just how much of rgu is based on soviet art. we all know by now how ohtori's warping architecture is inspired by constructivism

but apart from that, the thing that makes rgu's cinematography special—it's usage of esoteric images to create visual new meanings + it's repeated shots of lined up objects—is so clearly Eisenstein

rgu directly utilizes Eisenstein's theory of montage—and it's my favorite usage of it too. it feels like the technique was created ex professo for rgu's cinematography. i could think of no better use for it. that girl sure is revolutionary.

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”—ah. seems like mother goose has been playing around in your egg salad. if you won’t dance to that tune, I got others.”

honestly, the would you kindly scene is whatever to me*, code yellow is the more interesting violation/betrayal of the body because of how beautifully it escalates the Fontaine reveal/betrayal and shows how ugly some of those ‘locks and keys’ that Tenenbaum mentions are. not only have you been a tool in another man’s hand this entire time, it goes deeper. your body is not your own.

*there used to be a meandering thought here about the would you kindly scene, but it was really just talking around the fact that I spent way too many years seeing people discuss it in the most insufferable and reductive ways possible when it’s a combination of three or four other things that make that moment compelling lmao

collage credits: heart one/heart two

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / tip jar!

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Autistic women love slugs