masterjoshuagrayson

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WHERE SHADE ONCE WAS 

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its baby time

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@tkstaar good for health 💊⚡️💊 #cosplay #follow #akira #anime #kaneda #cyberpunk #future #leggings #dustrial #whoisdustrial https://www.instagram.com/p/BxDs_ipHHzy/?igshid=qp8eqcllkojd

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two of my favorite new x-antibody digimon recently revealed!

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by 4gottenlore

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Me, trying to use gouache

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Movie Monster Maker Milicent Patrick Finally Gets Her Due In ‘The Lady From The Black Lagoon’

In 1818, Mary Shelley created popular culture’s first and most enduring monster in “Frankenstein; or, The Modern Prometheus.” Since then, “women have always been the most important part of monster movies,” as Mallory O’Meara states in “The Lady From the Black Lagoon,” her engaging and compelling, if uneven, book about artist Milicent Patrick, the unsung designer of another iconic monster.

As a teenager, indie horror filmmaker O’Meara became captivated by Universal Pictures’ 1954 “Creature From the Black Lagoon.” Its eponymous amphibian star — a scaled, humanoid figure fondly known to generations of sci-fi geeks as the Gill-man — was the last of Universal’s classic monsters, joining the studio’s pantheon alongside Dracula, the Frankenstein monster and his Bride, and the Wolfman, among others. The Gill-man was also, as O’Meara learned to her delighted amazement, the first — and at the time, only — movie monster to have been designed by a woman.

Full Article

The Gill-man is easily one of the best creature designs in cinema history and my personal favorite classic movie monster. In my opinion, the design still holds up today. It’s a crime that it took so long for Ms. Patrick to be properly recognized for her amazing creation.

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The Shape of Water

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by Brian Maze

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the shape of water doesn’t come out over here until next month, so i’m improvising